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    <title>Tag: pristina | ArchDaily</title>
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        <![CDATA[Erosion Buzë Mustaqe Showroom / Phi+Architects]]>
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      <link>https://www.archdaily.com/1031771/erosion-buze-mustaqe-showroom-phi-plus-architects</link>
      <pubDate>Sun, 06 Jul 2025 09:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Showroom]]>
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        <![CDATA[<p>Erosion is a fashion showroom designed by PHI+ Architects, located in a central commercial area of <a href="/tag/pristina">Pristina</a>, Kosovo. The project reflects a deliberate architectural gesture, a stripping away of superficial design to reveal the raw, structural core of the space. The key concept draws inspiration from the natural process of erosion, a slow, transformative force that exposes the essence beneath the surface. This idea materializes through fractured walls and glass surfaces, where controlled cracks become intentional architectural statements. These ruptures symbolize the intersection between architecture and fashion, a dialogue of permanence versus ephemerality, structure versus expression.</p>]]>
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        <![CDATA[Angel Academy / NOMMA studio]]>
      </title>
      <link>https://www.archdaily.com/982810/angel-academy-nomma-studio</link>
      <pubDate>Sun, 05 Jun 2022 06:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Renovation]]>
      </category>
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        <![CDATA[<p>Angel Academy project came up with the idea of creating a place that will make you feel important and unique with the combination of organic shapes, neutral colors, and curved walls. Located in the center of <a href="/tag/pristina">Pristina</a>, converted from a residential house into a training academy. Angel Academy is a training salon of beauty spaces combining different functions. The main reason was to create an academy for hairdressers, manicure technicians, and eyebrows technicians. The space also offers functions such as training sessions and workshops and a marketing spot. </p>]]>
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        <![CDATA[Homme Store / Maden Group]]>
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      <link>https://www.archdaily.com/974784/homme-store-maden-group</link>
      <pubDate>Tue, 11 Jan 2022 10:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Retail Interiors]]>
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        <![CDATA[<p class="p1">Homme is not just a store, but a unique experience of an urban environment within the context of highly commercial space. Homme is a break from the usual shopping mall experience with a number of distinct aesthetic signs ... The height gives the feeling of space and at the same time exposes the structure and ventilation of the space lighting systems.</p>]]>
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      <title>
        <![CDATA[A Futuristic Amusement Park and an Ecological Power Plant: 16 Unbuilt Competition-Winning Projects Submitted to ArchDaily ]]>
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      <link>https://www.archdaily.com/963396/a-futuristic-amusement-park-and-an-ecological-power-plant-16-unbuilt-competition-winning-projects-submitted-to-archdaily</link>
      <pubDate>Wed, 06 Oct 2021 04:00:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
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        <![CDATA[<p>This week’s curated selection of Best <a href="https://www.archdaily.com/tag/unbuilt-architecture">Unbuilt Architecture</a> highlights competition-winning projects <a href="https://www.archdaily.com/contact">submitted by the ArchDaily Community</a>. From art museums to memorials, this article explores cultural functions and commercial spaces, and presents projects submitted to us from all over the world.</p>]]>
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        <![CDATA[Trianglo Lounge Bar / Maden Group]]>
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      <link>https://www.archdaily.com/957893/trianglo-lounge-bar-maden-group</link>
      <pubDate>Wed, 03 Mar 2021 00:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Restaurant & Bar Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/957893/trianglo-lounge-bar-maden-group</guid>
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        <![CDATA[<p class="p1">As part of our culture, once we find a new place of residence, we can easily spend different hours of the day for different occasions in the same place, especially when the work is added to the work of different artists, who give local value. The challenge of this project, in addition to the many pillars in the bar, which I eliminate through interior design, was also to create a space that fits harmoniously with several components. Works of art, colors, and plants, are these three components that complement each other and harmoniously become one.</p>]]>
