Tag: religion | ArchDaily

The Built Path: Pilgrimage and Architectural Sequence on the Camino de Santiago

Olivia Poston — Sun, 05 Apr 2026 07:30:00 +0000

Pilgrimage is one of the oldest and most persistent cultural practices, a spatial expression of humanity's search for meaning that has taken form across geographies and religions. While traditionally tied to formal belief systems, its definition has expanded in recent decades, reflecting new understandings of what is sacred and where meaning can be found. This shift reveals something fundamental: the act of moving through space remains central to how people construct meaningful experience. Yet most built environments constructed today are designed to be approached at speed from roads, transit corridors, airports, and optimized urban cores. The Camino de Santiago stands as a sustained counterargument to this condition. It is a piece of distributed architecture, refined over centuries, that remains a sophisticated example of design organized around the moving human body.

Monasteries in Transformation: 8 Projects that Redefine Architecture and Devotion

Camilla Ghisleni — Wed, 10 Sep 2025 07:30:00 +0000

Monasticism emerged from a deep impulse to withdraw—a radical pursuit of spirituality and transcendence. The word itself comes from the Greek μόνος (mónos), meaning “alone,” reflecting the ideal of the holy hermit who retreats from the world to dedicate life entirely to the divine. By the late 3rd century, in Egypt and Palestine, the first Christian monks began to follow this path, creating ways of life that would later give rise to a distinct architecture centered on seclusion.

Clorindo Testa's Artistic and Architectural Experimentation: Colors and Asymmetrical Plays in Spaces of Worship

Agustina Iñiguez — Tue, 12 Aug 2025 04:00:00 +0000

Amid questions, reflections, and debates, the work of Clorindo Testa embodies an innate connection between artistic and architectural experimentation, reflected in many of his built projects, sketches, models, and plans. From the Mariano Moreno National Library to the former Bank of London building in Buenos Aires, his production is of such scope, diversity, and complexity that it constitutes a major source of study, one that also includes unbuilt projects that deserve visibility and recognition on a global scale. In his final years of professional activity, two unbuilt projects of religious architecture highlight Testa’s work not only as an architect but also as a visual artist.

Architecture and Spirituality: 12 Churches and Chapels in Latin America

Camilla Ghisleni — Thu, 01 May 2025 07:30:00 +0000

Latin America is home to the largest Catholic population in the world—more than 25% of all Catholics globally live on this continent. Here, faith has shaped not only spiritual life but also cities' cultural, social, and urban fabric. Since the first temples, built during European colonization, the architecture of Catholic churches in the region has undergone profound transformations. The once-imposing features of colonial Baroque and richly ornamented façades have gradually given way to bolder, more contemporary expressions that reflect local realities, a search for identity, and a spirit of architectural experimentation.

Open-Air Chapels: Integrating Nature and Landscape into Religious Architecture in Latin America

Agustina Iñiguez — Sun, 16 Mar 2025 07:30:00 +0000

At a global level, contemporary architecture continues to explore tools and design methodologies to integrate nature into habitable spaces, given its proven benefits and contributions to improving people's quality of life. While there are diverse religious beliefs around the world, religious architecture generally expands beyond its uses and functions to connect with the sacred. Senses, memories, and emotions are transmitted in these spaces through the use of certain materials, spatial organizations, and even sounds and aromas that enhance experiences in atmospheres of spirituality, divinity, and reflection. In Mexico, Chile, Ecuador, Brazil, and Uruguay, projects for places of worship open to the outdoors reflect an architecture that adapts to different natural environments while maintaining the premise that each religion is tied to a social identity and requires a particular connection with its community and surrounding landscape.

Between the Sacred and the Profane: The Story Behind the Church of the Sacred Heart of Jesus in Lisbon

Camilla Ghisleni — Thu, 12 Sep 2024 07:30:00 +0000

As a landmark of contemporary religious architecture in Portugal, the Church of the Sacred Heart of Jesus stands in contrast to traditional models, representing a work free from historicist stigmas. Resulting from a design competition organized in 1960, the church is notable for its civic dimension, urban role, and its anti-monumental and social significance. Integrated into the regular grid of the Avenidas Novas neighborhood, this example of the Movement for the Renewal of Sacred Art is part of a larger parish complex that often goes unnoticed by passersby. Its external street creates an unexpected public space, inviting people to enter and engage in a courtyard where architecture and the city merge. Finely crafted in terms of spatiality, detail, and light, the church holds many surprises for those who venture inside.

Daily Rituals: Home Spaces for Praying and Spiritual Connection

Camilla Ghisleni — Mon, 13 Nov 2023 05:00:00 +0000

A home is a sacred realm, a place that embraces and honors a variety of emotions and sensations. As Gaston Bachelard asserts, it serves as our refuge in the world, our initial universe, a true cosmos in every sense of the term. Its intricate symbolism transcends mere functional aspects like room count or bathroom size. Entire universes find their place within its walls.

Is Religious Architecture Still Relevant?

Yiling Shen — Thu, 12 Apr 2018 09:30:00 +0000

Some of the greatest architectural works throughout history have been the result of religion, driven by the need to construct spaces where humanity could be one step closer to a higher power. With more people choosing a secular lifestyle than ever before, are the effects that these buildings convey—timelessness, awe, silence and devotion, what Louis Kahn called the “immeasurable” and Le Corbusier called the “ineffable”—no longer relevant?