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    <title>Tag: lighting-design | ArchDaily</title>
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      <title>
        <![CDATA[From Salt Extraction to Architecture: A Journey Through History]]>
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      <link>https://www.archdaily.com/1042759/from-salt-extraction-to-architecture-a-journey-through-history</link>
      <pubDate>Wed, 08 Jul 2026 06:04:12 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>Architecture often draws on the history of a place, translating local narratives into contemporary forms, materials, and spatial experiences. Located in the spa town of Bad Orb near Frankfurt, <em>ALEA RESORT HIDEAWAY</em> follows this approach, taking inspiration from the site's history of salt extraction.</p>]]>
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        <![CDATA[From Lighting to Modular Systems: ArchDaily’s Selection of 13 Architect-Designed Objects at Milan Design Week 2026]]>
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      <link>https://www.archdaily.com/1041143/from-lighting-to-modular-systems-archdailys-selection-of-13-architect-designed-objects-at-milan-design-week-2026</link>
      <pubDate>Mon, 04 May 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Each spring, <a href="https://www.archdaily.com/tag/milan-design-week-2026">Milan Design Week 2026</a> transforms the city into a distributed platform for design culture, where prototypes, product launches, and research-driven explorations coexist across multiple scales, including a growing presence of architect-designed objects. <a href="https://www.archdaily.com/1040861/salone-del-mobililano-and-milan-design-week-2026-open-across-the-city-and-fairgrounds?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">Held from April 20 to 26</a>, the 2026 edition once again centered around <a href="https://www.archdaily.com/tag/salone-del-mobile-2026">the 64th Salone del Mobile.Milano</a> at Fiera Milano, complemented by a network of independent venues and exhibitions throughout the city, an expanded landscape that is further reflected in <a href="https://www.archdaily.com/1040989/15-architectural-installations-and-exhibitions-at-the-2026-milan-design-week?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all" target="_blank" rel="noopener">ArchDaily's accompanying selection of installations and exhibitions</a> from this year's program.</p>]]>
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        <![CDATA[Evenly Lit, Not Overlit: Rethinking Brightness in Subtropical Cities]]>
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      <link>https://www.archdaily.com/1039778/evenly-lit-not-overlit-rethinking-brightness-in-subtropical-cities</link>
      <pubDate>Fri, 20 Mar 2026 05:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>In South China, there is occasionally an urban myth—especially across <a href="/tag/hong-kong">Hong Kong</a>, <a href="/tag/shenzhen">Shenzhen</a>, and Guangzhou—about choosing a home that avoids western light. Over decades, the <a href="https://www.archdaily.com/1038939/what-happens-when-solar-is-treated-as-a-building-material?ad_source=search&amp;ad_medium=search_result_articles">west-facing sun</a> has proven to be a particularly difficult condition to live with: its low angle in the afternoon, its aggressive <a href="https://www.archdaily.com/1039072/thermal-memory-how-climate-shapes-architectural-heritage?ad_source=search&amp;ad_medium=search_result_articles">heat gain</a> (especially in summer), and the way it penetrates deep into interiors. With global warming and longer, hotter seasons, that much-romanticized "afternoon glow" is increasingly experienced less as romance and more as <a href="https://www.archdaily.com/1037526/can-shading-become-energy-from-passive-facades-to-productive-envelopes?ad_source=search&amp;ad_medium=search_result_articles">glare, heat,</a> and fatigue. Although this wisdom circulates as a community-driven rule of thumb, it carries an undeniable architectural clarity about building orientations: avoiding western light is not only about thermal comfort, but also about avoiding the sharpest, most intrusive form of direct illumination—light that strikes at the most unforgiving angle, washing surfaces, flattening depth, and turning rooms into high-contrast fields of discomfort.</p>]]>
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        <![CDATA[OPPLE Turns 30 by Making Light a Building Material]]>
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      <link>https://www.archdaily.com/1039455/opple-turns-30-by-making-light-a-building-material</link>
      <pubDate>Thu, 12 Mar 2026 01:30:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039455/opple-turns-30-by-making-light-a-building-material</guid>
