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    <title>Tag: religious-architecture | ArchDaily</title>
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        <![CDATA[The Ecological Intelligence of Sacred Landscapes]]>
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      <link>https://www.archdaily.com/1042553/the-ecological-intelligence-of-sacred-landscapes</link>
      <pubDate>Sun, 28 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>Architecture often speaks about <a href="https://www.archdaily.com/tag/ecological-design">ecological design</a> as though it were a recent discovery. Biodiversity corridors, <a href="https://www.archdaily.com/1035802/consciously-driven-in-conversation-with-void-the-costa-rican-studio-shaping-regenerative-architecture?ad_campaign=normal-tag">regenerative landscapes</a>, sponge cities, and <a href="https://www.archdaily.com/1041578/building-autonomy-latin-american-communities-bringing-lifes-systems-into-architecture">more-than-human urbanism</a> are presented as emerging responses to contemporary environmental crises. Across <a href="/tag/india">India</a> and the SWANA region, landscapes shaped through religious practice have long organized relationships between people, water, vegetation, and animals. <a href="https://www.researchgate.net/publication/307742632_Heritage_management_of_temple_tanks_in_an_urban_scenario_-_a_case_study_of_Thirupporur_a_traditional_town_in_the_state_of_Tamilnadu_India?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Long before ecological performance became a design metric, temple tanks stored monsoon water,</a> sacred groves protected biodiversity, and oasis settlements sustained life in some of the world's most arid environments. Few of these places emerged from explicit environmental agendas. They emerged through cultural and spiritual practices. Their environmental logic remains highly relevant today. Many of the conditions now discussed through more-than-human design have existed for centuries within landscapes architects rarely study as ecological infrastructure.</p>]]>
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        <![CDATA[Contemplative Drama: How Gaudí Shaped Light and Color at Sagrada Família]]>
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      <link>https://www.archdaily.com/1042229/contemplative-drama-how-gaudi-shaped-light-and-color-at-sagrada-familia</link>
      <pubDate>Sun, 14 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Thomas Schielke</dc:creator>
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        <![CDATA[<p>It is afternoon in the summer, and the nave of the<a href="https://www.archdaily.com/tag/la-sagrada-familia"> Sagrada Família</a> is saturated with warm colors. Shafts of amber and crimson sweep across the stone floor, shift as a cloud passes over<a href="https://www.archdaily.com/tag/barcelona"> Barcelona</a>, then deepen again. Around you, visitors slow without quite realizing it. Some raise their phones — not to capture the architecture, but to step into the light itself, positioning themselves in a pool of orange or gold as if the colours were something you could wear.</p>]]>
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        <![CDATA[From Sacred to Public: 5 Disused Churches Reimagined as Cultural Spaces ]]>
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      <link>https://www.archdaily.com/1041970/from-sacred-to-public-5-disused-churches-reimagined-as-cultural-spaces</link>
      <pubDate>Tue, 02 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>The conversion of disused <a href="https://www.archdaily.com/tag/church">religious temples</a> through cultural programs constitutes one of the most compelling <a href="https://www.archdaily.com/tag/adaptive-reuse">adaptive reuse</a> strategies in contemporary urban planning. This functional compatibility seems to be rooted in the specific characteristics of <a href="https://www.archdaily.com/tag/church">churches</a>: their central naves offer large-scale, clear floor plans and monumental cross-sections that easily accommodate the volumetric requirements of museums, theaters, or community hubs. Furthermore, the <a href="https://www.archdaily.com/tag/acoustic">acoustic</a> properties inherent to their vaulted ceilings, combined with intentional natural lighting filtered through stained glass windows or domes, create the spatial conditions for activities ranging from the<a href="https://www.archdaily.com/tag/performing-arts"> performing arts</a> to the exhibition of cultural artifacts. By assuming a public and cultural role, these buildings not only avoid demolition or physical abandonment but also preserve their status as urban and identity landmarks within the city fabric, revitalizing their immediate surroundings without altering their historical significance.</p>]]>
