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    <title>Tag: light | ArchDaily</title>
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      <title>
        <![CDATA[How a New Generation of Architects Is Designing with Natural Light]]>
      </title>
      <link>https://www.archdaily.com/1042692/how-a-new-generation-of-architects-is-designing-with-natural-light</link>
      <pubDate>Fri, 26 Jun 2026 06:45:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p>Long before it becomes a matter of performance, comfort, or energy efficiency, <a href="https://www.archdaily.com/tag/natural-light">natural light</a> is a way of giving presence to architecture. It reveals the texture of a wall, the depth of an opening, and the silent passage of time within a space. In works as distinct as those of <a href="https://www.archdaily.com/office/tadao-ando-architect-and-associates">Tadao Ando</a> and <a href="https://www.archdaily.com/office/alvar-aalto">Alvar Aalto</a>, daylight appears as an essential material of design: in some cases, guiding the eye toward contemplation; in others, making spaces feel more human, welcoming, and connected to everyday life.</p>]]>
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        <![CDATA[Contemplative Drama: How Gaudí Shaped Light and Color at Sagrada Família]]>
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      <link>https://www.archdaily.com/1042229/contemplative-drama-how-gaudi-shaped-light-and-color-at-sagrada-familia</link>
      <pubDate>Sun, 14 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Thomas Schielke</dc:creator>
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        <![CDATA[<p>It is afternoon in the summer, and the nave of the<a href="https://www.archdaily.com/tag/la-sagrada-familia"> Sagrada Família</a> is saturated with warm colors. Shafts of amber and crimson sweep across the stone floor, shift as a cloud passes over<a href="https://www.archdaily.com/tag/barcelona"> Barcelona</a>, then deepen again. Around you, visitors slow without quite realizing it. Some raise their phones — not to capture the architecture, but to step into the light itself, positioning themselves in a pool of orange or gold as if the colours were something you could wear.</p>]]>
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        <![CDATA[Atelier Bow-Wow and Climate Scientists Honored with 2026 Daylight Award on UNESCO International Day of Light]]>
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      <link>https://www.archdaily.com/1041644/atelier-bow-wow-and-climate-scientists-honored-with-2026-daylight-award-on-unesco-international-day-of-light</link>
      <pubDate>Wed, 20 May 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>On <a href="https://www.unesco.org/en/days/light?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">UNESCO's International Day of Light</a>, celebrated annually on May 16, <a href="https://www.archdaily.com/tag/the-daylight-award" target="_blank" rel="noopener">the Daylight Award</a> announced its 2026 laureates. Established to support research into the scientific understanding of daylight and its significance for health, well-being, ecosystems, and architectural design, the award recognizes achievements in two categories: Daylight in <a href="/tag/architecture">Architecture</a> and Daylight <a href="/tag/research">Research</a>. This year, Japanese architects<a href="https://www.archdaily.com/tag/momoyo-kaijima" target="_blank" rel="noopener"> Momoyo Kaijima</a> and <a href="https://www.archdaily.com/tag/yoshiharu-tsukamoto" target="_blank" rel="noopener">Yoshiharu Tsukamoto</a> of<a href="https://www.archdaily.com/office/atelier-bow-wow" target="_blank" rel="noopener"> Atelier Bow-Wow</a> were honored for demonstrating how daylight can shape shared spaces and everyday life, while marine biologists Brittany N. Zepernick, Steven W. Wilhelm, and R. Michael McKay of the United States and Canada were recognized for their research on aquatic microorganisms and their implications for planetary health and biodiversity.</p>]]>
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        <![CDATA[Tropical Modernism Beyond Aesthetics: The Politics of Shade and Air ]]>
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      <link>https://www.archdaily.com/1041076/tropical-modernism-beyond-aesthetics-the-politics-of-shade-and-air</link>
      <pubDate>Mon, 04 May 2026 04:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041076/tropical-modernism-beyond-aesthetics-the-politics-of-shade-and-air</guid>
      <description>
