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    <title>Tag: kenzo-tange | ArchDaily</title>
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        <![CDATA[Alternate Futures: Five Modernist Landmarks Reimagined for the 21st Century]]>
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      <link>https://www.archdaily.com/1041097/alternate-futures-five-modernist-landmarks-reimagined-for-the-21st-century</link>
      <pubDate>Wed, 06 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">Modernism</a> in architecture was perhaps the first truly global building design philosophy. Established at the beginning of the twentieth century, its early proponents were heavyweights from Europe, such as <a href="https://www.archdaily.com/tag/le-corbusier" target="_blank" rel="noopener">Le Corbusier</a>, <a href="https://www.archdaily.com/tag/walter-gropius" target="_blank" rel="noopener">Walter Gropius</a>, and <a href="https://www.archdaily.com/tag/mies-van-der-rohe" target="_blank" rel="noopener">Mies van der Rohe</a>. In 1923, Le Corbusier published his seminal written work, usually translated into English as <em>Towards a New Architecture</em>. Newness, and a rejection of history, was one of the central tenets of modernism. This manifested itself in the use of new <a href="https://www.archdaily.com/tag/materials" target="_blank" rel="noopener">materials</a> such as <a href="https://www.archdaily.com/tag/steel" target="_blank" rel="noopener">steel</a> and <a href="https://www.archdaily.com/tag/concrete" target="_blank" rel="noopener">concrete</a>, which gave rise to an unprecedented freedom of formal expression. </p>]]>
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        <![CDATA[Who Has Won the Pritzker Prize?]]>
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      <link>https://www.archdaily.com/889628/who-has-won-the-pritzker-prize</link>
      <pubDate>Tue, 03 Feb 2026 05:30:00 +0000</pubDate>
      <dc:creator>Nicolás Valencia</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/pritzker-prize">Pritzker Prize</a> is the most important award in the field of architecture, awarded to a living architect whose built work "has produced consistent and significant contributions to humanity through the art of architecture." The Prize rewards individuals, not offices, as happened in 2000 (when the jury selected <a href="https://www.archdaily.com/tag/rem-koolhaas">Rem Koolhaas</a> instead of his firm <a href="https://www.archdaily.com/office/oma">OMA</a>) or in 2016 (with <a href="https://www.archdaily.com/tag/alejandro-aravena">Alejandro Aravena</a> selected instead of <a href="https://www.archdaily.com/office/elemental">ELEMENTAL</a>); however, the Prize can also be awarded to multiple individuals working together, as was the case in 2001 (<a href="https://www.archdaily.com/office/herzog-and-de-meuron">Herzog &amp; de Meuron</a>), 2010 (Kazuyo Sejima and <a href="/tag/ryue-nishizawa">Ryue Nishizawa</a> from <a href="https://www.archdaily.com/tag/sanaa">SANAA</a>), and 2017 (Rafael Aranda, <a href="/tag/carme-pigem">Carme Pigem</a>, and Ramon Vilalta from <a href="https://www.archdaily.com/office/rcr-arquitectes">RCR Arquitectes</a>).</p>]]>
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        <![CDATA[Designing the Future, Again: What the 55-Year Return of the World Expo to Osaka Reveals]]>
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      <link>https://www.archdaily.com/1030730/designing-the-future-again-what-the-55-year-return-of-the-world-expo-to-osaka-reveals</link>
      <pubDate>Thu, 01 Jan 2026 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/expo-2025-osaka">2025 Osaka Expo</a> has captured widespread attention—not only for its architectural ambition and spectacle, but also for breaking records and generating controversy. Its most iconic feature, a <a href="https://www.archdaily.com/1020560/completion-of-sou-fujimotos-grand-ring-highlights-expo-2025-osakas-master-plan">monumental timber ring</a> designed by Sou Fujimoto, has already made headlines as a Guinness World Record-breaking wooden structure. Built on the <a href="https://www.archdaily.com/tag/land-reclamation">reclaimed island</a> of Yumeshima, the site has attracted praise and critique in equal measure. Beyond its awe-inspiring 2-kilometer circumference—parts of which extend dramatically over the water—the structure has also drawn concerns, including questions about health &amp; safety, <a href="https://mainichi.jp/english/articles/20250420/p2g/00m/0na/008000c?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">extreme heat</a>, and <a href="https://japannews.yomiuri.co.jp/society/general-news/20250526-256267/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">swarms of insects</a> that may affect the visitor experience.</p>]]>
