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    <title>Tag: modern-architecture | ArchDaily</title>
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      <title>
        <![CDATA[From Salt Extraction to Architecture: A Journey Through History]]>
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      <link>https://www.archdaily.com/1042759/from-salt-extraction-to-architecture-a-journey-through-history</link>
      <pubDate>Wed, 08 Jul 2026 06:04:12 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>Architecture often draws on the history of a place, translating local narratives into contemporary forms, materials, and spatial experiences. Located in the spa town of Bad Orb near Frankfurt, <em>ALEA RESORT HIDEAWAY</em> follows this approach, taking inspiration from the site's history of salt extraction.</p>]]>
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      <title>
        <![CDATA[Snøhetta Reimagines Aino and Alvar Aalto's Paimio Sanatorium as a Wellness and Cultural Destination]]>
      </title>
      <link>https://www.archdaily.com/1042779/snohetta-reimagines-aino-and-alvar-aaltos-paimio-sanatorium-as-a-wellness-and-cultural-destination</link>
      <pubDate>Fri, 26 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/aino-aalto" target="_blank" rel="noopener">Aino</a> and <a href="https://www.archdaily.com/office/alvar-aalto" target="_blank" rel="noopener">Alvar Aalto</a>'s Paimio Sanatorium is <a href="https://www.archdaily.com/1026212/healing-through-design-the-story-behind-alvar-aaltos-paimio-sanatorium" target="_blank" rel="noopener">a recognized example of modern architecture for healing</a>, representing <a href="https://www.archdaily.com/1028559/in-pursuit-of-health-how-medical-concerns-shaped-modernist-architecture" target="_blank" rel="noopener">a patient-centered approach to hygienism</a> that treated the building itself as a medical instrument. Built between 1929 and 1933, it was designed as a nature-oriented tuberculosis sanatorium, later used as a hospital, and today operates as a tourist attraction. The property comprises the main building together with fourteen additional structures, granted protection in <a href="https://www.archdaily.com/country/finland" target="_blank" rel="noopener">Finland </a>in 1993 under the Finnish Building Protection Act. The complex was included on UNESCO's tentative list in 2004 and is part of <a href="https://www.alvaraalto.fi/en/alvar-aalto-foundation/alvar-aalto-and-unesco-world-heritage/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">the "Aalto Works" nomination</a>, with a decision expected in July 2026. <a href="https://www.archdaily.com/office/snohetta" target="_blank" rel="noopener">Snøhetta </a>has developed a masterplan representing a new vision for the modernist complex, reimagining it as a destination combining hospitality, wellness, cultural spaces, and arenas for international dialogue.</p>]]>
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        <![CDATA[Toronto Architecture City Guide: 30 Modern and Contemporary Landmarks in Canada's Largest City]]>
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      <link>https://www.archdaily.com/1006691/toronto-architecture-city-guide-30-modern-and-contemporary-landmarks-in-canadas-largest-city</link>
      <pubDate>Thu, 11 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
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        <![CDATA[<p>As one of the host cities of the <a href="https://www.archdaily.com/tag/fifa-world-cup-2026" target="_blank" rel="noopener">2026 FIFA World Cup</a>, <a href="/tag/toronto">Toronto</a> is preparing to welcome fans from across the globe. The Canadian city, the fourth largest in North America, has become a cosmopolitan center with its renowned business district and cultural venues that come alive during the summer and early fall nights. Toronto offers a beautifully diverse urban setting, with shimmering high-rises and smaller brick houses, intertwining residential and vibrant commercial areas, public parks, and even beaches. All become part of the city's striking skyline, crowned by the iconic CN Tower. </p>]]>
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        <![CDATA[Thick Walls and Deep Openings: When Architecture Rediscovers Mass]]>
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      <link>https://www.archdaily.com/1041295/thick-walls-and-deep-openings-when-architecture-rediscovers-mass</link>
      <pubDate>Sun, 07 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>For much of the <a href="https://www.archdaily.com/tag/archdaily-topic-2026-20th-century-design-in-flux" target="_blank" rel="noopener">twentieth century</a>, architectural culture was shaped by the pursuit of lightness. <a href="https://www.archdaily.com/tag/steel-structure">Steel structures</a> and <a href="https://www.archdaily.com/tag/curtain-wall">curtain walls</a> reduced the building envelope to a thin layer separating interior from exterior, while façades became smooth, continuous surfaces where windows were cut as precise openings within an abstract plane. But for centuries, buildings were conceived as bodies of mass; walls possessed depth, windows were recessed within thick masonry, and space was often experienced as something carved from the solidity of construction. In recent years, several <a href="https://www.archdaily.com/tag/contemporary-architecture">contemporary projects</a> appear to revisit this older spatial logic, reintroducing thickness as an architectural condition through deep openings, monolithic volumes, and heavy envelopes.</p>]]>
