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    <title>Tag: material-ecology | ArchDaily</title>
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        <![CDATA[The Politics of Bamboo: From Vernacular Craft to Temporal Infrastructure ]]>
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      <link>https://www.archdaily.com/1042929/the-politics-of-bamboo-from-vernacular-craft-to-temporal-infrastructure</link>
      <pubDate>Wed, 08 Jul 2026 06:30:24 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042929/the-politics-of-bamboo-from-vernacular-craft-to-temporal-infrastructure</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/1042601/from-stone-waste-to-bamboo-indian-architects-explore-the-future-of-regenerative-design?ad_source=search&amp;ad_medium=search_result_articles">Bamboo</a> is often praised before it is understood. It grows quickly, carries a long history of <a href="https://www.archdaily.com/1041712/material-culture-and-heritage-in-contemporary-cinema-architecture?ad_source=search&amp;ad_medium=search_result_articles">building cultures</a>, and appears to offer architecture an immediate ecological language. In photographs, it can seem almost self-explanatory: light, natural, <a href="https://www.archdaily.com/1042205/world-environment-day-2026-coincides-with-record-heatwaves-renewing-focus-on-climate-adaptation-in-cities?ad_source=search&amp;ad_medium=search_result_articles">renewable</a>, and already aligned with a more sustainable future. Yet this apparent clarity is also what makes bamboo difficult to discuss with precision. Once it becomes a symbol of environmental responsibility, the material itself can disappear behind the image it produces.</p>]]>
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        <![CDATA[Designing With Living Systems: Discover the Works of Yong Ju Lee Architecture]]>
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      <link>https://www.archdaily.com/1038009/designing-with-living-systems-discover-the-works-of-yong-ju-lee-architecture</link>
      <pubDate>Sun, 25 Jan 2026 08:30:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
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        <![CDATA[<p>What does it mean <a href="https://www.archdaily.com/1036916/circular-composites-designing-for-a-sustainable-future?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">to practice ecological responsibility beyond performance metrics or carbon calculations?</a> How can fabrication become a design method rather than a final outcome? Founded in <a href="https://www.archdaily.com/tag/seoul?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">Seoul</a>, <a href="https://www.archdaily.com/office/yong-ju-lee-architecture" target="_blank" rel="noopener">Yong Ju Lee Architecture i</a>s a practice led by architect and researcher Yong Ju Lee. Across installations, <a href="https://www.archdaily.com/tag/research?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">research-driven</a> proposals, and cultural projects, the studio positions architecture as an experimental discipline rooted in making: a process in which design emerges from <a href="https://www.archdaily.com/tag/materials" target="_blank" rel="noopener">material</a> behavior, prototyping, and fabrication logic as much as from drawing or representation. Bridging professional practice and academia, his work consistently <a href="https://www.archdaily.com/1035072/every-second-counts-every-space-matters-15-contemporary-fire-stations?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">expands the architectural toolkit through computational design, experimental material research, and an evolving commitment to ecology</a> as a responsibility and a design driver. In 2025, the studio was selected as a winner of the <a href="https://www.archdaily.com/1033983/20-practices-shaping-the-future-of-architecture-winners-of-the-archdaily-2025-next-practices-awards" target="_blank" rel="noopener">ArchDaily Next Practices Awards.</a></p>]]>
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        <![CDATA[Designing the Reuse Economy: How Architects Can Build Supply Chains, Not Just Buildings]]>
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      <link>https://www.archdaily.com/1036222/designing-the-reuse-economy-how-architects-can-build-supply-chains-not-just-buildings</link>
      <pubDate>Fri, 21 Nov 2025 04:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>Across Europe and beyond, architects are confronting a turning point. As rising emissions targets collide with shrinking material supplies and <a href="https://circular-cities-and-regions.ec.europa.eu/news/ccri-pilot-flanders-visits-rotor-learn-about-construction-material-reuse?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">the growing urgency of climate commitments</a>, the built environment is being forced into a deeper reckoning with how it consumes, circulates, and discards resources. What was once <a href="https://www.archdaily.com/1034866/from-overlooked-waste-to-circular-opportunity-plastics-in-construction?ad_campaign=normal-tag" target="_blank" rel="noopener">considered waste is now revealing itself as a dormant architectural archive</a>, an urban ecosystem of materials waiting to be reclaimed, revalued, or reimagined. Within this shift, architects are beginning to play a radically different role. Not only as designers of buildings, but also as orchestrators of the flows that sustain them.</p>]]>
