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    <title>Tag: politics | ArchDaily</title>
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      <title>
        <![CDATA[The Politics of Bamboo: From Vernacular Craft to Temporal Infrastructure ]]>
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      <link>https://www.archdaily.com/1042929/the-politics-of-bamboo-from-vernacular-craft-to-temporal-infrastructure</link>
      <pubDate>Wed, 08 Jul 2026 06:30:24 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042929/the-politics-of-bamboo-from-vernacular-craft-to-temporal-infrastructure</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/1042601/from-stone-waste-to-bamboo-indian-architects-explore-the-future-of-regenerative-design?ad_source=search&amp;ad_medium=search_result_articles">Bamboo</a> is often praised before it is understood. It grows quickly, carries a long history of <a href="https://www.archdaily.com/1041712/material-culture-and-heritage-in-contemporary-cinema-architecture?ad_source=search&amp;ad_medium=search_result_articles">building cultures</a>, and appears to offer architecture an immediate ecological language. In photographs, it can seem almost self-explanatory: light, natural, <a href="https://www.archdaily.com/1042205/world-environment-day-2026-coincides-with-record-heatwaves-renewing-focus-on-climate-adaptation-in-cities?ad_source=search&amp;ad_medium=search_result_articles">renewable</a>, and already aligned with a more sustainable future. Yet this apparent clarity is also what makes bamboo difficult to discuss with precision. Once it becomes a symbol of environmental responsibility, the material itself can disappear behind the image it produces.</p>]]>
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        <![CDATA[Architectures of Movement: ArchDaily's July Editorial Focus]]>
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      <link>https://www.archdaily.com/1042807/architectures-of-movement-archdailys-july-editorial-focus</link>
      <pubDate>Wed, 01 Jul 2026 08:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Every twelve years, the banks of the Ganges at Prayagraj become one of the largest cities on Earth — and then disappear. The Maha Kumbh Mela draws over 400 million pilgrims across six weeks, requiring the construction of a full urban infrastructure: pontoon bridges, field hospitals, kilometers of temporary roads, a grid of tent cities visible from space. When the festival ends, it is dismantled entirely. No gathering in human history produces a more complete architecture of movement; built for arrival, engineered for transience, and designed to leave no permanent trace. The Kumbh Mela is exceptional in scale, but not in condition: movement has become a defining spatial problem of the century.</p>]]>
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        <![CDATA[Unearthing the Ground: Architecture and the Politics of Soil]]>
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      <link>https://www.archdaily.com/1042057/unearthing-the-ground-architecture-and-the-politics-of-soil</link>
      <pubDate>Wed, 10 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>What architecture leaves in the ground outlasts what it puts in the air. A demolished building disappears from the skyline in a matter of days, but its foundations remain embedded in the soil for generations. The <a href="https://www.archdaily.com/1037282/unearthing-the-ground-the-politics-of-the-subterranean" target="_blank" rel="noopener">contamination caused by an industrial complex</a> does not clear when the complex is torn down. The legal boundaries inscribed across colonial territory do not dissolve when the colonial administration ends. The ground holds what architecture quickly forgets.</p>]]>
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        <![CDATA[Unearthing the Ground: Architecture and the Politics of Oil]]>
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      <link>https://www.archdaily.com/1039737/unearthing-the-ground-architecture-and-the-politics-of-oil</link>
      <pubDate>Sat, 28 Mar 2026 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/1037282/unearthing-the-ground-the-politics-of-the-subterranean">Beneath the ground</a> lies a material that has quietly shaped the architecture of the <a href="https://www.archdaily.com/tag/modern-architecture">modern world</a>. Petroleum is rarely discussed within architectural discourse, yet the extraction, circulation, and consumption of oil have profoundly reorganized the spatial logic of territories. Pipelines, refineries, drilling platforms, ports, highways, and petrochemical complexes form a vast infrastructural landscape that sustains contemporary life, composing a dispersed architecture of energy.</p>]]>
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        <![CDATA[The Aesthetics of Power: Soviet Modernism Meets Uzbek Tradition in Tashkent’s Palace of Peoples’ Friendship]]>
