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    <title>Tag: london | ArchDaily</title>
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        <![CDATA[Graham Foundation Announces 54 Grants for Individuals Exploring Architecture Through Research and Creative Practice]]>
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      <link>https://www.archdaily.com/1042684/graham-foundation-announces-54-grants-for-individuals-exploring-architecture-through-research-and-creative-practice</link>
      <pubDate>Tue, 23 Jun 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/graham-foundation">The Graham Foundation</a> has announced the recipients of its 2026 Grants to Individuals program, awarding a total of $506,000 to 54 projects that investigate architecture through <a href="https://www.archdaily.com/tag/exhibitions">exhibitions</a>, <a href="https://www.archdaily.com/tag/films">films</a>, <a href="https://www.archdaily.com/tag/publications">publications</a>, and <a href="https://www.archdaily.com/tag/research">research</a> initiatives. Selected from more than 600 submissions to the Foundation's September 2025 application cycle, the grants support work by 86 <a href="https://www.archdaily.com/tag/architects">architects</a>, <a href="https://www.archdaily.com/tag/artist">artists</a>, curators, <a href="https://www.archdaily.com/tag/designers">designers</a>, filmmakers, historians, scholars, and writers, reflecting a broad range of interdisciplinary approaches to the <a href="https://www.archdaily.com/tag/built-environment">built environment</a> and its cultural, social, and political dimensions.</p>]]>
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        <![CDATA[The London Museum Moves to Smithfield's Restored General Market Ahead of Long-Awaited Opening]]>
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      <link>https://www.archdaily.com/1042614/the-london-museum-moves-to-smithfields-restored-general-market-ahead-of-long-awaited-opening</link>
      <pubDate>Mon, 22 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The original <a href="/tag/museum-of-london">Museum of London</a> building at London Wall permanently closed to the public in December 2022 to prepare for its relocation. Despite community claims to preserve the modernist building, <a href="https://www.archdaily.com/1024498/the-museum-of-london-exploring-the-brutalist-landmark-facing-demolition" target="_blank" rel="noopener">demolition plans for the brutalist landmark were approved in 2024</a> to make way for the London Wall West redevelopment project. The Museum of London was then officially rebranded as the London Museum and <a href="https://www.archdaily.com/944062/museum-of-londons-new-home-receives-planning-approval" target="_blank" rel="noopener">relocated to the historic General Market in Smithfield</a>. The decade-long restoration project of the new location was <a href="https://www.archdaily.com/792230/stanton-williams-and-asif-khan-selected-to-design-future-home-for-the-museum-of-london" target="_blank" rel="noopener">carried out by Stanton Williams and Asif Khan, alongside conservation architect Julian Harrap</a>. The official opening of the Museum's new permanent galleries is scheduled for November 28, 2026.</p>]]>
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        <![CDATA[Heatherwick Studio and SPPARC Unveil First Phase of Olympia's Transformation in West London]]>
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      <link>https://www.archdaily.com/1042436/heatherwick-studio-and-spparc-unveil-first-phase-of-olympias-transformation-in-west-london</link>
      <pubDate>Mon, 15 Jun 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/heatherwick-studio">Heatherwick Studio</a> and <a href="https://www.archdaily.com/office/spparc-studio">SPPARC</a> have unveiled the first phase of <a href="https://www.archdaily.com/1017625/heatherwick-studio-reveals-expansive-glass-canopy-for-olympias-regeneration-project-in-london">the transformation of Olympia</a>, a historic <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> complex in West <a href="https://www.archdaily.com/tag/london/page/1">London</a>, into a mixed-use cultural destination. Originally opened in 1886, the <a href="https://www.archdaily.com/tag/victorian-architecture/page/1">Victorian</a> landmark is undergoing a large-scale <a href="https://www.archdaily.com/tag/redevelopment/page/1">redevelopment</a> that aims to reconnect the 14-acre site with the surrounding city through new <a href="https://www.archdaily.com/tag/public-spaces">public spaces</a>, cultural venues, hospitality programs, and commercial facilities. The opening is marked by the completion of a new public canopy, which introduces elevated pedestrian circulation and serves as a gateway into the broader master plan while framing new views across <a href="https://www.archdaily.com/tag/olympia/page/1">Olympia</a>'s historic roofscape. The intervention forms part of a broader <a href="https://www.archdaily.com/tag/master-plan">master plan</a> that will be implemented through 2026 and 2027.</p>]]>