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        <![CDATA[Architecture as Soft Power: Cultural Diplomacy and Its Role in Shaping Architectural Production]]>
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      <link>https://www.archdaily.com/1034690/architecture-as-soft-power-cultural-diplomacy-and-its-role-in-shaping-architectural-production</link>
      <pubDate>Sat, 18 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.culturaldiplomacy.org/index.php?en_culturaldiplomacy=&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Cultural diplomacy</a> refers to the use of cultural expression and creative exchange to foster understanding and build relationships between nations. In this context, <a href="https://www.archdaily.com/tag/architecture">architecture</a> has long played a distinctive role. Beyond its functional and aesthetic dimensions, it serves as a medium of communication, a language through which countries express identity, values, and ambition on the global stage.</p>]]>
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        <![CDATA[North Macedonia Pavilion at the Venice Architecture Biennale Revisits the Brutalist Architecture of Skopje]]>
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      <link>https://www.archdaily.com/1033394/north-macedonia-pavilion-at-the-venice-architecture-biennale-revisits-the-brutalist-architecture-of-skopje</link>
      <pubDate>Mon, 25 Aug 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="278" data-end="1234">The <a href="https://www.archdaily.com/country/north-macedonia" target="_blank" rel="noopener">Republic of North Macedonia</a> <a href="/tag/pavilion">Pavilion</a> at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">19th Venice Architecture Biennale</a> is dedicated to the <a href="https://www.archdaily.com/957201/brutalism-the-architecture-style-we-love-to-love" target="_blank" rel="noopener">Brutalist architecture</a> of its capital city, <a href="https://www.archdaily.com/tag/skopje" target="_blank" rel="noopener">Skopje</a>. This architectural movement has given the city a distinctive identity following the earthquake that struck in 1963. According to pavilion curator, architect <a href="/tag/blagoja-bajkovski">Blagoja Bajkovski</a>, in the aftermath of the disaster, Skopje embraced <a href="https://www.archdaily.com/tag/brutalism" target="_blank" rel="noopener">Brutalism </a>from a variety of sources. One of the most prominent of these was <a href="https://www.archdaily.com/office/kenzo-tange" target="_blank" rel="noopener">Kenzo Tange</a>'s reconstruction plan, developed after an international competition organized by the United Nations in 1965. The exhibition, titled <em data-start="888" data-end="909">Strada Brutalissima</em>, recounts this identity, the events that shaped it, and the buildings that continue to represent it through a series of <a href="https://www.archdaily.com/tag/architecture-models" target="_blank" rel="noopener">architectural models</a>. Inspired by <a href="https://www.archdaily.com/267113/a-history-of-the-venice-architecture-biennale" target="_blank" rel="noopener">the 1980 Venice Architecture Biennale's <em data-start="1104" data-end="1122">Strada Novissima</em></a>, the project reinterprets the concept of a curated "street," this time centered on Skopje's Brutalist heritage.</p>]]>
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        <![CDATA[Citizen-Led Campaign Proposes New Use for Kenzo Tange's Kagawa Gymnasium, Facing Demolition]]>
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      <link>https://www.archdaily.com/1033155/citizen-led-campaign-proposes-new-use-for-kenzo-tanges-kagawa-gymnasium-facing-demolition</link>
      <pubDate>Fri, 15 Aug 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>In February 2023, the governor of Kagawa Prefecture, <a href="https://www.archdaily.com/country/japan" target="_blank" rel="noopener">Japan</a>, a<a href="https://www.archdaily.com/996849/kenzo-tanges-famous-kagawa-national-gymnasium-in-japan-set-to-be-demolished" target="_blank" rel="noopener">nnounced the planned demolition</a> of the <a href="https://www.archdaily.com/285955/ad-classics-kagawa-prefectural-gymnasium-kenzo-tange" target="_blank" rel="noopener">Kagawa Prefectural Gymnasium</a>, designed by Pritzker Prize-winning architect <a href="https://www.archdaily.com/office/kenzo-tange" target="_blank" rel="noopener">Kenzo Tange</a>. Discussion surrounding its fate dates back to its permanent closure in 2014, after a roof leak caused structural problems in the ceiling boards. Since then, several organizations have worked to save the building, including a petition by the <a href="https://www.archdaily.com/tag/world-monuments-fund" target="_blank" rel="noopener">World Monuments Fund </a>and an effort by a promotional council to nominate it as a <a href="https://www.archdaily.com/971945/architecture-and-unesco-rethinking-preservation-and-cultural-heritage" target="_blank" rel="noopener">UNESCO World Cultural Heritage</a> site in 2021. Despite these initiatives, on August 7, 2025, the Kagawa Prefectural Government officially announced a public competitive bidding process to select a contractor for the demolition, something the Former Kagawa Prefectural Gymnasium Regeneration Committee is determined to prevent.</p>]]>
