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    <title>Tag: music-venue | ArchDaily</title>
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        <![CDATA[Snøhetta's Shanghai Grand Opera House Nears Completion Ahead of October Opening]]>
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      <link>https://www.archdaily.com/1054028/snohettas-shanghai-grand-opera-house-nears-completion-ahead-of-october-opening</link>
      <pubDate>Tue, 07 Jul 2026 10:45:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/snohetta" target="_blank" rel="noopener">Snøhetta</a>'s <a href="/tag/shanghai">Shanghai</a> Grand <a href="/tag/opera-house">Opera House</a> has entered its final construction phase. Preparations are underway for the building's official opening on October 17, 2026, kicking off a performance season featuring 82 performances across 47 acclaimed productions. <a href="https://www.archdaily.com/914325/snohettas-shanghai-grand-opera-house-evokes-the-image-of-an-unfolding-fan" target="_blank" rel="noopener">Snøhetta's spiralling design for the new cultural venue</a> was selected via an international competition in 2016. In 2019, the architecture firm, along with <a href="https://www.archdaily.com/office/ecadi" target="_blank" rel="noopener">East China Architectural Design &amp; Research Institute</a> (ECADI), <a href="https://www.archdaily.com/professional/theatre-projects" target="_blank" rel="noopener">Theatre Projects</a>, and <a href="https://www.archdaily.com/professional/nagata-acoustics" target="_blank" rel="noopener">Nagata Acoustics</a>, was formally commissioned to deliver the building from concept to completion. <a href="https://www.archdaily.com/1009338/unveiling-new-images-of-snohettas-spiraling-shanghai-opera-house" target="_blank" rel="noopener">The project was originally set to be completed in 2025</a>, as part of <a href="https://www.archdaily.com/1031298/from-expansion-to-enhancement-shanghais-urban-development-framework" target="_blank" rel="noopener">a broader cultural master plan</a> aimed at reinforcing Shanghai's role as an international centre of culture and innovation.</p>]]>
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        <![CDATA[BIG Designs Dual-Volume EVE Music Hall Amid Agricultural Landscape in Čepin, Croatia]]>
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      <link>https://www.archdaily.com/1042200/big-designs-dual-volume-eve-music-hall-amid-agricultural-landscape-in-cepin-croatia</link>
      <pubDate>Fri, 05 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/bjarke-ingels-group" target="_blank" rel="noopener">BIG – Bjarke Ingels Group</a> is nearing completion of the EVE <a href="/tag/music-hall">Music Hall</a> in Čepin, eastern <a href="https://www.archdaily.com/country/croatia" target="_blank" rel="noopener">Croatia</a>, designed in collaboration with <a href="https://www.archdaily.com/professional/sirrah-projekt" target="_blank" rel="noopener">SIRRAH projekt</a> and <a href="https://www.archdaily.com/professional/theatre-projects" target="_blank" rel="noopener">Theatre Projects</a>. The 10,000 m² project contains a live music venue, congress facilities, exhibition spaces, a café, and rooftop event spaces. The venue is expected to host concerts, conferences, exhibitions, and cultural activities, accommodating nearly 4,000 guests indoors and up to 25,000 outdoors. The new cultural building marks the office's first project in Croatia and is expected to become its first completed music performance venue in early 2027.</p>]]>
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        <![CDATA[Pop Star Architecture: BIG Designs Multi-Use Stadium for Shakira’s World Tour in Madrid, Spain]]>
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      <link>https://www.archdaily.com/1040113/pop-star-architecture-big-designs-multi-use-stadium-for-shakiras-world-tour-in-madrid-spain</link>
      <pubDate>Mon, 30 Mar 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040113/pop-star-architecture-big-designs-multi-use-stadium-for-shakiras-world-tour-in-madrid-spain</guid>
