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    <title>Tag: recycled-materials | ArchDaily</title>
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        <![CDATA[Ceramics Forged in Light: A Spatial Translation of Circular Material Processes ]]>
      </title>
      <link>https://www.archdaily.com/1041534/ceramics-forged-in-light-a-spatial-translation-of-circular-material-processes</link>
      <pubDate>Thu, 28 May 2026 06:45:00 +0000</pubDate>
      <dc:creator>Kiana Buchberger</dc:creator>
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        <![CDATA[<p>Can one of architecture's oldest materials still inform how <a href="https://www.archdaily.com/tag/sustainability">sustainability</a> and <a href="https://www.archdaily.com/tag/manufacturing">manufacturing</a> are approached today? What shifts when <a href="https://www.archdaily.com/tag/ceramics">ceramic</a> is viewed beyond its surface, as a process shaped by <a href="https://www.archdaily.com/tag/light">light</a>, <a href="https://www.archdaily.com/tag/water">water</a>, and <a href="https://www.archdaily.com/tag/clay">clay</a>? At <a href="https://www.archdaily.com/tag/milan-design-week" target="_blank" rel="noopener">Milan Design Week 2026</a>, VitrA, a brand producing <a href="https://www.vitraglobal.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">bathroom and ceramic surfaces and working across sanitaryware and tiles</a>, and international design practice <a href="https://www.archdaily.com/office/snohetta" target="_blank" rel="noopener">Snøhetta</a> explore these questions through <a href="https://www.vitraglobal.com/fairs/milan-design-week-2026-interni-materiae/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>Ceramics Forged in Light</em></a>, an immersive installation created for the INTERNI MATERIAE exhibition. Positioned within a broader discourse on <a href="https://www.archdaily.com/tag/material">material experimentation</a> and <a href="https://www.archdaily.com/tag/circular-design">circular production</a>, the project treats ceramic as an architectural material defined by continuous transformation, shaped through light, water, heat, reflection, and reuse.</p>]]>
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        <![CDATA[Plastic That Is Not a Plastic: Redefining Circularity in Open-Plan Design]]>
      </title>
      <link>https://www.archdaily.com/1040998/plastic-that-is-not-a-plastic-redefining-circularity-in-open-plan-design</link>
      <pubDate>Tue, 05 May 2026 06:45:00 +0000</pubDate>
      <dc:creator>Kiana Buchberger</dc:creator>
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      <description>
        <![CDATA[<p>When walking into <a href="https://www.archdaily.com/search/projects/categories/residential-architecture">a large living space</a>, <a href="https://www.archdaily.com/search/projects/categories/hospitality-architecture">a hotel lobby</a>, or <a href="https://www.archdaily.com/search/projects/categories/office-buildings">an open-plan workplace</a>, the first thing that can be noticed is not what divides the space, but what holds it together. There are rarely clear boundaries, no obvious rooms, no strict partitions, yet the space still feels organized. Some areas invite a pause; others dictate movement; others foster community. The transitions are subtle, but legible.</p>]]>
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      <title>
        <![CDATA[How to Measure the Life Cycle of a Construction Material?]]>
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      <link>https://www.archdaily.com/1039767/how-to-measure-the-life-cycle-of-a-construction-material</link>
      <pubDate>Tue, 31 Mar 2026 07:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039767/how-to-measure-the-life-cycle-of-a-construction-material</guid>
      <description>
        <![CDATA[<p>As a major driver of <a href="https://www.archdaily.com/tag/natural-resources" target="_blank" rel="noopener">natural resource</a> consumption, <a href="https://www.archdaily.com/tag/energy" target="_blank" rel="noopener">energy</a> use, and <a href="https://www.archdaily.com/tag/greenhouse-gas-emissions" target="_blank" rel="noopener">greenhouse gas emissions</a>, the construction industry has a significant impact on the environment, <a href="https://www.unep.org/resources/report/global-status-report-buildings-and-construction-20242025?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">consuming 32% of global energy and contributing to 34% of global CO₂ emissions</a>. Building materials play a crucial role in shaping the built environment. Through principles of circular economy, renewable and self-sufficient solutions, and technological innovations, analyzing the environmental performance of each material highlights the opportunity to review and assess the different stages of its life cycle.</p>]]>