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        <![CDATA[The Built Path: Pilgrimage and Architectural Sequence on the Camino de Santiago]]>
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      <link>https://www.archdaily.com/1040104/the-built-path-pilgrimage-and-architectural-sequence-on-the-camino-de-santiago</link>
      <pubDate>Sun, 05 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
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        <![CDATA[<p>Pilgrimage is one of the oldest and most persistent cultural practices, a spatial expression of <a href="https://www.archdaily.com/1013469/spiritual-journeys-religious-architecture-in-the-global-south?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">humanity's search for meaning that has taken form across geographies and religions</a>. While traditionally tied to <a href="https://www.archdaily.com/891984/is-religious-architecture-still-relevant?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">formal belief systems, its definition has expanded in recent decades</a>, reflecting new understandings of what is sacred and where meaning can be found. This shift reveals something fundamental: the act of <a href="https://www.archdaily.com/1021647/infrastructure-and-landscape-12-projects-redefining-natural-environments-in-spain?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">moving through space remains central to how people construct meaningful experience</a>. Yet most built environments constructed today are designed to be approached at speed from roads, transit corridors, airports, and optimized urban cores. The Camino de Santiago stands as a sustained counterargument to this condition. It is a piece of distributed architecture, refined over centuries, that remains a sophisticated example of design organized around the moving human body.</p>]]>
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        <![CDATA[X Architects Design Grand Mosque for Saudi Arabia’s Diriyah Gate Development]]>
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      <link>https://www.archdaily.com/1039953/x-architects-design-grand-mosque-for-saudi-arabias-diriyah-gate-development</link>
      <pubDate>Wed, 25 Mar 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Set within the historic district of <a href="https://www.archdaily.com/tag/diriyah/page/1">Diriyah</a>, widely recognized as the birthplace of the first <a href="https://www.archdaily.com/country/saudi-arabia/page/1">Saudi</a> state, the Grand Mosque by <a href="https://www.archdaily.com/office/x-architects?ad_source=search&amp;ad_medium=search_result_professionals">X Architects</a> forms part of the ongoing <a href="https://www.archdaily.com/tag/transformation">transformation</a> of the area into a major cultural destination in <a href="https://www.archdaily.com/tag/riyadh/page/1">Riyadh</a>. Envisioned within the Diriyah Gate II development, the project is positioned at the intersection of <a href="https://www.archdaily.com/tag/heritage">heritage preservation</a> and large-scale urban <a href="https://www.archdaily.com/tag/redevelopment/page/1">redevelopment</a>, contributing to a broader <a href="https://www.archdaily.com/tag/master-plan">master plan</a> that includes <a href="https://www.archdaily.com/tag/museums">museums</a>, civic institutions, residential neighborhoods, and <a href="https://www.archdaily.com/tag/public-spaces">public spaces</a>. Within this context, the <a href="https://www.archdaily.com/tag/mosques">mosque</a> is conceived not only as a place of <a href="https://www.archdaily.com/tag/worship">worship</a> but also as an urban anchor embedded in the evolving fabric of the district.</p>]]>
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        <![CDATA[Beyond Imported Icons: Tao Ho and a Local Modernism for Hong Kong]]>
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      <link>https://www.archdaily.com/1038835/beyond-imported-icons-reading-hong-kong-through-tao-ho</link>
