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    <title>Tag: parametric-design | ArchDaily</title>
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        <![CDATA[From Deconstructivism to Barrier-Breaking Achievements: Zaha Hadid’s Legacy 10 Years After Her Passing]]>
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      <link>https://www.archdaily.com/en/1040206/from-deconstructivism-to-barrier-breaking-achievements-zaha-hadids-legacy-10-years-after-her-passing</link>
      <pubDate>Wed, 01 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>Between June 23 and August 30, 1988, <a href="https://www.archdaily.com/868063/ad-classics-1988-deconstructivist-exhibition-johnson-wigley-new-york-museum-of-modern-art-moma" target="_blank" rel="noopener">The Museum of Modern Art (MoMA) in New York held an exhibition titled <em>Deconstructivist Architecture</em></a>, as part of a program "conceived to examine current developments in architecture." Curated by <a href="https://www.archdaily.com/office/philip-johnson" target="_blank" rel="noopener">Philip Johnson</a> and <a href="https://www.archdaily.com/tag/mark-wigley" target="_blank" rel="noopener">Mark Wigley</a>, <a href="https://www.moma.org/momaorg/shared/pdfs/docs/press_archives/6526/releases/MOMA_1988_0029_29.pdf?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">it focused on the contemporary work of seven international architects</a>: Coop Himmelblau, Peter Eisenman, Frank Gehry, Rem Koolhaas, Daniel Libeskind, Bernard Tschumi, and a young Zaha M. Hadid. At 37 years old, her work was presented to the world as an example of "the emergence of a new sensibility in architecture." The material on display was not a model or a blueprint, but <a href="https://www.archdaily.com/798362/the-creative-process-of-zaha-hadid-as-revealed-through-her-paintings" target="_blank" rel="noopener">a painting, The Peak</a>, submitted for an architectural competition in Hong Kong in 1983. From this starting point, her contribution to architecture deepened along the same lines recognized at the time of her inclusion in the exhibition: the development of a distinctive, mathematical, and, in her own words, "fluid" architectural language, and her emergence as a leading female figure in a field historically dominated by men.</p>]]>
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        <![CDATA[The Machine in the Age of Collective Practice]]>
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      <link>https://www.archdaily.com/en/1038978/the-machine-in-the-age-of-collective-practice</link>
      <pubDate>Wed, 25 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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      <description>
        <![CDATA[<p><em>This article is part of our new </em><a href="https://www.archdaily.com/tag/ad-opinion"><em>Opinion</em></a><em> section, a format for argument-driven essays on critical questions shaping our field.</em></p>]]>
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        <![CDATA[How Do Composites Make Complex Designs Constructible?]]>
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      <link>https://www.archdaily.com/en/1035667/how-do-composites-make-complex-designs-constructible</link>
      <pubDate>Wed, 10 Dec 2025 06:45:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p>Once confined to the aerospace and automotive industries, <a href="https://www.archdaily.com/1034993/lighter-and-stronger-composites-are-changing-how-we-build">composite materials have taken on an increasingly central role in contemporary architecture</a>. By combining two or more components, such as fibers and polymers, they offer lightness and strength, high durability, formal freedom, and enhanced environmental performance. Their incorporation into architectural practice marks a profound transformation in how we design, fabricate, and inhabit space.</p>]]>
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        <![CDATA[Computational Soundscapes: Sculpting the Visual and Invisible Dimension]]>
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      <link>https://www.archdaily.com/en/1036333/computational-soundscapes-sculpting-the-visual-and-invisible-dimension</link>
      <pubDate>Mon, 01 Dec 2025 01:30:00 +0000</pubDate>
      <dc:creator>Kiana Buchberger</dc:creator>
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        <![CDATA[<p>What defines a space first when entering: the sound or the visual impression? Architecture is often communicated through structure and surfaces, yet one of its most essential components moves unseen through the air: sound. <a href="https://www.archdaily.com/972913/what-is-soundscape-and-what-does-it-have-to-do-with-architecture">It shapes how a space feels long before a wall or ceiling is noticed</a>. Computational design brings these dimensions together, allowing architects and designers to create unique structures where acoustics and aesthetics inform one another rather than exist in parallel. By leveraging advanced algorithms, complex design processes transform into intuitive, accessible solutions that shape bespoke acoustic and visual highlights for every project. This approach combines parametric logic with material innovation, balancing efficiency, sustainability, and expressive design in equal measure.</p>]]>
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        <![CDATA[Design with Curves: The Ultimate Fluidity Challenge]]>
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      <link>https://www.archdaily.com/en/1035692/design-with-curves-the-ultimate-fluidity-challenge</link>
      <pubDate>Tue, 04 Nov 2025 08:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>Introduction</p>