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        <![CDATA[Barbara Buser Recognized With the 2026 Jane Drew Prize for Her Work In Circular Construction]]>
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      <link>https://www.archdaily.com/1039253/barbara-buser-recognized-with-the-2026-jane-drew-prize-for-her-work-in-circular-construction</link>
      <pubDate>Tue, 03 Mar 2026 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The AJ and The Architectural Review have named architect <a href="https://www.archdaily.com/tag/barbara-buser/page/1" target="_blank" rel="noopener">Barbara Buser</a> as the winner of the 2026 <a href="https://www.archdaily.com/tag/jane-drew-prize" target="_blank" rel="noopener">Jane Drew Prize</a>. The prize, named after <a href="https://www.archdaily.com/997916/the-legacy-of-jane-drew-a-trailblazer-for-women-in-architecture" target="_blank" rel="noopener">English modernist architect and urban designer Jane Drew</a>, is part of the W Awards and the W Programme, which recognise women's contributions to the architectural profession. Swiss-based architect Barbara Buser is known as an innovator in <a href="https://www.archdaily.com/945040/reduce-reuse-and-recycle-the-three-rs-rule-applied-to-architecture" target="_blank" rel="noopener">the field of recycling and reuse</a>, and as an expert in <a href="https://www.archdaily.com/tag/circular-design" target="_blank" rel="noopener">circular construction</a>, recognised for pioneering repurposing practices in <a href="/tag/switzerland">Switzerland</a>. The award, therefore, recognises not only her contribution to architecture itself, but above all her efforts to reduce the industry's environmental impact through socialisation initiatives. The recognition follows <a href="https://www.archdaily.com/1027586/anne-lacaton-receives-the-jane-drew-prize-2025" target="_blank" rel="noopener">Anne Lacaton's award in 2025</a>, as well as other prominent figures in the field, such as <a href="https://www.archdaily.com/995747/kazuyo-sejima-and-phyllis-lambert-are-the-recipients-of-the-2023-jane-drew-and-ada-louise-huxtable-prizes-celebrating-women-in-architecture" target="_blank" rel="noopener">Kazuyo Sejima in 2023</a>, <a href="https://www.archdaily.com/977608/architect-farshid-moussavi-and-artist-mona-hatoum-are-the-recipients-of-the-2022-jane-drew-and-ada-louise-huxtable-prizes-celebrating-women-in-architecture" target="_blank" rel="noopener">Farshid Moussavi in 2022</a>, and <a href="https://www.archdaily.com/tag/yasmeen-lari" target="_blank" rel="noopener">Yasmeen Lari</a> in 2020.</p>]]>
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        <![CDATA[A Responsible Addition: HIMACS Shapes Achieve SCS Certification for Recycled Content]]>
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      <link>https://www.archdaily.com/1037471/a-responsible-addition-himacs-shapes-achieve-scs-certification-for-recycled-content</link>
      <pubDate>Tue, 13 Jan 2026 07:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>In a balance of aesthetics, performance, and versatility, <a href="https://www.lxhausys.com/eu-en?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">HIMACS</a> shows a solid surface material of choice for many architects and designers. Taking a further step forward, the entire range of standard HIMACS sinks and basins is now officially SCS certified, containing a minimum of 8% pre-consumer recycled content. This certification enhances the material's technical and visual appeal by providing a more sustainable option without compromising quality or functionality.</p>]]>
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        <![CDATA[From Material Intelligence to Circularity: Lessons from Architecture in 2025]]>
      </title>
      <link>https://www.archdaily.com/1037330/from-material-intelligence-to-circularity-lessons-from-architecture-in-2025</link>
      <pubDate>Tue, 06 Jan 2026 04:00:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037330/from-material-intelligence-to-circularity-lessons-from-architecture-in-2025</guid>