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        <![CDATA[An Architectural Journey Through Tokyo, the Never-Ending City]]>
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      <link>https://www.archdaily.com/1029375/an-architectural-journey-through-tokyo-the-never-ending-city</link>
      <pubDate>Sun, 20 Apr 2025 03:30:00 +0000</pubDate>
      <dc:creator>Eron Costin</dc:creator>
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        <![CDATA[<p>Tokyo is never-ending. It is a city made up of many cities, where everything is superlative and encounters with overwhelming scale are constant. For those visiting for the first time, the cultural shock is striking. Everything is extremely clean despite the absence of public trash bins, there's a strong impression of zero violence, and society seems to follow strict disciplinary codes to the letter. There&rsquo;s a sense that human relationships and individual feelings are set aside in favor of the collective, with all the benefits and drawbacks that this way of life may bring.</p>]]>
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        <![CDATA[Touching the Earth Lightly: How Freeing the Ground Plane Shapes Architectural Atmosphere ]]>
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      <link>https://www.archdaily.com/1027777/touching-the-earth-lightly-how-freeing-the-ground-plane-shapes-architectural-atmosphere</link>
      <pubDate>Sat, 15 Mar 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1027777/touching-the-earth-lightly-how-freeing-the-ground-plane-shapes-architectural-atmosphere</guid>
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        <![CDATA[<p>Architecture and its <a href="https://www.archdaily.com/1022444/shaping-atmospheres-with-lighting-a-human-centered-approach-to-emotional-design?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">atmospheric qualities</a> have long been a subject of discussion, yet reaching a consensus on the matter remains elusive. This is largely because spatial experience is <a href="https://www.archdaily.com/990572/when-architectural-history-meets-personal-history?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">deeply personal</a>—rooted in emotions, <a href="https://www.archdaily.com/987764/what-is-sensory-urbanism?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">sensory perceptions</a>, and individual preferences that are difficult to articulate in words alone. The way one perceives, feels, and interacts with a space adds another layer of complexity, making it challenging to define and agree upon its atmospheric impact. Nevertheless, architects and designers continuously strive to shape environments that are not only functional and comfortable but also capable of <a href="https://www.archdaily.com/933355/the-architecture-of-the-crematorium-in-10-projects?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">evoking emotions</a> and leaving a lasting impression on their occupants. </p>]]>
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        <![CDATA[The Evolution of Modernism in Asian Architecture: Key Figures and Landmark Projects]]>
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      <link>https://www.archdaily.com/1025603/the-evolution-of-modernism-in-asian-architecture-key-figures-and-landmark-projects</link>
      <pubDate>Sat, 18 Jan 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Modernism in architecture emerged at the beginning of the twentieth century, fueled by advancements in science and engineering and a deliberate departure from <a href="https://www.archdaily.com/972519/cologne-city-guide-10-projects-you-shouldnt-miss">historical styles</a>. It championed a focus on <a href="https://www.archdaily.com/1021532/designing-with-empathy-architecture-for-social-equity">social equity</a>, urban development, efficiency, and functional design, marking a significant shift in architectural philosophy. Originating primarily in Europe and the United States, modernism captivated the global imagination with its innovative redefinition of space and architecture. Its spread to <a href="/tag/asia">Asia</a> was facilitated by <a href="https://www.archdaily.com/923670/kengo-kuma-on-career-choices-cross-cultural-education-and-his-proudest-moment-in-architecture">cross-cultural exchanges</a>—East Asian architects who studied under prominent modernists and European architects working in East Asia through international collaborations or colonial-era influences.</p>]]>
