<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: moma | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Thu, 9 Jul 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[Staging Culture: The Architect as Curator]]>
      </title>
      <link>https://www.archdaily.com/1035190/staging-culture-the-architect-as-curator</link>
      <pubDate>Thu, 23 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035190/staging-culture-the-architect-as-curator</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/architecture">Architecture</a> has never been confined to the act of building. It constantly negotiates between material practice and intellectual reflection, yet throughout the twentieth and twenty-first centuries, many architects felt that the built project alone was insufficient to address the full range of questions facing the discipline. Economic pressures, political contexts, and programmatic demands often narrowed the scope of practice.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68f4/c1ef/683c/c408/481d/9138/newsletter/staging-culture-the-architect-as-curator_19.jpg?1760870908"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Former MoMA Curator Barry Bergdoll Receives the 2025 Vincent Scully Prize]]>
      </title>
      <link>https://www.archdaily.com/1034450/former-moma-curator-barry-bergdoll-receives-the-2025-vincent-scully-prize</link>
      <pubDate>Thu, 25 Sep 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1034450/former-moma-curator-barry-bergdoll-receives-the-2025-vincent-scully-prize</guid>
      <description>
        <![CDATA[<p data-start="142" data-end="800">The <a href="https://www.archdaily.com/tag/vincent-scully-prize" target="_blank" rel="noopener">Vincent Scully Prize</a>, established in 1999 by the <a href="https://www.archdaily.com/tag/national-building-museum" target="_blank" rel="noopener">National Building Museum</a> in <a href="https://www.archdaily.com/tag/washington-dc" target="_blank" rel="noopener">Washington, D.C</a>., recognizes exemplary practice, scholarship, or criticism in architecture, historic preservation, and urban design. Named after its first recipient, Vincent Scully, Sterling Professor Emeritus of the History of Art at Yale University and Visiting Professor at the University of Miami, the prize has been awarded to figures such as <a href="https://www.archdaily.com/tag/theaster-gates" target="_blank" rel="noopener">Theaster Gates</a>, <a href="https://www.archdaily.com/tag/jane-jacobs" target="_blank" rel="noopener">Jane Jacobs</a>, <a href="https://www.archdaily.com/tag/laurie-olin" target="_blank" rel="noopener">Laurie Olin</a>, <a href="https://www.archdaily.com/tag/denise-scott-brown" target="_blank" rel="noopener">Denise Scott Brown</a> and <a href="https://www.archdaily.com/tag/robert-venturi" target="_blank" rel="noopener">Robert Venturi</a>, and <a href="https://www.archdaily.com/tag/mabel-o-wilson" target="_blank" rel="noopener">Mabel O. Wilson</a>. The 2025 prize will go to <a href="https://www.archdaily.com/tag/barry-bergdoll" target="_blank" rel="noopener">Barry Bergdoll</a>, art historian and former curator at the <a href="https://www.archdaily.com/tag/moma" target="_blank" rel="noopener">Museum of Modern Art</a> in <a href="https://www.archdaily.com/tag/new-york" target="_blank" rel="noopener">New York</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68d4/bb79/27ac/8d01/8af7/7e9c/newsletter/former-moma-curator-barry-bergdoll-receives-the-2025-vincent-scully-prize_3.jpg?1758772094"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[A Restored Module from Tokyo’s Nakagin Capsule Tower Goes on Year-Long Display at MoMA]]>
      </title>
      <link>https://www.archdaily.com/1032075/a-restored-module-from-tokyos-nakagin-capsule-tower-goes-on-year-long-display-at-moma</link>