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        <![CDATA[<p data-start="139" data-end="916">Which materials have taken center stage in the architectural discourse of 2025? Which projects have rediscovered new construction practices and methods through material innovation? While the future of building materials still appears uncertain, year after year, experimentation and research continue to reveal diverse practices, initiatives, and efforts dedicated to understanding their value and responsibility within the built environment. From <a href="https://www.archdaily.com/1025000/residues-that-build-a-school-in-india-made-from-sugarcane-bagasse" target="_blank" rel="noopener">agricultural waste that reduces carbon footprints</a> to <a href="https://www.archdaily.com/1025575/from-disposable-to-sustainable-the-transformation-of-recycled-polyurethane-into-high-performance-products" target="_blank" rel="noopener">recycled plastics given new life</a>, and <a href="https://www.archdaily.com/1031069/exploring-living-building-materials-through-robotic-earth-printing" target="_blank" rel="noopener">living materials</a> that engage with emerging technologies while reconnecting with nature, 2025 has highlighted and strengthened the role of <a href="https://www.archdaily.com/1033945/the-architect-as-mediator-of-materials-lessons-from-hybrid-habitats" target="_blank" rel="noopener">architects as mediators between materials</a>, disciplines, knowledge, and interests from diverse origins.</p>]]>
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        <![CDATA[Extending the Lifespan of Materials: Circularity and Recyclability as Part of the Design]]>
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      <link>https://www.archdaily.com/1036758/extending-the-lifespan-of-materials-circularity-and-recyclability-as-part-of-the-design</link>
      <pubDate>Tue, 16 Dec 2025 06:45:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>What is the current global outlook on the recyclability of materials used in architecture? To what extent are contemporary societies truly committed to reducing <a href="https://www.archdaily.com/984663/what-is-the-environmental-impact-of-each-building-material" target="_blank" rel="noopener">environmental impact</a>? In the effort to live in balance with nature, replacing fossil fuels with renewable energy sources is one of the key strategies for cutting greenhouse gas emissions and addressing global warming. Looking to nature for inspiration as a way to protect it means creating designs that incorporate sustainability, circularity, and recyclability from the very first sketch. From building systems to surface finishes, the use of <a href="https://www.archdaily.com/987658/what-are-biomaterials-in-architecture" target="_blank" rel="noopener">biomaterials in architecture</a> reflects a mindset rooted in long-term responsibility for a material's full life cycle.</p>]]>
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        <![CDATA[Wang Shu: Reimagining Chinese Architecture through Craft and Memory]]>
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      <link>https://www.archdaily.com/798567/spotlight-wang-shu</link>
      <pubDate>Tue, 16 Dec 2025 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>Born in 1963 in Urumqi, Xinjiang, <a href="/tag/china">China</a>, architect <a href="https://www.archdaily.com/tag/wang-shu">Wang Shu</a> has dedicated his career to defining a contemporary approach to building that is deeply rooted in China's cultural and material history. In 2012, he was recognized with the<a href="https://www.archdaily.com/tag/pritzker-prize"> Pritzker Prize</a>, becoming the first Chinese citizen to receive the distinction. <a href="https://www.pritzkerprize.com/laureates/2012?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The award jury</a> acknowledged his body of work "for the exceptional nature and quality of his executed work, and also for his ongoing commitment to pursuing an uncompromising, responsible architecture arising from a sense of specific culture and place." In 2027, along with his wife <a href="https://www.archdaily.com/tag/lu-wenyu">Lu Wenyu</a>, Wang Shu will be a curator for the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2027">Venice Architecture Biennale</a>. </p>]]>
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        <![CDATA[Computational Soundscapes: Sculpting the Visual and Invisible Dimension]]>
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      <link>https://www.archdaily.com/1036333/computational-soundscapes-sculpting-the-visual-and-invisible-dimension</link>
      <pubDate>Mon, 01 Dec 2025 01:30:00 +0000</pubDate>
      <dc:creator>Kiana Buchberger</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036333/computational-soundscapes-sculpting-the-visual-and-invisible-dimension</guid>