<p>Are you an architect, designer, or visionary eager to challenge the limits of creativity and innovation? This is your moment to shine in the First Edition of The Design with Curves: The Ultimate Fluidity Challenge architectural competition. This is an exclusive opportunity to create a cutting-edge space that redefines culture, sustainability, and architectural form.</p>
<p>The Fluid Architecture Cultural Center aims to redefine how we experience culture through architecture. The design brief focuses on creating a groundbreaking cultural center that adapts seamlessly to its surroundings, incorporating the principles of parametric design with fluid, organic forms. This iconic center will not only</p>]]>
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        <![CDATA[From Concrete to Cultivation: How AI and Robotics Are Rewriting Architecture’s Material Logic]]>
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      <link>https://www.archdaily.com/en/1035189/from-concrete-to-cultivation-how-ai-and-robotics-are-rewriting-architectures-material-logic</link>
      <pubDate>Mon, 03 Nov 2025 04:00:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
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        <![CDATA[<p>Architecture has entered a pivotal moment. As cities continue to grow under the weight of climatic and social pressures, the materials and systems that shape them are being redefined. <a href="https://www.archdaily.com/1012951/artificial-intelligence-and-urban-planning-technology-as-a-tool-for-city-design?ad_source=search&amp;ad_medium=search_result_articles">Artificial intelligence</a> and robotics, once used to accelerate construction processes, are now being rethought as tools for cultivation. <a href="https://www.archdaily.com/1031069/exploring-living-building-materials-through-robotic-earth-printing?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">Printed structures that grow</a>, breathe, and decay. Cultivation, in this context, refers to designing with biological materials, where growth and decay are active parameters, merging digital precision with ecological intelligence. This evolution shows the shift from efficiency to empathy, where architecture becomes an agent of active repair. The introduction of <a href="https://www.archdaily.com/1012323/interspecies-design-developing-materials-that-allow-the-growth-and-inhabitation-of-non-human-species">mycelium and other natural materials</a> into <a href="https://www.archdaily.com/1029735/exploring-3d-printing-in-academia-prototypes-that-foster-collaboration-in-architecture?ad_source=search&amp;ad_medium=search_result_articles">3D printing</a> presents a new paradigm in architecture: the logic of the living. A place where computation and fabrication meet biological adaptability.</p>]]>
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        <![CDATA[Architectural Vision, Upgraded: 2025’s Tools Just Got Smarter]]>
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      <link>https://www.archdaily.com/en/1031190/architectural-vision-upgraded-2025-s-tools-just-got-smarter</link>
      <pubDate>Thu, 19 Jun 2025 06:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p data-start="83" data-end="240">SketchUp 2025 introduces new tools and enhancements aimed at improving how architects and designers visualize, collaborate, and communicate their work.</p>]]>
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        <![CDATA[The Timeless Appeal of Modernism in Technology and Digital Architecture]]>
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      <link>https://www.archdaily.com/en/1026333/the-timeless-appeal-of-modernism-in-technology-and-digital-architecture</link>
      <pubDate>Thu, 13 Feb 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1026333/the-timeless-appeal-of-modernism-in-technology-and-digital-architecture</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/modernism">Modernism</a>, a movement that sought to break away from traditional forms and embrace the future, laid the groundwork for many <a href="https://www.archdaily.com/tag/architecture-and-technology">technological</a> and digital advancements in contemporary architecture. As the Industrial Revolution brought about mass production, new materials, and technological innovation, architects like <a href="https://www.archdaily.com/office/le-corbusier">Le Corbusier</a>, <a href="https://www.archdaily.com/office/walter-gropius">Walter Gropius</a>, and <a href="https://www.archdaily.com/office/mies-van-der-rohe">Mies van der Rohe</a> championed the ethos of "<a href="https://www.archdaily.com/993922/form-follows-fun-the-new-paradigm">form follows function</a>" and a rational approach to design. Their principles resonate in the digital age, where computational design and high-tech materials redefine form and construction.</p>]]>
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        <![CDATA[“Suddenly, You Step into the Landscape through the House”: In Conversation with Ben Van Berkel of UNStudio]]>
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      <link>https://www.archdaily.com/en/1010625/suddenly-you-step-into-the-landscape-through-the-house-in-conversation-with-ben-van-berkel</link>
      <pubDate>Thu, 13 Feb 2025 04:00:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
