<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: lars-muller-publishers | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Thu, 9 Jul 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[The Aesthetics of Power: Soviet Modernism Meets Uzbek Tradition in Tashkent’s Palace of Peoples’ Friendship]]>
      </title>
      <link>https://www.archdaily.com/1036573/the-aesthetics-of-power-soviet-modernism-meets-uzbek-tradition-in-tashkents-palace-of-peoples-friendship</link>
      <pubDate>Sat, 13 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036573/the-aesthetics-of-power-soviet-modernism-meets-uzbek-tradition-in-tashkents-palace-of-peoples-friendship</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/city/tashkent" target="_blank" rel="noopener">Tashkent</a>, the capital of <a href="https://www.archdaily.com/country/uzbekistan" target="_blank" rel="noopener">Uzbekistan</a> and one of the oldest cities in <a href="/tag/central-asia">Central Asia</a>, has long been <a href="https://www.archdaily.com/1006530/preserving-tashkents-unique-modernist-architecture-the-importance-of-heritage-conservation" target="_blank" rel="noopener">shaped by a hybrid culture</a>. Located at a strategic point along the Silk Road, the city developed an architectural tradition defined by inner <a href="https://www.archdaily.com/tag/courtyard" target="_blank" rel="noopener">courtyards</a>, <a href="https://www.archdaily.com/tag/dome" target="_blank" rel="noopener">domes</a>, decorative ceramics, and <a href="https://www.archdaily.com/tag/islamic-architecture" target="_blank" rel="noopener">Islamic</a> geometric patterns. The annexation by the Russian Empire in the 19th century introduced administrative buildings, <a href="https://www.archdaily.com/949094/orthogonal-grids-and-their-variations-in-17-cities-viewed-from-above" target="_blank" rel="noopener">orthogonal squares</a>, and straight avenues, creating a <a href="https://www.archdaily.com/1034850/bridging-past-and-future-uzbekistans-expanding-cultural-landscape" target="_blank" rel="noopener">dual urban fabric</a> — between the “old” Eastern city and the “new” European one — in which contrasts and overlaps became the norm.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6928/c50b/1298/7c01/7edf/be20/newsletter/a-estetica-do-poder-modernismo-sovietico-e-tradicao-uzbeque-no-palace-of-peoples-friendship-em-tashkent_1.jpg?1764279591"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Prolific Career of an Early Bauhaus Innovator: Laszlo Moholy-Nagy]]>
      </title>
      <link>https://www.archdaily.com/898701/the-prolific-career-of-an-early-bauhaus-innovator-moholy-nagy</link>
      <pubDate>Sun, 29 Jul 2018 09:30:00 +0000</pubDate>
      <dc:creator>Collin Abdallah</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/898701/the-prolific-career-of-an-early-bauhaus-innovator-moholy-nagy</guid>
      <description>
        <![CDATA[<p>The Hungarian artist <a href="/tag/laszlo-moholy-nagy">László Moholy-Nagy</a> was one of the most influential thinkers, designers and art educators of the first half of the twentieth century. His experimentation with light, space and form generated international attention. Among those impressed by Moholy-Nagy's work was <a href="https://www.archdaily.com/tag/walter-gropius">Walter Gropius</a>, German architect and founder of the <a href="https://www.archdaily.com/tag/bauhaus">Bauhaus</a> School, who made Moholy-Nagy one of the youngest instructors in the history of the <a href="https://www.archdaily.com/tag/bauhaus">Bauhaus</a>. In his time at the Bauhaus, Moholy-Nagy utilized multi-disciplinary art practices to revolutionize abstract artistic media.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5b55/356d/f197/cc1f/6400/015d/newsletter/24973282627_4dbb5e4d08_z.jpg?1532310888"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Six of the Best Spatial Installations at Salone del Mobile 2017]]>
      </title>
      <link>https://www.archdaily.com/869064/six-of-the-best-spatial-installations-at-salone-del-mobile-2017</link>
      <pubDate>Fri, 14 Apr 2017 06:30:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/869064/six-of-the-best-spatial-installations-at-salone-del-mobile-2017</guid>
      <description>
