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    <title>Tag: kulapat-yantrasast | ArchDaily</title>
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        <![CDATA[ArchDaily’s Selection: 15 Installations and Exhibitions from Milan Design Week 2026]]>
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      <link>https://www.archdaily.com/1040989/15-architectural-installations-and-exhibitions-at-the-2026-milan-design-week</link>
      <pubDate>Mon, 27 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Bringing together a week of <a href="https://www.archdaily.com/1040640/milan-design-week-2026-must-see-installations-exhibitions-and-events">exhibitions, installations</a>, and <a href="https://www.archdaily.com/1040422/what-to-look-forward-to-at-the-salone-del-mobililano-2026-talks-installations-and-city-interventions">industry exchange</a>, <a href="https://www.archdaily.com/tag/milan-design-week-2026">Milan Design Week 2026</a> and <a href="https://www.archdaily.com/tag/salone-del-mobile-2026">the 64th edition of Salone del Mobile.Milano</a> concluded on April 26, <a href="https://www.archdaily.com/1040861/salone-del-mobililano-and-milan-design-week-2026-open-across-the-city-and-fairgrounds?ad_campaign=normal-tag">following six days of programming</a> across the fairgrounds and the city. Held from April 20 to 26, this year's events reaffirmed Milan's central role within the global design calendar. The <a href="https://www.archdaily.com/tag/salone-del-mobile-2026">Salone</a> itself drew over 316,000 visitors from 167 countries. With 1,900 brands represented and a strong international presence, the week once again operated as both a cultural platform and an economic engine, navigating a context marked by market uncertainty while maintaining its capacity to convene designers, institutions, and industry leaders at a global scale.</p>]]>
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      <title>
        <![CDATA[Milan Design Week 2026: Must-See Installations, Exhibitions, and Events]]>
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      <link>https://www.archdaily.com/1040640/milan-design-week-2026-must-see-installations-exhibitions-and-events</link>
      <pubDate>Tue, 14 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>From April 20 to 26, <a href="https://www.archdaily.com/tag/milan-design-week-2026">Milan Design Week 2026</a> returns as a citywide platform where design operates as both a cultural practice and a form of exploration. Framed by the <a href="https://www.fuorisalone.it/en/info/fuorisalone-theme-2026?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Fuorisalone theme "Be the Project,"</a> this year's edition shifts the focus from outcome to process, positioning design as a dynamic, human-centered act shaped by intuition, responsibility, and transformation. <a href="https://www.archdaily.com/tag/installations">Installations</a> and <a href="https://www.archdaily.com/tag/exhibitions">exhibitions</a> across the city foreground making as an open-ended condition, one that embraces error, temporality, and experimentation as integral to creative production. Within this context, design becomes a space of exchange between disciplines, materials, and intelligences, reflecting broader conversations around sustainability, emerging technologies, and the evolving relationship between the physical and the digital.</p>]]>
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      <title>
        <![CDATA[The Met Selects wHY Architecture to Renovate Rockefeller Wing in New York City]]>
      </title>
      <link>https://www.archdaily.com/906240/the-met-selects-why-architecture-to-renovate-rockefeller-wing</link>
      <pubDate>Tue, 20 Nov 2018 13:00:00 +0000</pubDate>
      <dc:creator>Eric Baldwin</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/metropolitan-museum-of-art">Metropolitan Museum of Art</a> in <a href="https://www.archdaily.com/tag/new-york-city">New York City</a> has selected <a href="https://www.archdaily.com/tag/kulapat-yantrasast">Kulapat Yantrasast</a> and <a href="https://www.archdaily.com/tag/why-architecture">wHY Architecture</a> to renovate its Michael C. Rockefeller wing. With arts produced in Africa, Oceania and the Americas, the 40,000-square-foot wing is located on the southern side of the Fifth Avenue museum. The $70 million project aim is showcase the collection of arts and artifacts from sub-Saharan Africa, the Pacific Islands, and the Americas.</p>]]>
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      <title>
        <![CDATA[wHY to Expand San Francisco's Asian Art Museum]]>
      </title>
      <link>https://www.archdaily.com/783581/why-to-expand-san-franciscos-asian-art-museum</link>
      <pubDate>Thu, 10 Mar 2016 16:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/783581/why-to-expand-san-franciscos-asian-art-museum</guid>
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        <![CDATA[<p>As part of its 50th anniversary celebrations, the Asian Art Museum of <a href="http://www.archdaily.com/tag/san-francisco" target="_blank">San Francisco</a> has announced major renovation and expansion plans by <a href="http://www.why-site.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">wHY Architecture</a>. The practice is expected to design a new 12,000-square-foot exhibition pavilion, reconfigure the Museum’s existing galleries, and modernize its education and public programming spaces. Work will begin in 2017. </p>]]>
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      <title>
        <![CDATA[Zaha Hadid and Sou Fujimoto Among 30 to Design Pre-Fab Pavilions for Revolution Pre-Crafted]]>
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      <link>https://www.archdaily.com/780887/zaha-and-fujimoto-among-30-to-design-pre-fab-pavilions-for-revolution-precraft</link>
