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    <title>Tag: modular-design | ArchDaily</title>
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        <![CDATA[Building on the Moon: NASA's Architectural Strategy for Permanent Lunar Habitation]]>
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      <link>https://www.archdaily.com/1042350/building-on-the-moon-nasas-architectural-strategy-for-permanent-lunar-habitation</link>
      <pubDate>Mon, 15 Jun 2026 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>After <a href="https://www.archdaily.com/1038362/9-m3-of-survival-inside-the-orion-spacecraft-and-the-architecture-of-space-travel?ad_source=search&amp;ad_medium=search_result_articles">Artemis II's</a> return to Earth, <a href="/tag/nasa">NASA</a> unveiled a new phased plan to<a href="https://www.theglobeandmail.com/investing/markets/stocks/INTC-Q/pressreleases/2354808/nasa-has-big-plans-for-the-moon-here-are-some-of-them/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> establish a Moon Base</a>. Although most of the media's attention went to rockets, budgets, and geopolitical competition, a quieter question was lingering for architects in the background: How can a human being actually live on the surface of the Moon, and for how long? The establishment of a permanent <a href="https://www.archdaily.com/1039446/gateway-in-lunar-orbit-extending-architecture-beyond-earth?ad_source=search&amp;ad_medium=search_result_articles">human presence on the Moon</a> marks a fundamental shift in space exploration that requires a new architectural paradigm. In their presentation, NASA officials suggested the strategy would drift away from highly constrained, vehicle-dependent environments toward autonomous, site-adaptive, and eventually permanently habitable structures. </p>]]>
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        <![CDATA[Architects Office Designs World Trade Center Biotic Mixed-Use Complex in Brasília’s Parque Tecnológico]]>
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      <link>https://www.archdaily.com/1039656/architects-office-designs-world-trade-center-biotic-mixed-use-complex-in-brasilias-parque-tecnologico</link>
      <pubDate>Mon, 16 Mar 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Located within the Parque Tecnológico de Brasília, the <a href="/tag/world-trade-center">World Trade Center</a> Biotic is a <a href="https://www.archdaily.com/tag/mixed-use-development">mixed-use development</a> designed by Brazilian studio <a href="https://www.archdaily.com/office/architects-office?ad_name=project-specs&amp;ad_medium=single">Architects Office</a> as part of the district's broader urban expansion. The project is part of the <a href="https://www.archdaily.com/945544/cra-reveals-biotic-a-1-million-square-meter-extension-of-brasilias-historical-master-plan?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">master plan developed in 2020 by Carlo Ratti Associati</a> and is currently being developed. Conceived as a multi-program complex, the proposal brings together <a href="https://www.archdaily.com/tag/offices">offices</a>, residential units, a <a href="https://www.archdaily.com/tag/hotel">hotel</a>, retail spaces, and shared facilities within a single urban framework. The project occupies a site of approximately 70,000 square meters and is planned to reach about 180,000 square meters of built area, with an estimated 150,000 square meters expected to be completed by 2030.</p>]]>
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        <![CDATA[Modular Installation Reimagines Unfinished Structures at Limbo Museum in Accra, Ghana]]>
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      <link>https://www.archdaily.com/1039596/modular-installation-reimagines-unfinished-structures-at-limbo-museum-in-accra-ghana</link>
      <pubDate>Fri, 13 Mar 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039596/modular-installation-reimagines-unfinished-structures-at-limbo-museum-in-accra-ghana</guid>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/1035953/limbo-museum-opens-its-debut-exhibition-within-an-unfinished-brutalist-building-in-ghana-west-africa?ad_medium=gallery" target="_blank" rel="noopener">recently opened Limbo Museum in Accra, Ghana</a>, inaugurated a two-part architectural installation by <a href="https://www.taelon7.