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    <title>Tag: raw-concrete | ArchDaily</title>
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        <![CDATA[Brutalism: Back in Vogue?]]>
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      <link>https://www.archdaily.com/545416/brutalism-back-in-vogue</link>
      <pubDate>Sat, 06 Sep 2014 00:00:00 +0000</pubDate>
      <dc:creator>Sadia Quddus</dc:creator>
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        <![CDATA[<p>Are <a href="http://www.archdaily.com/tag/brutalism/">Brutalist</a> buildings, once deemed cruel and ugly, making a comeback? <a href="http://www.archdaily.com/tag/reyner-banham/">Reyner Banham</a>'s witty play on the French term for <a href="/tag/raw-concrete">raw concrete</a>, <em>beton brut, </em>was popularized by a movement of hip, young architects counteracting what they perceived as the bourgeois and fanciful <a href="http://www.archdaily.com/tag/modernism/">Modernism</a> of the 1930s. Though the use of raw concrete in the hands of such artist-architects as <a href="http://www.archdaily.com/tag/le-corbusier/">Le Corbusier</a> seems beautiful beneath the lush Mediterranean sun, under the overcast skies of northern Europe Brutalist architecture earned a much less flattering reputation. Since the 1990s, however, architects, designers, and artists have celebrated formerly denounced buildings, developing a fashionably artistic following around buildings like <a href="http://www.archdaily.com/tag/erno-goldfinger/">Erno Goldfinger</a>'s <a href="http://www.archdaily.com/151227/ad-classics-trellick-tower-erno-goldfinger/">Trellick Tower</a>, "even if long-term residents held far more ambivalent views of this forceful high-rise housing block." To learn more about this controversial history and to read <a href="http://www.archdaily.com/tag/jonathan-glancey/">Jonathan Glancey</a>'s speculation for its future, read the full article on <a href="/tag/bbc">BBC</a>, <a href="http://www.bbc.com/culture/story/20140828-why-brutal-is-beautiful?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">here</a>.</p>]]>
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