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    <title>Tag: journal | ArchDaily</title>
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      <title>
        <![CDATA[Can Architectural Journalism Shape the Future of the Profession?]]>
      </title>
      <link>https://www.archdaily.com/en/993671/can-architectural-journalism-shape-the-future-of-the-profession</link>
      <pubDate>Sun, 19 Mar 2023 05:30:00 +0000</pubDate>
      <dc:creator>Paula Cano</dc:creator>
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      <description>
        <![CDATA[<p>Koolhaas' journalism work won him fame in architecture before he completed a single building. The switch from storyteller to architect was more a change in the script than a professional shift. He pointed out that "<em>[architecture] is a form of scriptwriting that implicitly describes human and spatial relationships.</em>" Restating the role of architecture in defining daily life beyond buildings and cities' construction, architecture is also a written and spoken tool capable of explaining daily worldwide events, giving voices to unspoken projects, and actively shaping the future of the architect's role. </p>]]>
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      <title>
        <![CDATA[Call for Submissions: Dennis Sharp CICA Awards for Architectural Criticism 2020]]>
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      <link>https://www.archdaily.com/en/928271/call-for-submissions-dennis-sharp-cica-awards-for-architectural-criticism-2020</link>
      <pubDate>Tue, 12 Nov 2019 12:01:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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      <description>
        <![CDATA[<p>The International Committee of Architectural Critics CICA is pleased to announce an invitation to publishers, editors, curators and authors to submit their publications for consideration for the 10th CICA Awards 2020 by 30th November 2019. Award winners will be announced during the UIA XXVII World Congress of Architecture to be held in Rio de Janeiro from July 19th to 23rd, 2020.</p>
<p>The Awards fall into four categories:</p>
<p>&ldquo;Bruno Zevi CICA Book Award&rdquo;<br /> For published books on architectural criticism, theory and history<br /> &ldquo;Pierre Vago CICA Journalism Award&rdquo;<br /> For an article</p>]]>
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        <![CDATA[Call for Submissions: Fetishes and Obsessions and Trends (Oh My!) — Paprika! Volume 5, Issue 7]]>
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      <link>https://www.archdaily.com/en/925724/call-for-submissions-fetishes-and-obsessions-and-trends-oh-my-paprika-volume-5-issue-7</link>
      <pubDate>Mon, 30 Sep 2019 13:19:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/925724/call-for-submissions-fetishes-and-obsessions-and-trends-oh-my-paprika-volume-5-issue-7</guid>
      <description>
        <![CDATA[<p>Although the field of architecture likes to think it is cutting-edge, adamantly liberal, and on the forefront of history, we still look towards the compulsive tendencies of the glorified visionary, their revolutionary thoughts, illuminating process, and iconic vision.&nbsp;</p>]]>
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        <![CDATA[[TRANS-] topia 2019  ::  journal call for submissions]]>
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      <link>https://www.archdaily.com/en/911494/trans-topia-2019-journal-call-for-submissions</link>
      <pubDate>Thu, 28 Feb 2019 00:55:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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      <description>
        <![CDATA[<p>[TRANS-] topia <br>across, beyond, through :: <a href="/en/tag/critique">critique</a>, fantasy, technology</p>]]>
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      <title>
        <![CDATA[Call for Submissions - Ground Up Journal Issue 08: HOME]]>
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      <link>https://www.archdaily.com/en/906317/call-for-submissions-ground-up-journal-issue-08-home</link>
      <pubDate>Wed, 21 Nov 2018 06:12:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/906317/call-for-submissions-ground-up-journal-issue-08-home</guid>
      <description>
        <![CDATA[<p>Ground Up, the journal of the Department of Landscape Architecture and Environmental Planning at UC Berkeley, Issue 08 seeks entries that address the idea of HOME.</p><p>In 1972, the Blue Marble made it home. The first full-color image of the Earth taken from space landed on coffee tables and TV screens around the world — imprinting itself on humanity and permanently expanding our idea of home. </p><p>Nearly half a century later, ideas and images of home are as intimate as they are infinite. Home is a house. A body. A single point on a map. As Blue Marble suggests, home both</p>]]>
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      <title>
        <![CDATA[Call for Submissions: PLAT 8.0]]>
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      <link>https://www.archdaily.com/en/904063/call-for-submissions-plat</link>
