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    <title>Tag: sacred-space | ArchDaily</title>
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        <![CDATA[When Movement Becomes Sacred Space: The Architecture of India’s Pilgrimage Landscapes]]>
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      <link>https://www.archdaily.com/1042873/when-movement-becomes-sacred-space-the-architecture-of-indias-pilgrimage-landscapes</link>
      <pubDate>Mon, 06 Jul 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>At the helm of <a href="https://www.archdaily.com/1042553/the-ecological-intelligence-of-sacred-landscapes">architectural discourse on sacred architecture</a>, attention almost always settles on the monument. <a href="https://www.archdaily.com/category/temple">Temples</a>, <a href="https://www.archdaily.com/search/projects/categories/mosque">mosques</a>, <a href="https://www.archdaily.com/search/projects/categories/monastery">monasteries</a>, and <a href="https://www.archdaily.com/search/projects/categories/churches">churches</a> dominate architectural histories, design criticism, and photography alike, becoming the physical symbols through which faith is understood. For millions of pilgrims across <a href="https://www.archdaily.com/country/india/page/1">India</a>, the most consequential architectural experience begins long before the shrine comes into view. It unfolds across mountain roads, river ghats, shaded streets, temporary camps, queue systems, bridges, water kiosks, medical stations, and countless ordinary pieces of infrastructure through which <a href="/tag/pilgrimage">pilgrimage</a> actually takes place. The architectural work of pilgrimage may lie less in the shrine itself than in the environments that allow millions of people to reach it.</p>]]>
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      <title>
        <![CDATA[The Ecological Intelligence of Sacred Landscapes]]>
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      <link>https://www.archdaily.com/1042553/the-ecological-intelligence-of-sacred-landscapes</link>
      <pubDate>Sun, 28 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>Architecture often speaks about <a href="https://www.archdaily.com/tag/ecological-design">ecological design</a> as though it were a recent discovery. Biodiversity corridors, <a href="https://www.archdaily.com/1035802/consciously-driven-in-conversation-with-void-the-costa-rican-studio-shaping-regenerative-architecture?ad_campaign=normal-tag">regenerative landscapes</a>, sponge cities, and <a href="https://www.archdaily.com/1041578/building-autonomy-latin-american-communities-bringing-lifes-systems-into-architecture">more-than-human urbanism</a> are presented as emerging responses to contemporary environmental crises. Across <a href="/tag/india">India</a> and the SWANA region, landscapes shaped through religious practice have long organized relationships between people, water, vegetation, and animals. <a href="https://www.researchgate.net/publication/307742632_Heritage_management_of_temple_tanks_in_an_urban_scenario_-_a_case_study_of_Thirupporur_a_traditional_town_in_the_state_of_Tamilnadu_India?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Long before ecological performance became a design metric, temple tanks stored monsoon water,</a> sacred groves protected biodiversity, and oasis settlements sustained life in some of the world's most arid environments. Few of these places emerged from explicit environmental agendas. They emerged through cultural and spiritual practices. Their environmental logic remains highly relevant today. Many of the conditions now discussed through more-than-human design have existed for centuries within landscapes architects rarely study as ecological infrastructure.</p>]]>
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        <![CDATA[Monasteries in Transformation: 8 Projects that Redefine Architecture and Devotion]]>
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      <link>https://www.archdaily.com/1033934/monasteries-in-transformation-8-projects-that-redefine-architecture-and-devotion</link>
      <pubDate>Wed, 10 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>Monasticism emerged from a deep impulse to withdraw—a radical pursuit of spirituality and transcendence. The word itself comes from the Greek μόνος (<em data-start="302" data-end="309">mónos</em>), meaning “alone,” reflecting the ideal of the holy hermit who retreats from the world to dedicate life entirely to the divine. By the late 3rd century, in <a href="https://www.archdaily.com/country/egypt" target="_blank" rel="noopener">Egypt</a> and <a href="https://www.archdaily.com/search/projects/country/palestine" target="_blank" rel="noopener">Palestine</a>, <a href="https://www.oxfordbibliographies.com/display/document/obo-9780190922467/obo-9780190922467-0024.xml?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">the first Christian monks began to follow this path</a>, creating ways of life that would later give rise to a distinct architecture centered on seclusion.</p>]]>
