<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: japanese-architecture | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Thu, 9 Jul 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA["A Place Remembers What Has Happened:" Tsuyoshi Tane on Memory as a Design Driver in Louisiana Channel Interview]]>
      </title>
      <link>https://www.archdaily.com/1038454/a-place-remembers-what-has-happened-tsuyoshi-tane-on-memory-as-a-design-driver-in-louisiana-channel-interview</link>
      <pubDate>Wed, 27 May 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038454/a-place-remembers-what-has-happened-tsuyoshi-tane-on-memory-as-a-design-driver-in-louisiana-channel-interview</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/office/atelier-tsuyoshi-tane-architects?ad_source=search&amp;ad_medium=search_result_professionals">Tsuyoshi Tane</a> is a <a href="https://www.archdaily.com/tag/japanese-architecture/page/1">Japanese architect</a> born in 1979 in <a href="https://www.archdaily.com/tag/tokyo/page/1">Tokyo</a> and based in <a href="https://www.archdaily.com/tag/paris">Paris</a>, where he founded<a href="https://www.archdaily.com/office/atelier-tsuyoshi-tane-architects?ad_source=search&amp;ad_medium=search_result_professionals"> ATTA – Atelier Tsuyoshi Tane Architects</a> in 2006. Working across cultural, institutional, and landscape-related projects, Tane has developed an architectural approach that positions memory as a fundamental design driver. In his <a href="https://www.archdaily.com/tag/interview">interview</a> with <a href="https://www.archdaily.com/tag/louisiana-channel/page/1">Louisiana Channel</a>, filmed in his Paris studio, Tane reflects on <a href="https://www.archdaily.com/tag/architecture">architecture</a> as a discipline of observation and thought, arguing that meaningful design emerges from carefully reading the traces embedded within a site. For him, <a href="https://www.archdaily.com/tag/architecture">architecture</a> is not produced on a blank slate but begins with an inquiry into what already exists, physically, culturally, and emotionally, beneath the surface of a place.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6983/1c62/dddf/b60c/1d00/2402/newsletter/a-place-remembers-what-has-happened-tsuyoshi-tane-on-memory-as-a-design-driver-in-louisiana-channel-interview_4.jpg?1770200172"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[From Tradition to Modern Living: The Versatility and Elegance of Timber in 12 Japanese Interiors]]>
      </title>
      <link>https://www.archdaily.com/1041255/from-tradition-to-modern-living-the-versatility-and-elegance-of-timber-in-12-japanese-interiors</link>
      <pubDate>Fri, 08 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Susanna Moreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041255/from-tradition-to-modern-living-the-versatility-and-elegance-of-timber-in-12-japanese-interiors</guid>
      <description>
        <![CDATA[<p>Contemporary <a href="https://www.archdaily.com/tag/japanese-architecture" target="_blank" rel="noopener">Japanese architecture</a> continues to demonstrate how to adapt the evolving needs of modern residents to a rich building tradition and artisanal legacy. Wood has always been the soul of Japanese architecture. In many recent residential projects, this material transcends its structural role to become the primary finish for various surfaces — ranging from floors and ceilings to furniture and architectural elements. These environments strike a delicate balance between elegance and coziness.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69fb/796c/ad4f/9c01/898d/376d/newsletter/from-tradition-to-modern-living-the-versatility-and-elegance-of-timber-in-12-japanese-interiors_2.jpg?1778088310"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[OMA / Shohei Shigematsu Completes First Public Project in Japan at Newly Renovated Edo-Tokyo Museum]]>
      </title>
      <link>https://www.archdaily.com/1041285/oma-shohei-shigematsu-completes-first-public-project-in-japan-at-newly-renovated-edo-tokyo-museum</link>
      <pubDate>Thu, 07 May 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041285/oma-shohei-shigematsu-completes-first-public-project-in-japan-at-newly-renovated-edo-tokyo-museum</guid>