      <pubDate>Tue, 16 Oct 2018 16:38:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/904063/call-for-submissions-plat</guid>
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        <![CDATA[<p>In today’s chaotic world, simplicity grows virtuous. As an operational directive, simplicity forces the pursuit of the essential, where what matters is retained and what doesn’t is tossed overboard. Simplicity is at once classic and trending; ambitious and naive; utopian and pragmatic. A decade after 2008, the feeling is baked into current trends of austerity, with economic realities influencing aesthetics and ethics within architecture in deep ways. The value of simplicity lies not just in the luxury of a representational project, but more powerfully in methods of practice—in understandings of how architects make decisions in realizing their work. Simplicity in</p>]]>
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        <![CDATA[Call for Submissions: "Vernacular" — Paprika! Volume 4, Issue 6]]>
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      <link>https://www.archdaily.com/en/903582/call-for-submissions-vernacular-paprika-volume-4-issue-6</link>
      <pubDate>Tue, 16 Oct 2018 16:09:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/903582/call-for-submissions-vernacular-paprika-volume-4-issue-6</guid>
      <description>
        <![CDATA[<p>In the spirit of Virgil Abloh we put quotation marks around the word "vernacular." Then we replace the word with a blank and ask you to fill it in. What do they build with where you're from? What do indigenous houses look like? What methods do they prefer and who actually uses them? This issue of Paprika!, a weekly journal at the Yale School of Architecture, will probe the architectural vernacular, a concept increasingly in vogue but equally undefined. </p><p>We invite all essays and comments that reevaluate the “vernacular" in contemporary design, encouraging specific examples where possible. We also invite</p>]]>
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      <title>
        <![CDATA[Call for Submissions: See/Saw]]>
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      <link>https://www.archdaily.com/en/896411/call-for-submissions-see-saw</link>
      <pubDate>Thu, 14 Jun 2018 10:30:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/896411/call-for-submissions-see-saw</guid>
      <description>
        <![CDATA[<p>&ldquo;Nothing, and Everything Else&rdquo; aims to locate architecture&rsquo;s general position between nothing and something. Nothing is temporary, easily intimated, fleeing whenever something comes to take its place. At one point obsessed with space, architecture as a discipline has become occupied by a diffuse range of topics and fields which poses the question - is everything now architecture, or alternatively, is architecture now nothing? Is there a middle ground between the two? And is nothing residual - does it last or linger, smell stinky or pleasant, is it strong or subtle?</p>]]>
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        <![CDATA[Call for Articles: The Site Magazine Volume 39: Foundations and Disruptions (Technology/Architecture/Urbanism)]]>
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      <link>https://www.archdaily.com/en/890113/call-for-articles-the-site-magazine-volume-39-foundations-and-disruptions-technology-architecture-urbanism</link>
      <pubDate>Mon, 05 Mar 2018 10:17:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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      <description>
        <![CDATA[<p>VOLUME 39: FOUNDATIONS & DISRUPTIONS</p><p><br>Technology is the answer—but what was the question?</p><p>—Cedric Price</p><p> </p><p>Just 20 years ago, Nicholas Negroponte, the founder of the MIT Media Lab, anticipated that the post-information age would remove the limitations of geography. Digital living, he said, would allow transmission of place itself. (1) This prediction that technology would destroy distance and that our physicality would lose relevance did not hold true; rather, it expanded the meaning of physical space by making it more complex and inseparable from its digital dimension. (2)</p><p>The translation of the built environment into digital information—through robotics, big data, and smart</p>]]>
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        <![CDATA[Call for submissions: ROOM // Issue 01 - Bathroom]]>
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      <link>https://www.archdaily.com/en/881600/room-call-for-submission-issue-01-bathroom</link>
      <pubDate>Fri, 13 Oct 2017 17:30:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/881600/room-call-for-submission-issue-01-bathroom</guid>
      <description>
        <![CDATA[<p>Room is an independent student publication out of the School of Architecture and Landscape Architecture at the University of British Columbia. Each issue of the annual digest explores a different distinguishable room and challenges its boundaries and demarcations, both material and immaterial.</p>