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        <![CDATA[Between Geometric Shapes and Raw Materials: The Case of Brutalism in Italy]]>
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      <link>https://www.archdaily.com/1010155/between-geometric-shapes-and-raw-materials-the-case-of-brutalism-in-italy</link>
      <pubDate>Thu, 26 Jun 2025 04:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Born in the post-war period in the United Kingdom, the <a href="/tag/brutalism">Brutalism</a> movement was first met with skepticism but has found a <a href="https://www.archdaily.com/957201/brutalism-the-architecture-style-we-love-to-love">new appreciation in the last decad</a>e, capturing the imagination of new designers fascinated with the interplay between striking geometric shapes and the exposed raw materials in which they are rendered. From Britain, the movement spread throughout <a href="/tag/europe">Europe</a>, Southeast Asia, and Africa, gathering different variations influenced by the cultural and socio-economic status of each area. In this article, we delve into the particularities that define Italy's contribution to the Brutalist movement, exploring the style through the lens of <a href="https://www.instagram.com/ilcontephotography/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Roberto Conte</a> and <a href="https://www.instagram.com/stepegphotography/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Stefano Perego</a>. The two photographers have also published a photographic essay on the subject, taking the form of a book titled "<a href="https://www.amazon.com/Brutalist-Italy-Concrete-Architecture-Mediterranean/dp/1739887832?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Brutalist Italy: Concrete Architecture from the Alps to the Mediterranean Sea</a>".</p>]]>
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        <![CDATA[Interfaith Spaces: Architectural Responses to Religious Diversity]]>
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      <link>https://www.archdaily.com/1019961/interfaith-spaces-architectural-responses-to-religious-diversity</link>
      <pubDate>Fri, 27 Dec 2024 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>In an increasingly diverse world, the emergence of <a href="https://www.archdaily.com/tag/multifaith">multi-faith spaces </a>represents a significant shift in architectural design, reflecting the evolving <a href="https://www.archdaily.com/891984/is-religious-architecture-still-relevant">religious landscape of contemporary society</a>. These spaces, which began to be <a href="https://www.centerforarchitecture.org/digital-exhibitions/article/the-global-phenomenon-of-multifaith-worship-spaces/what-is-a-multifaith-worship-space/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">formally established in the 1950s</a> in public buildings like airports and hospitals, serve as microcosms of social transformation and peaceful coexistence. They allow various traditions to harmoniously share environments, embodying principles of <a href="https://www.archdaily.com/tag/inclusive-architecture">inclusivity</a>, <a href="https://www.archdaily.com/tag/architectural-flexibility">flexibility</a>, and <a href="https://www.archdaily.com/tag/adaptability">adaptability</a>.</p>]]>
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        <![CDATA[Aesthetics Alone Do Not Give Sacred Space Its Meaning]]>
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      <link>https://www.archdaily.com/1022245/aesthetics-alone-do-not-give-sacred-space-its-meaning</link>
      <pubDate>Fri, 11 Oct 2024 03:30:00 +0000</pubDate>
      <dc:creator>Doug Staker</dc:creator>
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        <![CDATA[<p><em>This article was <a href="https://commonedge.org/aesthetics-alone-do-not-give-sacred-space-its-meaning/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">originally published</a> on <a href="https://commonedge.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Common Edge</a>.</em></p>]]>
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      <title>
        <![CDATA[Buildings Are Not Sacred, but We Can Find Beauty Through Them]]>
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      <link>https://www.archdaily.com/1019075/buildings-are-not-sacred-but-we-can-find-beauty-through-them</link>
      <pubDate>Fri, 19 Jul 2024 03:30:00 +0000</pubDate>
      <dc:creator>Duo Dickinson</dc:creator>
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        <![CDATA[<p><em>This article was <a href="https://commonedge.org/buildings-are-not-sacred-but-we-can-find-beauty-through-them/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">originally published</a> on <a href="https://commonedge.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Common Edge</a>.</em></p>]]>
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        <![CDATA[Shaping the Future of Islamic Architecture: Diriyah Biennale Foundation Unveils AlMusalla Prize]]>
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      <link>https://www.archdaily.com/1015727/shaping-the-future-of-islamic-architecture-diriyah-biennale-foundation-unveils-almusalla-prize</link>