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        <![CDATA[Utopia vs. Public Reality: Lessons from 20th Century Urban Planning]]>
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      <link>https://www.archdaily.com/1023648/utopia-vs-public-reality-lessons-from-20th-century-urban-planning</link>
      <pubDate>Mon, 18 Nov 2024 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p><a href="http://zeitgeist.jp/en/kenzo-tange-dentsu-headquarters-tsukiji-redevelopment/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Kenzo Tange's 1960 Tokyo Bay Plan</a> reflected the zeitgeist of a society enamored by rapid technological advancement and post-war optimism. <a href="https://www.archdaily.com/998130/bucky-fullers-most-complex-invention-may-have-been-himself" target="_blank" rel="noopener">Buckminster Fuller's 1959 dome concept over Manhattan</a> was developed on a belief in humanity's ability to shape its environment on an unprecedented scale. All throughout the mid-20th century, utopian urban planning ideas sprouted in various parts of the world, driven by a unique combination of societal factors and psychological motivations. </p>]]>
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        <![CDATA[Tokyo International Forum, Designed by Rafael Viñoly Architects, Receives the Twenty-Five Year AIA Award]]>
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      <link>https://www.archdaily.com/1018283/tokyo-international-forum-designed-by-rafael-vinoly-architects-receives-the-twenty-five-year-aia-award</link>
      <pubDate>Mon, 01 Jul 2024 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p class="p1"><a href="https://www.archdaily.com/office/rafael-vinoly-architects">Rafael Viñoly Architects’ </a>Tokyo International Forum has been honored with the prestigious <a href="https://www.archdaily.com/tag/twenty-five-year-award">AIA Twenty-five Year Award.</a> Celebrating its “distinctive transparent character and capacity to engage with the public in the largest metropolitan area in the world.” Rafael Viñoly Architects was first selected to design the structure through <a href="/tag/japan">Japan</a>’s first international design competition facilitated by <a href="https://www.archdaily.com/office/kenzo-tange">Kenzo Tange,</a> the architect of <a href="/tag/tokyo">Tokyo</a>’s City Hall and the first Japanese laureate of the <a href="https://www.archdaily.com/tag/pritzker-prize-2022#:~:text=The%202022%20laureate%20of%20architecture's,of%20the%202017%20Serpentine%20Pavilion." target="_blank" rel="noopener">Pritzker Prize. </a></p>]]>
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        <![CDATA[From White Elephants to Sustainable Venues: The Evolving Story of Olympic Architecture]]>
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      <link>https://www.archdaily.com/1017914/the-ongoing-story-of-olympic-architecture-from-white-elephants-to-sustainable-venues-still-in-operation</link>
      <pubDate>Thu, 20 Jun 2024 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>For cities, hosting an Olympic event represents both an honor, <a href="https://www.archdaily.com/900223/cities-are-avoiding-hosting-the-olympics-can-better-architecture-help-bring-them-back">an important opportunity for growth</a>, and <a href="https://www.archdaily.com/242480/how-not-to-host-the-olympics">a significant challenge</a>. With over 200 nations taking part in the Games, the <a href="/tag/olympics">Olympics</a> are the largest sporting competition in the world. Adapting the public and sporting infrastructure to accommodate this sudden influx of people and the scale of these events runs the risk of misunderstanding the cities’ needs after the closing ceremony, often producing “<a href="https://www.archdaily.com/795913/white-elephants-over-budget-unsuccessful-and-embarrassing-architecture-projects-from-around-the-world">white elephants</a>” that struggle to adapt to the rhythm and necessities of everyday urban life. Urban transformations are often cited as an advantage of hosting the Olympic Games, as cities are incentivized to invest in their traffic infrastructure, housing, and public spaces. One such example is the city of <a href="/tag/paris">Paris</a>, which introduced its first metro line on the occasion of <a href="https://www.archdaily.com/1017665/over-100-years-of-olympic-heritage-what-became-of-the-1924-paris-olympic-venues?ad_campaign=normal-tag">hosting the second edition of the Olympic Games</a> in 1900.</p>]]>
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        <![CDATA[A Look Back at the 9 Japanese Architects Honored with the Pritzker Prize]]>
