<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: marcel-breuer | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Thu, 9 Jul 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[Why do we want to float? The psychology of lightness in architecture]]>
      </title>
      <link>https://www.archdaily.com/1040611/why-do-we-want-to-float-the-psychology-of-lightness-in-architecture</link>
      <pubDate>Sat, 25 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040611/why-do-we-want-to-float-the-psychology-of-lightness-in-architecture</guid>
      <description>
        <![CDATA[<p>In 1962, architect <a href="https://www.archdaily.com.br/br/office/buckminster-fuller">Buckminster Fuller</a> imagined a floating city that would free humanity from its dependence on Earth. The hypothetical project consisted of massive airborne <a href="https://www.archdaily.com.br/br/904613/como-funcionam-as-estruturas-geodesicas">geodesic spheres</a> that would naturally <a href="https://www.archdaily.com.br/br/887543/estruturas-tensegrity-o-que-sao-e-o-que-esperar-delas?ad_medium=office_landing&amp;ad_name=article">levitate</a> on warm, sun-heated air and be anchored to mountaintops. Designed to house thousands of people, <a href="https://www.archdaily.com.br/br/793410/allegra-fuller-compartilha-as-melhores-licoes-que-aprendeu-com-seu-pai-buckminster-fuller?ad_medium=office_landing&amp;ad_name=article">Fuller</a>'s <em><a href="https://www.researchgate.net/figure/Buckminster-Fuller-Floating-Cloud-Structures-Cloud-Nine-1960_fig1_316624911?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Cloud Nine</a> </em>aimed to ease land ownership politics and housing shortages while helping preserve nature.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69d8/3781/92c0/7a01/883e/7cc2/newsletter/por-que-queremos-flutuar-a-psicologia-da-leveza-na-arquitetura_17.jpg?1775777679"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[New Cultural Venues, Awards and Transformative Architecture From Ghana to New York: This Week’s Review]]>
      </title>
      <link>https://www.archdaily.com/1035984/new-cultural-venues-awards-and-transformative-architecture-from-ghana-to-new-york-this-weeks-review</link>
      <pubDate>Thu, 13 Nov 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035984/new-cultural-venues-awards-and-transformative-architecture-from-ghana-to-new-york-this-weeks-review</guid>
      <description>
        <![CDATA[<p>This week's architecture news highlights a diverse global landscape of design innovation, cultural investment, and <a href="https://www.archdaily.com/tag/adaptive-reuse" target="_blank" rel="noopener">adaptive reuse</a>. Across continents, new museums and cultural venues are opening to foster dialogue around art, design, and community engagement. At the same time, major recognitions and project announcements underscore the growing importance of sustainable, socially conscious practices in shaping contemporary architecture. From adaptive transformations in New York, Tainan, and Milan, including preparations for the <a href="https://www.archdaily.com/tag/milano-cortina-2026" target="_blank" rel="noopener">Milano Cortina 2026 Winter Games</a>, to new cultural landmarks in Ghana and Qatar, this week's overview features projects by leading firms such as <a href="https://www.archdaily.com/office/herzog-and-de-meuron" target="_blank" rel="noopener">Herzog &amp; de Meuron</a>, <a href="https://www.archdaily.com/office/snohetta" target="_blank" rel="noopener">Snøhetta</a>, and <a href="https://www.archdaily.com/office/mecanoo" target="_blank" rel="noopener">Mecanoo</a>, alongside initiatives from emerging practices like <a href="https://www.archdaily.com/tag/limbo-accra" target="_blank" rel="noopener">Limbo Accra</a> in West Africa.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6915/6284/463c/7e01/7d0c/b401/newsletter/weekly-recap_19.jpg?1763009168"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Architecture as Soft Power: Cultural Diplomacy and Its Role in Shaping Architectural Production]]>
      </title>
      <link>https://www.archdaily.com/1034690/architecture-as-soft-power-cultural-diplomacy-and-its-role-in-shaping-architectural-production</link>
      <pubDate>Sat, 18 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1034690/architecture-as-soft-power-cultural-diplomacy-and-its-role-in-shaping-architectural-production</guid>
      <description>