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        <![CDATA[<p>In 1993 a young professional couple with two toddlers and a large suburban lot in Naarden, a town less than half an hour's drive southeast of Amsterdam, <a href="https://www.archdaily.com/1012111/ad-classics-mobius-house-unstudio" target="_blank" rel="noopener">approached Ben van Berkel to design an unusual house</a>. They envisioned it as progressive and innovative in every way possible. More than that, they wanted a kind of building that "would be recognized as a reference in terms of renewal of the architectural language." Before settling on the architect, they spoke to several candidates, including Rem Koolhaas. They chose van Berkel who five years earlier, together with his then-wife Caroline Bos co-founded their eponymous practice, because as he told me, "I went to the site and studied it carefully and already had ideas about what I called the four quadrants of the landscape. I knew what kind of house it would be. I could see clearly where different rooms would go, how they would be shaped, and how they would relate to each other." The couple couldn't resist. Yet, there would be no rush on the project which took five years to complete, most time was invested in its design, going through many iterations and refinements, all based on the Möbius loop.</p>]]>
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        <![CDATA[Estudio Rare: An Architecture of Experimentation Through Art]]>
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      <link>https://www.archdaily.com/en/1021073/estudio-rare-an-architecture-of-experimentation-through-art</link>
      <pubDate>Fri, 27 Dec 2024 08:30:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1021073/estudio-rare-an-architecture-of-experimentation-through-art</guid>
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        <![CDATA[<p>Selected as one of <a href="https://www.archdaily.com/1014620/archdailys-2024-best-new-practices" target="_blank" rel="noopener">ArchDaily's Best New Practices 2024</a>, <a href="https://www.archdaily.com/office/rare-studio-experimental" target="_blank" rel="noopener">Estudio Rare</a> defines itself as an interdisciplinary experimental space. Based in Córdoba, <a href="/en/tag/argentina">Argentina</a>, its three founding partners, Agustín Willnecker, Iván Ferrero, and Mateo Unamuno, met while studying at the <a href="https://www.unc.edu.ar/acad%C3%A9micas/facultad-de-arquitectura-urbanismo-y-dise%C3%B1o?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Faculty of Architecture of the National University of Córdoba</a>. With a young but notable trajectory, the <a href="https://estudiorare.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Rare </a>team offers a free and dynamic perspective on design, architecture, and construction. Their works, regardless of scale or commission, demonstrate a close relationship with art, reflecting the diverse interests and personal backgrounds of each team member and their collaborators.</p>]]>
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        <![CDATA[AD Classics: Möbius House / UNStudio]]>
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      <link>https://www.archdaily.com/en/1012111/ad-classics-mobius-house-unstudio</link>
      <pubDate>Thu, 11 Jan 2024 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p>In 1993 a young professional couple from Amsterdam set out to build a private house unlike any other. They wanted to create something that “would be recognized as a reference in terms of renewal of the architectural language.” They reached out to several architects, including Rem Koolhaas, but finally decided to entrust the commission to Dutch architect <a href="/en/tag/ben-van-berkel">Ben van Berkel</a> after he studied the site and came up with a vision for the project, relating it to the couple’s lifestyle.</p>]]>
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        <![CDATA[Future of Urbanism in China: How Can We Build a Livable City?]]>
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      <link>https://www.archdaily.com/en/955177/future-urbanism-in-china-how-can-we-build-a-livable-city</link>
      <pubDate>Fri, 22 Jan 2021 04:00:00 +0000</pubDate>
      <dc:creator>Scarlett Miao</dc:creator>
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        <![CDATA[<p>As we are entering 2021 after a year of anxiety and uncertainties, what are your expectation for our future? The UN75 survey reports that most people around the world hold greater optimism for the future: “Globally, many more respondents believe people will be better off in 2045 than today (49%) compared to those who believe people will be worse off (32%).”</p>]]>
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        <![CDATA[Computational Design: Next 1.0]]>
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      <link>https://www.archdaily.com/en/939111/computational-design-next</link>
      <pubDate>Thu, 07 May 2020 11:52:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/939111/computational-design-next</guid>
      <description>
        <![CDATA[<p>THE PAST, PRESENT &amp; FUTURE: An Online Interactive Conference with global frontiers.<br />Two-Day Online Conference with Live Presentations, Tutorials, Interactive Sessions, Live Mentorship &amp; Panel Discussions.<br />A collaborative initiative by ParametricArchitecture (PA) with rat[LAB]EDUCATION, DesignMorphine, A&gt;T</p>
<p>What:<br />Computational Design: NEXT is a collaborative initiative by some of the global frontiers of Computational Design to open up an Online Learning platform as a comprehensive ONLINE CONFERENCE comprising of discussions, dialogues, tutorials and mentorship to a global audience through thought-provoking and meaningful dialogues curated by Parametric Architecture (PA), one of the leading media platforms focussing on Computational Design and its various subsets.</p>
<p>The first iteration of online</p>]]>