      <description>
        <![CDATA[<p>The Edo-Tokyo Museum has reopened to the public following a multi-year <a href="https://www.archdaily.com/tag/renovation">renovation</a>, unveiling a series of <a href="https://www.archdaily.com/tag/scenography">scenographic</a> interventions and <a href="https://www.archdaily.com/tag/installations">installations</a> designed by <a href="https://www.archdaily.com/tag/oma">OMA</a> under the direction of <a href="https://www.archdaily.com/tag/shohei-shigematsu/page/1">Shohei Shigematsu</a>. Marking the firm's first public project in <a href="https://www.archdaily.com/country/japan/page/1">Japan</a>, the commission forms part of the broader renewal of the<a href="https://www.archdaily.com/tag/museum/page/1"> museum</a>'s iconic building by <a href="https://www.archdaily.com/tag/metabolism/page/1">Metabolist architect</a> <a href="https://www.archdaily.com/tag/kiyonori-kikutake/page/1">Kiyonori Kikutake</a>. Originally opened in 1993 as the first museum dedicated to the history of <a href="https://www.archdaily.com/tag/tokyo/page/1">Tokyo</a>, the institution traces the city's evolution from the Edo period to the present day, and the new interventions aim to strengthen its relationship with contemporary audiences while preserving the identity of <a href="https://www.archdaily.com/tag/kiyonori-kikutake/page/1">Kikutake</a>'s architecture.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69fc/6103/754a/ba01/8bca/8b97/newsletter/oma-shohei-shigematsu-complete-first-public-project-in-japan-at-newly-renovated-edo-tokyo-museum_1.jpg?1778147686"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Atelier Tsuyoshi Tane Architects Designs Sea of Time – TOHOKU in Fukushima, Japan]]>
      </title>
      <link>https://www.archdaily.com/1040899/atelier-tsuyoshi-tane-architects-designs-sea-of-time-tohoku-in-fukushima-japan</link>
      <pubDate>Thu, 23 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040899/atelier-tsuyoshi-tane-architects-designs-sea-of-time-tohoku-in-fukushima-japan</guid>
      <description>
        <![CDATA[<p>Located in <a href="https://www.archdaily.com/tag/tomioka/page/1">Tomioka</a>, <a href="https://www.archdaily.com/tag/fukushima/page/1">Fukushima</a> Prefecture, Sea of Time – TOHOKU is both an artwork by Tatsuo Miyajima and an architectural project commissioned by the artist. Designed by <a href="https://www.archdaily.com/tag/japanese-architecture/page/1">Japanese architect</a> <a href="https://www.archdaily.com/tag/tsuyoshi-tane/page/1">Tsuyoshi Tane</a> of <a href="https://www.archdaily.com/office/atelier-tsuyoshi-tane-architects?ad_source=search&amp;ad_medium=search_result_professionals">Atelier Tsuyoshi Tane Architects </a>(ATTA), the project envisions a permanent museum to house Miyajima's artwork. Currently under development from 2024 to 2027, with an anticipated opening in spring 2028. Positioned on a cliff overlooking the <a href="https://www.archdaily.com/tag/pacific-ocean/page/1">Pacific Ocean</a>, the proposal brings together architecture and installation within a site shaped by the memory of the 2011 Tōhoku earthquake and tsunami, framing both the landscape and its historical context as integral components of the design.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69e9/f0fd/834c/f001/803e/273c/newsletter/atelier-tsuyoshi-tane-architects-designs-sea-of-time-tohoku-in-fukushimas-coastal-landscape_5.jpg?1776939295"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["Artisans of the Reiwa Era" Documentary Showcases Traditional Japanese Wood Construction and Craftsmanship]]>
      </title>
      <link>https://www.archdaily.com/1032340/artisans-of-the-reiwa-era-documentary-showcases-traditional-japanese-wood-construction-and-craftsmanship</link>
      <pubDate>Mon, 13 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032340/artisans-of-the-reiwa-era-documentary-showcases-traditional-japanese-wood-construction-and-craftsmanship</guid>
      <description>