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        <![CDATA[Gusto Cake Cafe / Inco Group]]>
      </title>
      <link>https://www.archdaily.com/947745/gusto-cake-cafe-inco-group</link>
      <pubDate>Fri, 25 Sep 2020 02:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Coffee Shop Interiors]]>
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      <guid isPermaLink="false">https://www.archdaily.com/947745/gusto-cake-cafe-inco-group</guid>
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        <![CDATA[<p>The main idea of our concept was to include two parallel worlds: our imagination and reality. We wanted to create an environment that makes people experience some magical moments. We wanted them to be able to escape from reality while enjoying a hot cup of coffee, whether it be alone or with others.</p>]]>
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        <![CDATA[HEB’S Restaurant / Maden Group]]>
      </title>
      <link>https://www.archdaily.com/944043/hebs-restaurant-maden-group</link>
      <pubDate>Wed, 22 Jul 2020 16:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Restaurant & Bar Interiors]]>
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      <guid isPermaLink="false">https://www.archdaily.com/944043/hebs-restaurant-maden-group</guid>
      <description>
        <![CDATA[<p>The love for cafes, restaurants, bars, and practices to spend a lot of time in our favorite places is one of our characteristics. Our culture enjoys good food and coffee especially with good company while eating and drinking, it is also worth asking that we also eat fast food slowly. One of the strongest points we wanted to pay attention to was the comfort, the special look and the feeling “at home”. Glass blocks have been used in cases where in the past they needed light and not views … mostly secondary places like toilettes, stairwells, etc., while we have given them added value by showing that the glass bones do wonders. One of the reasons we used glass blocks is because of the depth of the strip, to create the same feeling throughout the strip and painting the wall behind the yellow glass blocks.</p>]]>
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      <title>
        <![CDATA[The Yellow Pavilion / Architecture for Humans]]>
      </title>
      <link>https://www.archdaily.com/933108/the-yellow-pavilion-architecture-for-humans</link>
      <pubDate>Tue, 04 Feb 2020 21:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
      <category>
        <![CDATA[Temporary installations]]>
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      <guid isPermaLink="false">https://www.archdaily.com/933108/the-yellow-pavilion-architecture-for-humans</guid>
      <description>
        <![CDATA[<p>The post-’99 city of Prishtina has had the burden as well as the delight of providing for an extensive part of Kosovo’s population. This has put a strain on the city’s urban development with a constantly growing number of illegal buildings and extensions, usurped public spaces, and an increasing disregard for the city by the citizens. One individual that tried to put an end to this city’s deterioration that had already begun was Rexhep Luci, a citizen and architect who at the time was working towards the demolition of illegal buildings. His work in this regard and almost every similar process was terminated when Rexhep was shot in front of his apartment in the capital. With Rexhep Luci’s murder, the city of Prishtina became the committer, the victim as well as the spectator of this crime. Years later, the street that bears the name of the architect that once started the fight against clutter and chaos, is one of the most cluttered and chaotic arteries of the city. </p>]]>
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      <title>
        <![CDATA[Tabanlioglu Architects Designs New National Stadium for Kosovo]]>
      </title>
      <link>https://www.archdaily.com/920832/tabanlioglu-architects-designs-new-national-stadium-for-kosovo</link>
      <pubDate>Fri, 19 Jul 2019 05:00:00 +0000</pubDate>
      <dc:creator>Eric Baldwin</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/920832/tabanlioglu-architects-designs-new-national-stadium-for-kosovo</guid>
      <description>
        <![CDATA[<p>Istanbul based <a href="https://www.archdaily.com/office/tabanlioglu-architects">Tabanlioglu Architects</a> have designed a new national stadium for <a href="https://www.archdaily.com/tag/kosovo">Kosovo</a>. Located in Drenas, the 30,000-seat stadium will be built 12 miles from the country's capital of <a href="/tag/pristina">Pristina</a> and become the new home for the Kosovo national football team. Made to bring people together, the urban project aims to reflect the contemporary culture and multi-ethnic identity of Kosovo.</p>]]>
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        <![CDATA[American School of Kosova / Maden Group]]>
      </title>
      <link>https://www.archdaily.com/908709/american-school-of-kosova-maden-group</link>
