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    <title>Tag: pavilion-design | ArchDaily</title>
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        <![CDATA[The Delay of Meaning: On the Architecture of Smiljan Radić]]>
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      <link>https://www.archdaily.com/788812/spotlight-smiljan-radic</link>
      <pubDate>Thu, 04 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Smiljan Radić's architecture often begins elsewhere: in a <a href="https://www.archdaily.com/1034567/lina-ghotmeh-on-memory-museums-and-the-archaeology-of-the-future">memory</a>, a <a href="https://www.archdaily.com/1029375/an-architectural-journey-through-tokyo-the-never-ending-city">journey</a>, a material, a stone, a half-seen structure, or a situation not yet organized as an architectural idea. In "<a href="https://www.archdaily.com/1041221/smiljan-radic-to-lead-2026-pritzker-laureate-lecture-and-panel-on-architecture-distraction-and-knowledge" target="_blank" rel="noopener">Architecture: Distraction and Knowledge</a>," his 2026 Pritzker Architecture Prize Laureate Lecture, distraction does not appear as a lack of focus, but as a way of receiving the world. It is through these peripheral encounters — travel, <a href="https://www.archdaily.com/911075/the-beauty-in-the-imperfections-of-ruins-in-architecture">ruins</a>, cities, stories, industries, and materials — that <a href="https://www.archdaily.com/1030041/the-intelligence-of-what-remains-on-archiving-and-architectural-knowledge">architectural knowledge</a> slowly accumulates. </p>]]>
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        <![CDATA[Spanish Design Pavilion Explores Reversibility, Craft and Public Space in Frankfurt 2026]]>
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      <link>https://www.archdaily.com/1041910/spanish-design-pavilion-explores-reversibility-craft-and-public-space-in-frankfurt-2026</link>
      <pubDate>Thu, 04 Jun 2026 06:45:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>What happens when materiality becomes the driving force of design? How can a cultural infrastructure express its own identity? The <a href="https://www.archdaily.com/1040037/reversible-cultural-pavilion-activates-public-space-in-frankfurt-2026">Spanish Design Pavilion for World Design Capital Frankfurt Rhein-Main 2026</a> brings together the country's creative innovation to address contemporary challenges through a reinterpretation of <a href="https://www.archdaily.com/tag/antoni-gaudi" target="_blank" rel="noopener">Gaudí</a>'s architectural legacy. Conceived as a reversible cultural infrastructure, the project activates public space while expanding the conversation around material use, circularity, and reuse. Rather than reproducing historical forms, the pavilion adopts a contemporary, operational approach. It highlights collaboration among Spanish industry, design and culture,<em> </em>exploring structural and constructive principles rooted in geometry, material efficiency, and the relationship between form and system.</p>]]>
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        <![CDATA[Reversible Cultural Pavilion Activates Public Space in Frankfurt 2026]]>
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      <link>https://www.archdaily.com/1040037/reversible-cultural-pavilion-activates-public-space-in-frankfurt-2026</link>
      <pubDate>Wed, 01 Apr 2026 06:45:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>At a moment when architecture is being pushed to respond more directly to environmental and social pressures, Spain's pavilion for <a href="/tag/world-design-capital">World Design Capital</a> <a href="/tag/frankfurt">Frankfurt</a> Rhein-Main 2026 positions itself as more than a temporary installation. While materiality is at the center of its design, the project explores how a reversible cultural infrastructure can activate public space without permanent construction. Discussions about material use, <a href="https://www.archdaily.com/tag/circular-economy" target="_blank" rel="noopener">circularity</a> and <a href="https://www.archdaily.com/tag/reutilization" target="_blank" rel="noopener">reutilization</a> in architecture are closely tied to cultural contexts, environmental conditions, and historical influences that reveal how time shapes the built environment. Beyond its construction, Spain's pavilion expresses <a href="/tag/identity">identity</a> by reinterpreting the architectural method of <a href="https://www.archdaily.com/office/antoni-gaudi">Antoni Gaudí</a>, the creator of the <a href="https://www.archdaily.com/438992/ad-classics-la-sagrada-familia-antoni-gaudi">Sagrada Familia</a> and <a href="https://www.archdaily.com/329433/ad-classics-parc-guell-antoni-gaudi">Park Güell</a>. It also demonstrates how <a href="https://www.archdaily.com/tag/architecture-in-spain">Spain</a>'s creative and industrial sectors address current challenges with innovative construction solutions.</p>]]>
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        <![CDATA[Festival Concéntrico 2026 Announces Three Selected Urban Installations From Its International Open Calls]]>
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      <link>https://www.archdaily.com/1038871/festival-concentrico-2026-announces-three-selected-urban-installations-from-its-international-open-calls</link>