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        <![CDATA[<p>What defines a space first when entering: the sound or the visual impression? Architecture is often communicated through structure and surfaces, yet one of its most essential components moves unseen through the air: sound. <a href="https://www.archdaily.com/972913/what-is-soundscape-and-what-does-it-have-to-do-with-architecture">It shapes how a space feels long before a wall or ceiling is noticed</a>. Computational design brings these dimensions together, allowing architects and designers to create unique structures where acoustics and aesthetics inform one another rather than exist in parallel. By leveraging advanced algorithms, complex design processes transform into intuitive, accessible solutions that shape bespoke acoustic and visual highlights for every project. This approach combines parametric logic with material innovation, balancing efficiency, sustainability, and expressive design in equal measure.</p>]]>
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        <![CDATA[Make Materials Matter: Louisiana Channel Releases New Documentary on Danish Architect Søren Pihlmann]]>
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      <link>https://www.archdaily.com/1036214/make-materials-matter-louisiana-channel-releases-new-documentary-on-danish-architect-soren-pihlmann</link>
      <pubDate>Fri, 21 Nov 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank" rel="noopener">Louisiana Channel</a>, a web TV platform based at the <a href="https://www.archdaily.com/tag/louisiana-museum-of-modern-art" target="_blank" rel="noopener">Louisiana Museum of Modern Art</a> in <a href="https://www.archdaily.com/search/projects/country/denmark" target="_blank" rel="noopener">Denmark</a>, is launching a new film titled <em>Søren Pihlmann: Make Materials Matter</em>. Over the course of 54 minutes, Marc-Christoph Wagner and Simon Weyhe offer a glimpse into the work and mind of the founding architect of <a href="https://www.archdaily.com/office/pihlmann-architects" target="_blank" rel="noopener">Pihlmann Architects</a>, presenting his vision of Danish architecture, the practice of architecture itself, and, in particular, his sensitivity to <a href="https://www.archdaily.com/tag/materials" target="_blank" rel="noopener">materials</a>. The film provides a behind-the-scenes look at the <a href="https://www.archdaily.com/1030683/helping-the-existing-to-reconfigure-itself-in-conversation-with-soren-pihlmann-curator-of-the-danish-pavilion" target="_blank" rel="noopener">process and thinking behind the Danish exhibition at this year's Venice Architecture Biennale</a>. Led by <a href="https://www.archdaily.com/tag/soren-pihlmann" target="_blank" rel="noopener">Søren Pihlmann</a>, the team used the opportunity to renovate and conduct material research on Denmark's permanent building in the <a href="https://www.archdaily.com/tag/giardini" target="_blank" rel="noopener">Giardini</a>, transforming it into a material laboratory and experimental construction site. <a href="https://www.archdaily.com/1026012/denmark-presents-build-of-site-by-soren-pihlmann-at-la-biennale-di-venezia-2025" target="_blank" rel="noopener">The result is a process exhibition</a> that highlights how rethinking and reusing existing structures and materials can address critical architectural challenges. As of today, November 20, the documentary is available to watch online for free.</p>]]>
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        <![CDATA[From Overlooked Waste to Circular Opportunity: Plastics in Construction]]>
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      <link>https://www.archdaily.com/1034866/from-overlooked-waste-to-circular-opportunity-plastics-in-construction</link>
      <pubDate>Tue, 14 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p>Like the famous Russian Matryoshka doll, opening a package often feels like uncovering endless layers. Inside a cardboard box, there might be molded Styrofoam, then several plastic air pillows, and finally, individual plastic wrapping around each piece. Even a small product can leave behind a trail of plastic waste far larger than its size. Now imagine <a href="https://www.archdaily.com/944297/towards-a-common-practice-of-material-recycling" target="_blank" rel="noopener">this logic applied to a construction site</a> where every component, every delivery of materials, often arrives wrapped in multiple layers of protection. What already seems excessive in retail becomes monumental when repeated daily on large construction projects. </p>]]>