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        <![CDATA[<p>At Light + Building 2026 in Frankfurt, <a href="https://www.opple.eu/en?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">OPPLE Lighting</a> marked its 30th anniversary with an architectural proposition rather than a retrospective. Presented under the theme "Hi Light!," the company unveiled <em data-start="377" data-end="393">Light as Cloud</em>, a booth designed by OMA. The installation also served as the international debut platform for OLL, OPPLE's new high-end design brand. Rather than functioning as a conventional product display, the project positioned light as a spatial system—one that shapes architecture, circulation, and perception.</p>]]>
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        <![CDATA[The Evolving Practice of Designing Light in Scandinavian Environments]]>
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      <link>https://www.archdaily.com/1036987/the-evolving-practice-of-designing-light-in-scandinavian-environments</link>
      <pubDate>Fri, 26 Dec 2025 04:00:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
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        <![CDATA[<p>Scandinavia is shaped by environmental conditions that test both human endurance and architectural ingenuity, with long winters defined by limited daylight, low sun angles, deep snowfall, and cold winds that transform everyday movement, gathering, and habitation into deliberate acts. In this context, architecture is never neutral, and hospitality is never incidental. Buildings that welcome visitors across cities, forests, and coastlines must respond directly to darkness and cold, not by denying them, but by creating interior worlds that offer orientation, warmth, and psychological relief. The act of welcoming in <a href="/tag/scandinavia">Scandinavia</a> is therefore inseparable from the climate, grounded in the understanding that shelter, light, and human presence are fundamental resources in <a href="/tag/arctic">Arctic</a> environments.</p>]]>
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        <![CDATA[What if the Smallest Detail Helped Shape the Mood of a Space?]]>
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      <link>https://www.archdaily.com/1036775/what-if-the-smallest-detail-helped-shape-the-mood-of-a-space</link>
      <pubDate>Mon, 15 Dec 2025 01:30:00 +0000</pubDate>
      <dc:creator>Kiana Buchberger</dc:creator>
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        <![CDATA[<p>Across recent architectural discourse, interior design has been centered on how spaces shape psychological and atmospheric experience, and on what gives interior environments their emotional resonance. Attention has shifted toward small details rather than relying primarily on form or structure. <a href="https://www.archdaily.com/1027315/beyond-form-how-light-and-shadow-define-architectural-atmosphere?ad_campaign=special-tag">Light, for instance, is not only a technical requirement but also an architectural material in its own right</a>. It can structure space, animate surfaces, define textures, and shape atmosphere while influencing well-being. At the same time, <a href="https://www.archdaily.com/1028585/less-or-more-the-psychological-influence-of-minimalist-and-maximalist-spaces?ad_campaign=special-tag">the characteristics between minimalism and maximalism</a> shape how atmospheres are perceived, prompting reflection on how approaches to simplicity or exuberance might influence mood. Rather than existing as opposing aesthetics, these tendencies explore how interiors interact with mental states, reflect personal identity, and respond to the subtle shifts in the way people inhabit and experience space.</p>]]>
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        <![CDATA[The Line of Fragile Radiance: Neon Light as Atelier, Architecture, and Archive]]>
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      <link>https://www.archdaily.com/1036540/the-line-of-fragile-radiance-neon-light-as-atelier-architecture-and-archive</link>
      <pubDate>Sun, 07 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036540/the-line-of-fragile-radiance-neon-light-as-atelier-architecture-and-archive</guid>
      <description>
        <![CDATA[<p>The fragility—and temporal beauty—of <a href="https://www.archdaily.com/645768/light-matters-a-flash-back-to-the-glittering-age-of-las-vegas-at-the-neon-museum?ad_source=search&amp;ad_medium=search_result_articles">neon </a>has captivated audiences since the early 1900s. First shown commercially by French engineer Georges Claude at the 1910 Paris Motor Show, neon spread rapidly, achieving <a href="https://northamericansigns.com/golden-age-neon/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">broad popularity in the United States from the 1920s</a> through the 1950s. Mid-century America saw it everywhere: from the casinos of the Las Vegas Strip to roadside motor inns along Route 66 and the spectacle of Times Square. By the latter half of the century, however, many signs were scrapped or left to decay, and numerous municipalities restricted neon as visually garish or power-hungry—<a href="https://www.nationalgeographic.com/travel/article/why-neon-lights-are-glowing-again-across-the-us?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">despite the technology's comparatively modest energy use</a>. In the U.S., renewed interest in neon arguably didn't meaningfully return until the early 2000s.</p>]]>