      <pubDate>Wed, 17 Apr 2024 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1015727/shaping-the-future-of-islamic-architecture-diriyah-biennale-foundation-unveils-almusalla-prize</guid>
      <description>
        <![CDATA[<p>The <a href="/tag/diriyah">Diriyah</a> Biennale Foundation has just unveiled the <a href="https://www.archdaily.com/tag/competition">competition</a> details for the AlMusalla Prize, along with the shortlisted architecture studios and the jury. An addition to the<a href="https://www.archdaily.com/tag/islamic-arts-biennale" target="_blank" rel="noopener"> Islamic Arts Biennale,</a> this international architecture competition focuses on designing a musalla, a flexible space for prayer and reflection accessible to people of all faiths. Situated in the <a href="https://www.archdaily.com/777599/ad-classics-hajj-terminal-king-abdulaziz-airport-som">Western Hajj Terminal of King Abdulaziz International Airport </a>in <a href="https://www.archdaily.com/tag/jeddah">Jeddah</a>, <a href="https://www.archdaily.com/country/saudi-arabia/page/1">Saudi Arabia</a>, the musalla will be an integral part of the Biennale’s upcoming edition. The winner of the competition will be announced later this year, and the opening of the musalla will be held on January 25th, 2025. </p>]]>
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        <![CDATA[Finnish ‘Architect of Light’ Juha Ilmari Leiviskä Passes Away at 87]]>
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      <link>https://www.archdaily.com/1012185/finnish-architect-of-light-juha-ilmari-leiviska-passes-away-at-87</link>
      <pubDate>Mon, 15 Jan 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Juha Ilmari Leiviskä, one of Finland´s foremost architects recognized for his design of light-filled poetic spaces, passed away on November 9, 2023, at the age of 87. Born in <a href="/tag/helsinki">Helsinki</a> and educated at Helsinki University of Technology, Leiviskä developed a personal style throughout his six decades-long career, working with his own family of forms to design buildings with unique identities, yet unified by their treatment of light and geometry. His architecture has been praised for its serene, hones, and timeless qualities, earning him numerous awards and international recognition.</p>]]>
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      <title>
        <![CDATA[What Would Jane Jacobs Do? Toward a New Model for Houses of Worship]]>
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      <link>https://www.archdaily.com/999494/what-would-jane-jacobs-do-toward-a-new-model-for-houses-of-worship</link>
      <pubDate>Fri, 14 Apr 2023 03:30:00 +0000</pubDate>
      <dc:creator>Rick Reinhard</dc:creator>
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        <![CDATA[<p><em>This article was <a href="https://commonedge.org/what-would-jane-jacobs-do-toward-a-new-model-for-houses-of-worship/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">originally published</a> on <a href="https://commonedge.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Common Edge</a>.</em></p>]]>
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      <title>
        <![CDATA[How to Frame Dawn in England's Cathedrals ]]>
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      <link>https://www.archdaily.com/994793/how-to-frame-dawn-in-englands-cathedrals</link>
      <pubDate>Tue, 17 Jan 2023 03:30:00 +0000</pubDate>
      <dc:creator>Thomas Schielke</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/994793/how-to-frame-dawn-in-englands-cathedrals</guid>
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        <![CDATA[<p>Using only natural light to document English cathedrals can turn into a logistical and technical challenge. However, Peter Marlow's photography has resulted in a remarkable series of iconic spiritual sites whose contemplative atmosphere is rarely accessible to others. Looking east with the camera towards the nave as the dawn light streamed through the main window opens a purist and mystical perspective to the time when these sacred structures were erected. </p>]]>
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        <![CDATA[Campus Sacred Spaces Are Changing]]>
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      <link>https://www.archdaily.com/989449/campus-sacred-spaces-are-changing</link>
      <pubDate>Fri, 23 Sep 2022 03:30:00 +0000</pubDate>
      <dc:creator>Michael J. Crosbie</dc:creator>
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        <![CDATA[<p><em>This article was <a href="https://commonedge.org/campus-sacred-spaces-are-changing/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">originally published</a> on Common Edge.</em></p>]]>
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        <![CDATA[Architect Trey Trahan on Building Sacred Spaces for Connection in Design and the City Podcast]]>
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      <link>https://www.archdaily.com/974405/architect-trey-trahan-on-building-sacred-spaces-for-connection-in-design-and-the-city-podcast</link>