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        <![CDATA[A World in Between: The Role of Hybrid Forms in Contemporary Bathrooms ]]>
      </title>
      <link>https://www.archdaily.com/1041621/a-world-in-between-the-role-of-hybrid-forms-in-contemporary-bathrooms</link>
      <pubDate>Wed, 03 Jun 2026 01:30:00 +0000</pubDate>
      <dc:creator>Kiana Buchberger</dc:creator>
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        <![CDATA[<p>When is a form still circular or rectangular? In twentieth-century <a href="https://www.archdaily.com/tag/modernism">modernism</a>, this question was largely absent. Architecture was built on clarity, reduction, and formal purity. Influenced by architects such as <a href="https://www.archdaily.com/office/le-corbusier">Le Corbusier</a> and <a href="https://www.archdaily.com/office/mies-van-der-rohe">Ludwig Mies van der Rohe</a>, modernist design established a visual order based on rational geometry, industrial <a href="https://www.archdaily.com/tag/material">materials</a>, and the rejection of <a href="https://www.archdaily.com/tag/ornament">ornament</a>. Circle and square, function and expression, were kept strictly apart—a logic that dictated the rigid, modular layouts of traditional <a href="https://www.archdaily.com/tag/bathrooms">bathrooms</a> for decades.</p>]]>
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        <![CDATA[When Modernism Meets Local Resistance: Housing and Urban Friction in Latin America]]>
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      <link>https://www.archdaily.com/1041759/when-modernism-meets-local-resistance-housing-and-urban-friction-in-latin-america</link>
      <pubDate>Sat, 30 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
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      <description>
        <![CDATA[<p>Modern <a href="https://www.archdaily.com/1039884/european-collective-housing-award-opens-for-second-edition">housing</a> was one of the places where modernism made its boldest promise: that architecture could reshape not only the city, but the way people lived within it. As Argentine architectural historian Ramón Gutiérrez has argued, popular housing is <a href="https://www.researchgate.net/publication/261913386_Una_mirada_critica_a_la_arquitectura_latinoamericana_del_siglo_XX_De_las_realidades_a_los_desafios?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">"the great unresolved subject, one that usually does not appear in histories of architecture."</a> In <a href="https://www.archdaily.com/1017021/7-latin-american-architecture-firms-that-achieve-more-with-less">Latin America</a>, this absence is significant. Across the 20th century, expanding cities turned housing into one of the clearest ways to imagine urban change, and modernism entered not only plans and drawings, but apartments, neighborhoods, streets, and domestic routines.</p>]]>
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      <title>
        <![CDATA[Why Smart Lockers Are Architecture’s New Micro-Infrastructure]]>
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      <link>https://www.archdaily.com/1041781/why-smart-lockers-are-architectures-new-micro-infrastructure</link>
      <pubDate>Fri, 29 May 2026 06:45:00 +0000</pubDate>
      <dc:creator>Kiana Buchberger</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041781/why-smart-lockers-are-architectures-new-micro-infrastructure</guid>
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        <![CDATA[<p>How can the most structured elements in architecture give rise to unplanned forms of everyday life? "Spontaneous order" describes how structured systems can generate unplanned but coherent patterns of behavior. In urban discourse, it is often used to describe cities: frameworks of streets, plots, and buildings that are designed, while everyday life is not. Movement, encounters, routines, and informal uses emerge from simple spatial rules rather than explicit programming. In <a href="https://www.archdaily.com/tag/cities">cities</a>, this is visible in how sidewalks, stations, and thresholds operate. The structure is fixed, but the social order is fluid, setting conditions for behavior rather than defining it.</p>]]>
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        <![CDATA[Architecture and Ideology: How Political Systems Shaped 20th-Century Design]]>
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      <link>https://www.archdaily.com/1040931/architecture-and-ideology-how-political-systems-shaped-20th-century-design</link>
      <pubDate>Tue, 19 May 2026 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/architecture">Architecture</a> is often presented as the visible expression of its time, its desires, its faith in progress, its idea of order. Yet this reading tends to flatten the conditions under which buildings are produced. It suggests that architecture follows history when, in many cases, it actively participates in it. Few periods make this more evident than the twentieth century, when architecture became deeply entangled with political programs, economic systems, and competing visions of how collective life should be organized.</p>]]>