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">TAELON7 </a>on March 12th, led by architect Juergen Benson-Strohmayer. The installation was commissioned by the museum in partnership with <a href="https://www.archdaily.com/tag/art-omi" target="_blank" rel="noopener">Art Omi</a>, a not-for-profit arts center in New York's Hudson Valley. The project is the first commission of a collaboration between the two institutions and will be installed in both locations, <a href="https://www.archdaily.com/city/accra" target="_blank" rel="noopener">Accra </a>and <a href="https://www.archdaily.com/city/new-york-city" target="_blank" rel="noopener">New York</a>. Titled <em>Limbo Engawa</em>, the modular, lightweight structure dialogues with the formerly abandoned Brutalist building housing the museum, transforming its skeletal concrete structure and its surrounding land into spaces for use, care, and encounter. The project reflects on the boundaries between unfinished urban architecture and the landscape, foregrounding the labor and stewardship often invisible in both urban and institutional contexts, and asserting that even incomplete or overlooked sites are vessels of civic possibility.</p>]]>
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        <![CDATA[Gateway in Lunar Orbit: Extending Architecture Beyond Earth]]>
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      <link>https://www.archdaily.com/1039446/gateway-in-lunar-orbit-extending-architecture-beyond-earth</link>
      <pubDate>Wed, 11 Mar 2026 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>The concept of <a href="https://pne.people.si.umich.edu/PDF/Haff%202013%20Technology%20as%20a%20Geological%20Phenomenon.pdf?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">the technosphere</a> provides a framework for understanding the scale of human impact on Earth. The term was coined by <a href="https://technosphere-magazine.hkw.de/p/Peter-K-Haff-9xPhMR94HxWA8LJ6GHmTPm?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Peter K. Haff</a>, and it is defined as the global network of human-made artifacts: a physical layer of infrastructure, buildings, vehicles, and machinery that functions alongside the biosphere and atmosphere. Currently estimated at <a href="https://www.archdaily.com/1039242/the-technosphere-archdailys-march-editorial-focus?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">30 trillion tons</a>, this <a href="https://esd.copernicus.org/articles/16/979/2025/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">human-constructed mass</a> is dominated by the built environment. In this context, architecture serves as the primary interface, shaping how technology interacts with local ecologies. However, it seems that soon, the Technosphere will no longer be confined to the terrestrial surface. Through <a href="https://www.nasa.gov/humans-in-space/artemis/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">NASA's Artemis program</a>, this network of human-made mass is expanding beyond Earth's atmosphere and is looking to establish <a href="https://www.archdaily.com/1038362/9-m3-of-survival-inside-the-orion-spacecraft-and-the-architecture-of-space-travel?ad_source=search&amp;ad_medium=search_result_articles">new orbital infrastructure</a> that represents the first permanent off-world extension of this man-made system.</p>]]>
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        <![CDATA[Buildner and Dubai’s RTA Award €500K for Climate-Responsive Urban Design]]>
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      <link>https://www.archdaily.com/1038755/buildner-and-dubais-rta-award-eu500k-for-climate-responsive-urban-design</link>
      <pubDate>Thu, 19 Feb 2026 07:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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      <description>
        <![CDATA[<p><a href="https://architecturecompetitions.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Buildner</a> has announced the results of the <a href="https://architecturecompetitions.com/dubaiurbanchallenge/archd?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Dubai Urban Elements Challenge</a>, a landmark international design competition organized in strategic collaboration with Dubai's Roads and Transport Authority (RTA). With a total prize fund of 2,000,000 AED (approximately €500,000), the initiative represents one of the most significant publicly funded global design competitions focused on urban transformation.</p>]]>
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        <![CDATA[9 m³ of Survival: Inside the Orion Spacecraft and the Architecture of Space Travel]]>
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      <link>https://www.archdaily.com/1038362/9-m3-of-survival-inside-the-orion-spacecraft-and-the-architecture-of-space-travel</link>
