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    <title>Tag: painting | ArchDaily</title>
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        <![CDATA[“We Live in Toxic Interior Environments”: Interview with Healthy Materials Lab]]>
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      <link>https://www.archdaily.com/1040371/we-live-in-toxic-interior-environments-interview-with-healthy-materials-lab</link>
      <pubDate>Wed, 08 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p>The well-known phrase "man is what he eats" (<em>Der Mensch ist, was er isst</em>), by Ludwig Feuerbach, asserts that the physical, mental, and even moral constitution of human beings is directly linked to what they consume. Today, this idea is widely internalized, with growing awareness around food, nutrition, and the impact of what we ingest on our bodies. Yet, this same level of awareness doesn't extend to the environments we inhabit, where materials continue to be treated as technical decisions rather than active agents in the relationship between body and space. Considering that a large portion of the global population spends around <a href="https://www.epa.gov/indoor-air-quality-iaq/improving-your-indoor-environment?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">90% of their time indoors</a>, it is rarely discussed what actually composes these spaces at their most fundamental level: <a href="https://www.archdaily.com/1038929/legacy-in-matter-material-traditions-in-south-american-architecture?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">materials</a>. Walls, floors, and finishes are often approached as technical or aesthetic choices, when in reality they can function as continuous sources of exposure to potentially harmful substances.</p>]]>
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        <![CDATA[Qatar Foundation Launches New Museum Dedicated to M. F. Husain in Doha’s Education City]]>
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      <link>https://www.archdaily.com/1036088/qatar-foundation-launches-new-m-f-husain-museum-in-dohas-education-city</link>
      <pubDate>Mon, 17 Nov 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>On November 28, 2025, Qatar Foundation will launch Lawh Wa Qalam: M. F. Husain Museum, a new addition to <a href="https://www.archdaily.com/country/qatar" target="_blank" rel="noopener">Qatar's cultural landscape</a> dedicated to the life and work of artist Maqbool Fida Husain. The museum will be the world's first institution to trace Husain's artistic journey from the 1950s to his death in 2011, offering an immersive experience in a building drafted by the artist himself. The permanent exhibition will include paintings, films, tapestry, photography, poetry, and installations, presented through multimedia storytelling. Covering more than 3,000 square meters, the museum aims to foster creativity and dialogue, serving as a new space for learning and exploration within Qatar Foundation's Education City in <a href="https://www.archdaily.com/tag/doha" target="_blank" rel="noopener">Doha</a>. The initiative adds to a campus that houses <a href="https://www.archdaily.com/search/projects/categories/educational-architecture" target="_blank" rel="noopener">educational and research institutions</a> designed by architects such as <a href="https://www.archdaily.com/office/arata-isozaki" target="_blank" rel="noopener">Arata Isozaki</a>, <a href="https://www.archdaily.com/tag/rem-koolhaas" target="_blank" rel="noopener">Rem Koolhaas</a>, and <a href="https://www.archdaily.com/tag/antoine-predock" target="_blank" rel="noopener">Antoine Predock</a>, as well as firms like <a href="https://www.archdaily.com/tag/legorreta-legorreta" target="_blank" rel="noopener">Legorreta + Legorreta</a> and <a href="https://www.archdaily.com/tag/mangera-yvars-architects" target="_blank" rel="noopener">Mangera Yvars Architects</a>.</p>]]>
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        <![CDATA[A Fresh Coat With a Hidden Cost—The Microplastics We're Adding with Every Brushstroke]]>
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      <link>https://www.archdaily.com/1023450/a-fresh-coat-with-a-hidden-cost-the-microplastics-were-adding-with-every-brushstroke</link>
      <pubDate>Tue, 19 Nov 2024 07:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p>Who would think that a freshly painted wall, so smooth and glossy, could hide such a serious problem? Paint is one of the finishing touches that brings beauty and protection to both indoor and outdoor spaces. But beneath this layer of color, there’s an invisible coat that, silently, accumulates in our ecosystems and even in our bodies. <a href="https://www.e-a.earth/wp-content/uploads/2023/07/plastic-paint-the-environment.pdf?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Recent research</a> from Switzerland identifies construction paint as one of the largest sources of microplastic pollution in oceans, rivers, and other environments. These microplastics, less than 5 mm in size, enter ecosystems through weathering, accumulating in marine and terrestrial animal bodies — and ultimately, in humans. Although the long-term effects on human health are still under study, evidence so far indicates that continuous exposure may contribute to various physical and metabolic health issues. Yet, sustainable alternatives are emerging, offering a way to create healthier spaces while minimizing environmental impact.</p>]]>