        <![CDATA[<p>The image is familiar, a façade layered with <a href="https://www.archdaily.com/897428/21-examples-of-brise-soleils-in-mexico-and-its-diverse-applications">brise-soleil</a>, light softened into a patterned shadow, <a href="https://www.archdaily.com/1020060/how-to-choose-shade-structures-strategies-based-on-solar-angles-and-seasons?ad_campaign=normal-tag">interiors kept cool without machines</a>. It appears as intelligence made visible, architecture that understands the sun. This image is rarely examined closely. The same devices that temper heat also organize access, distribute comfort, and depend on particular forms of labor. What looks like a <a href="https://www.archdaily.com/1037049/building-optimism-lessons-from-climate-adaptation-in-2025?ad_campaign=normal-tag">climatic response</a> is also a decision about who gets relief from heat, and how. <a href="https://www.archdaily.com/955979/reset-a-norm-for-sustainable-architecture-in-the-tropics?ad_campaign=normal-tag">Tropical modernism</a>, often reduced to a visual language of shade and porosity, emerges instead as a set of situated practices where climate, labor, and power are negotiated differently across contexts.</p>]]>
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        <![CDATA[The Alchemy of Mass: Peter Zumthor and the Perception of Lightness]]>
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      <link>https://www.archdaily.com/1040865/the-alchemy-of-mass-peter-zumthor-and-the-perception-of-lightness</link>
      <pubDate>Fri, 24 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p>Architecture begins as an encounter with gravity. It is t<a href="https://www.archdaily.com/1040208/light-lighter-lightest-archdailys-april-editorial-focus" target="_blank" rel="noopener">he ancient act of placing weight upon the earth</a>, of persuading matter to stand, hold, and shelter. Within this fundamental condition of heaviness, however, lies a quieter possibility: density itself can generate a sense of lightness—a perceptual condition in which the body, fully convinced of matter's weight, begins to experience space as suspension.</p>]]>
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        <![CDATA[Light, Lighter, Lightest: ArchDaily’s April Editorial Focus]]>
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      <link>https://www.archdaily.com/1040208/light-lighter-lightest-archdailys-april-editorial-focus</link>
      <pubDate>Wed, 01 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040208/light-lighter-lightest-archdailys-april-editorial-focus</guid>
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        <![CDATA[<p>Architecture has long been drawn upward. In <em>Air and Dreams</em>, Gaston Bachelard writes about an imagination shaped by movement; by the urge to rise, to drift, to escape the pull of the ground. Air, for him, invites imagination to distort, to invent, to go beyond what is given rather than simply reproduce it. In that sense, lightness is not only a physical condition, but a feeling: a desire to transcend the weight of the earth and move toward<a href="https://www.archdaily.com/960205/cloth-and-linen-walls-translucent-and-weightless" target="_blank" rel="noopener"> something less tangible.</a> This impulse can be traced across architecture's enduring attempts to lift itself, <a href="https://www.archdaily.com/1027777/touching-the-earth-lightly-how-freeing-the-ground-plane-shapes-architectural-atmosphere?ad_campaign=normal-tag" target="_blank" rel="noopener">from pilotis</a> and long spans to <a href="https://www.archdaily.com/1025601/how-textiles-shaped-architecture-prehistoric-structures-for-modern-buildings?ad_campaign=normal-tag" target="_blank" rel="noopener">suspended systems and tensile membranes</a>. To build lightly, then, is not only a technical ambition, but also a cultural one – a way of reaching toward the sky.</p>]]>
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        <![CDATA[Designing the Sensory City: Architecture, Light Pollution, and Urban Noise]]>
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      <link>https://www.archdaily.com/1039436/designing-the-sensory-city-architecture-light-pollution-and-urban-noise</link>
      <pubDate>Fri, 13 Mar 2026 04:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039436/designing-the-sensory-city-architecture-light-pollution-and-urban-noise</guid>
      <description>
        <![CDATA[<p>For most of human history, night arrived as a planetary certainty. Darkness spread across landscapes, and the sky revealed thousands of stars. Today, that sky is disappearing. <a href="https://www.archdaily.com/1036540/the-line-of-fragile-radiance-neon-light-as-atelier-architecture-and-archive?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">Artificial light spills upward from cities</a>, scattering through the atmosphere and turning night into a permanent haze. Research mapping global sky brightness shows that more than <a href="https://www.science.org/doi/10.1126/sciadv.1600377?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">80 percent of humanity now lives under light-polluted skies</a>, and the Milky Way has vanished from view for over a third of the world's population. The disappearance of dark skies is usually discussed within astronomy, but the sources of that change are deeply embedded in the built environment. Buildings emit light, reflect it through glass façades, and extend illumination far beyond their walls. In the technosphere, the vast system of infrastructures and materials humans have constructed, architecture now shapes both physical space and the sensory conditions surrounding it.</p>]]>