        <![CDATA[<p>Rinshunkaku is a notable example of early Edo-period residential architecture. Originally built in the Wakayama Prefecture by the Kishu Tokugawa family, the villa was relocated to Sankeien, a traditional Japanese garden in the city of <a href="https://www.archdaily.com/city/yokohama" target="_blank" rel="noopener">Yokohama</a>, during the Taisho era (1912-1926). The garden was created in the early 20th century by businessman and art patron Sankei Hara and features a number of historic buildings relocated from <a href="https://www.archdaily.com/city/kyoto" target="_blank" rel="noopener">Kyoto</a>, <a href="https://www.archdaily.com/city/kamakura" target="_blank" rel="noopener">Kamakura</a>, and other areas of <a href="https://www.archdaily.com/country/japan" target="_blank" rel="noopener">Japan</a>. Rinshunkaku, one of the garden's gems, is a prime example of traditional <a href="https://www.archdaily.com/tag/japanese-architecture" target="_blank" rel="noopener">Japanese architecture</a> and <a href="https://www.archdaily.com/tag/wood-construction" target="_blank" rel="noopener">wood construction</a>. Its historical value motivated a large-scale <a href="https://www.archdaily.com/search/projects/categories/restoration/country/japan" target="_blank" rel="noopener">restoration project</a> in 2019, documented in the film <a href="https://vimeo.com/1090404501?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em data-start="968" data-end="995">Artisans of the Reiwa Era</em></a> (<em data-start="997" data-end="1022">Reiwa no Shokunin-tachi</em>), filmed and edited by Katsumasa Tanaka and Hiroshi Fujiki. The documentary offers a close, detailed view of Japanese craftsmanship and wood expertise, highlighting rare traditional techniques and paying tribute to the artisans who preserve them.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/687e/60ed/6df6/fa75/08c1/5a3a/newsletter/artisans-of-reiwa-the-restoration-of-rinshunkaku-documentary_1.jpg?1753112833"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Renovation and Continuity in Japanese Architecture: The Work of 1110 Office for Architecture]]>
      </title>
      <link>https://www.archdaily.com/1039728/renovation-and-continuity-in-japanese-architecture-the-work-of-1110-office-for-architecture</link>
      <pubDate>Thu, 19 Mar 2026 04:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039728/renovation-and-continuity-in-japanese-architecture-the-work-of-1110-office-for-architecture</guid>
      <description>
        <![CDATA[<p>In a shifting societal and environmental landscape, how can architectural design respond to transformation while meaningfully engaging with what endures? <a href="https://www.archdaily.com/office/1110-office-for-architecture?ad_name=project-specs&amp;ad_medium=single" target="_blank" rel="noopener">1110 Office for Architecture</a>, based in <a href="/tag/osaka">Osaka</a>, <a href="/tag/japan">Japan</a>, approaches this question through a body of work defined by careful residential renovations and precise spatial interventions.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69b9/a6b9/2d9f/8601/87bf/ff1e/newsletter/engaging-with-what-changes-and-what-remains-discover-the-works-of-1110-office-for-architecture_2.jpg?1773774528"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Kumamoto Exhibition Explores Shoei Yoh’s Pioneering Timber Structures and Computational Design]]>
      </title>
      <link>https://www.archdaily.com/1039339/kumamoto-exhibition-explores-shoei-yohs-pioneering-timber-structures-and-computational-design</link>
      <pubDate>Thu, 05 Mar 2026 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039339/kumamoto-exhibition-explores-shoei-yohs-pioneering-timber-structures-and-computational-design</guid>
      <description>
        <![CDATA[<p>The Contemporary Art Museum of <a href="https://www.archdaily.com/tag/kumamoto" target="_blank" rel="noopener">Kumamoto </a>and the <a href="https://shoeiyoh.com/index.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Shoei Yoh Archive</a> at Kyushu University are honoring the late Japanese architect Shoei Yoh with an exhibition on view at the museum through March 9. The architect, who passed away on January 8, 2026, was born in Kumamoto in 1940 and, throughout his career, worked across product design, interiors, and architecture. He is recognized as a pioneer of contemporary <a href="/tag/timber">timber</a> construction and for his early contributions to computational design. The exhibition revisits his projects in Kumamoto through drawings and models from the Shoei Yoh Archive at Kyushu University.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69a8/8eb1/314f/6601/8902/b070/newsletter/shoei-yoh_1.jpg?1772654286"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Deep Tones and Natural Roots: 22 Shou Sugi Ban Homes Across the US and Canada]]>