        <![CDATA[<p><a href="https://www.culturaldiplomacy.org/index.php?en_culturaldiplomacy=&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Cultural diplomacy</a> refers to the use of cultural expression and creative exchange to foster understanding and build relationships between nations. In this context, <a href="https://www.archdaily.com/tag/architecture">architecture</a> has long played a distinctive role. Beyond its functional and aesthetic dimensions, it serves as a medium of communication, a language through which countries express identity, values, and ambition on the global stage.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68de/a192/54d0/5d01/88d4/4605/newsletter/cultural-diplomacy-and-its-role-in-shaping-architectural-production_6.jpg?1759420832"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Understanding Eco Brutalism:  The Paradox of Structure, Sustainability, and Style]]>
      </title>
      <link>https://www.archdaily.com/1032094/understanding-eco-brutalism-the-paradox-of-structure-sustainability-and-style</link>
      <pubDate>Tue, 15 Jul 2025 05:00:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032094/understanding-eco-brutalism-the-paradox-of-structure-sustainability-and-style</guid>
      <description>
        <![CDATA[<p data-start="336" data-end="1208">The built environment is expected to reduce carbon emissions, support biodiversity, and respond to changing ecological conditions, all while providing housing for communities and reflecting their cultural values. In this shifting landscape, a once-maligned architectural style emerges in a surprising new form. <a href="https://www.archdaily.com/tag/brutalism?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">Brutalism</a>, long associated with institutional gravitas and material austerity, is now being reframed through an ecological lens. This hybrid movement, known as <a href="https://www.archdaily.com/1001722/concrete-jungle-houses-that-explore-the-contrast-between-concrete-and-vegetation?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">eco-brutalism, combines the power of concrete with greenery and climate-sensitive design strategies.</a> The result is a <a href="https://www.archdaily.com/1024248/from-concrete-to-green-canopies-revitalizing-cities-through-natural-design?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">set of spaces that are visually arresting, conceptually complex, and increasingly popular among designers, urban planners, and the general public</a>. This movement includes not only the direct lineage of 1960s Brutalism but also contemporary projects that, while not strictly Brutalist, share its material honesty, monumental scale, and use of expressive concrete forms.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6876/0b90/9445/0133/9387/ef5b/newsletter/understanding-eco-brutalism-the-paradox-of-structure-sustainability-and-style_44.jpg?1752566679"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Herzog & de Meuron Set to Revamp Breuer Building for Sotheby’s in New York]]>
      </title>
      <link>https://www.archdaily.com/1023166/herzog-and-de-meuron-set-to-revamp-breuer-building-for-sothebys-in-new-york</link>
      <pubDate>Tue, 05 Nov 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1023166/herzog-and-de-meuron-set-to-revamp-breuer-building-for-sothebys-in-new-york</guid>
      <description>
        <![CDATA[<p><a href="https://transfer.herzogdemeuron.com/s/6EoxdtyoH5WqbaX?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Sotheby's has revealed</a> that Pritzker Prize laureate <a href="https://www.archdaily.com/office/herzog-and-de-meuron">Herzog &amp; de Meuron</a> will renovate the iconic <a href="https://www.archdaily.com/128627/ad-classics-whitney-museum-marcel-breuer?ad_medium=office_landing&amp;ad_name=article">modernist Breuer Building</a>. The auction house has successfully acquired the building, situated on Madison Avenue, <a href="/tag/new-york">New York</a> City, from the Whitney Museum. Previously, the Breuer building was home to the Whitney, later accommodating the Frick Collection and serving <a href="https://www.archdaily.com/783592/the-met-breuer-a-loving-restoration-of-a-mid-century-icon">as a venue for the Metropolitan Museum of Art's modern and contemporary pieces</a>. The renovation will include an upgraded sales room for Sotheby's, alongside new exhibition and dining areas. The project, developed together with <a href="https://www.archdaily.com/office/pbdw-architects" target="_blank" rel="noopener">PBDW Architects</a>, is slated for completion by the fall of 2025.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6729/f57b/3dfd/b47f/e3e2/6849/newsletter/herzog-and-de-meuron-set-to-revamp-breuer-building-for-sothebys-in-new-york_2.jpg?1730803113"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["Capital Brutalism" Exhibition Explores Washington D.C's Architectural Legacy in United States]]>