      <pubDate>Tue, 15 Jul 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032075/a-restored-module-from-tokyos-nakagin-capsule-tower-goes-on-year-long-display-at-moma</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/430903/ad-classics-the-museum-of-modern-art" target="_blank" rel="noopener">The Museum of Modern Art</a> (<a href="https://www.archdaily.com/tag/moma" target="_blank" rel="noopener">MoMA</a>) in New York is hosting an exhibition dedicated to <a href="https://www.archdaily.com/616907/spotlight-kisho-kurokawa" target="_blank" rel="noopener">Japanese architect Kisho Kurokawa</a>'s <a href="https://www.archdaily.com/tag/nakagin-capsule-tower" target="_blank" rel="noopener">Nakagin Capsule Tower</a> from July 10, 2025, through July 12, 2026. Titled <em>The Many Lives of the Nakagin Capsule Tower</em>, the exhibition offers a retrospective on the building's 50-year lifespan. Constructed in <a href="https://www.archdaily.com/city/tokyo" target="_blank" rel="noopener">Tokyo</a>'s Ginza district in 1972 and <a href="https://www.archdaily.com/979591/nakagin-capsule-tower-building-to-be-demolished-mid-april" target="_blank" rel="noopener">dismantled in 2022</a>, the tower is presented through contextual materials, original drawings, archival recordings, and a fully restored capsule. The exhibition invites reflection on how cities address aging buildings and the rapid transformation of urban areas. The diverse materials documenting the tower's continuous evolution over five decades encourage viewers to consider how architecture might endure by taking on new roles and functions beyond its original purpose.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6872/59bf/df5c/7801/87bd/518d/newsletter/nagakin_2.jpg?1752324556"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Towards an Architecture of Many Intelligences: How Collective Knowledge Shapes the Built Environment]]>
      </title>
      <link>https://www.archdaily.com/1029706/towards-an-architecture-of-many-intelligences-how-collective-knowledge-shapes-the-built-environment</link>
      <pubDate>Thu, 08 May 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1029706/towards-an-architecture-of-many-intelligences-how-collective-knowledge-shapes-the-built-environment</guid>
      <description>
        <![CDATA[<p>As <a href="https://www.archdaily.com/tag/architecture">architecture</a> navigates a rapidly changing world shaped by <a href="https://www.archdaily.com/958188/from-past-to-future-the-urgency-of-green-in-architecture">ecological urgency</a>, social transformation, and <a href="https://www.archdaily.com/1001585/navigating-complexity-and-change-in-architecture-with-data-driven-technologies">technological acceleration</a>, the notion of intelligence is shifting. No longer confined to individual cognition or <a href="https://www.archdaily.com/tag/artificial-intelligence">artificial computation</a>, intelligence can emerge from cultural memory, collective practices, and adaptive systems. In this broader sense, architecture becomes a field of convergence, where natural, artificial, and social intelligences intersect to offer new ways of designing and building.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6812/6955/0252/6311/f743/5092/newsletter/towards-an-architecture-of-many-intelligences-how-collective-knowledge-shapes-the-built-environment_19.jpg?1746037119"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Yoshio Taniguchi, Architect Behind MoMA Redesign, Passes Away at 87]]>
      </title>
      <link>https://www.archdaily.com/1025184/yoshio-taniguchi-architect-behind-moma-redesign-passes-away-at-87</link>
      <pubDate>Mon, 30 Dec 2024 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1025184/yoshio-taniguchi-architect-behind-moma-redesign-passes-away-at-87</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/yoshio-taniguchi">Yoshio Taniguchi</a>, the renowned architect behind the redesign of <a href="https://www.archdaily.com/430903/ad-classics-the-museum-of-modern-art">New York's Museum of Modern Art (MoMA)</a> and other celebrated cultural <a href="https://www.archdaily.com/tag/landmark">landmarks</a>, has passed away, at the age of 87 due to pneumonia. Known for his <a href="https://www.archdaily.com/tag/minimalist">minimalist</a> designs that emphasize clarity and simplicity, Taniguchi's work includes the MoMA expansion completed in 2004, <a href="https://www.archdaily.com/572422/yoshio-taniguchi-to-be-honored-with-isamu-noguchi-award">the Heisei Chishinkan Wing of the Kyoto National Museum</a>, and the <a href="https://www.archdaily.com/347211/ad-classics-yatsushiro-municipal-museum-toyo-ito">Toyota Municipal Museum of Art</a>. His projects are characterized by a deep respect for space and proportion, allowing the art within to take center stage.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6772/7cdc/8774/0101/87cd/279e/newsletter/yoshio-taniguchi-architect-behind-moma-redesign-passes-away-at-87_1.jpg?1735556325"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Revisiting Skyscraper Design: The Benefits of Responsive Facades and Passive Designs]]>
      </title>
