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    <title>Tag: marc-fornes | ArchDaily</title>
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        <![CDATA[Marc Fornes / THEVERYMANY Installs Coral-Like Pavilion in 17th Century Bruges Seminary]]>
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      <link>https://www.archdaily.com/896176/marc-fornes-theverymany-installs-coral-like-pavilion-in-17th-century-bruges-seminary</link>
      <pubDate>Sat, 07 Jul 2018 14:00:00 +0000</pubDate>
      <dc:creator>Jack McManus</dc:creator>
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        <![CDATA[<p dir="ltr">As a part of the second <a href="https://www.archdaily.com/tag/bruges-triennale">Art and Architecture Triennial</a> in <a href="/tag/bruges">Bruges</a>, <a href="https://www.archdaily.com/tag/marc-fornes">Marc Fornes / THEVERYMANY</a>’s prototype pavilion entitled <em>nonLin/Lin</em> has been taken out of storage and placed on public display for the first time. <a href="https://www.archdaily.com/152723/nonlinlin-pavilion-marc-fornes">First commissioned and displayed</a> in 2011 by the <a href="https://www.archdaily.com/tag/frac-centre">FRAC Centre</a> in Orleans, France, the exhibition will explore the rise of computational form-making. The work will spend the summer installed in the nave of the Grootseminarie, a 17th century Cistercian Abbey hosting an exhibition curated by <a href="/tag/abdelkader-damani">Abdelkader Damani</a> entitled <em>Liquid Architectures</em>.</p>]]>
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        <![CDATA[Marc Fornes / THEVERYMANY Uses Intensive Curvature to Create Suspended Self-Supporting Structure]]>
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      <link>https://www.archdaily.com/804473/marc-fornes-theverymany-uses-intensive-curvature-to-create-suspended-self-supporting-structure</link>
      <pubDate>Fri, 03 Feb 2017 08:00:00 +0000</pubDate>
      <dc:creator>Osman Bari</dc:creator>
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        <![CDATA[<p>A giant, smooth coral? A cloud-like barnacle? A woman's floral swimming cap?”</p>]]>
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        <![CDATA[MARC FORNES/THEVERYMANY Design "Spineway" in San Antonio]]>
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      <link>https://www.archdaily.com/786546/marc-fornes-theverymany-design-spineway-in-san-antonio</link>
      <pubDate>Fri, 29 Apr 2016 14:00:00 +0000</pubDate>
      <dc:creator>Vladimir Gintoff</dc:creator>
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        <![CDATA[<p dir="ltr"><a href="https://theverymany.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">MARC FORNES/THEVERYMANY</a> has unveiled “Spineway”, a permanent public artwork commissioned by the <a href="http://www.sanantonio.gov/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">City of San Antonio</a> in <a href="http://www.sanantonio.gov/ParksAndRec/ParksFacilities/AllParksFacilities/ParksFacilitiesDetails/TabId/3354/ArtMID/14820/ArticleID/2456/Woodlawn-Lake-Park.aspx?Facility=&amp;Park=262&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Woodlawn Lake Park</a>. Calling to mind the midcentury marvels of <a href="https://en.wikipedia.org/wiki/Alexander_Calder?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Alexander Calder</a> or <a href="https://en.wikipedia.org/wiki/Mark_di_Suvero?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Mark di Suvero</a>, Spineway has been digitally fabricated with custom computational protocols of structural form-finding and descriptive geometry. As with <a href="http://www.archdaily.com/596033/marc-fornes-theverymany-constructs-self-supported-vaulted-willow-with-ultra-thin-aluminum-shells" target="_blank">past projects by MARC FORNES/THEVERYMANY</a> the studio posits, “Spineway is consistent with the studio's approach of exploring structural performance while catalyzing public places through dynamic and unique spatial experiences.”</p>]]>
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        <![CDATA[The Versatility of Corian, from Countertops to Railings]]>
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      <link>https://www.archdaily.com/774165/the-versatility-of-corian-from-countertops-to-railings</link>
      <pubDate>Wed, 23 Sep 2015 10:30:00 +0000</pubDate>
      <dc:creator>Vladimir Gintoff</dc:creator>
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        <![CDATA[<p dir="ltr">If there was a most radical decade of the last century, few would come close to topping the 1960s. From the Bay of Pigs to the Beatles, Marilyn Monroe to the moon landing, there was rarely a dull moment. The world of materials was also involved, seeing the invention of a polymer surface of acrylic resin and natural minerals that was easy to clean, scratch resistant, seamless, and hygienic. Better known as <a href="http://www.archdaily.com/tag/corian">Corian</a>, the surface developed by <a href="https://en.wikipedia.org/wiki/DuPont?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">DuPont</a> chemist Donald Slocum in 1967 was a material that met the tough challenges of modern living.</p>]]>
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        <![CDATA[Video: The Wings / Studio Daniel Libeskind]]>
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      <link>https://www.archdaily.com/770935/video-the-wings-studio-daniel-libeskind</link>
      <pubDate>Mon, 27 Jul 2015 16:20:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
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        <![CDATA[<p><a href="http://www.archdaily.com/tag/daniel-libeskind" target="_blank">Daniel Libeskind</a> teamed up with the professionals at <a href="http://immersive.eu/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Immersive</a> and <a href="http://innovision.eu/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Innovision</a> to realize the four 10-meter-high, "shimmering" sculptures that are outlining the <a href="http://www.archdaily.com/tag/milan-expo-2015" target="_blank">Milan Expo 2015</a>'s central square. The LED-lit <a href="http://www.archdaily.com/tag/aluminium/" target="_blank">aluminium</a> structures, dubbed "the Wings," were designed to "animate the public space with a constant flow of pulsating patterns and imagery related to the theme of the Expo: health, energy, sustainability and technology." They will remain on view through the duration of the Expo, which concludes October 31.</p>]]>
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        <![CDATA[Marc Fornes / THEVERYMANY Installations Transform INRIA ]]>
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      <link>https://www.archdaily.com/606730/marc-fornes-theverymany-installations-transform-inria</link>
      <pubDate>Fri, 06 Mar 2015 16:00:11 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
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        <![CDATA[<p><a href="http://theverymany.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Marc Fornes / THEVERYMANY</a> has realized two permanent installations - “Under Stress” and “Sous Tension” - in the public areas of the Department of Computer Science at the French Institute for Research in Computer Science and Automation (INRIA). Both structures “utilize programming techniques inherent in computer science to optimize the form and creating a pattern on the surface.” </p>]]>
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        <![CDATA[Marc Fornes / THEVERYMANY Constructs Self-Supported “Vaulted Willow” with Ultra-Thin Aluminum Shells]]>
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      <link>https://www.archdaily.com/596033/marc-fornes-theverymany-constructs-self-supported-vaulted-willow-with-ultra-thin-aluminum-shells</link>
      <pubDate>Fri, 06 Feb 2015 00:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
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        <![CDATA[<p class="p1">The <a href="/tag/edmonton">Edmonton</a> Arts Council has commissioned <a href="http://theverymany.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Marc Fornes / THEVERYMANY</a> to construct an “architectural folly” in the Canadian city’s Borden Park. The project, known as “Vaulted Willow,” aims to “resolve and delineate structure, skin and ornamentation into a single unified system” by “exploring lightweight, ultra-thin, self-supported shells through the development of custom computational protocols of structural form-finding and descriptive geometry.”</p>]]>
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