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        <![CDATA[Cherry Orchard  Shared Living Spaces / Actual Office]]>
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      <link>https://www.archdaily.com/1042278/cherry-orchard-shared-living-spaces-actual-office</link>
      <pubDate>Tue, 09 Jun 2026 10:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
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        <![CDATA[Commercial Architecture]]>
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        <![CDATA[<p>Actual Office has completed the fit-out of a series of shared living spaces in South <a href="/tag/london">London</a>, defined by a simple but strong design idea and curated material palette that balances warmth, durability, and spatial clarity. Collaborating with a dynamic client, Actual Office established a unified design vision and applied it to a series of interconnected shell spaces, transforming them into a refined residential environment.</p>]]>
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        <![CDATA[The 25th Serpentine Pavilion Designed by LANZA atelier Opens to the Public on June 6th, 2026]]>
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      <link>https://www.archdaily.com/1042141/the-25th-serpentine-pavilion-designed-by-lanza-atelier-opens-to-the-public-on-june-6th-2026</link>
      <pubDate>Wed, 03 Jun 2026 05:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/1038001/lanza-atelier-selected-to-design-the-2026-serpentine-pavilion">The 2026 Serpentine Pavilion</a>, titled "a serpentine," designed by Mexico City-based architecture studio <a href="https://www.archdaily.com/office/lanza-atelier?ad_source=search&amp;ad_medium=search_result_professionals">LANZA atelier</a>, will open to the public on 6 June 2026 at Serpentine South in <a href="/tag/london">London</a>. Newly released preview-days images show the completed structure ahead of its seasonal activation, which will run through 25 October 2026 and include Serpentine's annual programme of public events. Now in its 25th edition, the <a href="https://www.archdaily.com/tag/serpentine-pavilion/page/1">Serpentine Pavilion</a> marks <a href="https://www.archdaily.com/790106/round-up-the-serpentine-pavilion-through-the-years">a milestone for the annual commission</a> first launched in 2000 with <a href="https://www.archdaily.com/tag/zaha-hadid">Zaha Hadid</a>'s inaugural project. To commemorate the anniversary, <a href="https://www.archdaily.com/tag/serpentine-galleries/page/1">Serpentine Galleries</a> will also collaborate with the <a href="https://www.archdaily.com/tag/zaha-hadid-foundation/page/1">Zaha Hadid Foundation</a> and the <a href="https://www.archdaily.com/tag/architectural-association/page/1">Architectural Association</a> on a parallel programme reflecting on the Pavilion's legacy and its role in contemporary architectural discourse.</p>]]>
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        <![CDATA[Unit 2F / Mutter]]>
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      <link>https://www.archdaily.com/1041544/unit-2f-mutter</link>
      <pubDate>Tue, 19 May 2026 10:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Offices]]>
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        <![CDATA[<p>In the heart of Hackney Wick, a neighborhood once at the centre of industry and rave culture—and where the first plastic in the UK was manufactured—stands one of the last original warehouses to survive the wave of generic <a href="/tag/london">London</a> architecture. When Helena first moved into the space she now calls home, 11 years ago, there wasn't a crane in sight. The streets were quiet, almost free of CCTV, and buildings looked abandoned at first glance. Behind closed doors, though, life thrived. Underground communities of artists, makers, and eccentrics carved out a life in one of the most expensive cities in the world, coexisting with mechanics, welders, lumber yards, and other industrial neighbors.</p>]]>
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        <![CDATA[LANZA atelier Reveals New Details for the 2026 Serpentine Pavilion]]>
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      <link>https://www.archdaily.com/1038001/lanza-atelier-selected-to-design-the-2026-serpentine-pavilion</link>