      <link>https://www.archdaily.com/1022847/revisiting-skyscraper-design-the-benefits-of-responsive-facades-and-passive-designs</link>
      <pubDate>Mon, 28 Oct 2024 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1022847/revisiting-skyscraper-design-the-benefits-of-responsive-facades-and-passive-designs</guid>
      <description>
        <![CDATA[<p>Our contemporary society has been witnessing <a href="https://fareast.net.au/the-surge-in-high-rise-construction-projects-is-expected-to-continue-in-2023/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">a surge in skyscraper construction</a> in urban centers worldwide for various reasons—including engineering advancements, <a href="https://www.archdaily.com/1019418/how-dense-is-too-dense-the-future-of-social-housing-in-metropolises">increased urban density</a>, space constraints, and, arguably, a competitive drive for <a href="https://www.archdaily.com/779178/these-are-the-worlds-25-tallest-buildings">building the tallest structures</a>. The allure of all-glass facades and the pursuit of curtain walls with larger panes of continuous glass have often come at the cost of functionality.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/671f/4fcc/abb6/a23d/1541/38ba/newsletter/revisiting-skyscraper-design-the-benefits-of-responsive-facades-and-passive-designs_21.jpg?1730105346"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Ephemeral Architectures: Engaging Communities through Temporary Structures]]>
      </title>
      <link>https://www.archdaily.com/1019356/ephemeral-architectures-engaging-communities-through-temporary-structures</link>
      <pubDate>Fri, 16 Aug 2024 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1019356/ephemeral-architectures-engaging-communities-through-temporary-structures</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/ephemeral-architecture">Ephemeral architectures</a>, characterized by their temporary and flexible nature, have emerged as powerful tools for revitalizing urban spaces and fostering architectural creativity. These transient installations <a href="https://www.archdaily.com/993876/community-and-identity-central-topics-in-ephemeral-architecture-in-2022">transform public areas, engaging communities, and prompting reflections on the potential futures of our cities.</a> By temporarily <a href="https://www.archdaily.com/1007496/inflatable-architecture-pneumatic-structures-transforming-built-environments?ad_campaign=normal-tag">transforming environments</a>, ephemeral architectures encourage both architects and the public to reimagine the possibilities of urban living. This dynamic interplay, between the temporary and the permanent, challenges traditional architectural practices and opens up new avenues for sustainable and inclusive urban development.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/66b1/ebd5/f87e/494b/a755/18bc/newsletter/ephemeral-architectures-engaging-communities-through-temporary-structures_36.jpg?1722936286"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Utopian Practice, Political Power, and Community in Architecture: An Interview with Olalekan Jeyifous]]>
      </title>
      <link>https://www.archdaily.com/1009070/utopian-practice-political-power-and-community-in-architecture-an-interview-with-olalekan-jeyifous</link>
      <pubDate>Wed, 01 Nov 2023 04:00:00 +0000</pubDate>
      <dc:creator>Claire Brodka</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1009070/utopian-practice-political-power-and-community-in-architecture-an-interview-with-olalekan-jeyifous</guid>
      <description>
        <![CDATA[<p>After being awarded the prestigious <a href="https://www.archdaily.com/1001305/brazil-wins-the-golden-lion-for-best-national-participation-at-the-2023-venice-architecture-biennale?ad_medium=gallery">Silver Lion</a> for his contribution to this year's <a href="https://www.archdaily.com/tag/venice-biennale">Venice Architecture Biennale</a>, Brooklyn-based artist <a href="/tag/olalekan-jeyifous">Olalekan Jeyifous</a> shows no signs of slowing down. Currently in the midst of preparing his entry to the next <a href="https://www.archdaily.com/tag/sharjah-architecture-triennial">Sharjah Architecture Triennial</a>, he also recently celebrated the opening of <a href="https://pioneerworks.org/exhibitions/erica-deeman-denice-frohman-and-olalekan-jeyifous-climate-futurism?