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        <![CDATA[Colors of the Favela: The Transformative Impact of Painting on Communities]]>
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      <link>https://www.archdaily.com/1014602/colors-of-the-favela-the-transformative-impact-of-painting-on-communities</link>
      <pubDate>Wed, 20 Mar 2024 05:00:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1014602/colors-of-the-favela-the-transformative-impact-of-painting-on-communities</guid>
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        <![CDATA[<p>In the perception of many, the <a href="https://www.archdaily.com/tag/favela" target="_blank" rel="noopener">favela</a> embodies contradictory and opposed representations. For those outside its boundaries, the favela is frequently associated with <a href="https://www.archdaily.com.br/br/tag/crime" target="_blank" rel="noopener">crime</a>, poverty, or illness. Yet, it is also regarded as the <a href="https://www.archdaily.com/tag/archdaily-topic-2022-aesthetics" target="_blank" rel="noopener">aesthetic</a> embodiment of a nation, serving as the birthplace of <a href="https://www.archdaily.com/1012095/how-do-you-design-for-informality" target="_blank" rel="noopener">culturally renowned elements worldwide</a>, such as samba in the case of Brazil.</p>]]>
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        <![CDATA[How to Paint Your Bathroom?]]>
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      <link>https://www.archdaily.com/1012490/how-to-paint-your-bathroom</link>
      <pubDate>Wed, 31 Jan 2024 05:00:00 +0000</pubDate>
      <dc:creator>ArchDaily Team</dc:creator>
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        <![CDATA[<p>Give your bathroom a fresh look with a modest investment, avoiding the hassle of extensive construction. Transform the space by adding plants, reconsidering lighting, or experimenting with new colors. If opting for a color change, explore painting the walls or tiles to revitalize the environment. To assist you in this endeavor, we present the perfect paints for the job along with inspiring projects to spark your creativity</p>]]>
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        <![CDATA[New Exhibition at Glyptothek Museum to Feature Sculptures and Paintings by Santiago Calatrava]]>
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      <link>https://www.archdaily.com/980771/new-exhibition-at-glyptothek-museum-to-feature-sculptures-and-paintings-by-santiago-calatrava</link>
      <pubDate>Tue, 26 Apr 2022 05:30:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
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        <![CDATA[<p>The<a href="https://www.antike-am-koenigsplatz.mwn.de/index.php/en/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> Glyptothek Museum</a> will showcase the first exhibition dedicated to Santiago Calatrava's array of sculptures and paintings inspired by Greek Antiquity. Running from June 21st to October 23rd, <em>"Beyond Hellas: <a href="/tag/santiago-calatrava">Santiago Calatrava</a> in the Glyptothek"</em> traces the architect's career as a sculptor, highlighting the influence of histories and cultures on Calatrava's design process.</p>]]>
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        <![CDATA[How Color Affects Architecture]]>
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      <link>https://www.archdaily.com/930266/how-color-affects-architecture</link>
      <pubDate>Wed, 12 Jan 2022 08:30:00 +0000</pubDate>
      <dc:creator>Lilly Cao</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/930266/how-color-affects-architecture</guid>
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        <![CDATA[<p>Just as the colors of an abstract painting or photograph can produce a certain mood, so can the colors of a building or room profoundly influence how the people using it feel. Physiologically, study after study has shown that blue light slows the production of melatonin, keeping people more alert or awake even at night. Psychologically, people associate certain colors with certain feelings due to cultural symbols and lived experiences – for example, they might perceive the color red as menacing or frightening because of its connection to blood. <br><br>Altogether, the way a room is colored can have complex effects on how its users feel, while a façade can be perceived in dramatically different ways depending on how it is colored. Below, we summarize the emotional associations of every color, assessing their differing effects as each is used in architectural space.</p>]]>
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        <![CDATA[Armazem Cowork / oitoo]]>
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      <link>https://www.archdaily.com/953607/armazem-cowork-oitoo</link>
      <pubDate>Sat, 02 Jan 2021 09:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Cowork Interiors]]>
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        <![CDATA[<p>An old warehouse in <a href="/tag/porto">Porto</a> which was vacant for 44 years, with an anonymous ground floor underneath a residential multi-storey building, in a neighbourhood slowly abandoned by commerce and businesses in the last decades.</p>]]>
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        <![CDATA[From Visual Arts to Rendering: The Relevance of Atmospheres in Architectural Visualization]]>
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      <link>https://www.archdaily.com/942092/from-visual-arts-to-rendering-the-relevance-of-atmospheres-in-architectural-visualization</link>