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      <link>https://www.archdaily.com/1036573/the-aesthetics-of-power-soviet-modernism-meets-uzbek-tradition-in-tashkents-palace-of-peoples-friendship</link>
      <pubDate>Sat, 13 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/city/tashkent" target="_blank" rel="noopener">Tashkent</a>, the capital of <a href="https://www.archdaily.com/country/uzbekistan" target="_blank" rel="noopener">Uzbekistan</a> and one of the oldest cities in <a href="/tag/central-asia">Central Asia</a>, has long been <a href="https://www.archdaily.com/1006530/preserving-tashkents-unique-modernist-architecture-the-importance-of-heritage-conservation" target="_blank" rel="noopener">shaped by a hybrid culture</a>. Located at a strategic point along the Silk Road, the city developed an architectural tradition defined by inner <a href="https://www.archdaily.com/tag/courtyard" target="_blank" rel="noopener">courtyards</a>, <a href="https://www.archdaily.com/tag/dome" target="_blank" rel="noopener">domes</a>, decorative ceramics, and <a href="https://www.archdaily.com/tag/islamic-architecture" target="_blank" rel="noopener">Islamic</a> geometric patterns. The annexation by the Russian Empire in the 19th century introduced administrative buildings, <a href="https://www.archdaily.com/949094/orthogonal-grids-and-their-variations-in-17-cities-viewed-from-above" target="_blank" rel="noopener">orthogonal squares</a>, and straight avenues, creating a <a href="https://www.archdaily.com/1034850/bridging-past-and-future-uzbekistans-expanding-cultural-landscape" target="_blank" rel="noopener">dual urban fabric</a> — between the “old” Eastern city and the “new” European one — in which contrasts and overlaps became the norm.</p>]]>
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        <![CDATA[September Editorial Topic: Architecture Without Limits]]>
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      <link>https://www.archdaily.com/1033664/september-editorial-topic-architecture-without-limits</link>
      <pubDate>Wed, 03 Sep 2025 05:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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      <description>
        <![CDATA[<p>Architects today work across many worlds: from designing furniture, landscapes, and urban blocks to creating film sets, photographs, and videos. They restore and retrofit old buildings rather than build anew, while also writing, researching, and publishing. Some design virtual spaces for video games or speculate on habitats in outer space and underwater. Others engage directly with society through politics, activism, or community projects. Many experiment with biology, test new materials, and step into the role of scientist. Architects are decolonizing old narratives and decarbonizing the construction industry, and by weaving together personal passions with pressing social and environmental challenges, they are pushing the limits of the profession and expanding its scope.</p>]]>
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        <![CDATA[Playgrounds as Political Spaces: Negotiating Risk, Space, and Childhood]]>
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      <link>https://www.archdaily.com/1032581/playgrounds-as-political-spaces-negotiating-risk-space-and-childhood</link>
      <pubDate>Thu, 14 Aug 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032581/playgrounds-as-political-spaces-negotiating-risk-space-and-childhood</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/playground">Playgrounds</a> are spatial instruments through which society projects its expectations on <a href="https://www.archdaily.com/tag/childhood">childhood</a>, testing the boundaries between control and autonomy, exposure and protection. They regulate how children relate to space, to others, and their bodies — encoding, often invisibly, social norms, fears, and aspirations. In this sense, playgrounds are not peripheral spaces of leisure; they are political constructs shaped by specific ideologies about what childhood is and how it should unfold. Since 1989, the right to play has been formally recognised in the <a href="/tag/united-nations">United Nations</a> Convention on the Rights of the Child, affirming that play is a fundamental part of human development. To design a playground is not only to draw lines on a plan or to install equipment in a park; it is to define the conditions under which play is permitted, imagined, or constrained.</p>]]>
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        <![CDATA[Albania Pavilion Explores the Intersections of Architecture, History, and Identity at the 2025 Venice Biennale]]>
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      <link>https://www.archdaily.com/1033065/albania-pavilion-explores-the-intersections-of-architecture-history-and-identity-at-the-2025-venice-biennale</link>