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        <![CDATA[“Users Are the Experts on Themselves”: How People Shape the Spaces They Use]]>
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      <link>https://www.archdaily.com/1037747/users-are-the-experts-on-themselves-how-people-shape-the-spaces-they-use</link>
      <pubDate>Mon, 16 Feb 2026 07:45:00 +0000</pubDate>
      <dc:creator>Kiana Buchberger</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037747/users-are-the-experts-on-themselves-how-people-shape-the-spaces-they-use</guid>
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        <![CDATA[<p>Does design guide usage, or does usage guide design? Students struggle to maintain focus, employees flinch under harsh lighting, and occupants withdraw from rigid spaces, often in response to environmental conditions that only become visible once a space is occupied. <a href="/tag/light">Light</a> falling across a room, the resonance of sound, the texture of surfaces, or the rhythm of circulation can support focus, calm, or inspire creativity, but each can also inadvertently heighten stress and distraction. Architects and designers are exploring and questioning: how are design decisions informed, and whose knowledge is considered essential in shaping space?</p>]]>
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        <![CDATA[Architecture in Rhythm with Time: Designing Through Solar, Lunar, and Biological Cycles]]>
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      <link>https://www.archdaily.com/1037346/architecture-in-rhythm-with-time-designing-through-solar-lunar-and-biological-cycles</link>
      <pubDate>Fri, 02 Jan 2026 04:00:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037346/architecture-in-rhythm-with-time-designing-through-solar-lunar-and-biological-cycles</guid>
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        <![CDATA[<p>As the solstice marks the shortest day of the year in the Northern Hemisphere, it also draws attention to something architecture has long negotiated but often overlooked: time. Beyond form or function, buildings and spaces are continuously shaped by <a href="https://www.archdaily.com/1034687/harnessing-vertical-light-strategies-for-spatial-depth-and-comfort" target="_blank" rel="noopener">cycles of light</a> and darkness, seasonal shifts, and environmental rhythms that affect how they are inhabited.</p>]]>
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        <![CDATA[The Evolving Practice of Designing Light in Scandinavian Environments]]>
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      <link>https://www.archdaily.com/1036987/the-evolving-practice-of-designing-light-in-scandinavian-environments</link>
      <pubDate>Fri, 26 Dec 2025 04:00:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036987/the-evolving-practice-of-designing-light-in-scandinavian-environments</guid>
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        <![CDATA[<p>Scandinavia is shaped by environmental conditions that test both human endurance and architectural ingenuity, with long winters defined by limited daylight, low sun angles, deep snowfall, and cold winds that transform everyday movement, gathering, and habitation into deliberate acts. In this context, architecture is never neutral, and hospitality is never incidental. Buildings that welcome visitors across cities, forests, and coastlines must respond directly to darkness and cold, not by denying them, but by creating interior worlds that offer orientation, warmth, and psychological relief. The act of welcoming in <a href="/tag/scandinavia">Scandinavia</a> is therefore inseparable from the climate, grounded in the understanding that shelter, light, and human presence are fundamental resources in <a href="/tag/arctic">Arctic</a> environments.</p>]]>
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        <![CDATA[In the Blink of an Eye: 60 Light Installations Illuminate a Citywide Gallery for Noor Riyadh 2025]]>
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      <link>https://www.archdaily.com/1036858/in-the-blink-of-an-eye-60-light-installations-illuminate-a-citywide-gallery-for-noor-riyadh-2025</link>
      <pubDate>Mon, 15 Dec 2025 06:45:00 +0000</pubDate>
      <dc:creator>Kiana Buchberger</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036858/in-the-blink-of-an-eye-60-light-installations-illuminate-a-citywide-gallery-for-noor-riyadh-2025</guid>
