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    <title>Tag: kimsooja | ArchDaily</title>
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        <![CDATA[Studio KO Transforms Industrial Landmark into Tashkent’s Centre for Contemporary Arts]]>
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      <link>https://www.archdaily.com/1033909/studio-ko-transforms-industrial-landmark-into-tashkents-centre-for-contemporary-arts</link>
      <pubDate>Mon, 08 Sep 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/country/uzbekistan/page/1">Uzbekistan</a> Art and Culture Development Foundation (ACDF) has announced the <a href="https://www.archdaily.com/tag/transformation">transformation</a> of a 1912 industrial building in <a href="https://www.archdaily.com/tag/tashkent/page/1">Tashkent</a> into the Centre for Contemporary Arts (CCA), set to become the first permanent institution dedicated to <a href="https://www.archdaily.com/tag/contemporary-art">contemporary art</a> and <a href="https://www.archdaily.com/tag/research">research</a> in <a href="https://www.archdaily.com/tag/central-asia/page/1">Central Asia</a>. Designed by the <a href="https://www.archdaily.com/tag/french/page/1">French</a> architecture practice <a href="https://www.archdaily.com/tag/studio-ko/page/1">Studio KO</a>, led by Karl Fournier and Olivier Marty, the project integrates preservation of the city's <a href="https://www.archdaily.com/tag/industrial">industrial</a> <a href="https://www.archdaily.com/tag/heritage">heritage</a> with a new cultural identity for the <a href="https://www.archdaily.com/tag/historic">historic site</a>. The building, originally designed by Wilhelm Heizelmann, known for the Treasury Chamber, was constructed as a diesel station and depot for <a href="https://www.archdaily.com/tag/tashkent/page/1">Tashkent</a>'s first tram line. After decades of serving the city's electricity network, the structure was transferred to the Foundation in 2019 as part of <a href="https://www.archdaily.com/country/uzbekistan/page/1">Uzbekistan</a>'s long-term cultural development strategy. Under the leadership of Gayane Umerova, the project now represents a major step in shaping a contemporary cultural infrastructure for the region.</p>]]>
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        <![CDATA[Desert X 2025 Exhibition Opens with 11 Art Installations in California’s Coachella Valley]]>
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      <link>https://www.archdaily.com/1027831/desert-x-2025-exhibition-opens-with-11-art-installations-in-californias-coachella-valley</link>
      <pubDate>Tue, 11 Mar 2025 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="112" data-end="694"><a href="https://www.archdaily.com/tag/desert-x/" target="_blank" rel="noopener">Desert X</a> is a <a href="https://www.archdaily.com/1013122/desert-x-alula-third-edition-opens-to-the-public-on-feb-9th-in-saudi-arabia" target="_blank" rel="noopener">site-specific international art exhibition</a> taking place this year across the <a href="/tag/coachella">Coachella</a> Valley, <a href="https://www.archdaily.com/tag/california" target="_blank" rel="noopener">California</a>. Its fifth edition, curated by Artistic Director <a href="https://www.archdaily.com/tag/neville-wakefield" target="_blank" rel="noopener">Neville Wakefield</a> and co-curator Kaitlin Garcia Maestas, opened on March 10, 2025, featuring eleven <a href="https://www.archdaily.com/tag/installations" target="_blank" rel="noopener">installations</a> by international artists integrated into the <a href="https://www.archdaily.com/tag/desert" target="_blank" rel="noopener">desert landscape</a>. Artists were invited to propose alternative ways of perceiving a world "increasingly encircled by the transformational effects of nature and humanity," through physical installations in specific locations within the California desert. In this context, architecture is understood as the most visible evidence of human transformation, while immaterial elements, such as wind and light, highlight the transformative effects not only of human activity but also of nature itself. The exhibition is free and open to all, running through May 11, 2025. Below are images and descriptions of the eleven art installations featured in this year's <a href="https://www.archdaily.com/tag/desert-x/" target="_blank" rel="noopener">Desert X exhibition</a>.</p>]]>
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        <![CDATA[Desert X AlUla 2024: Exploring Unseen Art in Saudi Arabia's Desert Region from February 9 to March 23]]>
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      <link>https://www.archdaily.com/1013122/desert-x-alula-third-edition-opens-to-the-public-on-feb-9th-in-saudi-arabia</link>
      <pubDate>Thu, 08 Feb 2024 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/desert-x" target="_blank" rel="noopener">Desert X</a> <a href="https://www.archdaily.com/tag/alula" target="_blank" rel="noopener">AlUla</a> will open its latest exhibition themed <a href="https://www.archdaily.com/1011175/desert-x-alula-announces-2024-dates-for-upcoming-edition-in-saudi-arabia" target="_blank" rel="noopener">“In the Presence of Absence,</a>” from February 9th to March 23rd, 2024. Featuring 15 commissioned artworks that explore the unseen, the festival takes place bi-yearly in the desert region of <a href="https://www.archdaily.com/search/projects/country/saudi-arabia" target="_blank" rel="noopener">Saudi Arabia.</a> This edition of Desert X AlUla <a href="https://www.archdaily.com/1011175/desert-x-alula-announces-2024-dates-for-upcoming-edition-in-saudi-arabia">is curated by Maya El Khalil, renowned for her art advisory and MENA-focused curation, and Marcello Dantas,</a> an award-winning <a href="curator" target="_blank" rel="noopener">curator</a> known for his interdisciplinary practices.</p>]]>
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        <![CDATA[Light as Matter: 10 Artists Transform Space with Lighting]]>
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      <link>https://www.archdaily.com/998331/light-as-matter-10-artists-transform-space-with-lighting</link>
      <pubDate>Mon, 27 Mar 2023 05:00:00 +0000</pubDate>
      <dc:creator>Victor Delaqua</dc:creator>
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        <![CDATA[<main> <p>Light has been present in art for centuries. To think of the Baroque or Gothic without this element would be impossible. However, in the 20th century, artists began to explore light qualities and transformed them into a means of materializing art. Sculptures, immersive installations, and ways of shaping the environment through light, its colors and intensities brought <a href="https://www.archdaily.com/950499/art-installations-exploring-the-boundaries-between-light-and-space">new spatial perceptions</a> by establishing a unique relationship with architecture.</p> </main>]]>
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