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        <![CDATA[The Two Cathedrals of Managua: Architectural Memory After Nicaragua’s 1972 Earthquake]]>
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      <pubDate>Wed, 18 Feb 2026 05:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>On December 23, 1972, <a href="/tag/managua">Managua</a>, the capital of <a href="https://www.archdaily.com/country/nicaragua/page/1">Nicaragua</a>, was struck by a 6.3-magnitude <a href="https://www.archdaily.com//tag/earthquake">earthquake</a>. In a matter of minutes, its urban core, which for decades had functioned as a compact political and economic center, abruptly collapsed. In the reconstruction process that followed, the authorities sought not simply to rebuild but to reorganize. Their objective was to<a href="https://www.archdaily.com/1026205/tegucigalpas-modernist-revolution-metroplan-and-the-shift-in-the-urban-identity-of-1970s-honduras?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all"> decentralize the city</a> and prevent future paralysis by dispersing functions across multiple zones. Among the most significant architectural outcomes of this shift was the<a href="https://www.archdaily.cl/cl/904190/estudio1286-celebra-25-anos-de-la-catedral-managua-de-ricardo-legorreta-con-una-serie-de-ilustraciones?ad_source=search&amp;ad_medium=search_result_articles"> new Metropolitan Cathedral</a>. Its modernist language symbolized both institutional continuity and urban transformation. In doing so, it embodied Managua's transition from a Spanish-style, centralized urban grid to a contemporary, decentralized metropolis.</p>]]>
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        <![CDATA[A Tribute to the Color of Contemporary Mexican Architecture]]>
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      <pubDate>Wed, 22 Aug 2018 06:00:00 +0000</pubDate>
      <dc:creator>Mónica Arellano</dc:creator>
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        <![CDATA[<p>Color, inherited from indigenous cultures of Mexico, is a defining characteristic of Mexican architecture. Vibrant colors have been used by architects and artists such as <a href="https://www.archdaily.com/tag/luis-barragan">Luis Barragán</a>, <a href="https://www.archdaily.com/199061/learning-from-ricardo-an-unpublished-recent-talk-with-ricardo-and-victor-legorreta-by-carlo-ezechieli">Ricardo Legorreta</a>, <a href="/tag/mathias-goeritz">Mathias Goeritz</a>, Juan O'Gorman, and Mario Pani.</p>]]>
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