      </title>
      <link>https://www.archdaily.com/1038426/deep-tones-and-natural-roots-22-shou-sugi-ban-homes-across-the-us-and-canada</link>
      <pubDate>Fri, 06 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038426/deep-tones-and-natural-roots-22-shou-sugi-ban-homes-across-the-us-and-canada</guid>
      <description>
        <![CDATA[<p>Shou Sugi Ban is a traditional Japanese technique for wood preservation that involves charring the surface of timber to create a protective layer. While its origins are <a href="https://www.archdaily.com/1036387/architecture-in-ecuador-16-projects-rooted-in-territory-craft-and-collective-practice" target="_blank" rel="noopener">rooted in practical durability</a>, the method has been widely adapted into the modern built environment and shapes a unique and distinctive aesthetic. It is a material of contradiction: it remains bold in its visual language due to its dark tones, yet it simultaneously borrows from and <a href="https://www.archdaily.com/1037551/learning-in-contact-with-nature-in-conversation-with-2025-holcim-award-winner-urko-sanchez-architects" target="_blank" rel="noopener">complements its natural surroundings</a>, allowing houses to settle quietly into their sites.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6983/782d/f9eb/d46e/bf60/7477/newsletter/deep-tones-and-natural-roots-22-shou-sugi-ban-homes-across-the-us-and-canada_24.jpg?1770223666"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[“Built Environment: An Alternative Guide to Japan” Exhibition in Montréal Examines Resilient Japanese Architecture]]>
      </title>
      <link>https://www.archdaily.com/1037641/built-environment-an-alternative-guide-to-japan-exhibition-in-montreal-examines-resilient-japanese-architecture</link>
      <pubDate>Fri, 09 Jan 2026 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037641/built-environment-an-alternative-guide-to-japan-exhibition-in-montreal-examines-resilient-japanese-architecture</guid>
      <description>
        <![CDATA[<p>The exhibition <em>Built Environment: An Alternative Guide to Japan</em> at the Université du Québec à Montréal's (UQAM) Centre de design will be on view until January 25, 2026. Curated by Shunsuke Kurakata, Satoshi Hachima, and Kenjiro Hosaka, it features a selection of 80 projects from Japan's 47 prefectures, including works by renowned Japanese architects such as <a href="https://www.archdaily.com/489209/shigeru-ban-named-pritzker-laureate-2014" target="_blank" rel="noopener">2014 Pritzker Prize laureate Shigeru Ban</a>, <a href="https://www.archdaily.com/office/kengo-kuma-and-associates" target="_blank" rel="noopener">Kengo Kuma</a>, <a href="https://www.archdaily.com/1025184/yoshio-taniguchi-architect-behind-moma-redesign-passes-away-at-87" target="_blank" rel="noopener">the designer of the Museum of Modern Art's renovation in New York Yoshio Taniguchi</a>, celebrated <a href="https://www.archdaily.com/tag/isamu-noguchi" target="_blank" rel="noopener">landscape architect and sculptor Isamu Noguchi</a>, and <a href="https://www.archdaily.com/912450/arata-isozaki-named-2019-pritzker-prize-laureate" target="_blank" rel="noopener">2019 Pritzker Prize laureate Arata Isozaki</a>. The selection aims to offer a renewed perspective on Japan through innovative buildings, civil engineering projects, and landscape designs. Organized in collaboration with <a href="https://www.archdaily.com/tag/the-japan-foundation" target="_blank" rel="noopener">the Japan Foundation</a> and presented with the support of the Consulate General of Japan in <a href="/tag/montreal">Montreal</a>, the exhibition is conceived as a traveling project exploring the resilience