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    <title>Tag: palazzo-santa-sofia | ArchDaily</title>
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        <![CDATA[Luxury Living Through the Ages, From the Castle to the Villa]]>
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      <pubDate>Fri, 02 Sep 2016 04:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
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        <![CDATA[<p id="docs-internal-guid-77cc5063-be06-85fc-b1a0-b47c23d31d45" dir="ltr">Although societies have transformed through the ages, wealth never truly seems to go out of style. That said, the manner in which it is expressed continually adapts to each successive cultural epoch. As a consequence of evolving social mores and emerging technologies, the ideal of “luxury” and “splendour” sees priorities shift from opulence to subtlety, from tradition to innovation, and from visual ornamentation to physical comfort.</p>]]>
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        <![CDATA[AD Classics: Palazzo Santa Sofia / The Ca d’Oro]]>
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      <pubDate>Mon, 15 Feb 2016 05:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
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        <![CDATA[Houses]]>
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        <![CDATA[<p dir="ltr">Sitting on the northern bank of Venice's <a href="/tag/grand-canal">Grand Canal</a> is a great house whose ornately carved marble facade only hints at its original splendor. The <a href="/tag/palazzo">Palazzo</a> Santa Sofia—or the <em>Ca D’Oro</em> (House of Gold), as it is also known—is one of the most notable examples of late <a href="/tag/venetian">Venetian</a> <a href="/tag/gothic">Gothic</a> architecture, which combined the existing threads of Gothic, Moorish, and Byzantine architecture into a unique aesthetic that symbolized the Venetian <a href="/tag/republic">Republic</a>’s cosmopolitan mercantile empire. Built to serve as the grand residence of wealthy Venetian businessman and politician Marin <a href="/tag/contarini">Contarini</a>, the<em> palazzo</em> has seen a number of owners and renovations over its lifetime before ultimately coming to serve as a museum for medieval painting and sculpture.[1]</p>]]>
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