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    <title>Tag: modeling | ArchDaily</title>
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        <![CDATA[Digital Tools, Innovation and Sustainability: In Conversation with Henning Larsen]]>
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      <link>https://www.archdaily.com/966948/digital-tools-innovation-and-sustainability-in-conversation-with-henning-larsen</link>
      <pubDate>Wed, 08 Sep 2021 07:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/henning-larsen" target="_blank">Henning Larsen</a> has been creating projects that address cross-cultural design, tackle diverse climatic zones, and try to achieve ambitious sustainability objectives. All of this wouldn’t be possible without the use of technology and specially crafted digital and generative design tools that allow architects to treat any element as a parameter in design. </p>]]>
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        <![CDATA[Sustainable Building Design: Top 5 Metrics Every Architect Should Know]]>
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      <link>https://www.archdaily.com/963003/sustainable-building-design-top-5-metrics-every-architect-should-know</link>
      <pubDate>Mon, 14 Jun 2021 06:15:00 +0000</pubDate>
      <dc:creator>Sponsored Post</dc:creator>
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        <![CDATA[<p>Energy codes around the world get stricter every year, architects need to prepare for various challenges ahead. The first step is to understand the key metrics needed to conduct early-stage analyses and collaborate across various teams. With buildings responsible for 39% of total carbon emissions, the design practice is evolving to bake in data-driven energy efficiency. This change is leading architects to quickly become building performance experts and create spaces that are high performance and healthy for occupants.</p>]]>
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        <![CDATA[Rendering as a Tool to Restore the Glory of Ancient Chinese Architecture]]>
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      <link>https://www.archdaily.com/960006/rendering-as-a-tool-to-restore-the-glory-of-ancient-chinese-architecture</link>
      <pubDate>Fri, 16 Apr 2021 04:00:00 +0000</pubDate>
      <dc:creator>Scarlett Miao</dc:creator>
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        <![CDATA[<p>Heritage buildings are precious treasures passed down to us by our ancestors. They are also intangible cultural gifts for all mankind, a discovery of the past. Nevertheless, as time changes, ancient Chinese architecture, either destroyed by the forces of wars or nature, is gradually losing its original glory, making the protection and restoration of ancient buildings an urgent matter in this contemporary world.</p>]]>
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        <![CDATA[5 Common Design Questions for Balancing Sustainability and Cost]]>
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      <link>https://www.archdaily.com/932533/5-common-design-questions-for-balancing-sustainability-and-cost</link>
      <pubDate>Tue, 28 Jan 2020 04:30:00 +0000</pubDate>
      <dc:creator>Megan Schires</dc:creator>
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        <![CDATA[<p dir="ltr"><a href="https://www.covetool.com/2019/05/5-building-performance-metrics-every-architect-should-know/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Architects of today</a> face a common task that defies intuition – how to balance building performance and strict <a href="https://www.covetool.com/2019/05/what-are-carbon-emissions-and-why-do-they-matter/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">carbon targets</a> against cost. Sustainability in design is certainly a worthy and necessary goal, but the amount of options can be overwhelming and the costs prohibitive, especially in the eyes of owners. How can designers best convince their clients to integrate sustainability into a project? Keeping costs low and backing up decisions with fact-based analysis are solid first steps. </p>]]>
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        <![CDATA[Our Readers Show Off Their Most Impressive Architectural Models]]>
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      <link>https://www.archdaily.com/893343/our-readers-show-off-their-most-impressive-architectural-models</link>
      <pubDate>Tue, 30 Jul 2019 07:00:00 +0000</pubDate>
      <dc:creator>Rory Stott</dc:creator>
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        <![CDATA[<p>In many ways, architectural models are strange objects. On one hand, like drawings, models are a representation of something else—a building—that might exist already but in most cases is so far only hypothetical. On the other hand, they are miniature constructions in themselves, which can be appreciated for their craftsmanship and intricacy. Perhaps this is why architects find models so fascinating; they can be simultaneously admired as an object in themselves and as a vision of something greater.</p>]]>