<p>For its inaugural issue, Room will be exploring the Bathroom. 2017 marks the passing of one century since Duchamp&rsquo;s Fountain was first showcased. The piece&rsquo;s now-clich&eacute; status belies the fact that in the century since its exhibition, the space of the bathroom&mdash;along with its associated paraphernalia&mdash;has retained the stigma as that which is auxiliary or subordinate to rooms of</p>]]>
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      <title>
        <![CDATA[Call for Submissions: PLAT 7.0]]>
      </title>
      <link>https://www.archdaily.com/en/881110/call-for-submissions-plat</link>
      <pubDate>Fri, 06 Oct 2017 09:42:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/881110/call-for-submissions-plat</guid>
      <description>
        <![CDATA[<p>Many of the physical spaces that architects, landscape architects, urbanists, and engineers design are inherently locales of joint access and participation. Such long-existing typologies of sharing include plazas, living rooms, libraries, waiting areas, museums, and cohousing schemes. The built environment serves as the platform within which myriad sociological, cultural, and technological forces share legal parameters and broader audiences. Today, digitally-based platforms, supported by vast physical infrastructures, facilitate new types of exchange. Such platforms bring about liberating possibilities to actualize transnational networks that coalesce around food, shelter, transportation, and talent. Yet, for every emancipatory&nbsp;path&nbsp;an equally restrictive one exists. Digitally-mediated sharing can serve as a mask for diffuse forms of financialization and extraction in spatial domains that traditionally conducted their day-to-day operations outside of the flows of global capital.</p>]]>
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        <![CDATA[Call for Submissions: [TRANS-]ient]]>
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      <link>https://www.archdaily.com/en/805495/call-for-submission-trans-ient</link>
      <pubDate>Thu, 16 Feb 2017 14:00:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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      <description>
        <![CDATA[<p>It is often thought that architecture has a quality permanence. In the third issue of [TRANS-] journal we seek to understand that this is not always true. Exploring how the construction of spaces can speak to impermanence, transient design could be a variety of things: built one day and disassembled another; rootless, wandering, and drifting as a nomad among environmental and geopolitical conditions; or spaces that house impermanent populations or respond to temporary phenomena or needs. With transient space comes participants that condition its purpose and interpretation. Perhaps of equal importance is not the design itself but rather the symbolic significance of its remnants, which has the capacity to endure or pass.</p>]]>
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        <![CDATA[Call For Submissions: [TRANS-] lation ]]>
      </title>
      <link>https://www.archdaily.com/en/780239/call-for-submissions-trans-lation</link>
      <pubDate>Tue, 12 Jan 2016 06:40:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>ABOUT ::&nbsp;[TRANS-] is a critically-reviewed academic journal published in print and online, inviting expressions of interest for submitting works of design, writing, or multi-media on the topic of design process and design communication for Vol. No. 2 to be published in May 2016.</p>
<p>TOPIC ::<br />In the second volume, [TRANS-] will explore the topic of [TRANS-]lation.<br />In a largely results-based society, how do designers evaluate process? How can a more thorough assessment of the translation that occurs during creative activities make us better communicators and collaborators with end users, consultants, clients, and all others we affect through design?</p>
<p>ELIGIBILITY ::<br />[TRANS-] accepts submissions from</p>]]>
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        <![CDATA[Call for Submissions: GROUND UP Journal, Issue 5]]>
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      <link>https://www.archdaily.com/en/776990/call-for-submissions-ground-up-journal-issue-5</link>
      <pubDate>Wed, 11 Nov 2015 07:40:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/776990/call-for-submissions-ground-up-journal-issue-5</guid>
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        <![CDATA[<p>Euclid understood lines as &lsquo;breadthless lengths,&rsquo; defined by two points and stretching on into infinity. But delineations can also be as small and simple as a flick of the wrist; the mind moving out of the hand into a gesture. Vassily Kandinsky believed lines to be &lsquo;created by movement &ndash; specifically through the destruction of the intense self-contained repose of the point.&rsquo; Process is suggested; moments emerge from the continuity to form a rhythm. When the abstract becomes physical, delineations unite and exclude.&nbsp;Sociologist T.K. Oommen sees &lsquo;the very story of human civilization&rsquo; in shifting and overlapping boundaries of all kinds. Whether blurred or accentuated, instantaneous or permanent, representational or manifest, intentional or happenstance, DELINEATIONS in the landscape are consequential. They have a story to tell.</p>]]>