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        <![CDATA[<p><a href="https://riyadhart.sa/en/noor-riyadh/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Noor Riyadh 2025</a> brought large-scale light installations to public sites across the <a href="https://www.archdaily.com/tag/riyadh">Saudi Arabian capital</a>, temporarily transforming transit hubs, historic districts, and significant landmarks into illuminated urban environments. From November 20 to December 6, 2025, Riyadh became a citywide gallery of light, motion, and shifting perception. The festival's fifth edition <a href="https://riyadhart.sa/en/noor-riyadh/artworks/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">featured 60 artworks by 59 artists from 24 countries</a>, including more than 35 new commissions, responding to the theme "In the Blink of an Eye." Through light as both medium and concept, the installations reinterpreted the capital's rapidly evolving architectural landscape and reflected how perception shifts in spaces shaped by heritage and ambitious urban development.</p>]]>
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        <![CDATA[Exploring the New Technical Zone and Immersive Light Installations at LiGHT 25]]>
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      <link>https://www.archdaily.com/1035367/exploring-the-new-technical-zone-and-immersive-light-installations-at-light-25</link>
      <pubDate>Thu, 06 Nov 2025 01:30:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>Dedicated to high-end lighting specification, the UK's trade show <a href="https://www.lightexpo.london/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">LiGHT 25</a> will return to the Business <a href="/tag/design">Design</a> Center in Islington, London, on November 19–20, 2025. Following LiGHT 24, which attracted more than 5,500 visitors, this year's edition will feature an expanded program of innovation, education, and networking opportunities. Key highlights for 2025 include the introduction of the Technical Zone, the return of the Associations Lounge, and a new large-scale immersive light art installation.</p>]]>
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        <![CDATA[Houses in Argentina: Green Roofs That Blend Architecture and Landscape]]>
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      <link>https://www.archdaily.com/1031842/houses-in-argentina-green-roofs-that-blend-architecture-and-landscape</link>
      <pubDate>Sat, 12 Jul 2025 07:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p data-start="81" data-end="740">Seeking to create a fluid dialogue between architecture and its surrounding landscape, the study of topography embodies an awareness and exploration of the use of <a href="https://www.archdaily.com/tag/materials" target="_blank" rel="noopener">materials</a>, self-sufficient strategies,<a href="https://www.archdaily.com/997065/choosing-low-maintenance-materials-20-examples-of-houses-in-argentina" target="_blank" rel="noopener"> low-maintenance solutions</a>, and landscape designs that integrate into the natural environment and minimize the <a href="https://www.archdaily.com/tag/environmental-impact" target="_blank" rel="noopener">environmental impact</a> of projects. Beyond recording variations in elevation, sun orientation, prevailing winds, or drainage slopes of the terrain, several architects in <a href="/tag/argentina">Argentina</a> demonstrate a strong interest in developing architectural solutions capable of adapting to natural geographies and restoring the bond between nature and the human being.</p>]]>
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        <![CDATA[Elements of a Complete Architecture: The Furniture of Louis I. Kahn]]>
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      <link>https://www.archdaily.com/1012356/elements-of-a-complete-architecture-the-furniture-of-louis-i-kahn</link>
      <pubDate>Wed, 09 Jul 2025 04:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>In the history of modern architecture, <a href="https://www.archdaily.com/office/louis-kahn">Louis I. Kahn</a> is regarded as the undisputed master of monumentality in the United States. At the height of his career, <a href="https://www.archdaily.com/334095/happy-112th-birthday-louis-kahn?ad_source=search&amp;ad_medium=search_result_all">Kahn managed to create a unique type of architecture</a>, often awe-inspiring, but avoiding overdone grandiosity, expressing its constructive system, yet avoiding structural exhibitionism, steeped in history but developed with a new language and system of forms. His interest in light as a functional element and the specific qualities of materials extended beyond his buildings, in all the objects he created to populate them following their intrinsic spirit. To celebrate this legacy, <a href="https://www.formportfolios.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Form Portfolios</a> has now launched "<a href="https://www.formportfolios.com/louis-kahn-monumental-modernism?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Monumental Modernism</a>," the first collection of lighting, objects, and furniture modeled after those discovered in Louis I. Kahn's buildings.</p>]]>