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        <![CDATA[<p><a href="https://www.realtor.com/news/celebrity-real-estate/kanye-west-malibu-home-gutted-photos-gallery/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Kanye West turning a Tadao Ando Malibu beach house</a> into a ruin, <a href="https://eliteagent.com/ellen-degeneres-re-lists-historic-la-home-at-a-discount-after-move-to-the-uk/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Ellen DeGeneres and Portia de Rossi purchasing and re-selling the 1955 Richard Neutra-designed Brown-Sidney House</a>, and fashion designer <a href="https://www.realtor.com/news/celebrity-real-estate/inside-marc-jacobs-frank-lloyd-white-fixer-upper/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Marc Jacobs renovating a Frank Lloyd Wright-designed house</a> near New York City are just a few examples of pop stars' affair with historically significant architecture. Celebrities, like soccer players, form an elite group characterized by a high concentration of wealth and significant social status. They are not only buyers of high-end architecture as authored property and cultural capital, but also agents of its preservation and promotion. This year, we are seeing new examples of this agency at work from a more abstract yet also more popular perspective: from the <a href="/tag/stage">stage</a> design for Bad Bunny's Super Bowl performance to a newly designed stadium for Shakira by <a href="https://www.archdaily.com/office/bjarke-ingels-group" target="_blank" rel="noopener">BIG-Bjarke Ingels Group</a>, architecture is used as a vehicle for promoting <a href="https://www.archdaily.com/tag/latin-american-architecture" target="_blank" rel="noopener">Latin American identity</a>.</p>]]>
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        <![CDATA[Settanta7 Advances Bosco della Musica Urban Regeneration Project in Milan]]>
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      <link>https://www.archdaily.com/1039859/settanta7-advances-bosco-della-musica-urban-regeneration-project-in-milan</link>
      <pubDate>Mon, 23 Mar 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The architecture firm <a href="https://www.archdaily.com/office/settanta7" target="_blank" rel="noopener">Settanta7 </a>has begun the construction of <em>Bosco della Musica</em>, a new campus for the Conservatorio Giuseppe Verdi in <a href="https://www.archdaily.com/979356/milan-city-guide-20-projects-to-see-in-italys-fashion-capital" target="_blank" rel="noopener">Milan</a>. The site is located in Rogoredo, a former <a href="/tag/industrial-area">industrial area</a> in the southeastern part of the city, currently under scrutiny due to incidents of violence and public safety concerns. The area is therefore the focus of development initiatives by the Italian Ministry of Transport and Infrastructure, including the competition for this project, which was awarded to Settanta7 in 2022. The firm is responsible for the design and is overseeing the coordination of all disciplines as lead consultant for the construction of the entire project: a broader urban regeneration program that includes the redevelopment of the 17,400 sqm site and the adaptive reuse of the "Ex Chimici" industrial building, alongside the construction of four new buildings, three dedicated to educational activities and one intended for student housing.</p>]]>
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        <![CDATA[Carlo Ratti Associati Presents New Cultural Center and Open-Air Stage in Addis Ababa, Ethiopia]]>
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      <link>https://www.archdaily.com/1033098/carlo-ratti-associati-presents-new-cultural-center-and-open-air-stage-in-addis-ababa-ethiopia</link>
      <pubDate>Thu, 14 Aug 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="145" data-end="757"><a href="https://www.archdaily.com/office/carlo-ratti-associati" target="_blank" rel="noopener">CRA-Carlo Ratti Associati</a> has unveiled images of its design for a new cultural center in <a href="https://www.archdaily.com/city/addis-ababa" target="_blank" rel="noopener">Addis Ababa</a>, the capital of <a href="https://www.archdaily.com/country/ethiopia" target="_blank" rel="noopener">Ethiopia</a>. The project is located in Kazanchis, a cultural, musical, and historic neighborhood currently undergoing transformation as part of a government-led urban renewal program focused on corridor development. This neighborhood was home to the traditional compound of the Fendika <a href="/tag/cultural-center">Cultural Center</a>, a hub for Ethiopia's traditional and experimental arts, which was demolished on October 23, 2024, after the site was designated for redevelopment as part of the systematic clearing of the area. In recognition of Fendika's cultural significance, the Addis Ababa Municipality offered the institution the opportunity to remain on-site and rebuild in a way that aligned with the city's plans for the neighborhood. <a href="https://www.archdaily.com/office/carlo-ratti-associati" target="_blank" rel="noopener">CRA</a>'s project responds to this context with an open stage and a four-story civic space.</p>]]>
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        <![CDATA[Casa da Música: Transforming Domestic Experimentation into Public Monumentality]]>