      <pubDate>Thu, 19 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>When Hong Kong's architectural story is told, it is often reduced to a handful of icons. Many people most readily name<a href="https://www.archdaily.com/889628/who-has-won-the-pritzker-prize?ad_medium=office_landing&amp;ad_name=article"> I.M. Pei</a>—Pritzker Prize laureate and architect of the <a href="https://www.archdaily.com/153297/ad-classics-bank-of-china-tower-i-m-pei?ad_source=search&amp;ad_medium=projects_tab">Bank of China Tower</a> in Central (1990), as well as global works such as the <a href="https://www.archdaily.com/88705/ad-classics-le-grande-louvre-i-m-pei?ad_source=search&amp;ad_medium=projects_tab">Le Grand Louvre</a> in Paris and the <a href="https://www.archdaily.com/639108/miho-museum-i-m-pei?ad_source=search&amp;ad_medium=projects_tab">Miho Museum</a> in Shiga. Looking elsewhere, one also encounters a long lineage of British and international architects whose imprints have shaped the city's institutional skyline: from Ron Phillips' civic works—most notably the former Murray Building (1969), now <a href="https://www.archdaily.com/894626/the-murray-foster-plus-partners?ad_source=search&amp;ad_medium=projects_tab">The Murray Hotel</a>, and <a href="/tag/hong-kong">Hong Kong</a> City Hall (1962)—to Norman Foster's infrastructural and corporate monuments, including the Hongkong and Shanghai Banking Corporation (HSBC) Tower (1986) and Hong Kong International Airport (1998), and, more recently, Zaha Hadid Architects' <a href="https://www.archdaily.com/1031843/hong-kongs-queensway-reimagined-sara-klomps-on-the-genesis-and-ambition-of-the-henderson-by-zaha-hadid-architects?ad_source=search&amp;ad_medium=search_result_articles">The Henderson</a> (2024).</p>]]>
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        <![CDATA[Archaeological Excavations in Fano, Italy, Reveal Basilica Described by Vitruvius]]>
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      <link>https://www.archdaily.com/1038166/archaeological-excavations-in-fano-italy-reveal-basilica-described-by-vitruvius</link>
      <pubDate>Mon, 26 Jan 2026 07:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038166/archaeological-excavations-in-fano-italy-reveal-basilica-described-by-vitruvius</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/archeology">Archaeological excavations</a> in Fano, <a href="https://www.archdaily.com/country/italy/page/1">Italy</a>, <a href="https://cultura.gov.it/comunicato/28580?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">have revealed the basilica</a> described by <a href="https://www.archdaily.com/tag/vitruvius/page/1">Vitruvius</a> in De Architectura, a finding of major architectural significance, as it represents the only structure that can be attributed with certainty to the Roman architect. Identified during redevelopment works in Piazza Andrea Costa, the discovery provides rare physical evidence of Vitruvian theory translated into built form and offers new insights into <a href="https://www.archdaily.com/tag/roman">Roman architectural design</a>, proportions, and construction practices. The announcement was made during a press conference at the Montanari Media Library, attended by representatives of local, regional, and national institutions, including Italy's Minister of Culture Alessandro Giuli.</p>]]>
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        <![CDATA[MVRDV Receives Approval for Plum Village Buddhist Monastery Renovations in France]]>
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      <link>https://www.archdaily.com/1036991/mvrdv-receives-approval-for-plum-village-buddhist-monastery-renovations-in-france</link>
      <pubDate>Mon, 15 Dec 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036991/mvrdv-receives-approval-for-plum-village-buddhist-monastery-renovations-in-france</guid>
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        <![CDATA[<p>The Plum Village <a href="/tag/buddhist">Buddhist</a> <a href="/tag/monastery">Monastery</a> in southern Dordogne, <a href="https://www.archdaily.com/country/france" target="_blank" rel="noopener">France</a>, has received construction approval for the first phase of its ongoing collaboration with Dutch architecture studio <a href="https://www.archdaily.com/office/mvrdv" target="_blank" rel="noopener">MVRDV</a>. The approvals cover the Upper Hamlet masterplan phase, including the construction of new guest houses and the renovation and expansion of the monastery's bookshop, as well as a new nunnery building at the Lower Hamlet. Developed in collaboration with co-architect MoonWalkLocal and consultants OTEIS, <a