      <pubDate>Wed, 24 Jun 2020 11:00:00 +0000</pubDate>
      <dc:creator>Belén Maiztegui</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/942092/from-visual-arts-to-rendering-the-relevance-of-atmospheres-in-architectural-visualization</guid>
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        <![CDATA[<p>Techniques in visualization have evolved significantly over the years, providing increasingly accurate depictions that give architects a realistic view of their work before the foundation is even laid.&nbsp;For architects and the people they work with,&nbsp;the goal of a visualization is to illustrate the qualities and characteristics of a three-dimensional space that has yet to be built or is in the process of being constructed, by using hand or computer drawn images, videos, and even virtual reality platforms. All of these tools serve as a way of bringing an idea to life, whether for clients or judges in an architectural competition.&nbsp;&nbsp;</p>]]>
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        <![CDATA[Black and White Show]]>
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      <link>https://www.archdaily.com/933891/black-and-white-show</link>
      <pubDate>Mon, 17 Feb 2020 12:49:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>Grey Cube Gallery proudly presents the first Black &amp; White Show for the month of February 2020. Contest is open to all artists worldwide over 18 years of age. Entries must include the black and white or shades of gray as the primary focus. All visual art mediums (except video and sound) are allowed. The Best of Show winning artwork will be displayed as the poster of the show. All wining artists ( Merit Award &amp; Honorable Mention) will receive a digital award certificate. The application fee is $16 for the 2 images of artwork. You may enter more than</p>]]>
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        <![CDATA[International Art Competition Landscapes]]>
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      <link>https://www.archdaily.com/931514/international-art-competition-landscapes</link>
      <pubDate>Wed, 08 Jan 2020 14:43:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>Contemporary Art Room Gallery is proud to announce their 1st &ldquo;Landscapes&rdquo; Online Art Competition for the month of January 2020. This is an international competition and artists from around the world are welcome to submit their work. The gallery invites all artists and photographers from around the world to submit ther best best representational and non-representational art related to the Landscapes theme. The Landscapes theme is considered to be any art with interpretation of natural elements such as mountains, hills, valleys, deserts, forests, farmland, trees, rivers, lakes, polar regions, rainforests, islands and tropical landscapes. All visual art mediums are</p>]]>
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        <![CDATA[The Creative Process of Zaha Hadid, As Revealed Through Her Paintings]]>
      </title>
      <link>https://www.archdaily.com/798362/the-creative-process-of-zaha-hadid-as-revealed-through-her-paintings</link>
      <pubDate>Mon, 25 Feb 2019 06:30:00 +0000</pubDate>
      <dc:creator>Danae Santibañez</dc:creator>
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        <![CDATA[<p>Internationally renowned for her avant-garde search for architectural proposals that reflect modern living, <a href="/tag/zaha-hadid">Zaha Hadid</a> made abstract topographical studies for many of her projects, intervening with fluid, flexible and expressive works that evoke the dynamism of contemporary urban life.</p>]]>
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        <![CDATA[BDA Prize 2019: INVISIBLE C'VILLE]]>
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      <link>https://www.archdaily.com/906311/bda-prize-2019-invisible-cville</link>
      <pubDate>Wed, 21 Nov 2018 06:01:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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      <description>
        <![CDATA[<p>The BDA Prize, an annual design and ideas competition, exists to generate forward-looking ideas to better our community through design and dialogue. </p><p>The 2019 theme, INVISIBLE C’VILLE, calls for imaginative and provocative works on paper that distill and describe a generally overlooked -- yet essential -- quality, system, spatial practice, experience or story that characterizes Charlottesville.</p><p>The goal of INVISIBLE C’VILLE is to create a kaleidoscopic view of our community. “Real” Charlottesville emerges from individual truths overlaid, overlapped, uncovered, and expressed. We are looking for imaginative and provocative work, executed with clarity and conviction.</p><p>Submissions should be single, original images on paper</p>]]>
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        <![CDATA[Le Corbusier’s Paintings Showcased for the First Time Since 1966]]>
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      <link>https://www.archdaily.com/903626/le-corbusiers-paintings-showcased-for-the-first-time-since-1966</link>
      <pubDate>Sun, 14 Oct 2018 06:00:00 +0000</pubDate>
      <dc:creator>Vasundhra Aggarwal</dc:creator>