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      <link>https://www.archdaily.com/1022081/casa-da-musica-transforming-domestic-experimentation-into-public-monumentality</link>
      <pubDate>Wed, 21 May 2025 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>At the turn of the millennium, the world was gripped by the looming threat of the <a href="https://education.nationalgeographic.org/resource/Y2K-bug/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Y2K bug</a>, a potential failure of computerized systems that could disrupt everything from banking to aviation. As midnight approached on December 31, 1999, people withdrew their savings, major corporations issued warnings, and governments scrambled to prevent <a href="https://www.britannica.com/technology/Y2K-bug?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">public hysteria</a>. But as the sun rose on January 1, 2000, the feared bug had no material impact, and the crisis faded as quickly as it had emerged. However, this era left its mark in unexpected places — particularly in architecture. Amid the anxiety surrounding digital technology, one of the <a href="https://www.theguardian.com/artanddesign/2019/sep/16/best-architecture-of-the-21st-century?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">most iconic concert halls of our time</a>, <a href="https://www.archdaily.com/619294/casa-da-musica-oma?ad_source=search&amp;ad_medium=projects_tab">Casa da Música</a> in <a href="https://www.archdaily.com/city/porto">Porto</a>, was born. Designed by <a href="https://www.archdaily.com/office/oma">OMA (Office for Metropolitan Architecture)</a>, its origins can be traced to a much smaller project: the <a href="https://www.oma.com/projects/y2k-house?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Y2K House</a>. What began as an exploration of private domesticity during the digital scare evolved into a grand public structure — an architectural transition from home to a <a href="https://www.archdaily.com/search/projects/categories/concert-house">performance hall</a>.</p>]]>
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        <![CDATA[Where Form Speaks Volumes: 7 Buildings to Explore Taiwan's Unique Cultural Architecture]]>
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      <link>https://www.archdaily.com/1029575/where-form-speaks-volumes-7-buildings-to-explore-taiwans-unique-cultural-architecture</link>
      <pubDate>Sat, 03 May 2025 07:30:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1029575/where-form-speaks-volumes-7-buildings-to-explore-taiwans-unique-cultural-architecture</guid>
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        <![CDATA[<p>In most situations, architects navigate a<a href="https://www.archdaily.com/1026206/the-impact-of-wildfires-on-building-codes-reflections-on-the-recent-los-angeles-fires?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener"> complex web of construction codes</a>, airspace regulations, and numerous other rules that<a href="https://www.archdaily.com/1026988/how-should-historic-buildings-in-the-united-states-address-energy-efficiency-mandates?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener"> dictate the form and execution of a project</a>. However, cultural architecture often presents a unique <a href="https://www.archdaily.com/1028123/reframing-cultural-landmarks-a-local-approach-to-architecture-in-the-middle-east?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">opportunity for more daring and expressive designs.</a> These projects frequently garner support from local governments, unlocking possibilities for formal explorations that might otherwise remain unrealized. In this regard, cultural architecture serves a dual purpose: enriching the community and establishing <a href="https://www.archdaily.com/1026821/global-architects-local-contexts-navigating-identity-in-the-gulfs-cultural-landmarks?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">iconic landmarks</a> that define the identity of their city or region. This ambition has certainly manifested in <a href="https://www.archdaily.com/country/taiwan" target="_blank" rel="noopener">Taiwan</a>. Situated in the heart of East <a href="/tag/asia">Asia</a>, this island nation boasts a remarkable array of formal explorations by both international and <a href="https://www.archdaily.com/search/professionals/country/taiwan?ad_medium=filters" target="_blank" rel="noopener">Taiwanese architects</a>.</p>]]>
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        <![CDATA[The 36x36 Project Series in Mexico by Colectivo C733 Receives the 2024 Obel Award]]>
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      <link>https://www.archdaily.com/1022065/the-36x36-project-series-in-mexico-by-colectivo-c733-receives-the-2024-obel-award</link>