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      <link>https://www.archdaily.com/1014490/a-look-back-at-the-9-japanese-architects-honored-with-the-pritzker-prize</link>
      <pubDate>Wed, 13 Mar 2024 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Last week, Japanese architect and social advocate <a href="https://www.archdaily.com/office/riken-yamamoto">Riken Yamamoto was announced as the 2024 Pritzker Architecture Prize Laureate</a>, becoming the 9th Japanese architect honored with the profession's most prestigious award. Throughout the 45-year history of the <a href="/tag/pritzker-prize">Pritzker Prize</a>, <a href="/tag/japan">Japan</a> stands out as the nation with the <a href="https://edition.cnn.com/2024/03/05/style/pritzker-prize-winner-2024-riken-yamamoto/index.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">highest number</a> of laureates. While geography is not a criterion in <a href="https://www.archdaily.com/889628/who-has-won-the-pritzker-prize?ad_campaign=normal-tag">the selection of the laureates</a>, Japanese architecture consistently impresses with its interplay of light and shadow, the careful composition of spaces, soft transitions between interior and exterior, and attention to detail and materiality. An ingrained culture of building also celebrates diverse designs and encourages global dialogue and the exchange of ideas and best practices. Read on to rediscover the 9 Japanese Pritzker laureates and glimpse into their body of work.</p>]]>
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        <![CDATA[30 Japanese Homes that Use Metal for Interior Accents]]>
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      <link>https://www.archdaily.com/1011731/30-japanese-homes-that-use-metal-for-interior-accents</link>
      <pubDate>Wed, 03 Jan 2024 04:00:00 +0000</pubDate>
      <dc:creator>Claire Brodka</dc:creator>
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        <![CDATA[<p>Contemporary <a href="https://www.archdaily.com/country/japan/page/1">Japanese</a> interiors incorporate elements both of tradition and modernity to embody the country's innovative spirit while maintaining a profound respect for its history and cultural heritage. Though traditional <a href="https://www.archdaily.com/tag/materials">materials</a> like <a href="https://www.archdaily.com/tag/wood">wood</a>, <a href="https://www.archdaily.com/tag/paper">paper</a>, and <a href="https://www.archdaily.com/tag/bamboo">bamboo</a> continue to hold significance, modern <a href="https://www.archdaily.com/search/projects/categories/interior-design/country/japan">Japanese interiors</a> also often feature a fusion of <a href="https://www.archdaily.com/tag/glass">glass</a>, <a href="https://www.archdaily.com/tag/steel">steel</a>, <a href="https://www.archdaily.com/search/projects/materials/concrete">concrete</a>, and <a href="https://www.archdaily.com/tag/metal">metals</a>. The juxtaposition of smoother, sleeker <a href="https://www.archdaily.com/tag/textures">textures</a> and finishes with warmer and more organic ones reflects a dynamic synthesis of old and new, and results in visually striking and functional spaces that honor the essence of the country's design principles.</p>]]>
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        <![CDATA[Textures, Skyscrapers, and Urban Landscapes: When Anime Meets Architecture]]>
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      <link>https://www.archdaily.com/1007021/textures-skyscrapers-and-urban-landscapes-when-anime-meets-architecture</link>
      <pubDate>Thu, 21 Sep 2023 04:00:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>World War II left a profound <a href="https://www.archdaily.com/tag/world-war-ii">influence on the evolution of society</a>, introducing significant changes in the fields of urban planning and architecture. During the 1930s, the Congrès Internationaux d'Architecture Moderne (<a href="https://www.archdaily.com/596081/ciam-4-and-the-unanimous-origins-of-modernist-urban-planning?ad_source=search&amp;ad_medium=search_result_articles">CIAM</a>) promoted modernism on an international scale. After the war, this architectural movement became firmly established as the dominant one, driven by the imperative of reconstruction and technological advancements. Influential figures like <a href="https://www.archdaily.com/982629/5-iconic-designers-and-their-furniture-milestones-aalto-gray-le-corbusier-van-der-rohe-and-panton?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">Le Corbusier and Alvar Aalto</a> spearheaded this movement.</p>]]>
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        <![CDATA[Ephemeral Cities: 3 Radical City Concepts That Propose for Users to Shape Their Built-Form]]>