      </title>
      <link>https://www.archdaily.com/1017739/capital-brutalism-exhibition-explores-washington-s-architectural-legacy-in-united-states</link>
      <pubDate>Mon, 17 Jun 2024 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1017739/capital-brutalism-exhibition-explores-washington-s-architectural-legacy-in-united-states</guid>
      <description>
        <![CDATA[<p class="p1"><a href="https://www.archdaily.com/tag/brutalism">Brutalist</a> buildings are a significant component of <a href="https://www.archdaily.com/tag/washington-dc">Washington, D.C.’s</a> architectural identity. In the <a href="https://www.archdaily.com/tag/national-building-museum">National Building Museum’s</a> new exhibition, <em>Capital <a href="/tag/brutalism">Brutalism</a>,</em> this identity is explored further. Co-organized with the Southern Utah Museum of Art (SUMA), <em>Capital Brutalism </em>is a comprehensive exhibition of Brutalist architecture in Washington, D.C., to date, running until February 17th, 2025. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/666d/71fc/03ec/376b/eac2/a1a5/newsletter/capital-brutalism-exhibition-explores-washington-s-architectural-legacy_26.jpg?1718448658"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[From Art Nouveau to the Bauhaus: How Home Interiors Looked in Popular Art Movements]]>
      </title>
      <link>https://www.archdaily.com/1005570/from-art-nouveau-to-the-bauhaus-how-home-interiors-looked-in-popular-art-movements</link>
      <pubDate>Fri, 18 Aug 2023 07:30:00 +0000</pubDate>
      <dc:creator>Paul Yakubu</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1005570/from-art-nouveau-to-the-bauhaus-how-home-interiors-looked-in-popular-art-movements</guid>
      <description>
        <![CDATA[<p>Art has always been a means for people to <a href="https://thedesigngesture.com/art-in-architecture-a-prime-influence/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">connect with space</a>, and art movements have served as a platform for exploring new relationships with architecture. By incorporating art into buildings and interior spaces, they have been transformed, resulting in a fusion that creates beautiful, inspiring, and spiritually uplifting environments. Throughout history, various art movements, such as the Renaissance in the 17th century, <a href="/tag/baroque">Baroque</a> in the 18th century, and <a href="/tag/art-nouveau">Art Nouveau</a>, Art Déco, and <a href="/tag/bauhaus">Bauhaus</a> in the early 20th century, have had a significant impact on architecture. Architects drew inspiration from the ideals, concepts, stylistic approaches, and techniques of these movements, using them to create large-scale habitable structures. As the home is a fundamental expression of an architectural movement and the simplest canvas to exhibit the artistic ethos of any particular era, studying the interior spaces of houses provides a detailed picture of art's influence on spatial organization, furniture design, product patterns, and user interaction.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/64de/09fe/fbc6/5801/7a49/a376/newsletter/from-art-nouveau-to-the-bauhaus-how-home-interiors-looked-in-popular-art-movements_16.jpg?1692273160"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Styling Interiors with Design Icons: Eames, Breuer, Jacobsen, & Bellini]]>
      </title>
      <link>https://www.archdaily.com/983972/styling-interiors-with-design-icons-eames-breuer-jacobsen-and-bellini</link>
      <pubDate>Wed, 22 Jun 2022 00:30:00 +0000</pubDate>
      <dc:creator>Maria Deister</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/983972/styling-interiors-with-design-icons-eames-breuer-jacobsen-and-bellini</guid>
      <description>