      <pubDate>Tue, 08 Oct 2024 03:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1022065/the-36x36-project-series-in-mexico-by-colectivo-c733-receives-the-2024-obel-award</guid>
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        <![CDATA[<p>The <a href="https://obelaward.org/focus-2024-architectures-with/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">2024 Obel Award</a> has been granted to <a href="https://www.archdaily.com/office/colectivo-c733">Colectivo C733</a> for their unique achievement in completing 36 public projects across <a href="/tag/mexico">Mexico</a> over a span of just 36 months. These projects have begun as part of a nationwide initiative led by Mexico's Secretariat for Agrarian, Land, and Urban Development (SEDATU). Collectively named the 36x36 projects, <a href="https://www.archdaily.com/1020577/an-architectural-system-for-the-transformation-of-public-space-discover-the-work-of-colectivo-c733-in-mexico?ad_medium=office_landing&amp;ad_name=article">the varied interventions</a> have successfully revitalized a wide range of vulnerable urban and rural areas through a collaborative and community-focused approach. This aligns with the <a href="https://www.archdaily.com/1017368/the-obel-award-announces-theme-for-its-6th-cycle-the-2024-edition?ad_campaign=normal-tag">Obel Award's 6th cycle overarching theme, "Architectures <em>with,</em>"</a> highlighting initiatives that <a href="https://www.archdaily.com/1021680/sumayya-vally-on-incorporating-diverse-knowledge-in-contemporary-architecture-the-obel-award-2024-theme?ad_campaign=normal-tag">positively impact both people and the planet</a>.</p>]]>
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        <![CDATA[Designing Spaces for Impactful Musical Experiences]]>
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      <link>https://www.archdaily.com/1017348/designing-spaces-for-impactful-musical-experiences</link>
      <pubDate>Mon, 10 Jun 2024 04:00:00 +0000</pubDate>
      <dc:creator>Carla Bonilla Huaroc</dc:creator>
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        <![CDATA[<p>Music consumption has historically been closely connected to the environments in which it is enjoyed. Before the advent of music recordings, listening to music was a social activity tied to collective rituals in physical spaces, such as concerts or smaller communal gatherings. With the development of music records and now with the current availability of virtually any kind of music at our fingertips, experiencing music has become a more solitary and routine endeavor. However, returning to the roots of communal musical experiences may unlock numerous benefits much needed in our isolating digital age. These collective musical events have the potential to significantly enhance a <a href="https://www.archdaily.com/tag/community" target="_blank" rel="noopener">community</a>'s social cohesion and improve their mental health through memorable shared experiences.</p>]]>
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        <![CDATA[A Royal Opera in Warsaw and a Center for the Arts in Canada: 8 Music and Performance Venues Submitted by the ArchDaily Community]]>
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      <link>https://www.archdaily.com/1009181/a-royal-opera-in-warsaw-and-a-center-for-the-arts-in-canada-8-music-and-performance-venues-submitted-by-the-archdaily-community</link>
      <pubDate>Thu, 30 May 2024 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1009181/a-royal-opera-in-warsaw-and-a-center-for-the-arts-in-canada-8-music-and-performance-venues-submitted-by-the-archdaily-community</guid>
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        <![CDATA[<p>Concert halls, music, and performance venues stand as iconic symbols of cultural vitality within urban landscapes. Through these structures, which often become landmarks of the city, the residents are invited to take part and experience artistic expression, fostering a sense of community and connection. For architects, this program poses the intricate challenge of balancing form and function, creating spaces that enhance the acoustic experience, allow for the flow of audience and performers, and create visual spectacles in their own right.</p>]]>
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        <![CDATA[The Metaverse Unleashed: The Rise of Human-Scale Digital Venues]]>
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      <link>https://www.archdaily.com/1014441/the-metaverse-unleashed-the-rise-of-human-scale-digital-venues</link>
      <pubDate>Thu, 14 Mar 2024 03:30:00 +0000</pubDate>
      <dc:creator>John Marx, AIA</dc:creator>