href="https://www.archdaily.com/professional/vpeas" target="_blank" rel="noopener">VPEAS</a>, and <a href="https://www.archdaily.com/professional/emacoustic" target="_blank" rel="noopener">Emacoustic</a>, the wider project includes two masterplans for the Monastery's Upper and Lower Hamlets, four communal guest houses, a new nunnery, and the transformation of an existing bookshop. Working on a non-profit basis, the design team prioritises renovation alongside the use of circular and <a href="https://www.archdaily.com/tag/biobased-materials" target="_blank" rel="noopener">bio-based materials</a>, aligning the architectural approach with the monastery's philosophical principles. The proposed additions aim to better accommodate the annual visitors who travel to Plum Village to engage with the teachings of Engaged Buddhism.</p>]]>
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        <![CDATA[Architectural Rebuilding as Cultural Memory: The Paradox of Ever-Fresh Heritage]]>
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      <link>https://www.archdaily.com/1034958/architectural-rebuilding-as-cultural-memory-the-paradox-of-ever-fresh-heritage</link>
      <pubDate>Mon, 13 Oct 2025 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Architecture—one of the few <a href="https://www.archdaily.com/1024091/architecture-as-a-cultural-artifact-brazil-announces-participation-in-venice-biennale-2025?ad_source=search&amp;ad_medium=search_result_articles">cultural artifacts</a> made to be publicly lived with, preserved, and often capable of standing for centuries—contributes significantly to the <a href="https://www.archdaily.com/1020947/gyumris-revival-rebuilding-armenias-cultural-heritage-after-the-1988-earthquake?ad_source=search&amp;ad_medium=search_result_articles">cultural identity of places</a> and people. Historically, buildings have expressed institutional attitudes, influence, and power; they are clear demonstrations of culture. Yet longevity complicates <a href="https://www.archdaily.com/1033725/a-dialogue-with-the-past-preservation-techniques-of-historic-villas-in-italy?ad_source=search&amp;ad_medium=search_result_articles">preservation</a>: when a structure is rebuilt, repaired, or entirely reassembled, in what sense is it still the same building?</p>]]>
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        <![CDATA[From Saudi Arabia to Uzbekistan: AlMusalla Pavilion Reinstalled for the Inaugural Bukhara Biennial 2025]]>
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      <link>https://www.archdaily.com/1034877/from-saudi-arabia-to-uzbekistan-almusalla-pavilion-reinstalled-for-the-inaugural-bukhara-biennial-2025</link>
      <pubDate>Thu, 09 Oct 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1034877/from-saudi-arabia-to-uzbekistan-almusalla-pavilion-reinstalled-for-the-inaugural-bukhara-biennial-2025</guid>
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        <![CDATA[<p data-start="188" data-end="1085">In April 2024, the Diriyah Biennale Foundation announced <a href="https://www.archdaily.com/1015727/shaping-the-future-of-islamic-architecture-diriyah-biennale-foundation-unveils-almusalla-prize" target="_blank" rel="noopener">the AlMusalla Prize, an international architecture competition focused on designing a </a><em data-start="331" data-end="340"><a href="https://www.archdaily.com/1015727/shaping-the-future-of-islamic-architecture-diriyah-biennale-foundation-unveils-almusalla-prize" target="_blank" rel="noopener">musalla</a>: </em>a flexible space for prayer and reflection accessible to people of all faiths. The winning project, designed by <a href="https://www.archdaily.com/office/east-architecture-studio" target="_blank" rel="noopener">EAST Architecture Studio</a> in collaboration with artist Rayyane Tabet and engineering firm <a href="https://www.archdaily.com/office/akt-ii" target="_blank" rel="noopener">AKT II</a>, is <a href="https://www.archdaily.com/1026283/on-weaving-pavilion-almusalla-east-architecture-studio" target="_blank" rel="noopener">a modular structure built with materials derived from local date palm waste</a>, including fronds and fibers, and inspired by regional weaving traditions. Installed in the <a href="https://www.archdaily.com/777599/ad-classics-hajj-terminal-king-abdulaziz-airport-som" target="_blank" rel="noopener">Western Hajj Terminal of King Abdulaziz International Airport</a> in <a href="https://www.archdaily.com/tag/jeddah" target="_blank" rel="noopener">Jeddah</a>, <a