      <pubDate>Sat, 07 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>It was July 1969, and people on planet Earth were about to witness a historical moment for humanity: the first time a human being stepped on the surface of the Moon aboard the<a href="https://www.nasa.gov/mission/apollo-11/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> Apollo 11 mission</a>. After this event, <a href="/tag/nasa">NASA</a> landed five more times on the lunar surface, with the last one being <a href="https://www.nasa.gov/mission/apollo-17/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Apollo 17</a> in 1972. Since then, humans have not attempted to return to the Moon until this year, 2026, when they will launch the <a href="https://www.nasa.gov/wp-content/uploads/2015/04/orion_factsheet.pdf?emrc=889831&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Orion spacecraft</a> as part of the <a href="https://www.nasa.gov/mission/artemis-ii/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Artemis II Mission</a>. Planned to set off between February and April 2026, Orion will not yet land people on the Moon, instead it will make a flyby, in order to allow testing of the software and systems. This will set the base for an actual human landing on the Moon's South Pole as part of <a href="https://www.nasa.gov/mission/artemis-iii/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Artemis III</a> sometime between 2027 and 2028, eventually opening a brand new era in <a href="https://www.archdaily.com/993439/how-is-architecture-supporting-exploration-of-the-moon-and-mars?ad_source=search&amp;ad_medium=search_result_articles"> Extraterrestrial architectural design</a>. </p>]]>
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        <![CDATA[Khudi Bari: Architecture for Climate Displacement]]>
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      <link>https://www.archdaily.com/1035413/khudi-bari-architecture-for-climate-displacement</link>
      <pubDate>Sat, 08 Nov 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>In the low-lying deltas of <a href="https://www.archdaily.com/country/bangladesh/page/1">Bangladesh</a>, water defines both life and loss. Every year, millions are forced to rebuild after floods wash away their homes, crops, and livelihoods. In these precarious territories, the act of building has become an act of resilience. It is here that <em>Khudi Bari </em>emerges as a modest yet radical proposal. Designed by <a href="https://www.archdaily.com/office/marina-tabassum-architects">Marina Tabassum Architects</a>, the project provides a lightweight, modular, and affordable dwelling for communities displaced by climate change. Recognized as one of the <a href="https://www.archdaily.com/1033690/aga-khan-award-for-architecture-announces-2025-winners">winners of the 2025 Aga Khan Award for Architecture</a>, it represents a form of architecture that empowers rather than imposes.</p>]]>
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        <![CDATA[From Saudi Arabia to Uzbekistan: AlMusalla Pavilion Reinstalled for the Inaugural Bukhara Biennial 2025]]>
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      <link>https://www.archdaily.com/1034877/from-saudi-arabia-to-uzbekistan-almusalla-pavilion-reinstalled-for-the-inaugural-bukhara-biennial-2025</link>
      <pubDate>Thu, 09 Oct 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="188" data-end="1085">In April 2024, the Diriyah Biennale Foundation announced <a href="https://www.archdaily.com/1015727/shaping-the-future-of-islamic-architecture-diriyah-biennale-foundation-unveils-almusalla-prize" target="_blank" rel="noopener">the AlMusalla Prize, an international architecture competition focused on designing a </a><em data-start="331" data-end="340"><a href="https://www.archdaily.com/1015727/shaping-the-future-of-islamic-architecture-diriyah-biennale-foundation-unveils-almusalla-prize" target="_blank" rel="noopener">musalla</a>: </em>a flexible space for prayer and reflection accessible to people of all faiths. The winning project, designed by <a href="https://www.archdaily.com/office/east-architecture-studio" target="_blank" rel="noopener">EAST Architecture Studio</a> in collaboration with artist Rayyane Tabet and engineering firm <a href="https://www.archdaily.com/office/akt-ii" target="_blank" rel="noopener">AKT II</a>, is <a href="https://www.archdaily.com/1026283/on-weaving-pavilion-almusalla-east-architecture-studio" target="_blank" rel="noopener">a modular structure built with materials derived from local date palm waste</a>, including fronds and fibers, and inspired by regional weaving traditions. Installed in the <a href="https://www.archdaily.com/777599/ad-classics-hajj-terminal-king-abdulaziz-airport-som" target="_blank" rel="noopener">Western Hajj Terminal of King Abdulaziz International Airport</a> in <a href="https://www.archdaily.com/tag/jeddah" target="_blank" rel="noopener">Jeddah</a>, <a href="https://www.archdaily.com/country/saudi-arabia/page/1" target="_blank" rel="noopener">Saudi Arabia</a>, the musalla served for four months during the <a href="/tag/islamic-arts-biennale">Islamic Arts Biennale</a> as a space for prayer, welcoming both Muslim and non-Muslim visitors. Conceived to be dismantled and reassembled, the structure was recently relocated to <a href="https://www.archdaily.com/country/uzbekistan/page/1" target="_blank" rel="noopener">Uzbekistan </a>for <a href="https://www.archdaily.com/1034009/uzbekistans-inaugural-bukhara-biennial-2025-opens-across-restored-historic-landmarks" target="_blank" rel="noopener">the inaugural Bukhara Biennial 2025</a>.</p>]]>