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        <![CDATA[<p><em>This article is the eighth in a series focusing on the <a href="https://www.archdaily.com/tag/architecture-of-the-metaverse">Architecture of the Metaverse</a>. ArchDaily has collaborated with <a href="https://www.archdaily.com/tag/john-marx">John Marx</a>, AIA, the founding design principal and Chief Artistic Officer of <a href="https://form4inc.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Form4 Architecture</a>, to bring you monthly articles that seek to define the Metaverse, convey the potential of this new realm as well as understand its constraints.</em> <em>In this feature, architect John Marx interviews <a href="/tag/heather-gallagher">Heather Gallagher</a>, an <a href="https://www.heathergallagher.me/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">international expert in transformative events and the experience economy</a> and former Head of <a href="/tag/technology">Technology</a> at Burning Man. </em></p>]]>
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        <![CDATA[Immersive Spaces: Shaping Profound Experiences Through Architecture and Art]]>
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      <link>https://www.archdaily.com/1013420/immersive-spaces-shaping-profound-experiences-through-architecture-and-art</link>
      <pubDate>Sun, 18 Feb 2024 07:30:00 +0000</pubDate>
      <dc:creator>Carla Bonilla Huaroc</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/immersive" target="_blank" rel="noopener">Immersive spaces</a> are heavily sensorial environments meant to create impactful experiences crafted through intentionally curated architecture, light, imagery, sound, and sometimes even smell. To "immerse" oneself is to be wholly enveloped in a world shaped solely by immediate sensory input. Using <a href="https://www.archdaily.com/tag/digital" target="_blank" rel="noopener">digital tools</a> to craft these environments to showcase <a href="https://www.archdaily.com/tag/art" target="_blank" rel="noopener">art</a>, create compelling <a href="https://www.archdaily.com/tag/exhibition" target="_blank" rel="noopener">exhibitions</a>, and <a href="https://www.archdaily.com/tag/venue" target="_blank" rel="noopener">feature performance events</a> has become increasingly popular. Evocative experiences like these can offer a respite from the inundation of personalized digital content and foster shared, grounding encounters. The design of these can exist at the intersection of architecture, <a href="https://www.archdaily.com/tag/graphic-design" target="_blank" rel="noopener">graphic design</a>, visual <a href="https://www.archdaily.com/tag/art" target="_blank" rel="noopener">art</a>, <a href="https://www.archdaily.com/tag/lighting-design" target="_blank" rel="noopener">lighting design</a>, <a href="https://www.archdaily.com/tag/music" target="_blank" rel="noopener">music</a>, and <a href="https://www.archdaily.com/tag/performance" target="_blank" rel="noopener">performance</a>. They underscore the power of <a href="https://www.archdaily.com/tag/interdisciplinary" target="_blank" rel="noopener">interdisciplinary collaboration</a> to craft memorable moments. So, what role does architecture play in shaping these?</p>]]>
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        <![CDATA[A Living Knit Pavilion and A Temple of The Heart: 10 Installations and Pavilions at Burning Man 2023]]>
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      <link>https://www.archdaily.com/1006994/a-living-knit-pavilion-and-a-temple-of-the-heart-10-installations-and-pavilions-at-burning-man-2023</link>
      <pubDate>Tue, 19 Sep 2023 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p>Once a year, in the vast and unforgiving Black Rock Desert of <a href="/tag/nevada">Nevada</a>, a city arises. Thousands of people unite to form a temporary metropolis with a collective spirit.<a href="https://www.archdaily.com/1006352/first-look-at-burning-man-2023-festival-attendees-are-isolated-after-heavy-rain-in-nevadas-black-rock-desert" target="_blank" rel="noopener"> Burning Man 2023</a> removes all restrictions on expressing oneself, allowing forms to be unexpected. This year, Burning Man Festival’s theme was Anamilia, transforming The Black Rock Desert into a blank canvas for creation, a playground for self-discovery, and a haven for radical self-expression.</p>]]>
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        <![CDATA[What Will Post-Pandemic Performance Venues Look Like?]]>
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      <link>https://www.archdaily.com/976581/what-will-post-pandemic-performance-venues-look-like</link>
      <pubDate>Thu, 10 Feb 2022 03:30:00 +0000</pubDate>