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        <![CDATA[Interiors of Pastry Shops and Bakeries: Design Strategies that Integrate Functions, Users, and Materials]]>
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      <link>https://www.archdaily.com/1020692/interiors-of-pastry-shops-and-bakeries-design-strategies-that-integrate-functions-users-and-materials</link>
      <pubDate>Tue, 30 Sep 2025 04:00:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>What is the link between <a href="https://www.archdaily.com/795134/dinara-kaskos-design-background-inspires-architectural-deserts-and-delicacies" target="_blank" rel="noopener">architecture and pastry</a>? What design strategies are applied in the contemporary interiors of bakeries and pastry shops? While architecture can serve as inspiration for the design of forms and configurations of edible elements, it also contributes the techniques of descriptive drawing, architectural composition, and staged planning to the culinary language. Focusing <a href="https://www.archdaily.com/1019661/how-do-the-7-principles-of-universal-design-help-us-create-better-architecture" target="_blank" rel="noopener">their thinking on people and their needs</a>, both disciplines strive for precision, with <a href="https://www.archdaily.com/989337/what-is-a-good-interior-design" target="_blank" rel="noopener">interior design</a> being a broad field where the use of figures, colors, materials, and various equipment can be explored to enhance user experiences.</p>]]>
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        <![CDATA[The Gym-Bar Hybrid: Interiors That Integrate Sports and Healthy Habits Through Architecture]]>
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      <link>https://www.archdaily.com/1032523/the-gym-bar-hybrid-interiors-that-integrate-sports-and-healthy-habits-through-architecture</link>
      <pubDate>Sun, 10 Aug 2025 07:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>From the interior design of <a href="https://www.archdaily.com/category/sports-architecture" target="_blank" rel="noopener">sports facilities</a> to <a href="https://www.archdaily.com/search/projects/categories/wellbeing" target="_blank" rel="noopener">wellness spaces</a>, contemporary architecture continues to experiment with incorporating different uses, installations, and materialities that make it possible to reach broader audiences, generate new spatial experiences, and enhance the simultaneous development of various activities. While each sport requires its own type of architecture, <a href="https://www.archdaily.com/951885/chimneys-overhangs-and-anchors-the-architecture-of-climbing-gyms" target="_blank" rel="noopener">such as climbing training</a>, for example, architecture and design professionals are striving to create atmospheres where exercise becomes more than just a physical experience, but also a psychological one, connecting mind and body through a state of physical renewal, relaxation, and sociability.</p>]]>
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        <![CDATA[From Symbols to Architecture: In Conversation with EXTUDIO, ENORME Studio, and Smart and Green Design, Authors of the Spanish Pavilion at Expo Osaka 2025]]>
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      <link>https://www.archdaily.com/1032371/from-symbols-to-architecture-in-conversation-with-extudio-enorme-studio-and-smart-and-green-design-authors-of-the-spanish-pavilion-at-expo-osaka-2025</link>
      <pubDate>Fri, 01 Aug 2025 07:30:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
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        <![CDATA[<p>Since its opening in April, <a href="https://www.archdaily.com/tag/expo-2025-osaka" target="_blank" rel="noopener">Expo Osaka </a>has welcomed millions of visitors from around the world, standing as a true showcase of innovation, architecture, and design. Among its highlights is the Grand Ring, designed by Japanese architect <a href="https://www.archdaily.com/tag/sou-fujimoto" target="_blank" rel="noopener">Sou Fujimoto</a>, considered the <a href="https://www.archdaily.com/1020560/completion-of-sou-fujimotos-grand-ring-highlights-expo-2025-osakas-master-plan" target="_blank" rel="noopener">largest timber architectural structure in the world</a>. Under the theme of Expo 2025 — <em data-start="349" data-end="391">“Designing Future Society for Our Lives”</em>, along with <em data-start="404" data-end="458">Saving Lives, Empowering Lives, and Connecting Lives</em> — more than 150 countries have used their pavilions to address key topics in contemporary architecture, such as circular construction, cultural memory, and innovation and technology aimed at shaping a sustainable built environment for the future.</p>]]>