        <![CDATA[<p>With the 2017 Salone del Mobile now behind us, photographer <a href="http://www.laurianghinitoiu.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Laurian Ghinitoiu</a> has shared a collection of photographs from Milan Design Week. From <a href="http://www.archdaily.com/868512/so-il-and-mini-living-develop-housing-prototype-for-resource-conscious-shared-living" target="_blank">housing prototypes</a> to <a href="http://www.archdaily.com/868496/zaha-hadid-architects-creates-immersive-digital-installation-for-samsung-at-milan-design-week" target="_blank">immersive "digital installations"</a>, the annual design show—which is often touted to be the fourth largest of any kind in the world—this year brought together a wide range of practitioners and design companies. In <a href="/tag/milan">Milan</a>, unusual collaborations are the order of the day.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/58ee/6d66/e58e/ce58/3b00/0025/newsletter/copyright_laurianghinitoiu_5_pavillions_nendo_(10_of_10).jpg?1492020579"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Nomadic Bookstore in Milan / AA Museum Lab & Lars Müller Publishers]]>
      </title>
      <link>https://www.archdaily.com/868593/nomadic-bookstore-milan-architectural-association-aa-museum-lab-dip-15-lars-muller-publishers</link>
      <pubDate>Thu, 13 Apr 2017 11:30:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
      <category>
        <![CDATA[Temporary stores]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/868593/nomadic-bookstore-milan-architectural-association-aa-museum-lab-dip-15-lars-muller-publishers</guid>
      <description>
        <![CDATA[<p><em>From the architect. </em>Conceived as an itinerant urban structure, the hovering LED-lit roof of the pavilion projects into the city ever changing provocative titles of <a href="https://www.lars-mueller-publishers.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Lars Müller’s</a> books and shelters the publications within a soft interior-scape. Inside the pavilion, the predominant use of fine cork with diamond-pointed ashlar ceiling details, allows for a uniform exhibition book display and provides an acoustically subdued environment within hustle of the urban Milanese context. Intended as a prototype, in future incarnations the pavilion will transform itself at night by seamlessly morphing into a closed volume through the use of a pneumatic system.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/58ef/a72f/e58e/ce58/3b00/028c/newsletter/copyright_laurianghinitoiu_larsmuller_(7_of_12).jpg?1492100907"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Sauerbruch Hutton Invite Reflection On How We Perceive, Discuss, and Produce Architecture]]>
      </title>
      <link>https://www.archdaily.com/795612/archive-2-sauerbruch-hutton-reflect-how-we-perceive-discuss-produce-architecture</link>
      <pubDate>Tue, 20 Sep 2016 04:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/795612/archive-2-sauerbruch-hutton-reflect-how-we-perceive-discuss-produce-architecture</guid>
      <description>
        <![CDATA[<p>Louisa Hutton and Matthias Sauerbruch, of Berlin-based practice <a href="http://www.archdaily.com/tag/sauerbruch-hutton/">Sauerbruch Hutton</a>, have recently published <em><a href="http://www.archdaily.com/795403/sauerbruch-hutton-archive-2" target="_blank">Archive 2</a> </em>– a second series of monographic volumes dedicated to the work of their practice between 2006 and 2015. In the nine years between two sets of books, the architects have observed that "the expansion of the digital realm has had a profound effect on the way we perceive, discuss and produce architecture." As such, and on the occasion of their second volume, they are inviting people to <a href="http://www.sauerbruchhutton.de/archive2/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">share their thoughts</a> "on the convergence of architecture in concrete, pixel and print."</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/57e0/ede5/e58e/cebe/f800/04b5/newsletter/sauerbruch-hutton-archive-2_0.jpg?1474358751"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[MARK Magazine #53]]>
      </title>
      <link>https://www.archdaily.com/582036/mark-magazine-53</link>
      <pubDate>Sat, 27 Dec 2014 00:00:00 +0000</pubDate>
      <dc:creator>MARK Magazine</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/582036/mark-magazine-53</guid>
      <description>
        <![CDATA[<p>MARK #53  surveys American low-income housing from coast to coast. Michael Webb provides the historical and cultural context for some recent success stories in affordable development and presents three buildings in California designed by Kevin Daly Architects, OJK Architects and Planners, and Rob Wellington Quigley.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5492/efd2/e58e/cec1/5900/000f/newsletter/mark53-l-225131_slide.jpg?1418915791"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Air from Other Planets, A Brief History of Architecture]]>
      </title>
      <link>https://www.archdaily.com/495586/the-air-from-other-planets-a-brief-history-of-architecture</link>
      <pubDate>Sun, 13 Apr 2014 01:00:00 +0000</pubDate>