href="https://www.archdaily.com/country/saudi-arabia/page/1" target="_blank" rel="noopener">Saudi Arabia</a>, the musalla served for four months during the <a href="/tag/islamic-arts-biennale">Islamic Arts Biennale</a> as a space for prayer, welcoming both Muslim and non-Muslim visitors. Conceived to be dismantled and reassembled, the structure was recently relocated to <a href="https://www.archdaily.com/country/uzbekistan/page/1" target="_blank" rel="noopener">Uzbekistan </a>for <a href="https://www.archdaily.com/1034009/uzbekistans-inaugural-bukhara-biennial-2025-opens-across-restored-historic-landmarks" target="_blank" rel="noopener">the inaugural Bukhara Biennial 2025</a>.</p>]]>
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        <![CDATA[A Modernist Church Set in Stone: The Story Behind the Temppeliaukio Kirkko in Helsinki, Finland]]>
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      <link>https://www.archdaily.com/996216/a-modernist-church-set-in-stone-the-story-behind-the-temppeliaukio-kirkko-in-helsinki-finland</link>
      <pubDate>Thu, 21 Aug 2025 04:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Near the center of <a href="/tag/helsinki">Helsinki</a>, <a href="/tag/finland">Finland</a>, in the Töölö neighborhood, one can find the Temppeliaukio Church, an unusual-looking Lutheran church nestled between granite rocks. Approaching the square from Fredrikinkatu street, the church appears subtly, a flat dome barely rising above its surrounding landscape. An unassuming entrance, flanked by concrete walls, leads visitors through a dark hallway, and into the light-filled sanctuary carved directly into the bedrock. The exposed rock walls earned it the alternative name “The Church of the Rock.” To contrast the heaviness of the materials, skylights surrounding the dome create a play of light and shadows and a feeling of airiness.</p>]]>
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        <![CDATA[Clorindo Testa's  Artistic and Architectural Experimentation: Colors and Asymmetrical Plays in Spaces of Worship]]>
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      <link>https://www.archdaily.com/1032754/clorindo-testas-artistic-and-architectural-experimentation-colors-and-asymmetrical-plays-in-spaces-of-worship</link>
      <pubDate>Tue, 12 Aug 2025 04:00:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>Amid questions, reflections, and debates, <a href="https://www.archdaily.cl/cl/872937/10-proyectos-de-clorindo-testa-que-todo-arquitecto-argentino-debe-conocer" target="_blank" rel="noopener">the work of Clorindo Testa</a> embodies an innate connection between artistic and architectural experimentation, reflected in many of his built projects, sketches, models, and plans. From the <a href="https://www.archdaily.com/991707/architectural-classics-mariano-moreno-national-library-clorindo-testa-bullrich-and-cazzaniga" target="_blank" rel="noopener">Mariano Moreno National Library</a> to the <a href="https://www.archdaily.cl/cl/02-81677/clasicos-de-arquitectura-banco-de-londres-en-buenos-aires-clorindo-testa-y-sepra" target="_blank" rel="noopener">former Bank of London building in Buenos Aires</a>, his production is of such scope, diversity, and complexity that it constitutes a major source of study, one that also includes unbuilt projects that deserve visibility and recognition on a global scale. In his final years of professional activity, two unbuilt projects of <a href="https://www.archdaily.com/category/religious-architecture" target="_blank" rel="noopener">religious architecture</a> highlight Testa’s work not only as an architect but also as a visual artist.</p>]]>
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        <![CDATA[Inside the Construction of Niemeyer’s Cristo Rei Cathedral in Belo Horizonte, Seen Through Paul Clemence’s Lens]]>
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      <link>https://www.archdaily.com/1032585/inside-the-construction-of-niemeyers-cristo-rei-cathedral-in-belo-horizonte-seen-through-paul-clemences-lens</link>