      <pubDate>Mon, 18 May 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Mexican architecture practice <a href="https://www.archdaily.com/office/lanza-atelier?ad_source=search&amp;ad_medium=search_result_professionals">LANZA atelier</a> has unveiled new details for the 2026 <a href="https://www.archdaily.com/tag/serpentine-pavilion">Serpentine Pavilion</a>, titled "a serpentine," which will open to the public on 6 June 2026 at Serpentine South. Designed by studio founders <a href="https://www.archdaily.com/tag/isabel-abascal/page/1">Isabel Abascal</a> and <a href="https://www.archdaily.com/tag/alessandro-arienzo/page/1">Alessandro Arienzo</a>, the project reinterprets the historic serpentine or crinkle-crankle wall through a lightweight brick structure integrated into the landscape of <a href="https://www.archdaily.com/tag/hyde-park/page/1">Hyde Park</a>. Marking the 25th edition of the annual commission, the pavilion will remain on view through October 2026 and serve as a venue for <a href="https://www.archdaily.com/tag/serpentine/page/1">Serpentine</a>'s public programme of performances, talks, screenings, and community events.</p>]]>
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        <![CDATA[In Other Worlds by Liam Young Reimagines Cities, Landscapes, and Climate Futures at the Barbican Centre]]>
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      <link>https://www.archdaily.com/1041349/in-other-worlds-by-liam-young-reimagines-cities-landscapes-and-climate-futures-at-the-barbican-centre</link>
      <pubDate>Fri, 08 May 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041349/in-other-worlds-by-liam-young-reimagines-cities-landscapes-and-climate-futures-at-the-barbican-centre</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/barbican">The Barbican Centre</a> has announced In Other Worlds, a major immersive <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> by speculative architect, filmmaker, and artist <a href="https://www.archdaily.com/tag/liam-young/page/1">Liam Young</a>, opening from May 21 through September 6, 2026. Occupying three distinct locations within the <a href="https://www.archdaily.com/tag/barbican">Barbican</a> complex, the Silk Street Entrance, The Curve gallery, and Car Park 5, the exhibition will transform <a href="https://www.archdaily.com/1024907/the-barbican-center-to-undergo-major-renewal-and-upgrade-planned-to-begin-first-phase-in-2027?ad_campaign=normal-tag">the Brutalist cultural landmark</a> into a sequence of cinematic environments examining <a href="https://www.archdaily.com/tag/architecture">architecture</a>, infrastructure, climate futures, and planetary urbanism. Developed in collaboration with writers, scientists, filmmakers, musicians, and performers, the project brings together large-scale projections, LED installations, sound environments, graphic narratives, costumes, and speculative artifacts to explore how fiction and spatial storytelling can shape conversations around environmental and technological change.</p>]]>
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        <![CDATA[Designing with Air: Rethinking Architecture Beyond the Wall]]>
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      <link>https://www.archdaily.com/1040962/designing-with-air-rethinking-architecture-beyond-the-wall</link>
      <pubDate>Sat, 02 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>Architecture is traditionally chronicled through the persistence of the solid. We define the discipline by the weight of the lintel, the mass of the pier, and the resistance of the <a href="https://www.archdaily.com/tag/walls">wall</a>. <a href="https://www.archdaily.com/1040611/why-do-we-want-to-float-the-psychology-of-lightness-in-architecture?ad_campaign=special-tag" target="_blank" rel="noopener">Even when lightness is invoked</a>, it is usually understood as a subtractive act, the thinning of a section or the precarious reduction of a load. Yet there is a parallel history, less visible and harder to isolate, in which the primary material of construction is not what occupies space, but what moves through it.</p>]]>
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        <![CDATA[West London House  / Goldstein Heather]]>
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      <link>https://www.archdaily.com/1040575/west-london-house-goldstein-heather</link>