      <pubDate>Sat, 12 Jan 2019 00:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Educational Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/908709/american-school-of-kosova-maden-group</guid>
      <description>
        <![CDATA[<p><strong><em>The correct location for this project is <a href="/tag/prishtina">Prishtina</a>, <a href="/tag/kosovo">Kosovo</a> and will be updated in our database in a few.</em></strong></p>]]>
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        <![CDATA[Architecture for Humans Proposes  Zero Emission Neighborhood to Address Climate Change]]>
      </title>
      <link>https://www.archdaily.com/900643/architecture-for-humans-proposes-zero-emission-neighborhood-to-address-climate-change</link>
      <pubDate>Fri, 24 Aug 2018 08:00:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <category>
        <![CDATA[Sustainability]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/900643/architecture-for-humans-proposes-zero-emission-neighborhood-to-address-climate-change</guid>
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        <![CDATA[<p id="docs-internal-guid-f12a204a-7fff-f81f-c7ed-3106ab71ebb1" dir="ltr">As the demand of a <a href="https://www.archdaily.com/category/sustainability" target="_blank">sustainable</a> lifestyle increases, cities are trying to find strategies to create environmentally friendly communities. From <a href="https://www.archdaily.com/tag/passive-design" target="_blank">passive designs</a> to <a href="https://www.archdaily.com/tag/recycled-materials" target="_blank">recycled materials</a>, architects are turning their attention to climate change and trying to find solutions through architecture and design.</p>]]>
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      <title>
        <![CDATA[Central Mosque of Prishtina / SADAR + VUGA]]>
      </title>
      <link>https://www.archdaily.com/443158/sadar-vuga-shares-second-in-central-mosque-of-pristina-competition</link>
      <pubDate>Sat, 26 Oct 2013 01:00:00 +0000</pubDate>
      <dc:creator>Eric Baldwin</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/443158/sadar-vuga-shares-second-in-central-mosque-of-pristina-competition</guid>
      <description>
        <![CDATA[<p>The competition isn't over yet as the jury for the <a href="http://www.archdaily.com/tag/central-mosque-of-pristina/">Central Mosque of Pristina Competition</a> has announced two second place prizes and no winner. Organized by the Islamic Community of <a href="http://www.archdaily.com/tag/kosovo/">Kosovo</a>, the competition seeks to create a place "where understanding, humanity, tolerance, respect and sincere love shall be cultivated." Slovenian firm <a href="http://www.sadarvuga.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">SADAR+VUGA</a> was one of the two teams awarded second prize with their project 21PR22. Follow us after the break to learn more. </p>]]>
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        <![CDATA[Don Café House / Innarch]]>
      </title>
      <link>https://www.archdaily.com/371553/don-cafe-house-innarch</link>
      <pubDate>Mon, 13 May 2013 01:00:00 +0000</pubDate>
      <dc:creator>Diego Hernández</dc:creator>
      <category>
        <![CDATA[Coffee Shop]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/371553/don-cafe-house-innarch</guid>
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        <![CDATA[<p>Don Café House is the first concept introduced by the Don Coffee company in Kosovo. Its idea was the expansion of the business by offering to the clients a greater possibility to taste their products in the new environments of the Don Café House in a pattern of chain setup across the territory of Kosovo and beyond. </p>]]>
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        <![CDATA[Central Mosque of Pristina Competition Entry / Asar Consulting Engineers]]>
      </title>
      <link>https://www.archdaily.com/369208/central-mosque-of-pristina-competition-entry-asar-consulting-engineers</link>
      <pubDate>Tue, 07 May 2013 01:00:00 +0000</pubDate>
      <dc:creator>Alison Furuto</dc:creator>
      <category>
        <![CDATA[Mosque]]>
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      <guid isPermaLink="false">https://www.archdaily.com/369208/central-mosque-of-pristina-competition-entry-asar-consulting-engineers</guid>
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        <![CDATA[<p>In this proposal for the Central Mosque of <a href="/tag/pristina">Pristina</a>, Asar Consulting Engineers decided to use the traditional mosque components for a kind of new mosque design in a new form and a different combination to make it more fitting for its time and location. This new combination is done with the aim of keeping the functional value of different components and increasing their efficiency. One of the elements of mosque architecture which can’t be separated from this design is green and open space. This space is so important that it should become an element at the entrance of the mosque. More images and architects' description after the break.</p>]]>
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        <![CDATA[Central Mosque of Pristina Competition Entry / Victoria Stotskaia, Raof Abdelnabi, Kamel Lokman Salem]]>