      <pubDate>Thu, 19 Feb 2026 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="0" data-end="822"><a href="https://www.archdaily.com/office/concentrico" target="_blank" rel="noopener">Concéntrico </a>is an urban innovation laboratory that invites reflection on the city through architecture and design. Since 2015, it has carried out more than 180 interventions in <a href="/tag/logrono">Logroño</a>, <a href="/tag/spain">Spain</a>. The new 2025/2026 season of the festival expands on this experimental spirit with<a href="https://www.archdaily.com/1036010/open-calls-concentrico-2026" target="_blank" rel="noopener"> three international calls for proposals</a> that bring the ideas in the book <a href="https://www.archdaily.com/1033891/the-city-as-a-laboratory-of-proceses-a-decade-of-urban-experimentation-with-concentrico" target="_blank" rel="noopener"><em data-start="348" data-end="395">Concéntrico: Laboratorio de Innovación Urbana</em></a> (Park Books, 2025) into action. Through these calls, the organization seeks to explore further three lines of research, the ephemeral, the ecological, and the symbolic, to imagine different ways of inhabiting the city. The winning projects from this edition's calls for entries will be developed, built as <a href="https://www.archdaily.com/tag/urban-installation" target="_blank" rel="noopener">urban installations</a>, and presented in the exhibition during the festival, taking place in Logroño from June 18–23, 2026.</p>]]>
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        <![CDATA[A Look at the 45 Award-Winning Pavilions of Expo 2025 Osaka]]>
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      <link>https://www.archdaily.com/1035864/a-look-at-the-45-award-winning-pavilions-of-expo-2025-osaka</link>
      <pubDate>Mon, 10 Nov 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>About a month after <a href="https://www.archdaily.com/1034995/expo-osaka-2025-concludes-after-six-months-of-discussions-on-saving-empowering-and-connecting-lives" target="_blank" rel="noopener">the closing of Expo 2025 Osaka</a>, the designs and constructions presented at the world's fair remain as a legacy. While <a href="https://www.archdaily.com/1034967/lina-ghotmehs-bahrain-pavilion-wins-gold-award-for-best-architecture-and-landscape-at-expo-2025-osaka" target="_blank" rel="noopener">the Bahrain Pavilion, designed by Lina Ghotmeh Architecture</a>, drew particular attention this year <a href="https://www.archdaily.com/1035069/climate-craft-and-continuity-behind-the-global-recognition-of-bahrains-architecture" target="_blank" rel="noopener">for receiving double recognition</a>, it was one among many awarded projects. During the awards ceremony held on the penultimate night of the event, a total of 45 awards were presented among 165 participating countries. The Official Participant <a href="/tag/awards">Awards</a> are granted according to pavilion size and type, recognizing excellence in Architecture and Landscape (for self-built pavilions only), External Design (for module pavilions only), <a href="/tag/exhibition-design">Exhibition Design</a>, Theme Development, and Sustainability. The recipients were selected by an international jury of nine experts who visited all national and thematic pavilions during two evaluation sessions in May and October 2025. The following overview presents all 45 pavilions distinguished in the five categories of the Official Participant Awards.</p>]]>
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        <![CDATA[12 Pavilions at EXPO 2025 Osaka Highlight Immersive Spatial Experiences]]>
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      <link>https://www.archdaily.com/1034374/12-pavilions-at-expo-2025-osaka-highlight-immersive-spatial-experiences</link>
      <pubDate>Tue, 30 Sep 2025 06:45:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>Since its inauguration this spring,<a href="https://www.archdaily.com/tag/expo-2025-osaka?page=3"> Expo 2025 Osaka</a> has captured global attention from multiple perspectives, demonstrating how architecture can function as a laboratory for exploring solutions to pressing challenges. After 55 years, Osaka<a href="https://www.archdaily.com/1030730/designing-the-future-again-what-the-55-year-return-of-the-world-expo-to-osaka-reveals"> is once again hosting the World Expo</a>, with each installation organized around the sub-themes Saving Lives, Empowering Lives, and Connecting Lives. These pavilions take forms that express the identity and values of their region through distinctive architectural languages, forming the central axis of their design. Building on this foundation, some installations serve as<a href="https://www.archdaily.com/1029109/expo-osaka-2025-opens-in-japan-as-a-laboratory-for-future-society"> laboratories for the future society</a>, utilizing technology to enhance experiences both inside and outside the spaces, transforming the visit through light, sound, visuals, and movement as part of the technological innovation showcased at the event.</p>]]>
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        <![CDATA[The Barcelona Method: How Climate Data is Saving Historic Architecture from Carbon Stranding]]>
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      <link>https://www.archdaily.com/1032952/the-barcelona-method-how-climate-data-is-saving-historic-architecture-from-carbon-stranding</link>
      <pubDate>Mon, 11 Aug 2025 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p>In heritage districts from Prague to Paris, a countdown has begun. Years until countless architectural treasures become, quite literally, worthless. Not through the slow erosion of time or the erratic shifts of cultural taste, but through the inevitable mathematics of atmospheric chemistry. In <em><a href="https://research.tudelft.nl/files/150823005/20230420_Future_Cities_City_Futures_Emerging_Urban_Perspectives_Veddeler_et_al_978_94_6366_642_8.pdf?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">UrbanDecarbonisation: Destranding Cities for a Post-fossil Future</a></em>, Paolo Cresci, Francesca Galeazzi, and Aurel von Richthofen introduce the concept of "carbon stranding", a scenario in which buildings become financially non-viable due to tightening carbon regulations. This threatens to render entire heritage districts financially extinct before they reach their centennials.</p>]]>