of <a href="https://www.archdaily.com/tag/japanese-architecture" target="_blank" rel="noopener">Japanese architecture</a> and infrastructure in the face of <a href="https://www.archdaily.com/1017950/designing-for-disaster-in-an-increasingly-dangerous-world" target="_blank" rel="noopener">natural disasters and climate change</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/695f/e596/dcd0/815d/f765/3f9f/newsletter/uqams-centre-de-design-presents-built-environment-an-alternative-guide-to-japan_3.jpg?1767892448"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[A Smart City Prototype in Japan: PLP Architecture Breaks Ground on the First Tower of Tokyo Cross Park]]>
      </title>
      <link>https://www.archdaily.com/1037421/a-smart-city-prototype-in-japan-plp-architecture-breaks-ground-on-the-first-tower-of-tokyo-cross-park</link>
      <pubDate>Mon, 29 Dec 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037421/a-smart-city-prototype-in-japan-plp-architecture-breaks-ground-on-the-first-tower-of-tokyo-cross-park</guid>
      <description>
        <![CDATA[<p>Construction has officially broken ground on <a href="https://www.archdaily.com/city/tokyo" target="_blank" rel="noopener">Tokyo</a>'s new global headquarters for NTT, a major Japanese technology company. The project is a key component of <a href="https://www.archdaily.com/979532/plp-architecture-unveils-masterplan-of-tokyo-cross-park-vision" target="_blank" rel="noopener">PLP Architecture's Tokyo Cross Park masterplan, a large-scale regeneration development in the Tokyo metropolitan area</a>, first announced in 2022. On December 5, 2025, construction began on the first stage of the scheme, one of four towers planned within the masterplan. The NTT Hibiya Tower, designed by <a href="https://www.archdaily.com/office/plp-architecture" target="_blank" rel="noopener">PLP Architecture</a> and developed by NTT Urban Development in collaboration with Tokyo Electric Power Company, is a 230-metre-tall, 361,000-square-metre mixed-use building and forms the central element of the 1.1-million-square-metre Tokyo Cross Park Vision. PLP Architecture serves as Design Architect for the tower, as well as Masterplanner and Placemaking Strategist for the wider development.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6951/cf54/5f86/cb1f/8e92/313a/newsletter/a-smart-city-prototype-in-tokyo-plp-architecture-breaks-ground-on-the-first-tower-of-tokyo-cross-park_12.jpg?1766969213"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Shigeru Ban Named Recipient of the 2026 AIA Gold Medal]]>
      </title>
      <link>https://www.archdaily.com/1036740/shigeru-ban-named-recipient-of-the-2026-aia-gold-medal</link>
      <pubDate>Mon, 08 Dec 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036740/shigeru-ban-named-recipient-of-the-2026-aia-gold-medal</guid>
      <description>
        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/american-institute-of-architects" target="_blank" rel="noopener">American Institute of Architects</a> (AIA) announced on Thursday, December 4, 2025, that architect <a href="https://www.archdaily.com/tag/shigeru-ban" target="_blank" rel="noopener">Shigeru Ban</a> is the recipient of the 2026 <a href="https://www.archdaily.com/tag/aia-gold-medal" target="_blank" rel="noopener">AIA Gold Medal</a>. The award is the AIA's highest individual honor, recognizing individuals whose work has had a lasting influence on the theory and practice of architecture. On this occasion, the Japanese architect's work was highlighted for its <a href="https://www.archdaily.com/1017271/from-paper-tube-shelters-to-timber-innovations-shigeru-bans-complete-works-explored-by-philip-jodidio-for-taschen" target="_blank" rel="noopener">inventive use of renewable materials such as paper and timber</a>, his innovation in timber architecture, his commitment to social service through design, and his 30 years as an educator at universities including Harvard, Cornell, and Columbia. Previous honorees include <a href="https://www.archdaily.com/1024830/architect-and-educator-deborah-berke-receives-the-2025-aia-gold-medal?ad_campaign=normal-tag" target="_blank" rel="noopener">Deborah Berke</a>, the first female dean of the Yale School of <a href="/tag/architecture">Architecture</a>, in 2025; <a href="https://www.archdaily.com/1011241/aia-awards-2024-gold-medal-to-sustainability-advocates-david-lake-and-ted-flato-of-lake-flato-architects" target="_blank" rel="noopener">David Lake and Ted Flato of the San Antonio–based practice Lake|Flato</a> in 2024; and <a href="https://www.archdaily.com/993519/an-unrivaled-architect-for-the-people-carol-ross-barney-receives-the-2023-aia-gold-medal?ad_campaign=normal-tag" target="_blank" rel="noopener">civic design leader Carol Ross Barney</a> in 2023.