      <dc:creator>Sean Lally</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/495586/the-air-from-other-planets-a-brief-history-of-architecture</guid>
      <description>
        <![CDATA[<p><i>The following is an excerpt from Sean Lally's </i><a href="http://www.lars-mueller-publishers.com/en/the-air-from-other-planets?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"></a><a href="http://www.lars-mueller-publishers.com/en/the-air-from-other-planets?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The Air from Other Planets, A Brief History of Architecture to Come</a>. <i>The book introduces the reader to an architecture produced by designing the energy within our environment (electromagnetic, thermodynamic, acoustic, and chemical)-- an architecture that exchanges walls and shells for a range of material energies that develop its own shapes, aesthetics, organizational systems, and social experiences. Energy becomes its own enterprise for design innovation; it becomes the architecture itself.</i></p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5344/60c4/c07a/809f/ab00/022b/newsletter/The_Air_from_other_Plantes_Cover.jpg?1396990139"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Torre David: Informal Vertical Communities / Urban-Think Tank & Iwan Baan]]>
      </title>
      <link>https://www.archdaily.com/325204/torre-david-informal-vertical-communities-urban-think-tank-iwan-baan</link>
      <pubDate>Tue, 29 Jan 2013 00:00:00 +0000</pubDate>
      <dc:creator>Diego Hernández</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/325204/torre-david-informal-vertical-communities-urban-think-tank-iwan-baan</guid>
      <description>
        <![CDATA[<p>Torre David, a 45-story skyscraper in Caracas, has remained uncompleted since the Venezuelan economy collapsed in 1994. Today, it is the improvised home to more than 750 families living in an extra-legal and tenuous squat, that some have called a “vertical slum.”</p> ]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5107/ddab/b3fc/4b27/6d00/001d/newsletter/cover.jpg?1414503313"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Instigations Engaging Architecture, Landscape, and the City / Mohsen Mostafavi and Peter Christensen]]>
      </title>
      <link>https://www.archdaily.com/312554/instigations-engaging-architecture-landscape-and-the-city-mohsen-mostafavi-and-peter-christensen</link>
      <pubDate>Tue, 15 Jan 2013 00:00:00 +0000</pubDate>
      <dc:creator>Diego Hernández</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/312554/instigations-engaging-architecture-landscape-and-the-city-mohsen-mostafavi-and-peter-christensen</guid>
      <description>
        <![CDATA[<p>The creative imagination is not solely based on the intuitive capacities of individuals. One of the tasks of design education is to help provide the tools, techniques, and methods that enhance constructed imagination. At the same time, the modes and practices of design need to confront the challenges of our contemporary societies. The commitment to societal engagement through design excellence is at the core of the pedagogy at the Harvard Graduate School of Design. </p> ]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/50db/636d/b3fc/4b32/3000/0070/newsletter/cover.jpg?1361401266"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Venice Biennale 2012: “Lars Müller Publishers - Book Fever”]]>
      </title>
      <link>https://www.archdaily.com/266481/venice-biennale-2012-lars-muller-publishers-book-fever</link>
      <pubDate>Fri, 24 Aug 2012 13:18:51 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/266481/venice-biennale-2012-lars-muller-publishers-book-fever</guid>
      <description>
        <![CDATA[<p>Join the authors and editors of <a href="http://www.lars-mueller-publishers.com/en/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><strong>Lars Müller Publishers</strong></a> for a rare book signing opportunity with architects <a href="http://www.archdaily.com/211941/2012-pritzker-prize-wang-shu/"><strong>Wang Shu</strong></a>, <a href="http://www.archdaily.com/tag/sou-fujimoto/"><strong>Sou Fujimoto</strong></a>, and <a href="http://www.archdaily.com/tag/steven-holl/"><strong>Steven Holl</strong> </a>on August 28th at the <a href="http://www.archdaily.com/tag/venice-biennale-2012/">2012 Venice Architecture Biennale</a>! This event will kick off the exhibition Lars Müller Publishers – Book Fever, which will feature sixty publications – new releases, bestsellers, milestones from the past, and rare treasures – for the public to explore.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/55f1/936c/99e9/bad7/0700/007a/newsletter/lars_mueller_publishers_biennale.jpg?1441895253"></enclosure>
    </item>
  </channel>
</rss>