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        <![CDATA[Exploring the New Technical Zone and Immersive Light Installations at LiGHT 25]]>
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      <link>https://www.archdaily.com/1035367/exploring-the-new-technical-zone-and-immersive-light-installations-at-light-25</link>
      <pubDate>Thu, 06 Nov 2025 01:30:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035367/exploring-the-new-technical-zone-and-immersive-light-installations-at-light-25</guid>
      <description>
        <![CDATA[<p>Dedicated to high-end lighting specification, the UK's trade show <a href="https://www.lightexpo.london/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">LiGHT 25</a> will return to the Business <a href="/tag/design">Design</a> Center in Islington, London, on November 19–20, 2025. Following LiGHT 24, which attracted more than 5,500 visitors, this year's edition will feature an expanded program of innovation, education, and networking opportunities. Key highlights for 2025 include the introduction of the Technical Zone, the return of the Associations Lounge, and a new large-scale immersive light art installation.</p>]]>
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        <![CDATA[14 Architect-Designed Lighting, Object, and Furniture Pieces Unveiled at Milan Design Week 2025]]>
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      <link>https://www.archdaily.com/1029446/14-architect-designed-lighting-object-and-furniture-pieces-unveiled-at-milan-design-week-2025</link>
      <pubDate>Sun, 27 Apr 2025 07:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/1028668/navigating-milan-design-week-2025-key-venues-events-and-architectural-installations-to-experience" target="_blank" rel="noopener">2025 edition of Milan Design Week</a> took place from April 8 to April 13, 2025. During these five days, the city of <a href="https://www.archdaily.com/city/milan" target="_blank" rel="noopener">Milan</a> hosted special events, exhibitions, <a href="https://www.archdaily.com/1029061/10-architectural-installations-at-the-2025-milan-design-week-and-salone-del-mobile" target="_blank" rel="noopener">installations</a>, and discussions centered on the creative disciplines, including the <a href="https://www.archdaily.com/1028561/one-week-until-salone-del-mobile-2025-a-guide-to-key-talks-roundtables-and-special-installations" target="_blank" rel="noopener">63rd edition of the Salone del Mobile</a> at <a href="https://www.archdaily.com/248138/new-milan-trade-fair-studio-fuksas" target="_blank" rel="noopener">Fiera Milano fairgrounds</a>. Among the numerous activities, the event serves as an ideal opportunity to introduce the latest trends and showcase upcoming pieces from brands and designers worldwide. Among the new releases and product launches, the ArchDaily team identified a selection of products designed by architects, ranging from <a href="https://www.archdaily.com/tag/lighting" target="_blank" rel="noopener">lighting</a> and <a href="https://www.archdaily.com/tag/furniture" target="_blank" rel="noopener">furniture</a> systems to <a href="https://www.archdaily.com/tag/materials" target="_blank" rel="noopener">materials</a> and small <a href="https://www.archdaily.com/tag/objects" target="_blank" rel="noopener">objects</a>.</p>]]>
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        <![CDATA[Salone del Mobile 2025 Kicks Off in Milan with International Focus and Emerging Talent]]>
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      <link>https://www.archdaily.com/1028927/salone-del-mobile-2025-kicks-off-in-milan-with-international-focus-and-emerging-talent</link>
      <pubDate>Wed, 09 Apr 2025 05:00:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1028927/salone-del-mobile-2025-kicks-off-in-milan-with-international-focus-and-emerging-talent</guid>
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        <![CDATA[<p data-start="299" data-end="914">This week, <a href="https://www.archdaily.com/tag/milan">Milan</a> once again becomes the global center of the design industry as the 63rd edition of <a href="https://www.archdaily.com/tag/salone-del-mobile">Salone del Mobile.Milano</a> unfolds at Fiera Milano, Rho.<a href="https://www.archdaily.com/1026630/salone-del-mobile-2025-announces-themes-exhibitions-and-key-events"> Running from April 8 to 13, the event welcomes over 2,100 exhibitors from 37 countries across 169,000 square meter</a>s of sold-out exhibition space. With a focus on sustainability, global outreach, and cultural programming, Salone del Mobile.Milano 2025 continues to evolve as both a marketplace and a space for critical reflection on the future of design. Featuring a notable number of first-time participants, 168 new brands, and a return of 91 previous exhibitors, the Salone continues to act as a key platform for international dialogue, innovation, and industry exchange. The ArchDaily team is on site to follow this year's highlights and share updates throughout the week. </p>]]>