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>Climate Futurism</em></a>, a group exhibition that highlights the power and efficacy of artists’ methods and processes to imagine a more equitable future – and is working on a public monument to former United States Representative Shirley Chisholm as part of New York City's <a href="https://www.nyc.gov/site/dcla/publicart/shebuiltnyc.page?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">She Built NYC initiative</a>, among other projects. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6540/fac8/08e4/4479/9cd6/6e46/newsletter/utopian-practice-political-power-and-community-in-architecture-an-interview-with-olalekan-jeyifous_8.jpg?1698757336"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[MoMA's “Emerging Ecologies” Exhibition Explores the Ecolution of Environmental Architecture]]>
      </title>
      <link>https://www.archdaily.com/1007224/momas-emerging-ecologies-exhibition-explores-the-ecolution-of-environmental-architecture</link>
      <pubDate>Fri, 22 Sep 2023 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1007224/momas-emerging-ecologies-exhibition-explores-the-ecolution-of-environmental-architecture</guid>
      <description>
        <![CDATA[<p>The Museum of Modern Art <a href="/tag/new-york">New York</a> has announced the opening of an exhibition focused on the first realized and unrealized projects that address ecological and environmental concerns. Featuring works by architects who practiced mainly in the <a href="/tag/united-states">United States</a> from the 1930s through the 1990s, the exhibition titled “Emerging Ecologies: <a href="/tag/architecture">Architecture</a> and the Rise of Environmentalism” is on view from September 17, 2023, through January 20, 2024. The over 150 works showcased reveal the rise of the environmental movement through the lens of architectural practice and thought.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/650d/6139/67ee/e101/7d4f/ff9d/newsletter/momas-emerging-ecologies-exhibition-explores-the-ecolution-of-environmental-architecture_10.jpg?1695375687"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[A Waterfront Park as Public Amenity and Climate Mitigator]]>
      </title>
      <link>https://www.archdaily.com/996676/a-waterfront-park-as-public-amenity-and-climate-mitigator</link>
      <pubDate>Fri, 17 Feb 2023 03:30:00 +0000</pubDate>
      <dc:creator>Martin Pedersen</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/996676/a-waterfront-park-as-public-amenity-and-climate-mitigator</guid>
      <description>
        <![CDATA[<p><em>This article was <a href="https://commonedge.org/a-waterfront-park-as-public-amenity-and-climate-mitigator/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">originally published</a> on <a href="https://commonedge.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Common Edge</a>.</em></p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/63ef/2d44/e8da/b070/c14a/f20c/newsletter/a-waterfront-park-as-public-amenity-and-climate-mitigator_1.jpg?1676619089"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Who Was Günther Domenig, the Unknown Deconstructivist?]]>
      </title>
      <link>https://www.archdaily.com/989389/who-was-gunther-domenig-the-unknown-deconstructivist</link>
      <pubDate>Thu, 22 Sep 2022 03:30:00 +0000</pubDate>
      <dc:creator>Florian Heilmeyer</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/989389/who-was-gunther-domenig-the-unknown-deconstructivist</guid>
      <description>
        <![CDATA[<p>Domenig was one of <a href="/tag/austria">Austria</a>’s most radical architects and a major influence on many of architecture’s leading lights but remains widely unknown. A new exhibition aims to change that.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/632b/fb1d/21df/a34d/2479/10cf/newsletter/who-was-gunther-domenig-the-unknown-deconstructivist_1.jpg?1663826727"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The City as an Organism ]]>
      </title>
      <link>https://www.archdaily.com/984738/the-city-as-an-organism</link>
      <pubDate>Wed, 06 Jul 2022 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/984738/the-city-as-an-organism</guid>
      <description>