        <![CDATA[<p dir="ltr">In a way, classic furniture is like a mixture between a work of art and a gold bar: it is a safe investment and can often even increase in value with age. In our second selection of design icons from the 20th century, we present Ray and <a href="/tag/charles-eames">Charles Eames</a>, <a href="/tag/marcel-breuer">Marcel Breuer</a>, <a href="/tag/arne-jacobsen">Arne Jacobsen</a> and <a href="/tag/mario-bellini">Mario Bellini</a> and some furniture pieces from the past century that remain more modern today than ever, in terms of not only design but also comfort. <em>Find out more on the <a href="https://www.architonic.com/en/products/seating/0/3221399/1?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Architonic Platform</a>.</em></p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/62b1/01b3/3e4b/3154/6000/0002/newsletter/Bild_von_iOS.jpg?1655767470"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[8 Stories of Architects Embracing Refurbishment and Adaptive Reuse]]>
      </title>
      <link>https://www.archdaily.com/975347/8-stories-of-architects-embracing-refurbishment-and-adaptive-reuse</link>
      <pubDate>Wed, 19 Jan 2022 05:30:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/975347/8-stories-of-architects-embracing-refurbishment-and-adaptive-reuse</guid>
      <description>
        <![CDATA[<p>Over the past year, established practices have continued to champion the transformation of existing structures, with adaptive reuse and renovations increasingly becoming a defining aspect of contemporary architecture  From the renovation of landmark structures to the adaptive reuse of obsolete facilities, the idea of giving new life to existing buildings has been embraced as the premise for a more sustainable practice, but also as a means of reinforcing the urban and cultural identity of cities. Discover 8 designs and recently completed projects that showcase a new common practice of reusing existing building stock.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/61e7/0ff4/3e4b/317c/eb00/003b/newsletter/Leonid_Furmansky.jpg?1642532845"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Marcel Breuer's Iconic Brutalist Building is being Transformed into an Eco-friendly Boutique Hotel ]]>
      </title>
      <link>https://www.archdaily.com/970581/marcel-breuers-iconic-brutalist-building-is-being-transformed-into-an-eco-friendly-boutique-hotel</link>
      <pubDate>Thu, 21 Oct 2021 05:30:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/970581/marcel-breuers-iconic-brutalist-building-is-being-transformed-into-an-eco-friendly-boutique-hotel</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/633744/spotlight-marcel-breuer" target="_blank">Marcel Breuer</a>’s Pirelli Tire Building, a beacon of Brutalist architecture in the <a href="/tag/united-states">United States</a>, is being reimagined as a hotel by development company <a href="https://www.beckerandbecker.com/work/hotel-marcel?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Becker and Becker</a>. After being abandoned for years, the structure was sold to architect and developer Bruce Redman Becker in 2020 with plans to transform it into a sustainable 165-room hotel. The sculptural concrete structure aims to be a model for passive design hotels using its unique architectural features and innovative adaptive reuse techniques. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6171/0563/f91c/8142/0f00/0063/newsletter/RenderingMarcel.jpg?1634796881"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Refurbishment and Adaptive Reuse of Brutalist Architecture]]>
      </title>
      <link>https://www.archdaily.com/967215/the-refurbishment-and-adaptive-reuse-of-brutalist-architecture</link>
      <pubDate>Mon, 23 Aug 2021 04:00:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/967215/the-refurbishment-and-adaptive-reuse-of-brutalist-architecture</guid>
      <description>
        <![CDATA[<p><em>"Demolition is a waste of many things – a waste of energy, a waste of material, and a waste of history,"</em> <a class="editor-rtfLink" href="https://www.pritzkerprize.com/laureates/anne-lacaton-and-jean-philippe-vassal?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">says Pritzker-winning architect Anne Lacaton</a>. In recent years, refurbishment and adaptive reuse have become ubiquitous within the architectural discourse, as the profession is becoming more aware of issues such as waste, use of resources and embedded carbon emissions. However, the practice of <a href="https://www.archdaily.com/935980/the-rehabilitation-of-post-war-housing-blocks-in-7-projects">updating the existing building stock</a> lacks consistency, especially when it comes to Brutalist heritage. The following explores the challenges and opportunities of refurbishment and adaptive reuse of post-war architecture, highlighting how these strategies can play a significant role in addressing the climate crisis and translating the net-zero emissions goal into reality while also giving new life to existing spaces.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6122/b0fa/5a3e/0801/642a/89b3/newsletter/boston-city-hall-image-courtesy-of-utile-and-reed-hilderbrand.jpg?1629663489"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Beyond Bauhaus - Modernism In Britain 1933 to 1966]]>