      <pubDate>Wed, 30 Jul 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The Cristo Rei Cathedral is <a href="https://www.archdaily.com/office/oscar-niemeyer" target="_blank" rel="noopener">Oscar Niemeyer</a>'s design for the cathedral of <a href="https://www.archdaily.com/city/belo-horizonte" target="_blank" rel="noopener">Belo Horizonte</a>, the capital of the state of <a href="https://www.archdaily.com/tag/minas-gerais" target="_blank" rel="noopener">Minas Gerais</a> in southeastern <a href="https://www.archdaily.com/country/brazil" target="_blank" rel="noopener">Brazil</a>. Conceived between 2005 and 2006, it is one of the late architect's final projects in the country. The design features a domed structure approximately 60 meters in diameter, suspended by two towering elements rising 100 meters high. <a href="https://www.oscarniemeyer.org.br/obra/pro603?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Niemeyer referred to the project as a "square," </a>consisting of a cathedral with a capacity for 3,000 people and an external altar designed to accommodate up to 20,000 worshippers for mass and public events. Construction began in 2013 and is still ongoing. Earlier this year, <a href="https://www.archdaily.com/photographer/paul-clemence" target="_blank" rel="noopener">photographer Paul Clemence</a> visited the site, documenting the building process and capturing the emergence of Niemeyer's signature curves.</p>]]>
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        <![CDATA[Architecture and Spirituality: 12 Churches and Chapels in Latin America]]>
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      <link>https://www.archdaily.com/1029633/architecture-and-spirituality-12-churches-and-chapels-in-latin-america</link>
      <pubDate>Thu, 01 May 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/latin-america" target="_blank" rel="noopener">Latin America</a> is home to the largest Catholic population in the world—more than 25% of all Catholics globally live on this continent. Here, faith has shaped not only spiritual life but also cities' <a href="https://www.archdaily.com/1024343/the-standardized-planning-of-latin-american-cities-tracing-the-blueprint-of-the-laws-of-the-indies" target="_blank" rel="noopener">cultural, social, and urban fabric</a>. Since the first <a href="https://www.archdaily.com/tag/temple" target="_blank" rel="noopener">temples</a>, built during European colonization, <a href="https://www.archdaily.com/tag/religious-buildings" target="_blank" rel="noopener">the architecture of Catholic churches</a> in the region has undergone <a href="https://www.archdaily.com.br/br/category/edificios-religiosos" target="_blank" rel="noopener">profound transformations</a>. The once-imposing features of colonial <a href="https://www.archdaily.com/tag/baroque" target="_blank" rel="noopener">Baroque</a> and richly ornamented façades have gradually given way to <a href="https://www.archdaily.com/886994/the-bizarre-brutalist-church-that-is-more-art-than-architecture" target="_blank" rel="noopener">bolder, more contemporary</a> expressions that reflect local realities, a search for identity, and a spirit of <a href="https://www.archdaily.com/category/religious-architecture" target="_blank" rel="noopener">architectural experimentation</a>.</p>]]>
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        <![CDATA[MVRDV and Zecc Architecten to Transform Vacant Church into Public Swimming Pool in Heerlen, the Netherlands]]>
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      <link>https://www.archdaily.com/1029185/mvrdv-and-zecc-architecten-to-transform-vacant-church-into-public-swimming-pool-in-heerlen-the-netherlands</link>
      <pubDate>Thu, 17 Apr 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1029185/mvrdv-and-zecc-architecten-to-transform-vacant-church-into-public-swimming-pool-in-heerlen-the-netherlands</guid>
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        <![CDATA[<p data-start="174" data-end="873"><a href="https://www.archdaily.com/office/mvrdv" target="_blank" rel="noopener">MVRDV</a> and <a href="https://www.archdaily.com/office/zecc-architecten" target="_blank" rel="noopener">Zecc Architecten</a> have won the competition to transform the St. Francis of Assisi <a href="/tag/church">Church</a> in <a href="https://www.archdaily.com/city/heerlen" target="_blank" rel="noopener">Heerlen </a>into a public <a href="https://www.archdaily.com/tag/swimming-pool" target="_blank" rel="noopener">swimming pool</a>. Originally built over 100 years ago, the church stopped hosting services in 2023, presenting the municipality with the opportunity to repurpose the building for community use. Nicknamed <em data-start="508" data-end="520">Holy Water</em>, the <a href="https://www.archdaily.com/1027536/renzo-piano-building-workshop-wins-competition-to-design-the-new-midtstadt-mixed-use-complex-in-frankfurt" target="_blank" rel="noopener">adaptive reuse </a>project is meant to give this listed national monument, with its recognizable silhouette, a new social function while preserving its historic elements. The design was created through a collaboration between MVRDV, Zecc Architecten, IMd Raadgevende Ingenieurs, Nelissen Ingenieursbureau, and construction economics consultancy SkaaL, and is expected to be completed at the end of 2027.</p>]]>