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        <![CDATA[<p dir="ltr">They say one cannot separate art from the <a href="/tag/artist">artist</a>, or perhaps in this case, the artist from the architect. Arguably one of the most criticized architects, <a href="archdaily.com/tag/le-corbusier">Le Corbusier</a> is often portrayed as cold and controlling. Depicting his more dreamy and humorous nature, the <a href="archdaily.com/tag/nasjonalmuseet">Nasjonalmuseet</a>'s exhibition titled, “<a href="archdaily.com/tag/le-corbusier-by-the-sea">Le Corbusier by the Sea</a>,” draws upon his memories from his summer travels along the coast of southwest <a href="archdaily.com/tag/france">France</a>. </p>]]>
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        <![CDATA[Roberto Burle Marx's Legacy Reveals The Role of Landscape Architects]]>
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      <link>https://www.archdaily.com/878168/roberto-burle-marxs-legacy-reveals-the-role-of-landscape-architects</link>
      <pubDate>Sat, 30 Sep 2017 14:00:00 +0000</pubDate>
      <dc:creator>Matheus Pereira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/878168/roberto-burle-marxs-legacy-reveals-the-role-of-landscape-architects</guid>
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        <![CDATA[<p dir="ltr">There wasn’t much in the way of art that <a href="http://www.archdaily.com/tag/roberto-burle-marx">Roberto Burle Marx</a> couldn’t do. He was a painter, print-maker, sculptor, stage designer, jeweler, musician, tapestry-maker and one of the leading <a href="http://www.archdaily.com/category/landscape-architecture">landscape architects</a> in the <a href="http://www.archdaily.com/tag/20th-century-society">20th century</a>. Marx’s passion for art, in all forms, strengthened his ability to design <a href="http://www.archdaily.com/category/landscape/">landscapes</a>. </p>]]>
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        <![CDATA[Is This the World's Largest Mural?]]>
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      <link>https://www.archdaily.com/875309/is-this-the-worlds-largest-mural</link>
      <pubDate>Wed, 12 Jul 2017 08:00:00 +0000</pubDate>
      <dc:creator>Sabrina Syed</dc:creator>
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        <![CDATA[<p><a href="http://www.archdaily.com/tag/street-art">Street Artist</a> Misha Most have finished a gargantuan project – a 10,800 square meter mural set to be the world's largest in Vyska, <a href="http://www.archdaily.com/country/russia">Russia</a>. The giant mural, titled “Evolution-2” covers the facade of the "Stan-5000" industrial complex from the oldest Russian manufacturer, Vyksa Steel Works. The mural project was chosen in the course of the <a href="http://www.archdaily.com/801797/call-for-artists-the-international-contest-for-the-largest-mural-in-the-world">"Vyksa 10000" open competition</a> and is part of the ArtOvrag urban art festival curated by Sabina Changina and Russian creative studio <a href="/tag/artmossphere">Artmossphere</a>. Artmossphere is known for curating various art projects, exhibitions, and festivals connected with street art with both established and upcoming street artists. </p>]]>
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      <title>
        <![CDATA[How Painter Ben Johnson Takes Architectural Representation to Incredible Levels of Realism]]>
      </title>
      <link>https://www.archdaily.com/778391/the-artist-who-suspends-reality-to-take-architectural-representation-to-incredible-levels-of-realism</link>
      <pubDate>Tue, 08 Dec 2015 04:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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        <![CDATA[<p><strong><a href="http://www.benjohnsonartist.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Ben Johnson</a></strong> is a painter preoccupied by realism – especially when it comes to the two-dimensional representation of architectural space. A British artist practicing in London, Johnson has been working professionally since the mid-1960s. In that time his extensive œuvre has encompassed painted <a href="http://www.benjohnsonartist.com/work/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">cityscapes</a> and <a href="http://www.benjohnsonartist.com/work/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">prints</a> to depictions of rooms designed—among others—by <a href="/tag/norman-foster">Norman Foster</a>, <a href="/tag/john-pawson">John Pawson</a>, I. M. Pei, and David Chipperfield.</p>]]>
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      <title>
        <![CDATA[Zaha Hadid on Russian Artist Kazimir Malevich]]>
      </title>
      <link>https://www.archdaily.com/530641/zaha-hadid-on-russian-artist-kazimir-malevich</link>
      <pubDate>Thu, 24 Jul 2014 00:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/530641/zaha-hadid-on-russian-artist-kazimir-malevich</guid>
      <description>
        <![CDATA[<p>In an <a href="https://www.royalacademy.org.uk/article/258?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">article for London's <em>Royal Academy of Arts</em> Magazine</a> entitled <em>Plane Sailing</em>, <a href="http://www.archdaily.com/tag/zaha-hadid/">Zaha Hadid</a> discusses the influence of Russian Suprematist painter <a href="http://en.wikipedia.org/wiki/Kazimir_Malevich?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Kazimir Malevich</a> on her own design work. In Hadid's early work, such as <em>The Peak Blue Slabs</em> (1982/83), the visual connections to Malevich's strict, regular shapes and lines are evident.</p>]]>
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