      </title>
      <link>https://www.archdaily.com/925968/beyond-bauhaus-modernism-in-britain-1933-to-1966</link>
      <pubDate>Fri, 04 Oct 2019 12:39:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/925968/beyond-bauhaus-modernism-in-britain-1933-to-1966</guid>
      <description>
        <![CDATA[<p>The 1930s were a pivotal decade for British avantgarde architecture. Despite the relative paucity of modernist buildings being commissioned, by 1937 the country had, for a brief moment, become the epicentre of progressive contemporary architecture in Europe.</p>
<p>This exhibition revisits the impact of three notable Bauhaus &eacute;migr&eacute;s: Walter Gropius, Marcel Breuer and L&aacute;szl&oacute; Moholy-Nagy. Centred on the brief period of 1934-37, when they came to live and work in Britain, it traces this fertile moment in British architectural history and considers where its legacy has had the most enduring impact.</p>
<p>Drawing on the RIBA&rsquo;s unique and world-class collections, little known and rarely</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5d97/759b/284d/d1d7/7b00/01af/newsletter/open-uri20191004-19188-136f7af.jpg?1570207100"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Infographic: The Bauhaus, Where Form Follows Function]]>
      </title>
      <link>https://www.archdaily.com/225792/the-bauhaus</link>
      <pubDate>Thu, 11 Apr 2019 05:30:00 +0000</pubDate>
      <dc:creator>Megan Jett</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/225792/the-bauhaus</guid>
      <description>
        <![CDATA[<p><strong>UPDATE: </strong>In honor of the 100th anniversary of the <a href="http://wp.archdaily.com/tag/bauhaus/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Bauhaus</a>, we’re re-publishing this popular infographic, which was originally published April 16th, 2012.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/55e8/8ea9/6c9d/b5b8/8400/002e/newsletter/bauhaus_intro.jpg?1441304228"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[7 International Examples of How the Bauhaus Lived On After 1933]]>
      </title>
      <link>https://www.archdaily.com/911148/7-international-examples-of-how-the-bauhaus-lived-on-after-1933</link>
      <pubDate>Tue, 12 Feb 2019 08:00:00 +0000</pubDate>
      <dc:creator>Megan Schires</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/911148/7-international-examples-of-how-the-bauhaus-lived-on-after-1933</guid>
      <description>
        <![CDATA[<p dir="ltr">After the dissolution of the <a href="https://www.archdaily.com/tag/bauhaus">Bauhaus</a> due to Nazi political pressure in April 1933, the ideas, teachings, and philosophies of the school were flung across the world as former students and faculty dispersed in the face of impending war. Of the numerous creative talents associated with the Bauhaus, many went on to notable careers elsewhere. Some made a living as artists or practitioners, others either continued or began careers as teachers themselves - and many did both throughout the course of their lives.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5c60/d710/284d/d1bb/2d00/004f/newsletter/BeFunky-collage021019.jpg?1549850373"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Met Set to Leave Breuer Building in 2020 as The Frick Collection Moves In]]>
      </title>
      <link>https://www.archdaily.com/902766/the-met-set-to-leave-breuer-building-in-2020-as-the-frick-collection-moves-in</link>
      <pubDate>Wed, 26 Sep 2018 16:00:00 +0000</pubDate>
      <dc:creator>Eric Baldwin</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/902766/the-met-set-to-leave-breuer-building-in-2020-as-the-frick-collection-moves-in</guid>
      <description>