      <pubDate>Tue, 28 Apr 2026 10:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p>Goldstein Heather has completed West <a href="/tag/london">London</a> House, an ambitious four-storey lateral extension that extends a narrow end-of-terrace Victorian home in Stamford Brook over the site of a former, now demolished, Territorial Army building. Known for their preference for enduring forms, natural materials, and a resistance to short-lived architectural trends, Goldstein Heather was a natural fit for a project that demanded both contextual sensitivity and the creation of spaces that feel perennial.</p>]]>
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        <![CDATA[Milan Design Week 2026 and Níall McLaughlin Architects’ Cathedral Precinct in Sydney: This Week’s Review]]>
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      <link>https://www.archdaily.com/1040716/milan-design-week-2026-and-niall-mclaughlin-architects-cathedral-precinct-in-sydney-this-weeks-review</link>
      <pubDate>Thu, 16 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>As major <a href="https://www.archdaily.com/tag/cultural">cultural events</a>, institutional transformations, and new architectural commissions unfold across different geographies, <a href="https://www.archdaily.com/tag/ad-this-week-in-architecture">this week</a>'s discourse highlights how <a href="https://www.archdaily.com/tag/architecture">architecture</a> operates at the intersection of public life, creativity, and long-term adaptation. With <a href="https://www.archdaily.com/1040640/milan-design-week-2026-must-see-installations-exhibitions-and-events">Milan Design Week 2026 </a>foregrounding process, <a href="https://www.archdaily.com/tag/experimentation">experimentation</a>, and citywide participation, the projects and initiatives emerging this week point to a broader shift toward openness, accessibility, and experiential engagement across disciplines and urban contexts. Ongoing investments in cultural infrastructure, from new <a href="https://www.archdaily.com/tag/museums">museums</a> to large-scale renovations and competition-winning proposals, further underscore how institutions continue to recalibrate their spatial and social roles in response to evolving environmental, technological, and cultural demands.</p>]]>
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        <![CDATA[V&A East Museum by O’Donnell + Tuomey to Open in East London’s Cultural Quarter]]>
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      <link>https://www.archdaily.com/1040679/v-and-a-east-museum-by-odonnell-plus-tuomey-to-open-in-east-londons-cultural-quarter</link>
      <pubDate>Wed, 15 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/v-and-a-museum" target="_blank" rel="noopener">V&amp;A East Museum</a>, designed by architects <a href="https://www.archdaily.com/office/o-donnell-tuomey-architects" target="_blank" rel="noopener">O'Donnell + Tuomey</a>, will open to the public on 18 April 2026. <a href="https://www.archdaily.com/905127/v-and-a-east-revealed-with-new-designs-by-diller-scofidio-plus-renfro-and-odonnell-plus-tuomey" target="_blank" rel="noopener">Assigned to the firm in 2015</a>, the new building is located in the Queen Elizabeth Olympic Park, near its <a href="https://www.archdaily.com/1030656/diller-scofidio-plus-renfro-completes-v-and-a-east-storehouse-in-queen-elizabeth-olympic-park" target="_blank" rel="noopener">recently opened sister facility, the V&amp;A East Storehouse</a>, designed by <a href="https://www.archdaily.com/office/diller-scofidio-plus-renfro" target="_blank" rel="noopener">Diller Scofidio + Renfro</a>. Located in East <a href="/tag/london">London</a>, the UK's newest cultural quarter supported by the Mayor of London, the two-building complex aims to "spotlight the many ways global artists, designers, and makers use creativity to shape the world." Dedicated to creative opportunity and its power to bring change, the museum's five public levels contain two permanent galleries, a 900 sqm temporary exhibition gallery, a top-floor project and event space, learning facilities, and a café.</p>]]>
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        <![CDATA[Mozart House / Studio DERA]]>
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      <link>https://www.archdaily.com/1040494/mozart-house-studio-dera</link>
      <pubDate>Tue, 14 Apr 2026 10:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Extension]]>
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        <![CDATA[<p>A rare opportunity to extend an historic property in Belgravia, Studio DERA adds 85m2 of modern architecture to this period home</p>]]>
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        <![CDATA[From London to Houston: Four Ongoing Pedestrianisation Initiatives Shaping More Walkable Cities]]>