        <![CDATA[<p>Nature has continually played muse to architects. Colors and forms from the natural world find themselves embedded in artificial edifices. Buildings are also shaped by patterns of the wind and sun, topography, and vegetation. While architecture is informed by the effects of nature, buildings have been proposed as inert objects that remain static in a biologically evolving world. Anthropocentric concrete “jungles” are devoid of life, separating humans from natural environments and causing imbalances that have <a class="editor-rtfLink" href="https://admin.ecologicstudio.com/wp-content/uploads/2021/09/the-dark-side-of-green-cities.pdf?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">manifested as pandemics</a>. What would cities look like if there were no boundaries between humans and ecosystems?</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/62c3/09ba/3e4b/31b6/9400/0006/newsletter/6_DeepGreen_AI_generated_view_of_future_blue-green_plan_of_Guatemala_City_©ecoLogicStudio.jpg?1656949151"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[MoMA Exhibition Explores the Architectures of Decolonization in South Asia]]>
      </title>
      <link>https://www.archdaily.com/981654/moma-exhibition-explores-the-architectures-of-decolonization-in-south-asia</link>
      <pubDate>Tue, 10 May 2022 06:30:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/981654/moma-exhibition-explores-the-architectures-of-decolonization-in-south-asia</guid>
      <description>
        <![CDATA[<p>The Museum of Modern Art - <a href="/tag/moma">MoMA</a> has announced the opening of an exhibition that explores the ways modern architecture in South Asia shaped up "idealistic societal visions and emancipatory politics" of the post-independence period. Titled <em>The Project of Independence: Architectures of Decolonization in <a href="/tag/south-asia">South Asia</a>, 1947–1985, </em>the exhibition includes over 200 works, ranging from sketches and drawings to photographs and architecture models sourced from prominent lenders and institutions in Bangladesh, <a href="/tag/india">India</a>, <a href="/tag/pakistan">Pakistan</a>, and Sri Lanka.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/627a/308a/3e4b/319b/f700/0034/newsletter/CF010550-Charles-Correa-Sardar-Vallabhbhai-Patel-Stadium-Ahmedabad-copy-2000x1500.jpg?1652174979"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[What Exactly is the Art Museum in Modern Times? ]]>
      </title>
      <link>https://www.archdaily.com/961751/what-exactly-is-the-art-museum-in-modern-times</link>
      <pubDate>Mon, 17 May 2021 03:30:00 +0000</pubDate>
      <dc:creator>Lauren McQuistion</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/961751/what-exactly-is-the-art-museum-in-modern-times</guid>
      <description>
        <![CDATA[<p><em>"Is a museum defined by its collection? Or by its architecture? In <a href="https://www.amazon.com/Art-Museum-Modern-Times/dp/0500022437?language=en_US&amp;linkCode=sl1&amp;linkId=f5fdfbc5c68154f192652b148389ff8c&amp;ref_=as_li_ss_tl&amp;tag=archpaper06-20&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The Art Museum in Modern Times</a>, Charles Saumarez Smith suggests it is both and still something more". </em>Lauren McQuistion, an architectural designer and Ph.D. Candidate in the Constructed Environment at the University of Virginia School of Architecture discusses in her <a href="https://www.archpaper.com/2021/05/what-exactly-is-the-art-museum-in-modern-times/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Architect's Newspaper piece</a>, Saumarez's book, exploring the notion of a modern museum.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/60a1/2bf9/f043/cc2d/9818/162b/newsletter/screen-shot-2021-05-16-at-7-pm.jpg?1621175299"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[MoMA Launches Reconstructions: Architecture and Blackness in America]]>
      </title>
      <link>https://www.archdaily.com/958056/moma-launches-reconstructions-architecture-and-blackness-in-america</link>
      <pubDate>Mon, 08 Mar 2021 05:30:00 +0000</pubDate>
      <dc:creator>Eric Baldwin</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/958056/moma-launches-reconstructions-architecture-and-blackness-in-america</guid>
      <description>
        <![CDATA[<p>The <a href="/tag/museum-of-modern-art">Museum of Modern Art</a> has launched <em>Reconstructions: Architecture and Blackness in America</em>, the fourth installment of the Issues in Contemporary Architecture series. Investigating the intersections of architecture, Blackness and anti–Black racism in the American context, the exhibition and accompanying publication examine contemporary architecture in the context of how systemic racism has fostered violent histories of discrimination and injustice in the United States.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6041/b00b/f91c/81cf/e700/01e1/newsletter/6.jpg?1614917635"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[MoMA PS1's Young Architects Program Placed on Hiatus]]>