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        <![CDATA[Furniture as Architecture: Micro-Modernisms Inside the Home]]>
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      <link>https://www.archdaily.com/1041170/furniture-as-architecture-micro-modernisms-inside-the-home</link>
      <pubDate>Sat, 16 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041170/furniture-as-architecture-micro-modernisms-inside-the-home</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/modernism">Modernism</a> is often encountered through built form, photographed facades, canonical plans, concrete manifestos. For most people, its first encounter was far more immediate. It was a chair in an office, a shelf in a living room, a compact unit that reorganized how one sat, stored, or slept. Long before modern architecture could be widely commissioned, it was <a href="https://www.archdaily.com/1037695/from-industry-to-the-living-room-metal-furniture-in-interior-architecture?ad_campaign=normal-tag">furniture that entered everyday space</a>, carrying with it a new logic of living. Modernism's promise of <a href="https://www.archdaily.com/1030844/the-importance-of-intention-in-furniture-design">transforming life</a> was often delivered through these smaller, repeatable objects.</p>]]>
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        <![CDATA[Designing with Air: Rethinking Architecture Beyond the Wall]]>
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      <link>https://www.archdaily.com/1040962/designing-with-air-rethinking-architecture-beyond-the-wall</link>
      <pubDate>Sat, 02 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040962/designing-with-air-rethinking-architecture-beyond-the-wall</guid>
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        <![CDATA[<p>Architecture is traditionally chronicled through the persistence of the solid. We define the discipline by the weight of the lintel, the mass of the pier, and the resistance of the <a href="https://www.archdaily.com/tag/walls">wall</a>. <a href="https://www.archdaily.com/1040611/why-do-we-want-to-float-the-psychology-of-lightness-in-architecture?ad_campaign=special-tag" target="_blank" rel="noopener">Even when lightness is invoked</a>, it is usually understood as a subtractive act, the thinning of a section or the precarious reduction of a load. Yet there is a parallel history, less visible and harder to isolate, in which the primary material of construction is not what occupies space, but what moves through it.</p>]]>
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        <![CDATA[Saint-Denis’ Brutalist Îlot 8 Housing Complex by Renée Gailhoustet Faces Controversial Redevelopment Plan]]>
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      <link>https://www.archdaily.com/1041096/saint-denis-brutalist-ilot-8-housing-complex-by-renee-gailhoustet-faces-controversial-redevelopment-plan</link>
      <pubDate>Thu, 30 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/saint-denis" target="_blank" rel="noopener">Saint-Denis</a> is a commune in the northern suburbs of <a href="https://www.archdaily.com/922278/23-places-in-paris-every-architect-must-visit" target="_blank" rel="noopener">Paris</a>, <a href="https://www.archdaily.com/country/france" target="_blank" rel="noopener">France</a>, known for the<a href="https://www.archdaily.com/797766/ad-classics-royal-basilica-of-saint-denis-abbot-suger" target="_blank" rel="noopener"> Gothic Basilica of Saint-Denis</a> and the Stade de France. At one corner of Place Jean-Jaurès in its historic center, adjacent to the Basilica, stands the Îlot 8 housing complex, a Brutalist landmark designed by<a href="https://www.archdaily.com/tag/renee-gailhoustet" target="_blank" rel="noopener"> architect Renée Gailhoustet</a>. Built between 1975 and 1986 to provide workers' housing in the city center, countering the trend of relegating social housing to peripheral areas, the project is now at the center of a controversial redevelopment plan. Often referred to as "residentialization" and restructuring, the proposal involves the demolition of significant parts of its original design. This reconversion is part of the French <a href="https://www.anru.fr/le-nouveau-programme-national-de-renouvellement-urbain-npnru?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Nouveau Programme National de Renouvellement Urbain</a> (NPNRU) and is justified by concerns over structural deficiencies, safety, and maintenance.</p>]]>
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        <![CDATA[Van Wassenhove Residence: Living the Radical Continuity of Juliaan Lampens]]>
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      <link>https://www.archdaily.com/1040209/van-wassenhove-residence-living-the-radical-continuity-of-juliaan-lampens</link>