      <pubDate>Wed, 13 Aug 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Curated by Anneke Abhelakh, the <a href="https://www.archdaily.com/country/albania/page/1">Albania</a> Pavilion at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025">2025 Venice Architecture Biennale</a>, titled "Building Architecture Culture", explores how the country's architecture embodies its <a href="https://www.archdaily.com/tag/politics">political</a>, <a href="https://www.archdaily.com/tag/cultural">cultural</a>, and <a href="https://www.archdaily.com/tag/social">social</a> transformations. <a href="https://www.archdaily.com/country/albania/page/1">Albania</a>'s <a href="https://www.archdaily.com/tag/built-environment">built environment</a> reflects a layered history, from Ottoman and <a href="https://www.archdaily.com/tag/italian/page/1">Italian</a> rule to communist isolation and post-socialist <a href="https://www.archdaily.com/tag/transformation">transformation</a>, each leaving visible marks on its <a href="https://www.archdaily.com/tag/cities">cities</a> and <a href="https://www.archdaily.com/tag/public-space">public spaces</a>. The <a href="https://www.archdaily.com/tag/pavilion">pavilion</a> examines how architecture both responds to and shapes collective memory, <a href="https://www.archdaily.com/tag/public-space">public space</a>, and civic engagement, framing these questions through past, present, and future perspectives.</p>]]>
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        <![CDATA[Learning from Global Architecture Exhibitions: Resource Efficiency, Vernacular Intelligence, and Social and Environmental Advocacy]]>
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      <link>https://www.archdaily.com/1017116/learning-from-global-architecture-exhibitions-resource-efficiency-vernacular-intelligence-and-social-and-environmental-advocacy</link>
      <pubDate>Wed, 29 May 2024 07:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p class="p1">Over the past year, architecture exhibitions have significantly addressed pressing global issues such as <a href="https://www.archdaily.com/tag/climate-change">climate change,</a> resource scarcity, and social advocacy. According to the<a href="https://www.gsd.harvard.edu/course/exhibiting-architecture-fall-2023/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> Harvard Graduate School of Design, architecture exhibitions can foster dynamic engag</a>ement with contemporary issues, serving as platforms for experimentation and critique. These events, such as the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2023#:~:text=Taking%20place%20from%20May%2020,housing%2C%20particularly%20within%20urban%20settings." target="_blank" rel="noopener">Venice Architecture Biennale</a>, <a href="https://www.archdaily.com/tag/2023-sharjah-architecture-triennial#:~:text=The%20Sharjah%20Architecture%20Triennial%20opened,can%20provide%20in%20the%20future." target="_blank" rel="noopener">Sharjah Architecture Triennial,</a> <a href="https://www.archdaily.com/tag/milan-design-week-2024#:~:text=The%2062nd%20edition%20will%20take,in%20its%2025th%2Danniversary%20edition." target="_blank" rel="noopener">Milan Design Week</a>, and <a href="https://www.archdaily.com/tag/concentrico">Concéntrico</a>, serve as essential platforms for creatives to showcase and explore new ideas. Moreover, they have been instrumental in addressing the urgent challenges posed by the climate crisis by promoting sustainable practices. </p>]]>
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        <![CDATA[Floods in Rio Grande do Sul: The Tragedy of Non-Resilient Cities]]>
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      <link>https://www.archdaily.com/1016509/floods-in-rio-grande-do-sul-the-tragedy-of-non-resilient-cities</link>
      <pubDate>Sat, 18 May 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/climate-change" target="_blank" rel="noopener">The world has changed</a>, and accepting this fact is no longer a matter of choice but <a href="../../../6390fe80d46818610dcdc927" target="_blank" rel="noopener">survival</a>. Our rainfall patterns, periods of drought, average temperatures, sea levels—everything is in constant flux. The denialist stance of many countries, including Brazil, has led to <a href="https://www.archdaily.com/1008185/how-can-cities-create-resilience-in-the-face-of-natural-disasters" target="_blank" rel="noopener">catastrophic situations</a> like the one we are facing now.</p>]]>
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        <![CDATA[Places of Protest in Africa: Public Spaces for Engaging & Fostering Democracy]]>
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      <link>https://www.archdaily.com/1006818/places-of-protest-in-africa-public-spaces-for-engaging-and-fostering-democracy</link>