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        <![CDATA[Designing with Smoke: The Chimney as Architectural and Environmental Instrument]]>
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      <link>https://www.archdaily.com/1032934/designing-with-smoke-the-chimney-as-architectural-and-environmental-instrument</link>
      <pubDate>Thu, 06 Nov 2025 04:00:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
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        <![CDATA[<p>Chimneys are among the most quietly persistent elements in architectural history. Yet <a href="https://www.archdaily.com/953149/how-to-use-and-reuse-chimneys-in-architecture" target="_blank" rel="noopener">their presence persists in nearly every cultural and climatic context</a>, serving as a technical feature and a spatial, atmospheric, and symbolic device. It populates dense city skylines and anchors rural horizons alike, its vertical silhouette as ordinary as a window or a doorframe. This apparent ordinariness is deceptive. The chimney is one of the few architectural components that links<a href="https://www.archdaily.com/887460/cross-ventilation-the-chimney-effect-and-other-concepts-of-natural-ventilation" target="_blank" rel="noopener"> the intimate scale of interior life with the expansive forces of the environment.</a> For architects and designers, the necessity of the chimney presents a choice: to let it recede quietly into the building's functional fabric or to amplify it as a central, expressive element that shapes a project's identity.</p>]]>
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        <![CDATA[The Architect as a Scientist: New Materials Emerging Between Science and Design]]>
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      <link>https://www.archdaily.com/1034101/the-architect-as-a-scientist-new-materials-emerging-between-science-and-design</link>
      <pubDate>Tue, 23 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/960128/what-is-architecture-according-to-our-readers?ad_source=search&amp;ad_medium=search_result_articles">What is architecture?</a> For some, its traditional role is to bring together imagination, technical knowledge, and problem-solving, allowing architects to design and construct while balancing ideas with the means to realize them. From the stone and <a href="https://www.archdaily.com/930967/archdailys-best-articles-about-wood?ad_source=search&amp;ad_medium=search_result_articles">wood</a> of early buildings to the steel and <a href="/tag/concrete">concrete</a> of the 20th century, each era demanded not only an understanding of form but also of the <a href="https://www.archdaily.com/1030705/thinking-globally-building-locally-glocalization-and-the-ethical-use-of-materials?ad_source=search&amp;ad_medium=search_result_articles">properties and potential of the materials in use</a>. This grasp of materials has always been a core part of the creative process, though its scope was limited by the know-how and technologies available.</p>]]>
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        <![CDATA["To Emerge Naturally from the Site": Zhang Pengju on His Aga Khan Award-Winning West Wusutu Village]]>
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      <link>https://www.archdaily.com/1033902/to-emerge-naturally-from-the-site-zhang-pengju-on-his-aga-khan-award-winning-west-wusutu-village</link>
      <pubDate>Fri, 12 Sep 2025 06:30:00 +0000</pubDate>
      <dc:creator>韩爽</dc:creator>
      <category>
        <![CDATA[ArchDaily Interviews]]>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/1033690/aga-khan-award-for-architecture-announces-2025-winners" target="_blank" rel="noopener">2025 Aga Khan Award for Architecture</a>, one of the most prestigious honors in the field, celebrates projects that not only exhibit architectural excellence but also profoundly <a href="https://www.archdaily.com/1033673/our-message-this-time-was-optimism-in-conversation-with-farrokh-derakhshani-director-of-the-aga-khan-award-for-architecture" target="_blank" rel="noopener">improve the quality of life for their communities</a>. Among this year's winners is the <a href="https://www.archdaily.com/1033160/west-wusutu-village-community-centre-zhang-pengju?ad_source=search&amp;ad_medium=projects_tab" target="_blank" rel="noopener">West Wusutu Village Community Centre</a>, a project in <a href="https://www.archdaily.com/tag/hohhot/page/1">Hohhot</a>, Inner <a href="https://www.archdaily.com/country/mongolia/page/1">Mongolia</a>, by Chinese architect <a href="https://www.archdaily.com/office/zhang-pengju?ad_name=project-specs&amp;ad_medium=single" target="_blank" rel="noopener">Zhang Pengju</a>. In an era when <a href="https://www.archdaily.com/tag/rural-architecture" target="_blank" rel="noopener">rural areas</a> often face social fragmentation and a loss of identity, this community center offers a powerful counter-narrative. </p>]]>
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        <![CDATA[Bauhaus Earth Announces 2025 Experimental Fellows to Investigate Earth's Role in Contemporary Design]]>