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      <link>https://www.archdaily.com/366459/central-mosque-of-pristina-competition-entry-invert-studios</link>
      <pubDate>Sat, 04 May 2013 00:00:00 +0000</pubDate>
      <dc:creator>Alison Furuto</dc:creator>
      <category>
        <![CDATA[Mosque]]>
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      <guid isPermaLink="false">https://www.archdaily.com/366459/central-mosque-of-pristina-competition-entry-invert-studios</guid>
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        <![CDATA[<p>The idea behind the design by <a href="http://www.invert-studio.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Invert Studios</a> (Victoria Stotskaia, Raof Abdelnabi, Kamel Lokman Salem) for the Central Mosque of <a href="/tag/pristina">Pristina</a> started with a very simple question:How can we can design a building that should play in harmony with the surrounding neighborhood, integrated with the urbanity, and for a very powerful reason want to stand out as a futuristic icon for the city? By proposing a design that is not conventional and common, and in an effort to change the way the public perceives mosques external shapes, they created an example of a world class building that reflects the Islamic Architectural Heritage. At the same time, this building stands out with a high technology character. More images and architects' description after the break.</p>]]>
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        <![CDATA[Central Mosque of Pristina Competition Entry / Tarh O Amayesh]]>
      </title>
      <link>https://www.archdaily.com/366207/central-mosque-of-pristina-competition-entry-tarh-o-amayesh</link>
      <pubDate>Thu, 02 May 2013 01:00:00 +0000</pubDate>
      <dc:creator>Alison Furuto</dc:creator>
      <category>
        <![CDATA[Mosque]]>
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        <![CDATA[<p>Designed by <a href="http://www.tarhoamayesh.co.ir/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><b>Tarh O Amayesh</b></a>, their proposal for the Central Mosque of <a href="/tag/pristina">Pristina</a>, the fundamental principal of the project comes from the definition of Mosque, which is a place for praying and going from body to soul. The prayer is someone who connects the earth to the sky, while the mosque is a space for the becoming. Becoming is a symbol of movement and movement is the source of the mosque (the house of god). This plan is shaped in this framework as the mosque is a symbol of ascending sprit from soil to the sky, from city to the Kiblah. More images and architects' description after the break.</p>]]>
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        <![CDATA[Central Mosque of Pristina Competition Entry / Maden GROUP]]>
      </title>
      <link>https://www.archdaily.com/364979/central-mosque-of-pristina-competition-entry-maden-group</link>
      <pubDate>Tue, 30 Apr 2013 01:00:00 +0000</pubDate>
      <dc:creator>Alison Furuto</dc:creator>
      <category>
        <![CDATA[Mosque]]>
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        <![CDATA[<p>The idea behind the proposal for the Central Mosque of <a href="/tag/pristina">Pristina</a> comes from the first religious needs and the study of the earliest styles of mosque architecture in Kosovo. Designed by <a href="http://www.madengroup.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><b>Maden GROUP</b>,</a> the concept is to convey tradition through contemporary architecture while combining in the best mode of architecture and religious rules. Therefore, the architects developed in geometric foundations, by combining simple geometrical elements. More images and architects’ description after the break.</p>]]>
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        <![CDATA[Central Mosque of Pristina Competition Entry / APTUM Architecture]]>
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      <link>https://www.archdaily.com/362272/central-mosque-of-pristina-competition-entry-aptum-architecture</link>
      <pubDate>Mon, 22 Apr 2013 01:00:00 +0000</pubDate>
      <dc:creator>Alison Furuto</dc:creator>
      <category>
        <![CDATA[Mosque]]>
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        <![CDATA[<p>Designed by <b><a href="http://www.aptumarchitecture.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">APTUM Architecture</a></b>, their proposal for the Central Mosque of <a href="/tag/pristina">Pristina</a>, titled MI’RAJ, is about a journey of ascension to prayer and the spatial experience that evolves. As the ascension to prayer begins, a sequence of events unfolds. As a result of the Islamic community of Pristina searching for a unifying symbol and identity that can bring together many disparate mosques scattered throughout the city, the proposal harnesses that need and brings together a sense of place and provides public space for the greater good of the community. More images and architects' description after the break.</p>]]>
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