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        <![CDATA[Architecture and Light Between Documentation and Emotion: In Conversation with the Photographer Thomas Mayer]]>
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      <link>https://www.archdaily.com/1031777/architecture-and-light-between-documentation-and-emotion-in-conversation-with-the-photographer-thomas-mayer</link>
      <pubDate>Thu, 03 Jul 2025 04:00:00 +0000</pubDate>
      <dc:creator>Thomas Schielke</dc:creator>
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        <![CDATA[<p>For over five decades, Swiss photographer <a href="https://www.archdaily.com/photographer/thomas-mayer">Thomas Mayer</a> has developed a serene, emotional, and documentary language for architecture. His lens captures the random and memorable moments of our built environment - reflections in the rain, long blue hours in Nordic summers, and the quiet darkness of sacred spaces. Recognized by ArchDaily as one of the <a href="https://www.archdaily.com/417291/world-photo-day-the-13-architecture-photographers-to-follow-now">top architectural photographers</a>, Mayer carries an abundant fascination for light and space.</p>]]>
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        <![CDATA[AD Classics: Olivetti Showroom / Carlo Scarpa]]>
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      <link>https://www.archdaily.com/155074/ad-classics-olivetti-showroom-carlos-scarpa</link>
      <pubDate>Sat, 14 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[Showroom]]>
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        <![CDATA[<p>Tucked discreetly beneath the colonnade of Saint Mark's Square in <a href="https://www.archdaily.com/1000784/venice-architecture-city-guide-15-historical-and-contemporary-attractions-to-discover-in-italys-city-of-canals" target="_blank" rel="noopener">Venice</a>, Carlo Scarpa's Olivetti Showroom exerts a quiet yet unmistakable presence. Though often overshadowed by the grandeur of nearby landmarks—<a href="https://www.archdaily.com/994482/venice-authorities-install-glass-barriers-at-st-marks-basilica-to-prevent-flooding" target="_blank" rel="noopener">St. Mark's Basilica</a>, the Clocktower, the Loggetta, and the <a href="https://www.archdaily.com/980179/procuratie-vecchie-restoration-david-chipperfield-architects" target="_blank" rel="noopener">Procuratie Vecchie</a>—it attracts a particular kind of visitor: those who seek out one of Scarpa's architectural gems hidden in plain sight. Modest in scale but rich in <a href="https://www.archdaily.com/tag/details" target="_blank" rel="noopener">detail</a>, the showroom is meticulously maintained by <a href="https://fai-international.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">FAI</a> (Fondo Ambiente Italiano), the National Trust for Italy.</p>]]>
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        <![CDATA[Egypt’s Pavilion at the Venice Architecture Biennale 2025 Examines the Balance Between Conservation and Development]]>
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      <link>https://www.archdaily.com/1029948/egypts-pavilion-at-the-venice-architecture-biennale-2025-examines-the-balance-between-conservation-and-development</link>
      <pubDate>Fri, 09 May 2025 05:00:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p>At the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025">19th International Architecture Exhibition</a> - La Biennale di Venezia, <a href="/tag/egypt">Egypt</a> presents <em>Let's Grasp the Mirage</em>, its national pavilion offering an interactive exploration of sustainability through the symbolic lens of the Egyptian oasis. Curated by <a href="/tag/salah-zikri">Salah Zikri</a>, <a href="/tag/ebrahim-zakaria">Ebrahim Zakaria</a>, and <a href="/tag/emad-fikry">Emad Fikry</a>, and commissioned by the Ministry of Culture Egypt and Accademia d'Egitto, the project reflects on the delicate balance between conservation and development, aligning with the <a href="https://www.archdaily.com/1016290/natural-artifical-and-collective-intelligence-carlo-ratti-announces-theme-and-title-for-2025-venice-architecture-biennale">Biennale's 2025 theme "Intelligens. Natural. Artificial. Collective."</a></p>]]>
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        <![CDATA[How To Determine How Many LED Lumens You’ll Need To Properly Light Your Space]]>
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      <link>https://www.archdaily.com/897277/how-to-determine-how-many-led-lumens-youll-need-to-properly-light-your-space</link>
      <pubDate>Thu, 08 May 2025 02:30:00 +0000</pubDate>
      <dc:creator>David Hakimi</dc:creator>
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        <![CDATA[<p>What is enough light? The question is difficult enough but when faced with having to calculate how much&nbsp;<a href="https://www.alconlighting.com/commercial/led-suspended.html/">LED lighting</a> you need to create a well-lit space, it can become a bit more complicated.</p>]]>
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