      <pubDate>Fri, 15 Sep 2023 07:30:00 +0000</pubDate>
      <dc:creator>Paul Yakubu</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1006818/places-of-protest-in-africa-public-spaces-for-engaging-and-fostering-democracy</guid>
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        <![CDATA[<p>Protest has always been a powerful tool for creating change, and <a href="https://www.archdaily.com/941408/public-spaces-places-of-protest-expression-and-social-engagement" target="_blank" rel="noopener">public spaces provide a platform for social engagement in societies</a>. As part of the International Day of Democracy, we examine <a href="/tag/africa">Africa</a>, its series of emerging protests in the past year, and how citizens in various countries question political justice, demand better living standards from their government, and interrogate their nation’s sovereignty. With demonstrations ranging from organized large-scale marches to smaller spontaneous outbursts, residents of these countries have explored public spaces in symbolic and significant ways to amplify their voices. These spaces include public squares with cultural and historical meaning, sites of political buildings, or makeshift protest areas such as roads and open areas. Through this, African cities show how people make these spaces their own and how the power of their conglomeration cannot be ignored in unwrapping the democratic essence of public spaces. </p>]]>
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        <![CDATA[The Energy Efficiency Policy Package: Key Catalyst for Building Decarbonisation and Climate Action]]>
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      <link>https://www.archdaily.com/1001819/the-energy-efficiency-policy-package-key-catalyst-for-building-decarbonisation-and-climate-action</link>
      <pubDate>Thu, 27 Jul 2023 04:00:00 +0000</pubDate>
      <dc:creator>Clara Camarasa</dc:creator>
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        <![CDATA[<p>The buildings and construction sectors are key players in the fight against climate change –Combined, they are responsible for 30% of global final <a href="/tag/energy">energy</a> consumption and 27% of total energy sector CO2 emissions. Further, energy demand from buildings and construction continues to rise, driven by improved access to energy in developing countries, growing need for air conditioning, greater ownership and use of energy-consuming appliances, and a rapid growth in global floor area. Without targeted policy actions, the energy used in buildings could increase up to around 70% in 2050.</p>]]>
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        <![CDATA[Brazil Congress Attack: The Symbolic Consequences of the 2023 January Invasion]]>
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      <link>https://www.archdaily.com/994830/terrorism-in-brasilia-the-symbolic-consequences-of-the-january-attacks</link>
      <pubDate>Wed, 11 Jan 2023 08:30:00 +0000</pubDate>
      <dc:creator>Giovana Martino</dc:creator>
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        <![CDATA[<p>Few places in the world have an overlap of complexities as intense as Brasília. Even so, its architecture symbolizes the Republic and democracy of Brazil, and any act of attack on these symbols carries meanings and consequences for Brazilian memory and cultural heritage. The<a href="https://www.bbc.com/news/world-latin-america-64214409?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> terrorist acts of January 2023</a> destroyed part of the <a href="https://www.archdaily.com.br/br/966112/quais-sao-os-bens-e-sitios-do-patrimonio-mundial-no-brasil">heritage</a> and raised questions beyond objects and architecture, touching on education, culture, and national political capital.</p>]]>
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        <![CDATA[Whom Does Architecture Serve Today?]]>
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      <link>https://www.archdaily.com/986197/whom-does-architecture-serve-today</link>
      <pubDate>Wed, 03 Aug 2022 03:30:00 +0000</pubDate>
      <dc:creator>Ethel Baraona Pohl</dc:creator>
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        <![CDATA[<p>In 1969, ‘The Architects' Resistance’, a collective of students from Yale University, Columbia University, and the Massachusetts Institute of Technology (MIT), published a manifesto titled <a href="https://rozsixties.unl.edu/items/show/424?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">‘Architecture: whom does it serve?’</a></p>]]>
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        <![CDATA[What is Architectural Forensics?]]>
      </title>
      <link>https://www.archdaily.com/983759/what-is-architectural-forensics</link>
      <pubDate>Sat, 18 Jun 2022 07:30:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