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      <link>https://www.archdaily.com/1025649/bauhaus-earth-announces-2025-experimental-fellows-to-investigate-earths-role-in-contemporary-design</link>
      <pubDate>Mon, 13 Jan 2025 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1025649/bauhaus-earth-announces-2025-experimental-fellows-to-investigate-earths-role-in-contemporary-design</guid>
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        <![CDATA[<p>Maria Lisogorskaya and <a href="/tag/kaye-song">Kaye Song</a> from the <a href="https://www.archdaily.com/office/assemble">London-based collective Assemble</a>, along with Lviv-based architects <a href="/tag/anna-pomazanna">Anna Pomazanna</a> and <a href="/tag/mykhailo-shevchenko">Mykhailo Shevchenko</a>, have been announced as the 2025 Experimental Fellows at <a href="/tag/bauhaus-earth">Bauhaus Earth</a>. Selected from 120 submissions, their projects are set to explore earth as a material in contemporary architecture. The annual Bauhaus Earth <a href="/tag/fellowship">Fellowship</a> program was established in 2022 by architect Prof. Regine Leibinger. <a href="https://www.archdaily.com/983511/ursula-von-der-leyen-and-francis-kere-open-the-bauhaus-earth-conference">It aims to support diverse projects</a> that explore new modes of practice across various geographies, that can contribute to ecological and social resilience. Fellows receive financial support, mentorship, and access to a network encouraging collaboration among architects, manufacturers, and local stakeholders.</p>]]>
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        <![CDATA[Architectural Glass 101: Transparent Trends in 2024]]>
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      <link>https://www.archdaily.com/1024185/architectural-glass-101-transparent-trends-in-2024</link>
      <pubDate>Mon, 02 Dec 2024 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>In the 21st century, <a href="/tag/glass">Glass</a> has become a cornerstone material for architecture. Once limited to apertures and openings, Glass now dominates entire facades, especially in high-rise buildings where transparent cladding material is preferred to maximize views. The technological advancements in Glass have been remarkable, transitioning from single-pane panels, such as those used in <a href="https://www.archdaily.com/1020389/architectural-details-of-the-bauhaus-movement-revisiting-the-glass-corners-and-tubular-steel-construction">Bauhaus' iron window frames</a>, to today's triple-pane systems with specialized gas infills, <a href="https://www.archdaily.com/1004544/seamless-transitions-and-superior-insulation-through-frameless-glass-facades">such as argon</a>, designed to address Glass's long-standing thermal limitations.</p>]]>
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        <![CDATA[Cobe's Creative Reuse Strategy Set to Transform Tallinn's Industrial Site into a New City District]]>
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      <link>https://www.archdaily.com/1022189/cobes-creative-reuse-strategy-set-to-transform-tallinns-industrial-site-into-a-new-city-district</link>
      <pubDate>Thu, 10 Oct 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/cobe">Danish architecture firm Cobe</a> has announced a new project to transform the historic 'Krulli' steelworks, a large-scale former industrial site in Estonia's capital, into a mixed-use city district. The strategy for the project is developed to optimize for material reuse, as materials, components and even entire buildings have been evaluated for their potential to be reintegrated into the scheme. This way, the decommissioned industrial area provides the foundation for an innovation hub, maintaining its history while adapting to the necessities of modern workspaces and city life.</p>]]>
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        <![CDATA[Building Better with Data: The Role of Material Libraries in Sustainable Architecture]]>
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      <link>https://www.archdaily.com/1019364/building-better-with-data-the-role-of-material-libraries-in-sustainable-architecture</link>
      <pubDate>Mon, 05 Aug 2024 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p>For decades, the construction industry followed a familiar rhythm: design came first, materials followed. The pressing need for sustainable buildings has shattered this routine. <a href="/tag/material">Material</a> selection is no longer an afterthought, but a critical decision made at the outset, with the potential to dramatically <a href="https://www.archdaily.com/1008755/do-passive-design-strategies-truly-reduce-carbon-footprint-effectively" target="_blank" rel="noopener">reduce a project's environmental footprint</a>. This shift is even more crucial given the construction industry's appetite for raw materials – a staggering 3 billion tons extracted annually. To navigate this new landscape, digital material libraries and data-driven evaluation are emerging as powerful tools, creating a culture where materiality takes center stage to shape a more sustainable built environment. </p>]]>
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        <![CDATA[On Ethics and Fair Labor in Architecture: The Example of Theaster Gates’ Serpentine Pavilion Design]]>