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        <![CDATA[Meet the 75 Finalists of the ArchDaily 2025 Building of the Year Awards]]>
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      <link>https://www.archdaily.com/1026738/meet-the-75-finalists-of-the-archdaily-2025-building-of-the-year-awards</link>
      <pubDate>Wed, 12 Feb 2025 08:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>After two weeks of open voting in the<strong> <a href="https://boty.archdaily.com/us/2025?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">16th edition of the Building of the Year Awards</a></strong>, our readers have meticulously narrowed down a pool of almost 4,000 projects to a select group of 75 finalists spanning 15 categories. This year's awards honor the pinnacle of design, innovation, and sustainability on a global scale, showcasing an exceptional range of projects within the shortlist. As a crowdsourced award, we take pride in affirming that your selections authentically mirror the current state of architecture, and the caliber of this year's finalists further underscores the excellence and diversity prevalent in the field.</p>]]>
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        <![CDATA[Järva Burial Ground: Creating a Natural Landscape of Remembrance from Stockholm's Urban Discard]]>
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      <link>https://www.archdaily.com/1025321/jarva-burial-ground-creating-a-natural-landscape-of-remembrance-from-stockholms-urban-discard</link>
      <pubDate>Tue, 14 Jan 2025 04:00:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>Opened in October 2024, the Järva Cemetery offers everyone, regardless of <a href="https://www.archdaily.com/1019961/interfaith-spaces-architectural-responses-to-religious-diversity" target="_blank" rel="noopener">faith or beliefs</a>, a space for remembrance, continuing Stockholm's long tradition of funeral history. After overcoming significant planning obstacles, the site, designed by <a href="/tag/kristine-jensen-tegnestue">Kristine Jensen Tegnestue</a> and <a href="/tag/poul-ingemann">Poul Ingemann</a>, was created to accommodate burials and funeral ceremonies, with options for coffins, urns, ash groves, and a commemorative forest. During the last edition of <a href="https://www.archdaily.com/1021847/open-house-stockholm-2024" target="_blank" rel="noopener">Open House Stockholm</a>, visitors could explore its surrounding <a href="https://www.archdaily.com/category/landscape-architecture" target="_blank" rel="noopener">natural landscapes</a> and connect with the space.</p>]]>
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        <![CDATA[Secluded Sanctuaries: Contemporary Religious Architecture Inspired by Modernist Principles Across Asia]]>
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      <link>https://www.archdaily.com/1025406/secluded-sanctuaries-contemporary-religious-architecture-inspired-by-modernist-principles-across-asia</link>
      <pubDate>Thu, 09 Jan 2025 07:30:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/search/projects/categories/religious-architecture" target="_blank" rel="noopener">Religious architecture</a> in <a href="/tag/asia">Asia</a> is evolving by incorporating modernist influences while preserving its spiritual essence. Clean lines, minimalist aesthetics, and materials like <a href="https://www.archdaily.com/tag/concrete" target="_blank" rel="noopener">concrete</a>, <a href="https://www.archdaily.com/tag/steel" target="_blank" rel="noopener">steel</a>, and <a href="https://www.archdaily.com/tag/glass" target="_blank" rel="noopener">glass</a> are a common sight. These interventions often replace or complement the intricate ornamentation and natural materials traditionally associated with <a href="https://www.archdaily.com/tag/temple" target="_blank" rel="noopener">sacred spaces</a> in the region. This approach allows these structures to achieve a universal appeal while still reflecting their cultural and spiritual foundations.</p>]]>
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