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        <![CDATA[CUBO’s Entrance Pavilion Seamlessly Integrates Aarhus City’s Old Town Into The Modern City]]>
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      <link>https://www.archdaily.com/903861/cubos-entrance-pavilion-seamlessly-integrates-aarhus-citys-old-town-into-the-modern-city</link>
      <pubDate>Sun, 14 Oct 2018 14:00:00 +0000</pubDate>
      <dc:creator>Lindsay Duddy</dc:creator>
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        <![CDATA[<p dir="ltr"><a href="https://www.archdaily.com/office/cubo-arkitekter">CUBO</a>, a local architecture firm from <a href="/tag/aarhus">Aarhus</a> City, <a href="https://www.archdaily.com/country/denmark">Denmark</a>, has designed the main entrance pavilion for the firm's native city which will connect two existing elements of Aarhus - the Botanical Gardens and the Old Town. The building is both inviting and welcoming to residents and visitors, alike, providing the city with a gathering space, meeting point, and information hub.</p>]]>
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        <![CDATA[Bee Breeders Reveal Winning Designs for a LGBT Youth Asylum Center in Uganda]]>
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      <link>https://www.archdaily.com/790893/bee-breeders-reveal-winning-designs-for-a-lgbt-youth-asylum-center-in-uganda</link>
      <pubDate>Sun, 10 Jul 2016 12:00:00 +0000</pubDate>
      <dc:creator>Lauren Crockett</dc:creator>
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        <![CDATA[<p><a href="http://www.archdaily.com/tag/bee-breeders">Bee Breeders</a>, organizers of international architectural competitions, have announced this week the three winners and six honorable mentions of their Uganda LGBT Youth Asylum Center competition. Inspired by recent activism in <a href="http://www.archdaily.com/country/uganda">Uganda</a>, Bee Breeders sought the design of a community center to welcome those in the LGBT community who have been ostracized from their home environments. The judges said that they were looking for designs that focused on social integration, not isolation, celebrating those who created "a community center, not a prison."</p>]]>
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        <![CDATA[The "Minima Moralia" Provides Affordable, Customizable Studio Space]]>
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      <link>https://www.archdaily.com/790716/the-minima-moralia-provides-affordable-customizable-studio-space</link>
      <pubDate>Wed, 06 Jul 2016 08:00:00 +0000</pubDate>
      <dc:creator>Lauren Crockett</dc:creator>
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        <![CDATA[<p>With its overblown rental market and the rising costs of tertiary education, <a href="http://www.archdaily.com/tag/london">London</a> is turning from a city that welcomed creative individuals to one that locks them out. <a href="https://www.boanoprismontas.com?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Boano Prišmontas</a> believe that "creativity should not be linked to social status," and the way to counter this is through the creation of affordable spaces. As a response, they have created the "Minima Moralia"; a compact, modular steel frame assembly with infinite possibilities for customization.</p>]]>
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        <![CDATA[ArchTriumph Present the "Energy Pavilion" Now Open at Museum Gardens]]>
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      <link>https://www.archdaily.com/790178/archtriumph-present-the-energy-pavilion-now-open-at-museum-gardens</link>
      <pubDate>Sun, 26 Jun 2016 12:00:00 +0000</pubDate>
      <dc:creator>Lauren Crockett</dc:creator>
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        <![CDATA[<p>This week, Museum Gardens became the host to the annual Triumph <a href="/tag/pavilion">Pavilion</a>, this year focusing on the concept of "energy." Five Line Projects' aptly titled "Energy Pavilion" takes a multi-faceted approach to the theme, addressing social sustainability, movement and the power of community. The <a href="http://www.archdaily.com/category/pavilion/">pavilion</a> presents a playful meeting place, designed to explore the impact of a single positive action on its surroundings.</p>]]>
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        <![CDATA[Studioninedots' "The TrueTalker" Pavilion Now Open at Fab City Amsterdam]]>
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      <link>https://www.archdaily.com/789292/truetalker-pavilion-now-open-at-fab-city-amsterdam</link>
      <pubDate>Sun, 19 Jun 2016 08:00:00 +0000</pubDate>
      <dc:creator>Lauren Crockett</dc:creator>
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        <![CDATA[<p dir="ltr"><a href="http://www.archdaily.com/tag/studioninedots">Studioninedots</a> have designed a new pavilion, “The TrueTalker,” to generate a space for open communication and storytelling. The pavilion is one of approximately fifty at <a href="http://www.archdaily.com/tag/amsterdam">Amsterdam</a>'s temporary <a href="http://fab.city/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Fab City</a>, an initiative organised by <a href="http://europebypeople.nl/fabcity-2?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Europe by People</a> to promote self-sustaining, innovative cities. The project also comes as a reaction to Amsterdam hosting the European Union this spring, where rigid and official conversation will be scrutinised and recorded from every angle. In contrast, Studioninedots said that "The TrueTalker" creates a space where “everyone is invited to sit down, relax and share warming, unreasonable, crazy, unimaginable and hilarious ideas.”</p>]]>
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