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        <![CDATA[How Are New Design Innovations Shaping Interiors in Spain?]]>
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      <link>https://www.archdaily.com/1033256/how-are-new-design-innovations-shaping-interiors-in-spain</link>
      <pubDate>Mon, 22 Sep 2025 01:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>Innovation is at the core of architecture, expressed through new approaches to design, material experimentation, and, of course, ways of living. As a result, the conception of buildings and indoor spaces is constantly evolving. This evolution is especially evident in <a href="https://www.archdaily.com/country/spain">regions with a rich cultural heritage, such as Spain</a>, where innovation reinterprets traditional ways of relating to space. This attentiveness to memory and daily life <a href="https://www.archdaily.com/969694/brick-houses-in-spain-modern-masonry-design-for-home-interiors-and-exteriors?ad_source=search&amp;ad_medium=search_result_articles">extends into interiors</a>, where each intervention has the potential to actively reshape how people experience a space and open <a href="https://www.archdaily.com/1023388/the-impact-of-co-living-in-spain-5-projects-with-multigenerational-shared-spaces?ad_source=search&amp;ad_medium=search_result_articles">new possibilities for living and interaction</a>.</p>]]>
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        <![CDATA[An Expansive Modular Sofa System: Reimagining Comfort Beyond Sitting On]]>
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      <link>https://www.archdaily.com/1031877/an-expansive-modular-sofa-system-reimagining-comfort-beyond-sitting-on</link>
      <pubDate>Thu, 04 Sep 2025 06:45:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>Does architecture alone define how we inhabit a space? It's becoming increasingly clear that it does not. The objects within a space—particularly furniture and other design pieces—not only serve functional purposes but actively <a href="https://www.archdaily.com/1029304/wellbeing-and-slow-spaces-can-architecture-distort-the-way-we-experience-time?ad_source=search&amp;ad_medium=search_result_articles">shape the spatial and human experience</a>. As schools, homes, and <a href="https://www.archdaily.com/1018284/investing-in-wellbeing-how-healthy-workspaces-drive-productivity-and-profit?ad_campaign=normal-tag">offices evolve to accommodate new ways of working</a>, living, and socializing, furniture accompanies these transitions, prompting conversations that extend beyond functionality and engage the corporeal dimension implied in its use.</p>]]>
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        <![CDATA[Evolution of Data Center Design: Modular Construction, Sustainable Architecture and Eclectic Form]]>
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      <link>https://www.archdaily.com/1024222/evolution-of-data-center-design-modular-construction-sustainable-architecture-and-eclectic-form</link>
      <pubDate>Mon, 25 Aug 2025 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p>As the AI fervor continues to reshape how people see the world, 2025 looms as yet another year in the march toward technological advancement. While some worry about the dominance of technology in society, architects are shifting their attention to the foundations of a digital future: data centers. The design of data centers challenges designers to reconcile the demands of technological functionality with the principles of architectural excellence. As the dependence on cloud computing, IoT ecosystems, and big data analytics deepens, <a href="https://www.archdaily.com/251153/data-centers-anti-monuments-of-the-digital-age" target="_blank" rel="noopener">data center architecture demands more attention</a>. As data consumption skyrockets, data center consumption rates match the demand. These structures were once relegated to nondescript industrial zones, but are now becoming integral components of urban and suburban environments. While some community members are upset about the encroachment of data centers in their localities, others see them as indicators of economic development. </p>]]>