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      <link>https://www.archdaily.com/1016950/on-ethics-and-fair-labor-in-architecture-the-example-of-theaster-gates-serpentine-pavilion-design</link>
      <pubDate>Thu, 23 May 2024 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>When he was invited to design the <a href="https://www.archdaily.com/983262/black-chapel-serpentine-pavilion-2022-theaster-gates?ad_campaign=normal-tag">21st Serpentine Pavilion in London’s Kensington Gardens</a> public park, Chicago-based artist <a href="https://www.archdaily.com/tag/theaster-gates">Theaster Gates</a> envisioned a calm space to offer respite and a subtle exploration into the power of sound and music in architecture. Created out of lightweight stained wood, the “<a href="https://www.archdaily.com/983262/black-chapel-serpentine-pavilion-2022-theaster-gates">Black Chapel</a>” demonstrates more than just artistic and architectural sensibilities. In addition to the use of sustainable materials, the project also pays close attention to how the building materials are sourced, bringing visibility to the problem of modern slavery in the construction materials supply chain.</p>]]>
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        <![CDATA[Grace Farms Opens Long-Term Exhibition Focused on  Forced Labor and Building Materials Supply Chains ]]>
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      <link>https://www.archdaily.com/1016229/grace-farms-opens-long-term-exhibition-focused-on-forced-labor-and-building-materials-supply-chains</link>
      <pubDate>Mon, 06 May 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>On May 4, 2024, cultural center Grace Farms opened a new long-term exhibition that aims to shed light on the inner workings of the building industry, offering insights into the methods of producing and distributing building materials, as well as the pervasive practices of forced labor happening in the materials supply chain worldwide. The exhibition also presents the work of “<a href="https://www.designforfreedom.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Design for Freedom</a>,” a collaborative global movement launched in 2020 at Grace Farms. The initiative aims to change architecture by raising awareness of these issues and helping disrupt forced labor in the construction industry. Titled “<a href="https://www.designforfreedom.org/home/design-for-freedom-exhibit-with-every-fiber/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">With Every Fiber</a>,” the exhibit is free to visit both at its physical location in New Canaan, Connecticut, and online as a virtual exhibition.</p>]]>
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        <![CDATA[Christo and Jeanne-Claude’s L’Arc de Triomphe Wrapped to Be Recycled by Parley for the Oceans]]>
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      <link>https://www.archdaily.com/1007808/christo-and-jeanne-claudes-larc-de-triomphe-wrapped-to-be-recycled-by-parley-for-the-oceans</link>
      <pubDate>Thu, 05 Oct 2023 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Two years ago, on September 18, 2021, Christo and Jeanne-Claude's <em><a href="https://www.archdaily.com/968933/christos-wrapped-arc-de-triomphe-opens-to-the-public?ad_campaign=normal-tag">L'Arc de Triomphe, Wrapped, 1961–2021</a></em>, was inaugurated. The monumental public artwork wrapped the Parisian monument in over 25,000 square meters of silvery fabric tied in place with 7,000 meters of red rope. The materials, all made out of woven polypropylene, a type of thermoplastic, are now being reused, upcycled, and recycled, following the artists’ vision. Most of the materials will be transformed to serve practical uses for future public events in <a href="/tag/paris">Paris</a>. The <a href="/tag/christo-and-jeanne-claude">Christo and Jeanne-Claude</a> Foundation is also collaborating with Gagosian to bring Christo’s early works to London’s East End for an exhibition open from October 6-22, 2023.</p>]]>
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        <![CDATA[GXN and MEE Studio’s Pavilions in Copenhagen Explore Circularity and Regeneration for the 2023 UIA Congress of Architects]]>
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      <link>https://www.archdaily.com/1004191/gxn-and-mee-studios-pavilions-in-copenhagen-explore-circularity-and-regeneration-for-the-2023-uia-congress-of-architects</link>
      <pubDate>Tue, 18 Jul 2023 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1004191/gxn-and-mee-studios-pavilions-in-copenhagen-explore-circularity-and-regeneration-for-the-2023-uia-congress-of-architects</guid>
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        <![CDATA[<p>Developed by <a href="/tag/gxn">GXN</a> for the <a href="https://www.uia-architectes.org/en/events/world-congresses-of-architects/copenhagen-2023_uia-architecture-congress-2/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">2023 UIA World Congress of Architects</a> in <a href="/tag/copenhagen">Copenhagen</a>, The (P)RECAST <a href="/tag/pavilion">Pavilion</a> explores the possibility of reusing precast concrete elements from existing buildings to promote circularity and reduced carbon emissions in the construction industry. The pavilion showcases salvaged concrete elements alongside 200-year-old timber beams, highlighting their aesthetic and structural value. Following the same motivation but through a different approach, MEE Studio has developed The Regenerative Cabin. Located in Copenhagen, the structure explores the applied use of regenerative biogenic materials to reduce the carbon emissions associated with the building materials.</p>]]>