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        <![CDATA[Apartments in Brazil: Interiors with Reused and Recovered Materials]]>
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      <link>https://www.archdaily.com/1025883/apartments-in-brazil-interiors-with-reused-and-recovered-materials</link>
      <pubDate>Wed, 30 Jul 2025 04:00:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1025883/apartments-in-brazil-interiors-with-reused-and-recovered-materials</guid>
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        <![CDATA[<p>From the field of architecture and construction, the concept of <a href="https://www.archdaily.cl/cl/972166/deconstruir-no-demoler-por-una-practica-de-reutilizacion-de-materiales-en-la-arquitectura" target="_blank" rel="noopener">material reuse</a> is closely tied to <a href="https://www.archdaily.com/tag/circular-economy" target="_blank" rel="noopener">circular economy</a> and the <a href="https://www.archdaily.com/919040/how-can-we-reduce-carbon-emissions-in-architectural-projects" target="_blank" rel="noopener">reduction of carbon footprints</a>, paving the way toward a more sustainable and responsible future. By incorporating <a href="https://www.archdaily.com/943256/where-to-apply-recycled-materials-in-architecture-and-urbanism-8-possible-applications" target="_blank" rel="noopener">recycling practices</a>, recovery, restoration, and/or the reuse of <a href="https://www.archdaily.com/1008561/how-to-save-a-building-from-demolition-emerging-procedures-to-uncover-the-potential-of-existing-structures" target="_blank" rel="noopener">demolition materials</a>, resource efficiency along with the reduction of energy consumption makes it feasible to experiment with techniques, applications, and new materials that honor the memory of spaces while also bringing new life to both interiors and exteriors.</p>]]>
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        <![CDATA[TAC! 2025 Urban Architecture Festival: Winning Pavilions Celebrate Local Materials and Coastal Culture in Spain]]>
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      <link>https://www.archdaily.com/1031174/tac-2025-urban-architecture-festival-winning-pavilions-celebrate-local-materials-and-coastal-culture-in-spain</link>
      <pubDate>Mon, 16 Jun 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031174/tac-2025-urban-architecture-festival-winning-pavilions-celebrate-local-materials-and-coastal-culture-in-spain</guid>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/1018404/tac-urban-architecture-festival-2024-discover-the-pavilion-by-scar-cruz-garcia-and-pablo-paradinas-sastre-in-vigo-spain" target="_blank" rel="noopener">TAC! Urban Architecture Festival is held annually</a> in <a href="https://www.archdaily.com/country/spain" target="_blank" rel="noopener">Spain </a>with the aim of bringing contemporary architecture closer to the public through installations in various cities, including <a href="https://www.archdaily.com/tag/granada" target="_blank" rel="noopener">Granada</a>, <a href="https://www.archdaily.com/tag/san-sebastian" target="_blank" rel="noopener">San Sebastián</a>, <a href="https://www.archdaily.com/tag/valencia" target="_blank" rel="noopener">Valencia</a>, <a href="https://www.archdaily.com/tag/vigo" target="_blank" rel="noopener">Vigo</a>, and <a href="https://www.archdaily.com/tag/san-fernando" target="_blank" rel="noopener">San Fernando</a>. Organized by the Ministry of Housing and Urban Agenda in collaboration with <a href="https://www.archdaily.com/tag/fundacion-arquia" target="_blank" rel="noopener">Fundación Arquia</a>, the <a href="/tag/festival">festival</a> seeks to promote experimentation in architecture by constructing <a href="https://www.archdaily.com/tag/temporary-architecture" target="_blank" rel="noopener">temporary pavilions</a> for cultural events and gatherings. The 2025 edition of the festival will take place in two locations: Casa Mediterráneo in <a href="https://www.archdaily.com/tag/alicante" target="_blank" rel="noopener">Alicante</a> and Plaza Stagno in Las Palmas de <a href="https://www.archdaily.com/tag/gran-canaria" target="_blank" rel="noopener">Gran Canaria</a>. The pavilions are selected each year through <a href="https://tacfestival.com/convocatorias/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">an open call for young architects</a> up to 45 years old. This year's winners have already been announced: the ESPARTAL project by <a href="https://www.archdaily.com/office/ele-arkitektura" target="_blank" rel="noopener">ELE Arkitektura</a>, <a href="https://www.archdaily.com/office/ga-estudio" target="_blank" rel="noopener">GA Estudio</a>, Florencia Galecio, and Juan Gubbins; and DE ROCA MADRE by Alejandro Carrasco Hidalgo, Eduardo Cilleruelo Terán, Alberto Martínez García, and Andrea Molina Cuadro.</p>]]>