      <pubDate>Fri, 31 Dec 2021 05:30:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
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        <![CDATA[<p>In this episode of <a class="editor-rtfLink" href="https://open.spotify.com/episode/2RPHIqWrMH5fmVCAjCDx3I?si=c1C_9VzfTsqw66ZvnlRJMw&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Design and the City</a> - a podcast by <a class="editor-rtfLink" href="https://www.archdaily.com/tag/resite" target="_blank">reSITE</a> on how to make cities more liveable – Trey Trahan, founder of <a href="/tag/trahan-architects">Trahan Architects</a>, discusses the importance of designing spaces that foster human connection and encourage self-reflection. With ecology and the poetics of space as core values, the work of Trahan Architects focuses on creating impactful cultural venues and in this podcast, Trahan argues for a design centred around elevating the human experience. </p>]]>
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        <![CDATA[Adapting The Sacred To Be Profane]]>
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      <link>https://www.archdaily.com/970350/adapting-the-sacred-to-be-profane</link>
      <pubDate>Wed, 20 Oct 2021 03:30:00 +0000</pubDate>
      <dc:creator>Duo Dickinson</dc:creator>
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        <![CDATA[<p>It is easy to show cool images of adaptive reuse. The contrast of living history and control over it makes for dynamic visuals. But there is a deeper meaning to adaptive reuse. <a href="/tag/architecture">Architecture</a> embodies humanity and humanity changes, so our buildings change.</p>]]>
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        <![CDATA[Architecture Classic: al-Nouri Mosque / Nur ad-Din Zangi]]>
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      <link>https://www.archdaily.com/947035/architecture-classic-al-nouri-mosque-nur-ad-din-zangi</link>
      <pubDate>Mon, 05 Oct 2020 02:30:00 +0000</pubDate>
      <dc:creator>Kaley Overstreet</dc:creator>
      <category>
        <![CDATA[Mosque]]>
      </category>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/islamic-architecture" target="_blank">Islamic architecture</a> has been perhaps one of the most culturally significant typologies throughout history. Not only do the buildings themselves serve as centers for community and social services, but their designs reflect Muslim beliefs and morals, and reveal the rich history of nations in the Middle East.</p>]]>
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        <![CDATA[What Is Sacred Space?]]>
      </title>
      <link>https://www.archdaily.com/942712/what-is-sacred-space</link>
      <pubDate>Sat, 04 Jul 2020 06:00:00 +0000</pubDate>
      <dc:creator>Duo Dickinson</dc:creator>
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        <![CDATA[<p class="p1">We are in an unholy mess. It is a pandemic, with insane politics, and centuries of hideous racial injustice screaming out humanity’s worst realities.  Each day reveals more disease, more anger, more flaws in our culture than anyone could have anticipated.</p>]]>
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      <title>
        <![CDATA[Sacred Architecture Models Crafted from Hand-Cut Paper by Michael Velliquette]]>
      </title>
      <link>https://www.archdaily.com/900006/sacred-architecture-models-crafted-from-hand-cut-paper-by-michael-velliquette</link>
      <pubDate>Fri, 10 Aug 2018 12:30:00 +0000</pubDate>
      <dc:creator>Niall Patrick Walsh</dc:creator>
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      <description>
        <![CDATA[<p>American artist <a href="/tag/michael-velliquette">Michael Velliquette</a> has produced his latest series of paper-based artwork, creating intricate paper models of sacred architecture. His hand-cut paper shapes are assembled into complex forms “akin to sacred architecture and three-dimensional mandalas.”</p>]]>
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      <title>
        <![CDATA[Is Religious Architecture Still Relevant?]]>
      </title>
      <link>https://www.archdaily.com/891984/is-religious-architecture-still-relevant</link>
      <pubDate>Thu, 12 Apr 2018 09:30:00 +0000</pubDate>
      <dc:creator>Yiling Shen</dc:creator>
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        <![CDATA[<p id="docs-internal-guid-07a51ec0-9416-5ba7-d1b2-1cb5ad26675c" dir="ltr">Some of the greatest architectural works throughout history have been the result of religion, driven by the need to construct spaces where humanity could be one step closer to a higher power. With more people choosing a secular lifestyle than ever before, are the effects that these buildings convey—timelessness, awe, silence and devotion, what <a href="https://www.archdaily.com/tag/louis-kahn">Louis Kahn </a>called the “immeasurable” and <a href="https://www.archdaily.com/tag/le-corbusier">Le Corbusier</a> called the “ineffable”—no longer relevant?</p>]]>
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