      <pubDate>Wed, 22 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>Architectural history often advances through iconic gestures or technological breakthroughs, yet some works remain influential precisely because they resist spectacle. Built between 1972 and 1974 in <a href="https://www.archdaily.com/city/sint-martens-latem">Sint-Martens-Latem</a>, <a href="https://www.archdaily.com/search/projects/country/belgium">Belgium</a>, the <a href="https://museumdd.be/en/locations/woning-van-wassenhove?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Van Wassenhove Residence </a>stands as one of those quiet but decisive projects. Conceived as a single, continuous concrete volume set within a wooded landscape, the house challenges conventional ideas of domestic comfort, privacy, and spatial hierarchy. Its presence is direct and uncompromising, yet it avoids monumentality, positioning itself instead as a lived structure shaped by everyday rituals and long-term inhabitation.</p>]]>
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        <![CDATA[Light Structures, Heavy Footprints? The Environmental Paradox of Lightweight Materials]]>
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      <link>https://www.archdaily.com/1040781/light-structures-heavy-footprints-the-environmental-paradox-of-lightweight-materials</link>
      <pubDate>Tue, 21 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p>Using massive s plates, often several centimeters thick and weighing tons, <a href="https://www.archdaily.com/tag/richard-serra">Richard Serra</a>'s sculptures convey an almost improbable sense of lightness. This effect does not result from a reduction of mass, but from how that mass is organized: large curved surfaces tilt, narrow passages compress the body, and seemingly unstable elements create a constant sense of imbalance. Serra transforms weight into a dynamic spatial experience.</p>]]>
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        <![CDATA[Frank Lloyd Wright’s Fallingwater Reopens After Restoration, Celebrating Its 90th Anniversary]]>
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      <link>https://www.archdaily.com/1040362/frank-lloyd-wrights-fallingwater-reopens-after-restoration-celebrating-its-90th-anniversary</link>
      <pubDate>Mon, 06 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/fallingwater">Fallingwater</a>, <a href="https://www.archdaily.com/60022/ad-classics-fallingwater-frank-lloyd-wright?ad_source=search&amp;ad_medium=projects_tab">the iconic residence</a> designed by <a href="https://www.archdaily.com/tag/frank-lloyd-wright/page/1">Frank Lloyd Wright</a>, has reopened to the public following the completion of a three-year <a href="https://www.archdaily.com/tag/preservation">preservation</a> project. The reopening coincides with the building's 90th anniversary and the start of its 63rd tour season, marking a key moment in the ongoing <a href="https://www.archdaily.com/tag/conservation">conservation</a> of one of the most widely recognized works of <a href="https://www.archdaily.com/tag/modern-architecture">modern architecture</a>. The intervention, led by the <a href="https://www.archdaily.com/photographer/western-pennsylvania-conservancy/page/1">Western Pennsylvania Conservancy</a>, focused on addressing structural and environmental challenges while maintaining the integrity of <a href="https://www.archdaily.com/tag/frank-lloyd-wright/page/1">Wright</a>'s original design.</p>]]>
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        <![CDATA[Light, Lighter, Lightest: ArchDaily’s April Editorial Focus]]>
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      <link>https://www.archdaily.com/1040208/light-lighter-lightest-archdailys-april-editorial-focus</link>
      <pubDate>Wed, 01 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Architecture has long been drawn upward. In <em>Air and Dreams</em>, Gaston Bachelard writes about an imagination shaped by movement; by the urge to rise, to drift, to escape the pull of the ground. Air, for him, invites imagination to distort, to invent, to go beyond what is given rather than simply reproduce it. In that sense, lightness is not only a physical condition, but a feeling: a desire to transcend the weight of the earth and move toward<a href="https://www.archdaily.com/960205/cloth-and-linen-walls-translucent-and-weightless" target="_blank" rel="noopener"> something less tangible.</a> This impulse can be traced across architecture's enduring attempts to lift itself, <a href="https://www.archdaily.com/1027777/touching-the-earth-lightly-how-freeing-the-ground-plane-shapes-architectural-atmosphere?ad_campaign=normal-tag" target="_blank" rel="noopener">from pilotis</a> and long spans to <a href="https://www.archdaily.com/1025601/how-textiles-shaped-architecture-prehistoric-structures-for-modern-buildings?ad_campaign=normal-tag" target="_blank" rel="noopener">suspended systems and tensile membranes</a>. To build lightly, then, is not only a technical ambition, but also a cultural one – a way of reaching toward the sky.</p>]]>
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        <![CDATA[Ethiopian Modernism: Mid-Century Architecture of Africa's Capital]]>
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      <link>https://www.archdaily.com/1039211/ethiopian-modernism-mid-century-architecture-of-africas-capital</link>