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        <![CDATA[Architecture Tailored for the Deaf and Hard-of-Hearing Community: Gallaudet University’s DeafSpace Principles]]>
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      <link>https://www.archdaily.com/1017389/architecture-tailored-for-the-deaf-and-hard-of-hearing-community-gallaudet-universitys-deafspace-principles</link>
      <pubDate>Wed, 02 Apr 2025 04:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/gallaudet-university" target="_blank" rel="noopener">Gallaudet University</a> was established in 1864, becoming the <a href="https://gallaudet.edu/about/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">first American educational institution for the deaf and hard of hearing</a>. The university is officially bilingual, with <a href="https://www.nidcd.nih.gov/health/american-sign-language?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">American Sign Language (ASL)</a> and written English used throughout the educational programs. Over the years, the university has grown, adapting both its teaching methods and its spaces to the needs of its students, in turn learning from them how to counter the challenges they face and <a href="https://www.archdaily.com/936397/architecture-for-people-with-hearing-loss-6-design-tips" target="_blank" rel="noopener">create a safer and more comfortable environment</a>. These lessons turned into design guidelines, created to educate the architectural community about the strategies they can employ to create more accessible spaces for all.</p>]]>
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        <![CDATA[The Intersection of Nature and Design: Maison Forestier's Philosophy on Lighting]]>
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      <link>https://www.archdaily.com/1023660/the-intersection-of-nature-and-design-maison-forestiers-philosophy-on-lighting</link>
      <pubDate>Mon, 25 Nov 2024 01:30:00 +0000</pubDate>
      <dc:creator>Tom Howells</dc:creator>
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        <![CDATA[<p>Read in a void, Maison <a href="https://www.architonic.com/en/microsite/forestier/3103924?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Forestier</a>'s remit of an ongoing 'quest for perpetual originality and mastery of the delicate balance between nature and design' may sound a little abstract. But the Parisian lighting brand has – since its topiary-inspired inception by Bernard Forestier in 1992 – carved a beatific niche in its industry, uniting passion, freedom and discovery to fashion radiant wares that meld unique aesthetics with keen functionality, to suit a diverse range of settings.</p>]]>
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        <![CDATA[Unconventional Design Mix: Top 20 A' Furniture and Lighting Design Award Winners]]>
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      <link>https://www.archdaily.com/1021991/unconventional-design-mix-top-20-a-furniture-and-lighting-design-award-winners</link>
      <pubDate>Fri, 11 Oct 2024 06:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>The word on the street is that the latest winners of <a href="http://www.designaward.com?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">A'Design Award</a> have thrown convention out of the window. True to form, we're here to spill the tea on some of the most daring that made the cut.</p>]]>
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        <![CDATA[12 Architect-Designed Products Showcased During Milan Design Week 2024]]>
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      <link>https://www.archdaily.com/1016134/12-architect-designed-products-showcased-during-milan-design-week-2024</link>
      <pubDate>Thu, 02 May 2024 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/milan-design-week-2024">This year's Milan Design Week</a> brought together designers, architects, producers, and key figures from the design world. The events were divided between the <a href="/tag/salone-del-mobile">Salone del Mobile</a> at Rho Fiera, a trade fair with over 1950 exhibitors, and Fourisalone, featuring various events across Milan. <a href="https://www.archdaily.com/1015884/13-architectural-installations-at-milan-design-week-and-salone-del-mobile-2024?ad_campaign=normal-tag">With numerous installations throughout the city</a> and <a href="https://www.archdaily.com/1015426/discover-the-main-locations-and-events-to-visit-during-milan-design-week-2024?ad_campaign=normal-tag">a wide range of events, conferences, and debates</a>, Milan Design Week stands as one of the most significant design-focused events worldwide. For architects, this represents an opportunity to not only exchange ideas but also to actively contribute through collaborations and explorations across disciplines.</p>]]>
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        <![CDATA[Exploring Linear Lighting Design for Creating Luminous Paths]]>
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      <link>https://www.archdaily.com/1015184/exploring-linear-lighting-design-for-creating-luminous-paths</link>