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        <![CDATA[Is Morpholio's New "Journal" App the Future of Sketching?]]>
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      <link>https://www.archdaily.com/en/771245/morpholios-new-journal-app-and-the-future-of-sketching</link>
      <pubDate>Tue, 04 Aug 2015 09:02:00 +0000</pubDate>
      <dc:creator>Eric Oh</dc:creator>
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        <![CDATA[<p>Continuing their streak of new <a href="http://www.archdaily.com/tag/architecture-apps/" target="_blank">apps for architects</a> and designers, today <a href="http://www.archdaily.com/tag/morpholio" target="_blank">Morpholio</a> has released their latest work – a digital <a href="http://www.archdaily.com/tag/journal" target="_blank">notebook</a> known as “Journal.” An improvement to existing digital <a href="http://www.archdaily.com/tag/sketchbook" target="_blank">sketchbooks</a>, <em>Journal</em> seeks to capture the day-to-day recording of ideas, inspiration, thoughts and recollections of an analog notebook as faithfully as possible. Unlike most digital sketchbooks, <em>Journal</em> allows users to combine the amalgamation of photos, images, hand sketches and drawings that a real journal might encompass, lending new material to the debate between digital versus analog. But could such an app ever really replace the role that analog journals have in the life of an architect? To find out, we spoke to the people of Morpholio about <em>Journal</em> and the future of digital and analog media.</p>]]>
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        <![CDATA[San Rocco's Single Edition 'Book Of Copies' In Circulation]]>
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      <link>https://www.archdaily.com/en/621542/san-rocco-book-of-copies-in-circulation</link>
      <pubDate>Mon, 20 Apr 2015 05:00:34 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/621542/san-rocco-book-of-copies-in-circulation</guid>
      <description>
        <![CDATA[<p>Earlier this year <a href="http://www.sanrocco.info/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">San Rocco</a>, recipients of the inaugural <a href="http://www.archdaily.com/327174/icon-selects-san-rocco-as-emerging-architect-of-the-year/">Icon Award for Emerging Architectural Practice of the Year</a> in 2013, published a limited single-edition run of a new publication: the San Rocco <em>Book of Copies</em>. Within five volumes of 4120 pages lies what they describe as "a database comprised of images that may be copied in order to produce architecture; a receptacle of a collective form of knowledge that we can provisionally call 'architecture'."</p>]]>
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        <![CDATA[LOBBY #2: Projecting Forward, Looking Back]]>
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      <link>https://www.archdaily.com/en/613818/lobby-projecting-forward-looking-back</link>
      <pubDate>Fri, 27 Mar 2015 09:30:14 +0000</pubDate>
      <dc:creator>Evan Rawn</dc:creator>
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        <![CDATA[<p class="Body">From Vitruvius to <a href="http://www.archdaily.com/tag/le-corbusier/" target="_blank">Le Corbusier</a>, words and writing have always played an essential role in architectural discourse. One could argue that crafting words is akin to orchestrating space: indeed, history’s most notable architects and designers are often remembered for their written philosophies as much as they are for their built works.</p>]]>
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        <![CDATA[Dichotomy Journal Plays the Odds: Open Call for Submissions on Taking Architectural Risks]]>
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      <link>https://www.archdaily.com/en/567768/dichotomy-journal-plays-the-odds-open-call-for-submissions-on-taking-architectural-risks</link>
      <pubDate>Sat, 15 Nov 2014 00:00:00 +0000</pubDate>
      <dc:creator>Finn MacLeod</dc:creator>
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        <![CDATA[<p>University of <a href="http://www.archdaily.com/tag/detroit/" target="_blank">Detroit</a> Mercy's <a href="/en/tag/dichotomy-journal">Dichotomy Journal</a> has issued an open call for submissions to its 21st edition on the theme of "Odds," inviting discussion on projects that "defy the status quo and aim for greater fortune.<em>" </em>Risk takers rejoice: Dichotomy 21 will shine a spotlight on architectural anomalies and the "implications of defying the odds and embracing the strange."<em><em> </em></em>The journal aims to stimulate a new discourse on extraordinary and unconventional designs that <a href="http://www.archdaily.com/445413/the-gherkin-how-london-s-famous-tower-leveraged-risk-and-became-an-icon/" target="_blank">push the architectural envelope</a>. Submissions are invited to discuss ideas defying the odds in design, architecture, urbanism and community development.</p>]]>
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