      </title>
      <link>https://www.archdaily.com/929064/moma-ps1-s-young-architects-program-placed-on-hiatus</link>
      <pubDate>Mon, 25 Nov 2019 11:35:00 +0000</pubDate>
      <dc:creator>Eric Baldwin</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/929064/moma-ps1-s-young-architects-program-placed-on-hiatus</guid>
      <description>
        <![CDATA[<p><a href="https://www.moma.org/ps1?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">MoMA PS1</a> has announced that the <a href="https://www.moma.org/calendar/groups/8?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Young Architects Program</a> will be placed on a one-year hiatus. MoMA PS1, formerly P.S.1 Contemporary Art Center, is one of the oldest and largest nonprofit arts centers in the <a href="/tag/united-states">United States</a> devoted to contemporary art. The Young Architects Program founded by MoMA and MoMA PS1 was made to offer emerging architectural talent the opportunity to design a temporary, outdoor installation in <a href="https://www.archdaily.com/tag/new-york">New York</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5ddb/fdb1/3312/fd86/bd00/01a4/newsletter/4.jpg?1574698409"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[MoMA Expansion by Diller Scofidio + Renfro Set to Open in New York]]>
      </title>
      <link>https://www.archdaily.com/926475/moma-expansion-by-diller-scofidio-plus-renfro-set-to-open-in-new-york</link>
      <pubDate>Tue, 15 Oct 2019 05:00:00 +0000</pubDate>
      <dc:creator>Eric Baldwin</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/926475/moma-expansion-by-diller-scofidio-plus-renfro-set-to-open-in-new-york</guid>
      <description>
        <![CDATA[<p>The complete <a href="https://dsrny.com/project/the-museum-of-modern-art?index=false&amp;section=projects&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Museum of Modern Art</a> expansion by <a href="https://www.archdaily.com/office/diller-scofidio-plus-renfro">Diller Scofidio + Renfro</a> and <a href="https://www.archdaily.com/office/gensler">Gensler</a> is set to open in <a href="https://www.archdaily.com/tag/new-york-city">New York</a>. The expansion adds more than 40,000 square feet of gallery spaces for exhibiting art. Launched in 2014, the first phase of renovations on the east end was completed in 2017, and the second phase of expansion on the west end is now complete and ready to open to the public. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5da4/969e/3312/fd37/2b00/003c/newsletter/01_MoMA_Photography_by_Brett_Beyer.jpg?1571067518"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Pedro and Juana Launch their 'Hórama Rama' at MoMA PS1]]>
      </title>
      <link>https://www.archdaily.com/920229/pedro-and-juana-launch-their-horama-rama-at-moma-ps1</link>
      <pubDate>Tue, 02 Jul 2019 07:25:00 +0000</pubDate>
      <dc:creator>Niall Patrick Walsh</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/920229/pedro-and-juana-launch-their-horama-rama-at-moma-ps1</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/912812/moma-announces-the-winner-of-2019-ps1-young-architects-program">"Hórama Rama" by Pedro &amp; Juana</a> (Ana Paula Ruiz Galindo &amp; Mecky Reuss) has been inaugurated as part of The <a href="/tag/museum-of-modern-art">Museum of Modern Art</a> and <a href="https://www.archdaily.com/tag/moma">MoMA</a> <a href="https://www.archdaily.com/tag/ps1">PS1</a>’s 20th annual <a href="https://www.archdaily.com/tag/young-architects-program">Young Architects Program</a>. This year’s architectural installation is an immersive junglescape set within a large-scale cyclorama that sits atop <a href="https://www.archdaily.com/tag/moma">MoMA</a> <a href="https://www.archdaily.com/tag/ps1">PS1</a>’s courtyard walls. Selected from among five finalists, Hórama Rama will be on view through the summer, serving as a temporary built environment for <a href="https://www.archdaily.com/tag/moma">MoMA</a> <a href="https://www.archdaily.com/tag/ps1">PS1</a>’s pioneering outdoor music series Warm Up.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5d1b/3bd1/284d/d19b/1f00/0037/newsletter/PedroJuana_MoMaPS1_PreOpening_283.jpg?1562065790"></enclosure>
    </item>
  </channel>
</rss>