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      <description>
        <![CDATA[<p dir="ltr">The term ‘Architectural Forensics’ varies in definition. In short, it refers to the<a href="https://tropicalcommons.co/en/2018/09/08/forensic-architecture-investigate-and-present-crimes-against-humanity-and-the-environment/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> investigation of the built environment, whether that be in relation to crime and injustice</a> or an <a href="https://easyrender.com/a/visualization-in-service-of-architectural-forensics?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">investigative process to discover the root cause of damage and deterioration in buildings</a>. Often forensic architects are invited to identify potential issues and advise in how to avoid them. The role of this architect is to remain unbiased, identify issues within construction, determine potential causes and suggest solutions. They are to uncover factual evidence, which may aid in future construction or provide answers to issues associated with a particular built environment. </p>]]>
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        <![CDATA[A 2021 Moment In Architecture That May Define The Future]]>
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      <link>https://www.archdaily.com/973453/a-2021-moment-in-architecture-that-may-define-the-future</link>
      <pubDate>Tue, 14 Dec 2021 03:30:00 +0000</pubDate>
      <dc:creator>Duo Dickinson</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/973453/a-2021-moment-in-architecture-that-may-define-the-future</guid>
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        <![CDATA[<p>Some years end up being cultural pivot points. 2021 was one such year, with COVID-19 as the first existential threat to our culture since World War II. <a href="/tag/architecture">Architecture</a> will change as a result, and may evolve in public perception to value motivations as a criteria for understanding it, versus valuing outcomes as the validation of any particular aesthetic.</p>]]>
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      <title>
        <![CDATA[The Spatial Stories of Ousmane Sembène]]>
      </title>
      <link>https://www.archdaily.com/966626/the-spatial-stories-of-ousmane-sembene</link>
      <pubDate>Tue, 02 Nov 2021 07:30:00 +0000</pubDate>
      <dc:creator>Matthew Maganga</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/966626/the-spatial-stories-of-ousmane-sembene</guid>
      <description>
        <![CDATA[<p>When examining the world of <a href="https://www.archdaily.com/tag/africa" target="_blank">African</a> cinema, there are few names more prominent than that of Senegalese director <a href="https://www.bfi.org.uk/features/where-begin-with-ousmane-sembene?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Ousmane Sembène</a>. His films ‘La Noire de…’ and ‘Mandabi’, released in 1966 and 1968 respectively, are films that tell evocative stories on the legacies of colonialism, identity, and immigration. And whilst these two films are relatively slow-spaced, ‘slice-of-life stories, they also offer a valuable spatial critique of the setting where the films are based, providing a helpful framework to understand the intricacies of the post-colonial African city, and the contrast between the African and <a href="https://www.archdaily.com/tag/europe" target="_blank">European</a> metropolises. </p>]]>
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      <title>
        <![CDATA[The Restroom Pavilion at the 2021 Venice Biennale Displays how Restrooms are Political Battlegrounds]]>
      </title>
      <link>https://www.archdaily.com/962860/the-restroom-pavilion-at-the-2021-venice-biennale-displays-how-restrooms-are-political-battlegrounds</link>
      <pubDate>Fri, 04 Jun 2021 06:30:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/962860/the-restroom-pavilion-at-the-2021-venice-biennale-displays-how-restrooms-are-political-battlegrounds</guid>
      <description>
        <![CDATA[<p>"When we enter the <a href="https://www.archdaily.com/tag/restroom" target="_blank">restroom</a>, we are never alone. Instead, we are entangled in a network of bodies, infrastructures, ecosystems, cultural norms, and regulations". Although restrooms are often overlooked facilities that cater to the needs of individuals, they are, however, spaces where gender, religion, race, hygiene, health, and the economy are defined and expressed. For the <a href="https://www.archdaily.com/tag/venice-biennale-2021" target="_blank">17th International Architecture Exhibition at La Biennale di Venezia</a>, Matilde Cassani, Ignacio G. Galán, Iván L. Munuera, and Joel Sanders designed two pavilions that exhibit how restrooms are political architectures, serving as battlegrounds for the world's disputes. </p>]]>
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