        <![CDATA[<p>In the latest turn of events for the New York art scene, the Frick Collection has announced that the Met will vacate it's home in <a href="https://www.archdaily.com/tag/marcel-breuer">Marcel Breuer</a>'s <a href="https://www.archdaily.com/783592/the-met-breuer-a-loving-restoration-of-a-mid-century-icon">Madison Avenue building</a> in 2020. As the Art Newspaper <a href="https://www.theartnewspaper.com/news/met-to-leave-breuer-building-making-way-for-the-frick?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">reports</a>, the Frick will move in later that year while its mansion undergoes a renovation and expansion by <a href="https://www.archdaily.com/tag/selldorf-architects">Selldorf Architects</a>. The news follows the <a href="https://www.nytimes.com/2018/06/26/arts/design/frick-collection-expansion-approved.html?action=click&amp;contentCollection=design&amp;contentPlacement=5&amp;module=stream_unit&amp;pgtype=sectionfront&amp;region=stream&amp;rref=collection%2Fsectioncollection%2Fdesign&amp;utm_medium=website&amp;utm_source=archdaily.com&amp;version=latest" target="_blank">recent decision</a> by the New York City Landmarks Preservation Commission to approve the museum’s latest expansion plan to its 1914 Gilded Age mansion. The move is the latest development in an ongoing effort to provide additional space for the Frick Collection. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5bab/bbb2/f197/ccaa/3500/03ed/newsletter/Ed_Lederman.jpg?1537981353"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Iconic Houses Conference: Modernism on the East Coast – Philip Johnson and the Harvard Five]]>
      </title>
      <link>https://www.archdaily.com/891164/iconic-houses-conference-modernism-on-the-east-coast-nil-philip-johnson-and-the-harvard-five</link>
      <pubDate>Thu, 22 Mar 2018 19:30:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/891164/iconic-houses-conference-modernism-on-the-east-coast-nil-philip-johnson-and-the-harvard-five</guid>
      <description>
        <![CDATA[<p>Modernism on the East Coast – Philip Johnson and the Harvard Five</p><p>Our 2018 Iconic Houses Conference and House Tours will explore the East Coast of the USA, retracing the root taken by Modernism when it arrived from Europe. In particular, the New Canaan area has an impressive number of high-quality Modernist homes, because the architects who taught at Harvard built houses for themselves and their friends here. New Canaan is naturally mainly associated with the Glass House. And many of the other masterpieces are the work of Philip Johnson and the Harvard Five. In the 1940s, a group of five</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5ab2/f5cb/f197/ccab/0900/0069/newsletter/open-uri20180322-3791-lkynot.jpg?1521677766"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[7 Abandoned and Deteriorating Latin American Architectural Classics]]>
      </title>
      <link>https://www.archdaily.com/875132/7-abandoned-and-deteriorating-latin-american-architectural-classics</link>
      <pubDate>Tue, 11 Jul 2017 08:00:00 +0000</pubDate>
      <dc:creator>Karina Zatarain</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/875132/7-abandoned-and-deteriorating-latin-american-architectural-classics</guid>
      <description>
        <![CDATA[<p class="p1">How many lives does a great work of architecture have? The first begins when it is built and inhabited, judged based on the quality of life it provides for its residents. The second comes generations later when it becomes historically significant and perhaps its original function no longer suits the demands of society. The value of such buildings is that they inform us about the past and for that reason their conservation is necessary.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/595b/de00/b22e/3822/8900/001a/newsletter/Captura_de_pantalla_2017-07-03_a_la(s)_13.24.02.jpg?1499192828"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Harvard Museums Releases Online Catalogue of 32,000 Bauhaus Works]]>
      </title>
      <link>https://www.archdaily.com/793507/harvard-museums-releases-online-catalogue-of-32000-bauhaus-works</link>
      <pubDate>Wed, 17 Aug 2016 12:45:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/793507/harvard-museums-releases-online-catalogue-of-32000-bauhaus-works</guid>
      <description>
        <![CDATA[<p dir="ltr">In anticipation of the 100th anniversary of the founding of the <a href="http://www.archdaily.com/tag/bauhaus" target="_blank">Bauhaus</a> school in 2019, <a href="http://www.archdaily.com/tag/harvard-art-museums" target="_blank">Harvard Art Museums</a> has released an online catalogue of their 32,000-piece Bauhaus Collection, containing rarely seen drawings and photographs from attendees and instructors of the revolutionary <a href="http://www.archdaily.com/country/germany" target="_blank">German</a> design school.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/57b4/9452/e58e/ce5f/7d00/0036/newsletter/6.jpg?1471452234"></enclosure>
    </item>
  </channel>
</rss>