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        <![CDATA[Concrete as a Medium for Emotion and Expression in Architecture]]>
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      <link>https://www.archdaily.com/1030307/in-concrete-we-find-poetry</link>
      <pubDate>Wed, 20 Aug 2025 06:45:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p>Concrete is anything but a consensus. Some love it, others hate it. It can feel as tough as granite or soft as velvet — all depending on whose hands are doing the shaping. Treated with engineering precision or a touch of artistic flair, <a href="/tag/concrete">concrete</a> stops being just a material and starts acting alive. It plays with light, surprises with texture, and somehow gives form to silence. Although dense and structural, concrete can take on an almost immaterial presence: light, ethereal, and contemplative. In certain spaces, it seems to disappear, dissolving into the shadows or vibrating with the surrounding light. More than just a construction element, it becomes a language, capable of evoking emotion, spirituality, and time.</p>]]>
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        <![CDATA[Colombia Pavilion at Expo Osaka 2025 Presents a Dynamic "Ice Cube" Playing With Form and Light]]>
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      <link>https://www.archdaily.com/1032922/colombia-pavilion-at-expo-osaka-2025-presents-a-dynamic-ice-cube-playing-with-form-and-light</link>
      <pubDate>Fri, 08 Aug 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/1031868/osaka-expo-2025-colombia-pavilion-morf-inc" target="_blank" rel="noopener">The Colombia Pavilion</a> at the <a href="https://www.archdaily.com/tag/expo-2025-osaka">Expo Osaka 2025</a> adopts the theme "<a href="https://www.archdaily.com/tag/ice">ICE</a> CUBE," inspired by the scene in Gabriel García Márquez's <em>One Hundred Years of Solitude</em> where a young boy encounters ice for the first time. Translating this literary reference into built form, the pavilion presents a <a href="https://www.archdaily.com/tag/facade">facade</a> of translucent cubes set at varying angles, creating a sense of movement and articulation. Designed by <a href="https://www.archdaily.com/office/morf-inc?ad_name=project-specs&amp;ad_medium=single">MORF Inc.</a>, with Karim Chahal as Project Director and Ko Oono as Principal Architect, the exterior is composed of semi-transparent <a href="https://www.archdaily.com/tag/polycarbonate">polycarbonate</a> panels integrated with color-controlled <a href="https://www.archdaily.com/tag/lighting">lighting</a>, allowing the <a href="https://www.archdaily.com/tag/facade">facade</a> to transform in appearance throughout the day and night.</p>]]>
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        <![CDATA[Mute Unveils Europe’s First Fully Adaptable Office in Warsaw]]>
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      <link>https://www.archdaily.com/1031775/mute-unveils-europes-first-fully-adaptable-office-in-warsaw</link>
      <pubDate>Tue, 15 Jul 2025 06:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031775/mute-unveils-europes-first-fully-adaptable-office-in-warsaw</guid>
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        <![CDATA[<p>Mute, a global manufacturer of adaptable architecture solutions for modern workplaces, has opened its new headquarters in the Ambassador office building in Warsaw, managed by Hines. Covering more than 840 m², it is the first office in Europe built entirely using a modular system — one that can be freely reconfigured without generating renovation waste or CO₂ emissions.</p>]]>
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        <![CDATA[A Restored Module from Tokyo’s Nakagin Capsule Tower Goes on Year-Long Display at MoMA]]>
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      <link>https://www.archdaily.com/1032075/a-restored-module-from-tokyos-nakagin-capsule-tower-goes-on-year-long-display-at-moma</link>