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6936/48f0/243c/4d5a/4987/6fa7/newsletter/shigeru-ban-aia-gold-medal_6.jpg?1765165304"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Light, Material, Reaction: How Active Surfaces® Transform Cybernet Systems’ Tokyo Headquarters]]>
      </title>
      <link>https://www.archdaily.com/1035865/light-material-reaction-how-active-surfaces-r-transform-cybernet-systems-tokyo-headquarters</link>
      <pubDate>Tue, 25 Nov 2025 06:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035865/light-material-reaction-how-active-surfaces-r-transform-cybernet-systems-tokyo-headquarters</guid>
      <description>
        <![CDATA[<p>The new headquarters for Cybernet Systems was designed around the Japanese architectural concept of flexibility, promoting well-being, collaboration, and productivity. As a global leader in Computer-Aided Engineering, supporting industrial production through advanced digital solutions, the headquarters, located in the Fuji Soft Akihabara Building in Tokyo, embodies the company's commitment to creating a dynamic, technology-driven community.  </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6910/c560/b04b/1c3c/08ae/a264/newsletter/light-material-reaction-how-active-surfaces-transform-cybernet-systems-tokyo-headquarters_4.jpg?1762706802"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Citizen-Led Campaign Proposes New Use for Kenzo Tange's Kagawa Gymnasium, Facing Demolition]]>
      </title>
      <link>https://www.archdaily.com/1033155/citizen-led-campaign-proposes-new-use-for-kenzo-tanges-kagawa-gymnasium-facing-demolition</link>
      <pubDate>Fri, 15 Aug 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1033155/citizen-led-campaign-proposes-new-use-for-kenzo-tanges-kagawa-gymnasium-facing-demolition</guid>
      <description>
        <![CDATA[<p>In February 2023, the governor of Kagawa Prefecture, <a href="https://www.archdaily.com/country/japan" target="_blank" rel="noopener">Japan</a>, a<a href="https://www.archdaily.com/996849/kenzo-tanges-famous-kagawa-national-gymnasium-in-japan-set-to-be-demolished" target="_blank" rel="noopener">nnounced the planned demolition</a> of the <a href="https://www.archdaily.com/285955/ad-classics-kagawa-prefectural-gymnasium-kenzo-tange" target="_blank" rel="noopener">Kagawa Prefectural Gymnasium</a>, designed by Pritzker Prize-winning architect <a href="https://www.archdaily.com/office/kenzo-tange" target="_blank" rel="noopener">Kenzo Tange</a>. Discussion surrounding its fate dates back to its permanent closure in 2014, after a roof leak caused structural problems in the ceiling boards. Since then, several organizations have worked to save the building, including a petition by the <a href="https://www.archdaily.com/tag/world-monuments-fund" target="_blank" rel="noopener">World Monuments Fund </a>and an effort by a promotional council to nominate it as a <a href="https://www.archdaily.com/971945/architecture-and-unesco-rethinking-preservation-and-cultural-heritage" target="_blank" rel="noopener">UNESCO World Cultural Heritage</a> site in 2021. Despite these initiatives, on August 7, 2025, the Kagawa Prefectural Government officially announced a public competitive bidding process to select a contractor for the demolition, something the Former Kagawa Prefectural Gymnasium Regeneration Committee is determined to prevent.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/689e/bd42/65bf/e15a/7e16/3fa8/newsletter/citizens-campaign-proposes-new-use-program-for-kenzo-tanges-boat-gymnasium-in-risk-of-prompt-demolition_1.jpg?1755233623"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["No House Exists in Isolation": Riken Yamamoto on the Failures of Contemporary Housing in Louisiana Channel Interview]]>