      <dc:creator>Osman Can Yerebakan</dc:creator>
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        <![CDATA[<p class="size-regular">Metropolitans take pride in their storied cultural venues, the chroniclers of intellectual acumen and architectural achievement. While these icons revel in their ornate design, immersive grandiosity, and dramatic acoustics, the pandemic has introduced numerous challenges to the rules of assembly.</p>]]>
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        <![CDATA[MVRDV to Transform Eindhoven Shopping Centre into a Sustainable Cultural Quarter]]>
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      <link>https://www.archdaily.com/962177/mvrdv-to-transform-eindhoven-shopping-centre-into-a-sustainable-cultural-quarter</link>
      <pubDate>Mon, 24 May 2021 05:30:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
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        <![CDATA[<p>Reflecting on the future of shopping centres and addressing their decline in visitors, MVRDV's Heuvelkwartier design proposes converting Eindhoven's Heuvel shopping venue into a green cultural quarter. The project brings together retail, culture and recreation, expanding the existing buildings while transforming the roofs into a park. The proposal also expands the Muziekgebouw with a stacked cultural building encased in a "glass mountain", creating a new landmark for Heuvel.</p>]]>
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        <![CDATA[OMA / Jason Long Unveils Design for Music Venue in Houston]]>
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      <link>https://www.archdaily.com/961762/oma-jason-long-unveils-design-for-music-venue-in-houston</link>
      <pubDate>Mon, 17 May 2021 05:30:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
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        <![CDATA[<p><a class="editor-rtfLink" href="https://www.archdaily.com/tag/oma" target="_blank">OMA New York</a> / <a class="editor-rtfLink" href="https://www.archdaily.com/tag/jason-long" target="_blank">Jason Long</a> has revealed the design for The Terminal, a new performance venue serving as a cultural anchor for POST <a href="/tag/houston">Houston</a>, the office's <a class="editor-rtfLink" href="https://www.archdaily.com/920159/oma-reveals-new-design-to-convert-historic-houston-post-office" target="_blank">redevelopment of the historic Barbara Jordan Post Office</a> in downtown Houston. Integrated within the eastern wing of the mixed-use design, the 5,000 capacity music venue makes use of industrial materials and lighting effects to create a performative space on and off the stage.</p>]]>
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        <![CDATA[Recent Images Highlight Completed Structure for Sou Fujimoto's House of Hungarian Music in Budapest, Hungary]]>
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      <link>https://www.archdaily.com/948581/recent-images-highlight-completed-structure-for-sou-fujimotos-house-of-hungarian-music-in-budapest-hungary</link>
      <pubDate>Mon, 28 Sep 2020 05:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>The House of Hungarian Music, part of the <a href="https://ligetbudapest.hu/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Liget Budapest Project</a>, has won the World's Best Use of Music in Property Development at the Music Cities Awards. Also selected as one of the top three Best European Development category, the intervention, designed by <a href="/tag/sou-fujimoto">Sou Fujimoto</a> is under construction on the former site of the demolished Hungexpo office buildings in Budapest, <a href="/tag/hungary">Hungary</a>. Scheduled to open in 2021, the structure of the building is complete, and the iconic roof is taking shape, as well as the monumental glass walls, the largest of their kind in Europe.</p>]]>
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        <![CDATA[The Largest Open-Air Venue for Events and Concerts in Europe is Under Construction in Italy]]>
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      <link>https://www.archdaily.com/935206/the-largest-open-air-venue-for-events-and-concerts-in-europe-is-under-construction-in-italy</link>
      <pubDate>Mon, 09 Mar 2020 06:31:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>Designed by Iotti + Pavarani Architetti, Tassoni &amp; Partners, <a href="/tag/lauro-sacchetti-associati">Lauro Sacchetti Associati</a>, the RCF Arena, currently under construction, is set to become <a href="/tag/europe">Europe</a>’s largest events and concerts venue. Located in the Italian region of Emilia Romagna, the structure can host up to 100 000 people.</p>]]>
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