      <pubDate>Tue, 03 Mar 2026 05:00:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p>In January 2026, the <a href="https://www.archdaily.com/tag/world-monuments-fund-knoll-modernism-prize" target="_blank" rel="noopener">World Monuments Fund/Knoll Modernism Prize</a> was awarded to <a href="https://www.archdaily.com/country/australia/page/1" target="_blank" rel="noopener">Australian</a> firm <a href="https://www.archdaily.com/office/architectus" target="_blank" rel="noopener">Architectus</a> for their conservation of the Africa Hall in <a href="https://www.archdaily.com/tag/addis-ababa" target="_blank" rel="noopener">Addis Ababa</a>, <a href="https://www.archdaily.com/country/ethiopia/page/1" target="_blank" rel="noopener">Ethiopia</a>. The award recognizes that <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">Modernist</a> buildings, once seen as a vanguard of architecture, are falling into disrepair and are underappreciated by the public. The situation in <a href="https://www.archdaily.com/tag/africa" target="_blank" rel="noopener">Africa</a> is typical of this global sentiment, and this was the first time a building on the continent was graced with this award. The prize also spotlights Ethiopia's rich Modernist inventory, which marks its continental role in the <a href="https://www.archdaily.com/tag/mid-century" target="_blank" rel="noopener">mid and late twentieth century</a>.</p>]]>
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        <![CDATA[Eduardo Longo’s Futuristic Spherical House in São Paulo to Open for ABERTO5 Exhibition]]>
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      <link>https://www.archdaily.com/1038831/eduardo-longos-futuristic-ball-shaped-house-in-sao-paulo-to-open-for-aberto5-exhibition</link>
      <pubDate>Tue, 17 Feb 2026 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>From 7 March to 31 May 2026, Brazilian architect <a href="https://www.archdaily.com.br/br/01-173627/classicos-da-arquitetura-casa-bola-slash-eduardo-longo" target="_blank" rel="noopener">Eduardo Longo's Casa Bola</a> will open to the public for the first time. The futuristic ball-shaped house in <a href="https://www.archdaily.com/tag/sao-paulo" target="_blank" rel="noopener">São Paulo</a> will host one of the two parts of the ABERTO5 exhibition, alongside a project on Faria Lima, a major avenue at the heart of the city featuring landmarks by architects such as <a href="https://www.archdaily.com/tag/ruy-ohtake" target="_blank" rel="noopener">Ruy Ohtake</a> and <a href="https://www.archdaily.com/office/isay-weinfeld" target="_blank" rel="noopener">Isay Weinfeld</a>. Founded in 2022, ABERTO is an exhibition platform that promotes the encounter of architecture, art, and design in Brazil and internationally. After <a href="https://www.archdaily.com/1030727/le-corbusier-and-brazilian-modernism-aberto4-exhibition-opens-at-maison-la-roche-in-paris" target="_blank" rel="noopener">its first international exhibition at Maison La Roche in Paris</a>, ABERTO returns to São Paulo for its fifth edition, presenting over 60 art and design pieces by 50 Brazilian and international artists. According to architect and curator <a href="https://www.archdaily.com.br/br/tag/fernando-serapiao" target="_blank" rel="noopener">Fernando Serapião</a>, Casa Bola represents one of the most radical works of <a href="https://www.archdaily.com/tag/brazilian-architecture" target="_blank" rel="noopener">Brazilian architecture</a>, challenging conventional domestic space and reflecting Eduardo Longo's experimental vision for housing.</p>]]>
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        <![CDATA[London’s Southbank Centre Receives National Heritage Protection After 35-Year Campaign]]>
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      <link>https://www.archdaily.com/1038800/londons-southbank-centre-receives-national-heritage-protection-after-35-year-campaign</link>
      <pubDate>Mon, 16 Feb 2026 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/southbank-centre" target="_blank" rel="noopener">Southbank Centre</a> is a cultural complex in <a href="https://www.archdaily.com/tag/london" target="_blank" rel="noopener">London </a>built between 1963 and 1968 and widely regarded as a representative example of British <a href="https://www.archdaily.com/957201/brutalism-the-architecture-style-we-love-to-love" target="_blank" rel="noopener">Brutalism</a>. Today, the site hosts a wide range of events, including visual arts, theatre, dance, classical and contemporary music, literature, poetry, and debate. The building was designed by a team from the Architects' Department of the London County Council, led by architect Norman Engleback. It became a controversial example of <a href="https://www.archdaily.com/tag/modern-architecture" target="_blank" rel="noopener">modern architecture</a> following its opening in October 1967, <a href="https://www.theguardian.com/culture/2025/feb/05/architecture-film-sparks-new-call-to-list-southbank-centre?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">when engineers voted Queen Elizabeth Hall "the supreme ugly" in a poll of new buildings</a>, and the Daily Mail referred to it as "Britain's ugliest building." Fifty-nine years later, on February 10, 2026, the complex was granted Grade II listed status by the UK government's Department for Culture, Media and Sport (DCMS), <a href="https://c20society.org.uk/news/southbank-centre-listed-at-last?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">following a 35-year campaign</a> advocating for its protection as modern architectural heritage.</p>]]>
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