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        <![CDATA[Mies’ Existential Need for Simplification vs. BricsCAD BIM]]>
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      <link>https://www.archdaily.com/910599/mies-existential-need-for-simplification-vs-bricscad-bim</link>
      <pubDate>Mon, 04 Feb 2019 04:00:00 +0000</pubDate>
      <dc:creator>Sponsored Post</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/910599/mies-existential-need-for-simplification-vs-bricscad-bim</guid>
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        <![CDATA[<p>Mies espoused the concept of &ldquo;less is more&rdquo; long before the days of Building Information Modeling. As a director of the Bauhaus School, he sought to establish an architectural style that could serve as the Modern alternative to Classic or Gothic styles. His design focus was on clarity and simplicity.</p>]]>
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        <![CDATA[Show Us Your Best Architectural Model Photos!]]>
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      <link>https://www.archdaily.com/888340/show-us-your-best-architectural-model-photos</link>
      <pubDate>Mon, 05 Feb 2018 06:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
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        <![CDATA[<p>For a lot of architects, models hold a special place in our hearts. Whereas a building can take years to construct and usually can't be drastically altered as it nears completion, a model provides architects with the immediacy and flexibility we crave as designers while also allowing us to feel like we're <em>really making something</em>—a feeling that digital modeling software can rarely provide.</p>]]>
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        <![CDATA[Hyper-Realistic Buildings That Can Fit on Your Desk]]>
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      <link>https://www.archdaily.com/884056/hyper-realistic-buildings-that-can-fit-on-your-desk</link>
      <pubDate>Tue, 05 Dec 2017 08:00:00 +0000</pubDate>
      <dc:creator>Samantha Buckley</dc:creator>
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        <![CDATA[<p dir="ltr">South Australian artist, <a href="/tag/joshua-smith">Joshua Smith</a> has created <a href="https://www.archdaily.com/867050/micro-scale-modelling-how-to-construct-tiny-intricate-worlds-from-ordinary-materials-joshua-smith">yet another true-to-life miniature</a>, a locksmith shop in Kaohsiung, <a href="https://www.archdaily.com/country/taiwan">Taiwan</a>. The miniature was created for an exhibition at the Arcade Art Gallery in Kaohsiung called, ‘When the Sun Goes Down’ as part of the Streets of Taiwan festival. <a href="/tag/miniaturist">Miniaturist</a> Joshua Smith selected the shop by using google maps, with supplemental reference photos taken by the gallery -- Joshua has not been to Taiwan, let alone the shop itself.</p>]]>
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        <![CDATA[Why Architectural Models Are Crucial in Making Bamboo Projects a Reality]]>
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      <link>https://www.archdaily.com/883972/why-architectural-models-are-crucial-to-make-bamboo-projects-a-reality</link>
      <pubDate>Wed, 22 Nov 2017 15:00:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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      <description>
        <![CDATA[<p>Each material&nbsp;has its own peculiarities and, when using it&nbsp;for building, the design and construction process must&nbsp;accommodate these characteristics. A steel-framed building, for example, must be designed with a certain level of accuracy so that components and parts, usually manufactured off-site, fit together during assembly. A wooden building can have its cross sections drastically modified according to the species and strength of the wood used, or even according to the direction of the loads in relation to their fibers. With bamboo, no pole is exactly the same and each one tapers and curves differently, which requires a different approach when designing and building.</p>]]>
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        <![CDATA["Gothic": Exhibition of Architectural Models]]>
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      <link>https://www.archdaily.com/881791/gothic-exhibition-of-architectural-models</link>
      <pubDate>Tue, 17 Oct 2017 19:30:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>The exhibition "Gothic: The Age of the Great Cathedrals" will begin in Switzerland in December 2017 in the choir of the Cathedral of St. Nicholas in Fribourg. It will go to the Cathedral of Bern (Berner M&uuml;nster, Cathedral of Bordeaux and Church of St. Germain l'Auxerrois in Paris. The idea of this project is a journey through the extraordinary saga of these great medieval buildings. This adventure begins with the construction of the Basilica Cathedral of Saint-Denis, the place where Gothic art was born. Throughout the exhibition, the visitors will discover secrets of 17 monuments chosen among the most beautiful, the most emblematic. They will encounter this medieval art movement that has overwhelmed Europe and wished to build always higher, larger and more beautifully!</p>]]>