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        <![CDATA[10 Start-ups Creating Innovative and Sustainable Building Materials, from Mycelium Bricks to Water Purifying Tiles]]>
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      <link>https://www.archdaily.com/988017/mushroom-mycelium-bricks-and-water-purifying-tiles-10-innovative-and-sustainable-building-materials</link>
      <pubDate>Sun, 06 Nov 2022 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/988017/mushroom-mycelium-bricks-and-water-purifying-tiles-10-innovative-and-sustainable-building-materials</guid>
      <description>
        <![CDATA[<p>The building industry is one of the biggest generators of carbon emissions, with some estimates suggesting that <a href="https://environmentjournal.online/articles/emissions-from-the-construction-industry-reach-highest-levels/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">38% percent of all CO2 emissions</a> are linked to this field. As a response to the current crisis, architects, designers, and researchers are taking measures to reduce their carbon footprint during and after construction. Many initiatives and research teams are looking at building materials to find low-carbon solutions and reduce the impact of building materials during production.</p>]]>
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        <![CDATA[Get Set: 9 Architecturally Relevant Exhibitions at the 2022 Dutch Design Week]]>
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      <link>https://www.archdaily.com/991371/get-set-9-architecturally-relevant-exhibitions-at-the-2022-dutch-design-week</link>
      <pubDate>Mon, 31 Oct 2022 05:30:00 +0000</pubDate>
      <dc:creator>Paula Cano</dc:creator>
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        <![CDATA[<p>Under the motto "Get Set," the 2022 DDW exhibited more than 50 art and architectural installations to call out designers and communities for a shift from preparation to action facing the challenges of our time. Led by Miriam van der Lubbe, Creative Head of DDW, with <a href="https://marjanvanaubel.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Marjan van Aube</a> and <a href="https://formafantasma.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Formafantasma</a> as ambassadors, the 21st edition of the <a class="editor-rtfLink" href="https://www.archdaily.com/tag/dutch-design-week" target="_blank" rel="noopener">Dutch Design Week</a> took place the last week of October in <a href="https://www.archdaily.com/tag/eindhoven">Eindhoven</a>, the <a href="https://www.archdaily.com/tag/netherlands">Netherlands</a> closing with a Graduation Show of over 200 students of the Design Academy Eindhoven.</p>]]>
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        <![CDATA[In Conversation with Philippe Starck: On Ecology, Technology and Materiality]]>
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      <link>https://www.archdaily.com/970510/in-conversation-with-philippe-starck-on-ecology-technology-and-materiality</link>
      <pubDate>Wed, 27 Oct 2021 07:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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      <description>
        <![CDATA[<p>Believing that a creator has a duty towards society, <a href="https://www.starck.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Philippe Starck</a>, is a multifaceted designer whose projects span across many disciplines. From architecture and interiors to industrial and furniture design, Starck’s portfolio is always, as he puts it, “<em>focused on the essential</em>”, and “<em>must improve the lives of as many people as possible</em>”. Author of Alessi’s famous lemon squeezer, he is known for pushing the boundary of design in everyday objects.</p>]]>
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        <![CDATA[Rem Koolhaas, Neri Oxman and Kevin Spacey to Speak at AIA National Convention 2016]]>
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      <link>https://www.archdaily.com/781968/kevin-spacey-and-neri-oxman-to-headline-aia-convention-2016</link>
      <pubDate>Thu, 18 Feb 2016 16:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/781968/kevin-spacey-and-neri-oxman-to-headline-aia-convention-2016</guid>
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        <![CDATA[<p><em><strong>Update: </strong>In addition to the previous announcement of <a href="/tag/neri-oxman">Neri Oxman</a> and <a href="/tag/kevin-spacey">Kevin Spacey</a> as keynote speakers, the <a href="/tag/aia">AIA</a> has now announced <a href="http://www.archdaily.com/tag/rem-koolhaas" target="_blank">Rem Koolhaas</a> as the headline speaker for day three of this year's convention in Philadelphia. Koolhaas' speech will be titled "<a href="http://convention.aia.org/Keynote-Daythree?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Delirious Philadelphia</a>," a playful twist on his seminal book Delirious New York. The following article was originally published on February 11th.</em></p>]]>
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