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      <link>https://www.archdaily.com/1006203/ephemeral-cities-3-radical-city-concepts-that-propose-for-users-to-shape-their-built-form</link>
      <pubDate>Fri, 01 Sep 2023 07:31:00 +0000</pubDate>
      <dc:creator>Paul Yakubu</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1006203/ephemeral-cities-3-radical-city-concepts-that-propose-for-users-to-shape-their-built-form</guid>
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        <![CDATA[<p>The concept of a city can be viewed as a constantly evolving system where both architects and users contribute to its design and redesign. While its framework may start with planners or designers, the character of the urban fabric is ultimately shaped by the societies and generations that inhabit it. The question of "<a href="https://archidose.blogspot.com/2020/05/discourse-1authorship.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">city authorship</a>" often arises in the context of masterplan design. Can architects and urban planners determine the extent to which a city will evolve through its initial design? The answer is no. User authorship then acknowledges that city planning should not be approached like building design, where designers attempt to predict every aspect of shape, pattern, behavior, and culture. Instead, it recognizes the role that people play in shaping the urban fabric through their personal taste in architecture, the development of neighborhood personality, and ongoing redesign that contributes to the story and spirit of a place. These factors should be considered in the initial design by engaging ideas related to future expansion, adaptable infrastructure, and empowering citizens to contribute to the city's architecture, thus making the city design democratic. This article explores conceptual radical cities where designers embrace the ideas of user authorship and the constant evolution of ephemeral architecture.</p>]]>
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        <![CDATA[Kenzo Tange’s famous Kagawa National Gymnasium in Japan Set to be Demolished]]>
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      <link>https://www.archdaily.com/996849/kenzo-tanges-famous-kagawa-national-gymnasium-in-japan-set-to-be-demolished</link>
      <pubDate>Wed, 22 Feb 2023 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/996849/kenzo-tanges-famous-kagawa-national-gymnasium-in-japan-set-to-be-demolished</guid>
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        <![CDATA[<p>Local governor Toyohito Ikeda of <a href="/tag/takamatsu">Takamatsu</a>, in <a href="/tag/japan">Japan</a>, announced that the famous <a href="https://www.archdaily.com/285955/ad-classics-kagawa-prefectural-gymnasium-kenzo-tange">Kagawa Gymnasium</a> will be demolished. Built between 1961 and 1964 by the <a href="https://www.archdaily.com/889628/who-has-won-the-pritzker-prize">Pritzker Prize winner</a> <a href="https://www.archdaily.com/tag/kenzo-tange">Kenzo Tange</a>, the structure is a landmark of the modernist post-war era in Japan. This news has sparked the <a href="https://www.wmf.org/save-kagawa-gymnasium?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">creation of a petition</a> in an effort to save this 47-year-old monument. </p>]]>
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        <![CDATA[Floating Cities of the Past and Future  ]]>
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      <link>https://www.archdaily.com/992148/floating-cities-of-the-past-and-future</link>
      <pubDate>Sat, 28 Jan 2023 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/992148/floating-cities-of-the-past-and-future</guid>
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        <![CDATA[<p>The threat of climate change is looming before us. Sea level rise <a href="https://www.weforum.org/agenda/2022/09/rising-sea-levels-global-threat?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">concerns over 410 million people</a> at risk of losing their livelihoods. Coastal cities are choked with high-rise buildings and traffic-laden roads, consuming land insufficiently. Synthesizing these problems, architects across the world have proposed a potential answer - floating cities. A future of living on water seems like a radical shift from how people live, work, and play. Vernacular precedents prove otherwise, offering inspiration for what our cities could morph into. As world leaders discuss courses of action to tackle climate change at <a href="https://www.archdaily.com/991870/during-cop27-the-necessity-to-achieve-net-zero-comes-into-sharp-focus">the COP27 climate summit</a> in Egypt, ArchDaily dives into the concept of radical water-based settlements.</p>]]>
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