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        <![CDATA[Copenhagen Architecture Biennial 2025 Reveals 'Slow Pavilion' Designs Built from Reused Materials]]>
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      <link>https://www.archdaily.com/1031118/copenhagen-architecture-biennial-2025-reveals-slow-pavilion-designs-built-from-reused-materials</link>
      <pubDate>Fri, 13 Jun 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031118/copenhagen-architecture-biennial-2025-reveals-slow-pavilion-designs-built-from-reused-materials</guid>
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        <![CDATA[<p>The first edition of the <a href="/tag/copenhagen-architecture-biennial">Copenhagen Architecture Biennial</a> will take place from 18 September to 19 October 2025. Organized by CAFx (Copenhagen Architecture Forum), the event marks a transition from the previous annual <a href="https://www.archdaily.com/tag/copenhagen-architecture-festival" target="_blank" rel="noopener">Copenhagen Architecture Festival</a> to a more expansive platform for architectural exploration. The theme of <a href="https://www.archdaily.com/1023311/inaugural-copenhagen-architecture-biennial-2025-unveils-slow-down-theme" target="_blank" rel="noopener">the inaugural edition, "Slow Down," </a>invites participants to reflect on how the rapid pace of modern life affects the built environment. According to the organizers, this thematic shift encourages the envisioning of spaces that promote <a href="https://www.archdaily.com/tag/sustainability" target="_blank" rel="noopener">sustainability</a>, longevity, and mindful engagement with our surroundings. In line with this vision, the organization launched an open call earlier this year for pavilion proposals that embody principles of <a href="https://www.archdaily.com/tag/circular-design" target="_blank" rel="noopener">circular design</a> while serving as hubs for public programming during the event. Two winning proposals, modular structures by <a href="https://www.instagram.com/slaattomorsboel/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Slaatto Morsbøl </a>and <a href="https://tomsvilans.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Tom Svilans</a> x <a href="https://www.archdaily.com/office/thiss-studio" target="_blank" rel="noopener">THISS Studio</a>, were selected, each offering an approach to <a href="https://www.archdaily.com/tag/slow-architecture" target="_blank" rel="noopener">architectural deceleration</a>.</p>]]>
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        <![CDATA[Museum and Gallery Cafés: 10 Examples That Enhance the Cultural Experience]]>
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      <link>https://www.archdaily.com/1030691/museum-and-gallery-cafes-10-examples-that-enhance-the-cultural-experience</link>
      <pubDate>Thu, 05 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>Cafés in museums and galleries do more than provide convenience — they have become an essential part of today’s cultural experience. <a href="https://www.amazon.com/Installation-Art-Claire-Bishop/dp/1854375180?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">As Claire Bishop explains in her idea of the “expanded aesthetic experience,”</a> cultural spaces now include hybrid environments that encourage new ways of engaging, socializing, and reflecting. In this context, cafés are not just places to rest; they extend the visit on both sensory and symbolic levels, offering moments of interaction and contemplation in carefully designed settings. By blending architecture, art, and hospitality, they help create immersive and welcoming atmospheres — <a href="https://www.amazon.com.br/Inside-White-Cube-Ideology-Expanded/dp/0520220404?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">a concept already hinted at by Brian O’Doherty</a>, who viewed exhibition spaces as an integral part of the artwork itself.</p>]]>
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