      <pubDate>Tue, 15 Jul 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/430903/ad-classics-the-museum-of-modern-art" target="_blank" rel="noopener">The Museum of Modern Art</a> (<a href="https://www.archdaily.com/tag/moma" target="_blank" rel="noopener">MoMA</a>) in New York is hosting an exhibition dedicated to <a href="https://www.archdaily.com/616907/spotlight-kisho-kurokawa" target="_blank" rel="noopener">Japanese architect Kisho Kurokawa</a>'s <a href="https://www.archdaily.com/tag/nakagin-capsule-tower" target="_blank" rel="noopener">Nakagin Capsule Tower</a> from July 10, 2025, through July 12, 2026. Titled <em>The Many Lives of the Nakagin Capsule Tower</em>, the exhibition offers a retrospective on the building's 50-year lifespan. Constructed in <a href="https://www.archdaily.com/city/tokyo" target="_blank" rel="noopener">Tokyo</a>'s Ginza district in 1972 and <a href="https://www.archdaily.com/979591/nakagin-capsule-tower-building-to-be-demolished-mid-april" target="_blank" rel="noopener">dismantled in 2022</a>, the tower is presented through contextual materials, original drawings, archival recordings, and a fully restored capsule. The exhibition invites reflection on how cities address aging buildings and the rapid transformation of urban areas. The diverse materials documenting the tower's continuous evolution over five decades encourage viewers to consider how architecture might endure by taking on new roles and functions beyond its original purpose.</p>]]>
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        <![CDATA[Built to (Not) Last: How Reversible Architecture Is Redefining the Way We Build]]>
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      <link>https://www.archdaily.com/1031388/built-to-not-last-how-reversible-architecture-is-redefining-the-way-we-build</link>
      <pubDate>Tue, 24 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031388/built-to-not-last-how-reversible-architecture-is-redefining-the-way-we-build</guid>
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        <![CDATA[<p>What if we imagined buildings as living systems, <a href="https://www.archdaily.com/tag/design-for-disassembly">designed for assembly and disassembly</a> with minimal impact? A form of open, modular, and adaptable architecture designed to evolve with its surroundings, <a href="https://www.archdaily.com/966924/the-nikolsky-rows-public-space-katarsis-ab?ad_medium=gallery">responding to seasonal changes</a> and on-demand needs instead of remaining static. At first glance, the idea seems paradoxical, as many buildings were constructed to last, designed to endure, resist the effects of time, <a href="https://www.archdaily.com/1008561/how-to-save-a-building-from-demolition-emerging-procedures-to-uncover-the-potential-of-existing-structures?ad_source=search&amp;ad_medium=search_result_articles">and avoid demolition</a>. Because of this, reversing or undoing could be seen as a setback. But what if that way of thinking no longer fits every scenario?</p>]]>
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        <![CDATA[MVRDV’s First Residential Tower in Taiwan Features Digitally Planned Modular Design]]>
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      <link>https://www.archdaily.com/1031018/mvrdvs-first-residential-tower-in-taiwan-features-digitally-planned-modular-design</link>
      <pubDate>Tue, 10 Jun 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031018/mvrdvs-first-residential-tower-in-taiwan-features-digitally-planned-modular-design</guid>
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        <![CDATA[<p data-start="137" data-end="616"><a href="https://www.archdaily.com/office/mvrdv" target="_blank" rel="noopener">MVRDV </a>has released images of "Out of the Box", a 12,025 sqm residential tower in Tianmu, one of <a href="https://www.archdaily.com/city/taipei" target="_blank" rel="noopener">Taipei</a>'s northernmost neighborhoods. Designed for Win Sing Development Company, the project began in 2019 and was developed using a system of standardized elements digitally distributed based on criteria such as habitability, efficiency, and access to community services. These elements are expressed in the tower's irregular, gridded façade, which features a layered marble cladding.</p>]]>
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        <![CDATA[Mute Redefines Office Pods With the Largest Collection Ever Presented ]]>
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      <link>https://www.archdaily.com/1030452/mute-redefines-office-pods-with-the-largest-collection-ever-presented</link>
      <pubDate>Tue, 03 Jun 2025 06:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1030452/mute-redefines-office-pods-with-the-largest-collection-ever-presented</guid>
      <description>
        <![CDATA[<p>Mute, a pioneer in adaptable office architecture, has introduced Modular Pods—the largest and first truly adaptable pod collection on the market. Offering an unparalleled variety in sizes, unlimited customization options, and leading accessibility solutions, Mute'Modular Pods set new benchmarks for the entire product category.</p>]]>
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