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        <![CDATA[Advancing Computational Building Design 2020 ]]>
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      <link>https://www.archdaily.com/en/934162/advancing-computational-building-design-2020</link>
      <pubDate>Thu, 20 Feb 2020 11:58:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/934162/advancing-computational-building-design-2020</guid>
      <description>
        <![CDATA[<p>Advancing Computational Building Design enables forward-thinking architects and engineers to accelerate their adoption of generative, digital design tools across their projects. You&rsquo;ll hear how your peers are leveraging computation and iterative design processes to inform decision making and provide the power to clients to better visualize their future asset and drive collaborative relationships with designers.</p>
<p>Returning for its 4th year, ACBD is back and will be reuniting the AEC community in Denver to yet again provide the actionable insight required to allow computational design to expand and change the face of architecture.</p>]]>
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        <![CDATA[The MaoHaus / AntiStatics Architecture]]>
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      <link>https://www.archdaily.com/en/886282/the-maohaus-antistatics-architecture</link>
      <pubDate>Sun, 29 Dec 2019 17:00:00 +0000</pubDate>
      <dc:creator>罗靖琳</dc:creator>
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        <![CDATA[Small Scale]]>
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        <![CDATA[<p><em>MaoHaus</em> is an experimental façade piece exploring historical context, material potentials, novel fabrication and performative qualities within architecture. Taking the simple frame and edge condition of the existing structure, the façade enters the space of the hutong as a flowing fabric. This fluidity is expressed through the conventionally rigid material of concrete questioning inherent perceptions of materiality through formal expression. Beyond the undulating form, the perforations of the surface serve to filter light, during the day, rays of sunlight enter the vestibule, and at night the precisely tuned apertures reveal a triptych of Chairman Mao’s prototypical portrait. The expression of Chairman Mao within the façade is a nod to the historical context of the site. The work is located in a <a href="/en/tag/hutong">Hutong</a> alley in central <a href="/en/tag/beijing">Beijing</a> adjacent to <em>The People’s Art House Print Shop, </em>this workshop was once one of the primary producers of the Chairman’s now iconic image.</p>]]>
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        <![CDATA[Permutable Morphologies Webinar - Grasshopper Masterclass]]>
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      <link>https://www.archdaily.com/en/926958/permutable-morphologies-webinar-grasshopper-masterclass</link>
      <pubDate>Tue, 22 Oct 2019 13:29:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>Permutable Morphologies is a Parametric Certification webinar Course that focuses on designing forms by means of algorithms. The course is based on understanding the process of building shape, translating a standard 3D modelling process into grasshopper vocabulary and then automating it to interpolate infinite design iterations as solutions while documenting design problems for further use.</p><p>The course is carefully crafted for beginners and advanced users alike. It doesn’t matter if you are someone who has no prior knowledge of visual programming or scripting and want to start from scratch. Alternatively, if you’re already somewhat experienced, and you want to know methods</p>]]>
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        <![CDATA[Verticle Tides / Atelier Alter]]>
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      <pubDate>Sun, 21 Apr 2019 21:00:00 +0000</pubDate>
      <dc:creator>罗靖琳</dc:creator>
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        <![CDATA[Refurbishment]]>
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        <![CDATA[<p>In this project, we were asked by our client to reconstruct the facade of a main commercial building within one of Qingdao's fashion industrial parks. The project is situated only a road away from the sea and it is in fact overlooking the shoreline. The new facade looks to establish a more intimate connection between the designer hotel on the other side of the park and the adjacent office building, which hosts many fashion events throughout the years and provides various fashion journalism functions to the local fashion community. We hope to lead and to connect the seemingly unrelated elements of fashion, ocean, and commerce together through artistic means.</p>]]>
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        <![CDATA[Chapel / Craftworks]]>
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      <link>https://www.archdaily.com/en/911515/chapel-craftworks</link>
      <pubDate>Fri, 15 Feb 2019 03:00:00 +0000</pubDate>
      <dc:creator>Martita Vial della Maggiora</dc:creator>
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        <![CDATA[House Interiors]]>
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        <![CDATA[<p>‘Chapel’ is a family home carved from a derelict religious building. Our brief was to create a home which can readily adapt without alteration to encompass a fam- ily gathering, or simultaneously retreat to become singular and introverted. Volumes and scale overlap so there are rooms within rooms, micro and macro spaces working simultaneously under an embodied roof.</p>]]>
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