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        <![CDATA[Trends in Architectural Representation: Understanding The Techniques]]>
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      <link>https://www.archdaily.com/867060/trends-in-architectural-representation-understanding-the-techniques</link>
      <pubDate>Tue, 09 May 2017 08:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/867060/trends-in-architectural-representation-understanding-the-techniques</guid>
      <description>
        <![CDATA[<p>The representation of architecture is important in the absence of tangible space. Throughout a lifetime, even the most devoted, well-travelled design enthusiast will experience only a small percentage of architectural works with their own eyes. Consider that we exist in only one era of architectural history, and the percentage reduces even further. Many architectural works go unbuilt, and the buildings we experience in person amount to a grain of sand in a vast desert.</p>]]>
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        <![CDATA[Micro-Scale Modeling: How to Construct Tiny, Intricate Worlds From Ordinary Materials]]>
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      <link>https://www.archdaily.com/867050/micro-scale-modelling-how-to-construct-tiny-intricate-worlds-from-ordinary-materials-joshua-smith</link>
      <pubDate>Mon, 13 Mar 2017 04:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/867050/micro-scale-modelling-how-to-construct-tiny-intricate-worlds-from-ordinary-materials-joshua-smith</guid>
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        <![CDATA[<p><strong><a href="http://www.iknowjoshuasmith.com?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Joshua Smith</a></strong>, a miniaturist and former stencil artist based in South Australia, constructs tiny, intricate worlds for a living. His work, which exhibits astonishing observational and representational skills, focuses on the "overlooked aspects of the urban environment – such as grime, rust and decay to discarded cigarettes and graffiti," all recreated at a scale of 1:20. Smith, who has been making model kits for around a decade, only recently chose to move away from a 16-year-long career creating stencil art. With his creative talents now focused on model-making, and all those skills which accompany the craft, <em>ArchDaily</em> asks: how do you do it?</p>]]>
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        <![CDATA[How I Developed Ergo Kiwi, an Ergonomic Craft Knife that Your Fingers Will Thank You For]]>
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      <link>https://www.archdaily.com/778556/how-i-developed-ergo-kiwi-an-ergonomic-craft-knife-that-your-fingers-will-thank-you-for</link>
      <pubDate>Tue, 19 Jan 2016 09:30:00 +0000</pubDate>
      <dc:creator>Sean Riley</dc:creator>
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        <![CDATA[<p class="western"><em>If you've been through architecture school you're probably wary of craft knives, which can puncture the skin of an non-alert, caffeinated student at a fraction of a second's notice. Even if you manage to avoid the hospital, though, these scourges of the studio still know how to hurt you: their designs are the antithesis of ergonomics, making a marathon modeling session a mighty endurance battle against hand cramps and joint pain. Aiming for a more comfortable solution, architecture graduate Sean Riley developed the <a href="/tag/ergo-kiwi">Ergo Kiwi</a>, and <strong><a href="https://www.kickstarter.com/projects/ergokiwi/ergo-kiwi-a-better-knife-for-designers-and-makers?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">today is launching a Kickstarter campaign</a></strong> to help bring the product to market.</em></p>]]>
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        <![CDATA[Pezo von Ellrichshausen's Model of 100 Circles Explores the Diversity of Repetition]]>
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      <link>https://www.archdaily.com/777191/pezo-von-ellrichshausen-constructs-a-model-made-up-of-100-circles-to-explore-the-diversity-of-repetition</link>
      <pubDate>Sun, 15 Nov 2015 16:00:00 +0000</pubDate>
      <dc:creator>Nicolás Valencia</dc:creator>
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        <![CDATA[<p>Chilean art and architecture studio <a href="http://www.archdaily.com/tag/pezo-von-ellrichshausen" target="_blank">Pezo von Ellrichshausen’s</a> “Finite Format” exhibition is currently on display at one of the most important cultural sites in the <a href="/tag/czech-republic">Czech Republic</a>: <a href="http://www.c-budejovice.cz/cz/turistika-a-volny-cas/ducb/stranky/galerie-soucasneho-umeni.aspx?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The House of Art of Ceske Budějovice</a>. Composed of more than 480 paintings (Finite Format) and six ink drawings (Infinite Motive), the installation aims to demonstrate the firm’s “underlying method to understand not only the artistic qualities in a work of architecture but also the architectonic attributes of a work of art,” according to the architects. </p>]]>