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      <link>https://www.archdaily.com/1037458/from-london-to-houston-four-ongoing-pedestrianisation-initiatives-shaping-more-walkable-cities</link>
      <pubDate>Fri, 10 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="837" data-end="2036">Across Europe and North America, pedestrianisation is increasingly being deployed as a context-specific urban strategy shaped by distinct economic, social, and spatial pressures. As cities continue to reassess the role of streets in the wake of economic shifts, climate pressures, and changing mobility patterns, pedestrianisation is emerging as a tool in current urban transformation efforts. Across <a href="https://www.archdaily.com/city/london" target="_blank" rel="noopener">London</a>, <a href="https://www.archdaily.com/city/new-york" target="_blank" rel="noopener">New York</a>, <a href="https://www.archdaily.com/city/houston" target="_blank" rel="noopener">Houston</a>, and <a href="https://www.archdaily.com/city/stockholm" target="_blank" rel="noopener">Stockholm</a>, ongoing pedestrian-first projects are testing different pathways toward more resilient and walkable cities, ranging from statutory planning and capital construction to research-driven visioning. London's Oxford <a href="/tag/street">Street</a> is advancing through consultation and governance reform to address retail decline; New York's Paseo Park is moving from a temporary pandemic intervention into permanent infrastructure; Houston is accelerating the pedestrianisation of its downtown core in preparation for a global sporting event; and Stockholm's Superline is using design research to rethink the future of an inner-city motorway. These initiatives reveal how pedestrianisation is being actively negotiated, designed, and built today, adapting to local motivations while converging on a shared objective of streets that perform as resilient public spaces rather than traffic conduits.</p>]]>
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        <![CDATA[Kengo Kuma and Associates Wins Competition to Design New Wing for London's National Gallery]]>
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      <link>https://www.archdaily.com/1040477/kengo-kuma-and-associates-wins-competition-to-design-new-wing-for-londons-national-gallery</link>
      <pubDate>Thu, 09 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/national-gallery-of-art">London's National Gallery</a> has announced <a href="https://www.archdaily.com/office/kengo-kuma-and-associates?ad_source=search&amp;ad_medium=search_result_professionals">Kengo Kuma &amp; Associates</a>, in collaboration with <a href="https://www.archdaily.com/office/bdp?ad_source=search&amp;ad_medium=search_result_professionals">BDP</a> and <a href="https://www.archdaily.com/office/mica-architects?ad_source=search&amp;ad_medium=search_result_professionals">MICA</a>, as the winners of the <a href="https://www.archdaily.com/tag/international-competition">international competitio</a>n to design a new wing for the institution. Launched in September 2025, the competition attracted 65 submissions from international practices, <a href="https://www.archdaily.com/1036901/londons-national-gallery-unveils-shortlist-for-expansion-featuring-farshid-moussavi-foster-plus-partners-rpbw-and-kengo-kuma?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">from which six teams were shortlisted to develop proposals</a>. The selection marks a key milestone in the institution's long-term development strategy, <a href="https://www.nationalgallery.org.uk/about-us/project-domani?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Project Domani</a>, positioning the new addition as a central component in the reconfiguration of its architectural and curatorial framework. Conceived as the most significant <a href="https://www.archdaily.com/tag/transformation">transformation</a> of the <a href="https://www.archdaily.com/tag/museum/page/1">museum</a> since its establishment in 1824, the project aims to expand both spatial capacity and curatorial scope, enabling the presentation of a continuous narrative of Western painting within a single setting.</p>]]>
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        <![CDATA[Orms Appointed to Lead Redevelopment of London’s BT Tower into Hotel]]>
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      <link>https://www.archdaily.com/1039600/orms-appointed-to-lead-redevelopment-of-londons-bt-tower-into-hotel</link>