      <pubDate>Thu, 18 Apr 2024 01:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>Lighting has evolved remarkably <a href="https://www.archdaily.com/998418/the-safety-of-light-a-short-history-of-light-in-public-spaces?ad_source=search&amp;ad_medium=search_result_articles?utm_medium=referral&amp;utm_source=archdaily.com&amp;utm_campaign=editorial&amp;utm_content=linear-lighting" target="_blank" rel="noopener">throughout architectural history</a>, driven by significant technological advances. Despite these changes, its central purpose of enhancing aesthetics, functionality, and safety has remained consistent. In this evolution process, a milestone can be traced with the transition from fluorescent lighting to LED lighting, marking a turning point that has reduced costs and energy consumption. Furthermore, it has fueled creativity, thanks to the versatility of <a href="https://www.alconlighting.com/led.html?utm_campaign=editorial&amp;utm_content=linear-lighting&amp;utm_medium=referral&amp;utm_source=archdaily.com" target="_blank" rel="noopener">LED lighting</a>. These new design possibilities are evident in organic lighting layouts, which mimic linear patterns of lighting arrangements on walls and ceilings, whether suspended or recessed.</p>]]>
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        <![CDATA[Light as a Design Statement: Inspiring Ways to Manage Natural Lighting ]]>
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      <link>https://www.archdaily.com/975929/light-as-a-design-statement-inspiring-ways-to-manage-natural-lighting</link>
      <pubDate>Tue, 05 Mar 2024 07:30:00 +0000</pubDate>
      <dc:creator>Valeria Montjoy</dc:creator>
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        <![CDATA[<p>For most people, modern living requires spending most of the day in interior spaces - in fact, according to a <a href="https://www.epa.gov/report-environment/indoor-air-quality?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">report</a> by the Environmental Protection Agency, the average person spends around 90% of their life indoors. As a result, this implies missing out on <a href="https://www.archdaily.com/917345/what-is-healthy-lighting">health benefits</a> associated with sunlight exposure, such as vitamin D absorption, regulation of circadian rhythms, higher energy levels and <a href="https://www.archdaily.com/922506/how-lighting-affects-mood">even improved mood.</a> Thus, one option is to increase the amount of time we spend outdoors. But because most daily functions are carried out inside buildings, it is crucial to incorporate and prioritize natural lighting in interiors. </p>]]>
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        <![CDATA[Changing Iconography of Ecclesiastical Architecture: 20 Examples of Contemporary Stained Glass in Churches]]>
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      <link>https://www.archdaily.com/1012707/changing-iconography-of-ecclesiastical-architecture-20-examples-of-contemporary-stained-glass-in-churches</link>
      <pubDate>Wed, 31 Jan 2024 04:00:00 +0000</pubDate>
      <dc:creator>James Wormald</dc:creator>
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        <![CDATA[<p class="p1">Whatever <a href="https://www.archdaily.com/tag/religion">religion</a> we classify ourselves as – or even if we actively renounce or denounce organized religion in all its forms – the one aspect of <a href="https://www.archdaily.com/tag/christian-church">Christianity</a> those in predominantly Christian countries are touched by at some point in their lives, is the classical aesthetic of <a href="https://www.archdaily.com/tag/church">church</a> architecture.</p>]]>
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        <![CDATA[Women Light Artists Explore the Intersection of Space, Technology and Community]]>
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      <link>https://www.archdaily.com/1007698/women-light-artists-explore-the-intersection-of-space-technology-and-community</link>
      <pubDate>Tue, 03 Oct 2023 03:30:00 +0000</pubDate>
      <dc:creator>Thomas Schielke</dc:creator>
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        <![CDATA[<p>In the world of interior design, light serves as an essential medium, but light can also create immersive public spaces. While <a href="https://www.archdaily.com/380911/light-matters-seeing-the-light-with-james-turrell">James Turrell</a>, Olafur Eliasson, and Dan Flavin are celebrated for their transformative mastery of color, reflections, and luminous contrasts, it's crucial to note that the realm of <a href="https://www.archdaily.com/998331/light-as-matter-10-artists-transform-space-with-lighting">light art</a> isn't exclusively male-dominated. In response to the underrepresentation of female light artists, a refreshing and enlightening perspective emerges from the British lighting designers Sharon Stammers and Martin Lupton of <a href="https://lightcollective.net/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Light Collective</a>.</p>]]>
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