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        <![CDATA[FleaFolly's Grimm City: The Antidote to Disney]]>
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      <link>https://www.archdaily.com/622229/fleafolly-s-grimm-city-the-antidote-to-disney</link>
      <pubDate>Fri, 24 Apr 2015 07:00:13 +0000</pubDate>
      <dc:creator>Dario Goodwin</dc:creator>
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        <![CDATA[<p>There are few mediums that the <a href="/tag/grimm">Grimm</a> Brother's Fairy Tales haven't been adapted into. Bowdlerized stories and films for children have since given way to revisionist tales that embrace the gruesome coloring of the originals, but something about the Grimm Brothers' gothic folklore still holds sway over popular imagination around the world. No matter what kind of adaptation is created - musical, childlike or modernized - the essential Grimmness of the tales still glowers through. <a href="http://www.fleafollyarchitects.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">FleaFolly's</a> Grimm City is just such a creation.</p>]]>
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        <![CDATA[A New, Behind-the-Scenes Look at the Blade Runner Model Shop]]>
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      <link>https://www.archdaily.com/611110/a-new-behind-the-scenes-look-at-the-blade-runner-model-shop</link>
      <pubDate>Thu, 19 Mar 2015 12:00:07 +0000</pubDate>
      <dc:creator>Rory Stott</dc:creator>
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        <![CDATA[<p>It's a well-known fact that architects, almost without exception, love the 1982 film <em><a href="http://www.archdaily.com/233625/films-architecture-blade-runner/" target="_blank">Blade Runner</a>.</em> Architects also love scale <a href="http://www.archdaily.com/tag/models/" target="_blank">models</a>. So what could possibly be more exciting than seeing photos of the model shop of the film? Enter <a href="http://imgur.com/a/mv8qf?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">this Imgur album</a> of 142 photos from behind the scenes, posted earlier this week by user <a href="http://minicity.imgur.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">minicity</a>. After the break, check out our selection of images of the Tyrell Corporation's imposing pyramidal fortress, among other things, under construction.</p>]]>
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        <![CDATA[Tel Aviv Museum Of Art Examines The International Circulation Of Prefab Concrete Panels]]>
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      <link>https://www.archdaily.com/601358/re-reading-modernism-through-the-lens-of-prefabrication</link>
      <pubDate>Mon, 23 Feb 2015 05:00:43 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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        <![CDATA[<p>Between 1945 and 1981 around 170 million prefabricated (prefab) residential units were constructed worldwide. Now, as part of a study undertaken by <a href="/tag/pedro-alonso">Pedro Alonso</a> and <a href="/tag/hugo-palmarola">Hugo Palmarola</a> of the Pontificia Universidad Católica de Chile between 2012 and 2014, <a href="http://www.tamuseum.org.il/en/about-the-exhibition/production-routes?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">an exhibition</a> at the <a href="/tag/tel-aviv">Tel Aviv</a> Museum of Art features 28 large concrete panel systems from between 1931 and 1981.<strong> </strong>In so doing, it explores a transnational circulation of these objects of construction, "weaving them into a historical collage of ambitions and short-lived enthusiasm for utopian dreams."</p>]]>
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        <![CDATA[Symposium: Model Making In The Digital Age]]>
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      <link>https://www.archdaily.com/599573/symposium-model-making-in-the-digital-age</link>
      <pubDate>Tue, 17 Feb 2015 00:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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        <![CDATA[<p>An upcoming conference at the University of <a href="/tag/manchester">Manchester</a> will tackle the idea of <em>Model Making In The Digital Age</em>. Based on the premise that the world of architecture is dominated by digital tools today more than ever, from design and manufacturing to the ways in which we visualise complex spaces and structures physically and virtually, this symposium seeks to shed new light on the practice of model making and its uses.</p>]]>
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