      <pubDate>Fri, 13 Mar 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039600/orms-appointed-to-lead-redevelopment-of-londons-bt-tower-into-hotel</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/567118/20th-century-society-presents-100-buildings-100-years-at-the-royal-academy-of-art/5463d2e0e58eceecb50000c7-1964-bt-tower-lond">BT Tower</a>, one of London's most recognizable postwar landmarks, is set to be converted into a hotel. <a href="https://www.archdaily.com/tag/london">London</a>-based architecture practice <a href="https://www.archdaily.com/tag/orms">Orms</a> has been appointed to lead the redevelopment following the acquisition of the Grade II–listed tower by the American hospitality company MCR Hotels in early 2024. The project was initially <a href="https://www.archdaily.com/1013767/reimagining-londons-iconic-bt-tower-heatherwick-studios-vision-for-a-hotel-transformation?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">expected to be led by Heatherwick Studio</a>, though the practice is no longer involved; Orms will now advance the scheme and is expected to present its initial proposals during a first round of public consultations scheduled for May. Construction cannot begin until the decommissioning and removal of telecommunications equipment by BT Group, a process currently expected to conclude around 2030.</p>]]>
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        <![CDATA[Smiljan Radić Clarke: Get to Know the 2026 Pritzker Winner's Work]]>
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      <link>https://www.archdaily.com/1039546/smiljan-radic-clarke-get-to-know-the-2026-pritzker-winners-work</link>
      <pubDate>Thu, 12 Mar 2026 09:15:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p>The 2026 Pritzker Price Award has been awarded this year to the Chilean architect of Croatian descent, <a href="https://www.archdaily.com/office/smiljan-radic" target="_blank" rel="noopener">Smiljan Radić Clarke</a>. Born in <a href="/tag/santiago">Santiago</a>, <a href="/tag/chile">Chile</a>, in 1965, his practice evokes a geography of extremes, shaped by the tectonic tension between the staggering weight of the Andes and the seismic instability of the territory. After graduating from the Pontifical Catholic University of Chile and pursuing further studies in <a href="https://www.archdaily.com/895127/10-chapels-in-a-venice-forest-comprise-the-vaticans-first-ever-biennale-contribution" target="_blank" rel="noopener">aesthetics in Venice</a>, Smiljan Radić Clarke established his base in Santiago. From there, he has developed one of the most singular visions in contemporary architecture. His work privileges the intensity of the moment through a fragile architecture. Within it, the building operates as a temporary and tactile refuge that places the spectator in a state of aesthetic uncertainty, oscillating between ancestral ruin and avant-garde artefact.</p>]]>
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        <![CDATA[Studio Egret West to Masterplan the Future Phases of Battersea Power Station Regeneration in London]]>
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      <link>https://www.archdaily.com/1039066/studio-egret-west-to-masterplan-the-future-phases-of-battersea-power-station-regeneration-in-london</link>
      <pubDate>Wed, 25 Feb 2026 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039066/studio-egret-west-to-masterplan-the-future-phases-of-battersea-power-station-regeneration-in-london</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/battersea-power-station" target="_blank" rel="noopener">Battersea Power Station</a> is a former coal-fired power station located on the south bank of the River Thames in <a href="https://www.archdaily.com/148522/architecture-city-guide-london" target="_blank" rel="noopener">London</a>, originally designed by architects J. Theo Halliday and Giles Gilbert Scott. Notable for its appearance on the cover of Pink Floyd's 1977 studio album <em>Animals </em>and in Alfred Hitchcock's 1936 film <em>Sabotage</em>, the station is one of the world's largest brick buildings and is known for its Art Deco interior fittings and décor. Recognized today as part of modern <a href="/tag/industrial">industrial</a> heritage, the site's transformation into a commercial development began in 2012, with the adaptive reuse guided by a masterplan designed by <a href="https://www.archdaily.com/office/rafael-vinoly-architects" target="_blank" rel="noopener">Rafael Viñoly</a>. On February 16, Battersea Power Station announced the appointment of the strategic urban design practice <a href="https://www.archdaily.com/tag/studio-egret-west" target="_blank" rel="noopener">Studio Egret West</a> to evolve the original masterplan for the remaining 16 acres of the 42-acre riverside neighbourhood in the southwest London.</p>]]>
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