      <pubDate>Mon, 25 Jan 2016 13:00:00 +0000</pubDate>
      <dc:creator>Eric Oh</dc:creator>
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        <![CDATA[<p>Following the recent trend of luxury <a href="http://www.archdaily.com/tag/prefabricated" target="_blank">pre-fabricated structures</a> like Muji’s recent <a href="http://www.archdaily.com/776931/muji-unveils-tiny-pre-fabricated-huts-at-tokyo-design-week" target="_blank">three huts</a>, <a href="http://revolutionprecrafted.com/robbie-antonio?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Robbie Antonio’s</a> “<a href="http://revolutionprecrafted.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Revolution Pre-Crafted</a>” is a collection of pre-fabricated <a href="http://www.archdaily.com/category/pavilion/" target="_blank">pavilions</a> by 30 top designers and architects, including <a href="http://www.archdaily.com/tag/zaha-hadid" target="_blank">Zaha Hadid</a>, <a href="http://www.archdaily.com/tag/sou-fujimoto" target="_blank">Sou Fujimoto</a>, <a href="http://www.archdaily.com/tag/daniel-libeskind" target="_blank">Daniel Libeskind</a> and <a href="http://www.archdaily.com/office/gluckman-mayner-architects" target="_blank">Gluckman Tang</a>. Some have already been built, being exhibited at <a href="http://www.archdaily.com/tag/design-miami" target="_blank">Design Miami</a>, while others are planned for the future.</p>]]>
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      <title>
        <![CDATA[50 Architects Tell Us What They Are Looking Forward to in 2016]]>
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      <link>https://www.archdaily.com/780498/50-architects-tell-us-what-they-are-looking-forward-to-in-2016</link>
      <pubDate>Mon, 18 Jan 2016 12:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
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        <![CDATA[<p><font>As the first month of 2016 draws to a close, we decided to tap into our network and ask an esteemed group of architects, critics, theorists and educators to tell us what they are looking forward to this year in architecture. </font></p>]]>
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      <title>
        <![CDATA[In Residence: Kulapat Yantrasast]]>
      </title>
      <link>https://www.archdaily.com/776124/in-residence-kulapat-yantrasast</link>
      <pubDate>Tue, 27 Oct 2015 14:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
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      <description>
        <![CDATA[<blockquote> <p>"You cannot bullshit with concrete." - Kulapat Yantrasast</p> </blockquote>]]>
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      <title>
        <![CDATA[A Matchmaker For People and Art: Kulapat Yantrasast]]>
      </title>
      <link>https://www.archdaily.com/593485/a-matchmaker-for-people-and-art-kulapat-yantrasast</link>
      <pubDate>Mon, 02 Feb 2015 00:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
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        <![CDATA[<p>Last month we spoke with <a href="/tag/kulapat-yantrasast">Kulapat Yantrasast</a>, Co-Founder and Creative Director of the LA-based design firm <a href="http://www.archdaily.com/tag/why-architecture/" target="_blank">wHY</a>. On the heels of the opening of <a href="http://www.archdaily.com/568736/harvard-art-museums-renovation-and-expansion-renzo-piano-payette/" target="_blank">Harvard Art Museums</a> - for which Yantrasast collaborated on the designs of the exhibition spaces - we wanted to learn more about his approach to designing the galleries for Harvard. “One of the things that I'm super sensitive about is the identify of the experience. Harvard, in particular, is a university museum. So first and foremost it's a place for students and faculty to spend time looking at things closely. Because of that, we want to make sure that a group of 15 people can sit or stand around an art object and could really have a discussion,” Yantrasast explained.</p>]]>
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        <![CDATA[Museo Nazionale dell’Ebraismo Italiano e della Shoah / Studio Arco, -Scape, Michael Gruber & Kulapat Yantrasast]]>
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      <link>https://www.archdaily.com/108539/museo-nazionale-dell%25e2%2580%2599ebraismo-italiano-e-della-shoah-scape-michael-gruber-kulapat-yantrasast</link>
      <pubDate>Wed, 02 Feb 2011 17:00:23 +0000</pubDate>
      <dc:creator>Alison Furuto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/108539/museo-nazionale-dell%25e2%2580%2599ebraismo-italiano-e-della-shoah-scape-michael-gruber-kulapat-yantrasast</guid>
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        <![CDATA[<p>The collaboration of <strong><a href="http://www.arcostudio.it/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Studio Arco</a></strong> <strong><a href="http://www.scape.it/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">-scape architects</a></strong> with <strong>Michael Gruber</strong> and <strong><a href="http://wp.archdaily.com/tag/kulapat-yantrasast/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Kulapat Yantrasast</a></strong> shared with us their project, Museo Nazionale dell’Ebraismo Italiano e della Shoah, for an international competition open to the European community. Upon believing that a museum is an object for the city, the MEIS is a Memorial, as well as a place where one can experience the presence of Jewish culture in <a href="/tag/italy">Italy</a>. At the same time, it is a symbol: the symbol of the city, of an historically involved territory, but also a testimony of common cultural roots, becoming a monument recognized by any citizen and religious community. More images and architects’ description after the break.</p>]]>
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