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    <title>Tag: postmodern | ArchDaily</title>
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        <![CDATA[The Characteristics of 12 Architectural Styles From Antiquity to the Present Day]]>
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      <link>https://www.archdaily.com/900027/the-characteristics-of-12-architectural-styles-from-antiquity-to-the-present-day</link>
      <pubDate>Mon, 13 Aug 2018 07:00:00 +0000</pubDate>
      <dc:creator>Julia Daudén</dc:creator>
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        <![CDATA[<p>History&nbsp;has often been taught in a linear way. This way of teaching has often left out grand historical narratives, and focused primarily on the occidental world.&nbsp;</p>]]>
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        <![CDATA[Love in Las Vegas: 99% Invisible Illuminates Robert Venturi and Denise Scott Brown’s Postmodern Romance]]>
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      <link>https://www.archdaily.com/894735/love-in-las-vegas-99-percent-invisible-illuminates-robert-venturi-and-denis-scott-browns-postmodern-romance</link>
      <pubDate>Thu, 24 May 2018 08:00:00 +0000</pubDate>
      <dc:creator>Evan Pavka</dc:creator>
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        <![CDATA[<p class="p1">Which building is better, the duck or the ornamented shed? More importantly, what kind of architecture does the average American prefer? In their landmark 1972 publication <em>Learning From Las Vegas</em>, <a href="https://www.archdaily.com/tag/denise-scott-brown">Denise Scott Brown</a> and <a href="https://www.archdaily.com/tag/robert-venturi">Robert Venturi</a> probed these questions by turning their back on paternalistic modernism in favor of the glowing, overtly kitsch, and symbolic Mecca of the <a href="https://www.archdaily.com/tag/las-vegas">Las Vegas</a> strip. From a chance encounter during a meeting in the Library of Fine Arts at the University of Pennsylvania and shared trips to the strip to critically shaping a new generation of architects, discover the hidden details of the romance and city that defined <a href="https://www.archdaily.com/tag/postmodernism">postmodernism</a> in this latest episode from <a href="https://www.archdaily.com/tag/99-invisible">99% Invisible</a>. </p>]]>
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        <![CDATA[Call for Submissions: po·mo·stroika – Postmodern Theories, Practices and Histories in Central and Eastern Europe]]>
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      <link>https://www.archdaily.com/890174/call-for-submissions-po-star-mo-star-stroika-nil-postmodern-theories-practices-and-histories-in-central-and-eastern-europe</link>
      <pubDate>Mon, 05 Mar 2018 17:03:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>po&middot;mo&middot;stroika &ndash; Postmodern Theories, Practices and Histories in Central and Eastern Europe is a two-day event series in 17-19 May 2018, offering opportunity for both professional researchers, architecture enthusiasts and architects to present their work, and international audience to find out more about how the postmodern phenomena shaped our cities, society and consciousness.</p>]]>
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        <![CDATA[Postmodern Post-Mortem: Why We Need To Stop Using Architecture's Most Misunderstood Word]]>
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      <link>https://www.archdaily.com/886731/postmodern-post-mortem-why-we-need-to-stop-using-architectures-most-misunderstood-word</link>
      <pubDate>Thu, 11 Jan 2018 09:30:00 +0000</pubDate>
      <dc:creator>Giacomo Pala</dc:creator>
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        <![CDATA[<p dir="ltr">We were hoping for it to happen in the early 2000s. We saw it coming with the opening of the exhibition “<a href="http://www.vam.ac.uk/content/exhibitions/postmodernism/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Postmodernism: Style and Subversion, 1970 – 1990</a>” at the V&amp;A in London in 2011. But now, after recent discussions on the umpteenth supposed “postmodern revival,” it is finally sure: the word “<a href="https://www.archdaily.com/tag/postmodernism">postmodernism</a>” is back and it’s here to stay. But as clear as it is that the word “postmodernism” is once again fashionable, it is not really clear what we mean when using it. Indeed, this word has been used to imply every possible meaning: architects have used it to describe fashionable and “cute” designs, some critics have used it to categorize everything that is colorful, while some theorists have been using it to affirm that, because of this concept, architecture has surrendered to technology or form, becoming nothing more than a caricature of its own presupposed moral values.</p>]]>
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        <![CDATA[WeWork to Become Primary Tenant of James Stirling's No 1 Poultry After Renovations]]>
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      <link>https://www.archdaily.com/884073/wework-to-become-primary-tenant-of-james-stirlings-no-1-poultry-after-renovations</link>
      <pubDate>Tue, 21 Nov 2017 12:00:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
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        <![CDATA[<p dir="ltr">After being <a href="https://thespaces.com/2016/11/29/postmodern-no-1-poultry-listed/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">saved from a major renovation</a> that would have eliminated its iconic <a href="/tag/postmodern">Postmodern</a> facade, <a href="/tag/james-stirling">James Stirling</a>’s <a href="/tag/no-1-poultry">No 1 Poultry</a> building is now receiving a gentler retrofit that will upgrade its spaces to house 110,000-square-feet of contemporary office space. </p>]]>
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