      </title>
      <link>https://www.archdaily.com/1031541/no-house-exists-in-isolation-riken-yamamoto-on-the-failures-of-contemporary-housing-in-louisiana-channel-interview</link>
      <pubDate>Thu, 31 Jul 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031541/no-house-exists-in-isolation-riken-yamamoto-on-the-failures-of-contemporary-housing-in-louisiana-channel-interview</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/office/riken-yamamoto" target="_blank" rel="noopener">Riken Yamamoto</a>, born in Beijing in 1945 and raised in Yokohama shortly after World War II, is a Japanese architect celebrated for fostering community through architecture. After founding his practice, Riken Yamamoto &amp; Field Shop, in 1973, he became renowned for works ranging from social housing, such as <a href="https://www.archdaily.com/1014067/architecture-classics-hotakubo-housing-riken-yamamoto" target="_blank" rel="noopener">Hotakubo Housing</a> and <a href="https://www.archdaily.com/1014039/pangyo-housing-riken-yamamoto" target="_blank" rel="noopener">Pangyo Housing</a>, to civic projects like the <a href="https://www.archdaily.com/1014034/hiroshima-nishi-fire-station-riken-yamamoto" target="_blank" rel="noopener">Hiroshima Nishi Fire Station</a> and <a href="https://www.archdaily.com/1014040/saitama-prefectural-university-riken-yamamoto" target="_blank" rel="noopener">Saitama Prefectural University</a>, all unified by modular simplicity. <a href="https://www.archdaily.com/1014028/japanese-architect-riken-yamamoto-receives-the-2024-pritzker-architecture-prize" target="_blank" rel="noopener">Honored in March 2024 as the Pritzker Architecture Prize Laureate</a>, he was praised by jury chair <a href="https://www.archdaily.com/tag/alejandro-aravena" target="_blank" rel="noopener">Alejandro Aravena</a> for "blurring boundaries between public and private," fostering spontaneous social interaction, and "bringing dignity to everyday life" by enabling community to flourish through thoughtful design. In this interview with <a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank" rel="noopener">Louisiana Channel</a>, the architect reflects on the social role of architecture, emphasizing the inseparable bond between housing and context, and the need to create spaces that foster visible, meaningful relationships.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/685c/cdf5/1dcf/f379/21a1/596a/newsletter/no-house-exists-in-isolation-riken-yamamoto-on-the-origins-of-housing-and-community-in-louisiana-channel-interview_3.jpg?1750912513"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[A Restored Module from Tokyo’s Nakagin Capsule Tower Goes on Year-Long Display at MoMA]]>
      </title>
      <link>https://www.archdaily.com/1032075/a-restored-module-from-tokyos-nakagin-capsule-tower-goes-on-year-long-display-at-moma</link>
      <pubDate>Tue, 15 Jul 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032075/a-restored-module-from-tokyos-nakagin-capsule-tower-goes-on-year-long-display-at-moma</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/430903/ad-classics-the-museum-of-modern-art" target="_blank" rel="noopener">The Museum of Modern Art</a> (<a href="https://www.archdaily.com/tag/moma" target="_blank" rel="noopener">MoMA</a>) in New York is hosting an exhibition dedicated to <a href="https://www.archdaily.com/616907/spotlight-kisho-kurokawa" target="_blank" rel="noopener">Japanese architect Kisho Kurokawa</a>'s <a href="https://www.archdaily.com/tag/nakagin-capsule-tower" target="_blank" rel="noopener">Nakagin Capsule Tower</a> from July 10, 2025, through July 12, 2026. Titled <em>The Many Lives of the Nakagin Capsule Tower</em>, the exhibition offers a retrospective on the building's 50-year lifespan. Constructed in <a href="https://www.archdaily.com/city/tokyo" target="_blank" rel="noopener">Tokyo</a>'s Ginza district in 1972 and <a href="https://www.archdaily.com/979591/nakagin-capsule-tower-building-to-be-demolished-mid-april" target="_blank" rel="noopener">dismantled in 2022</a>, the tower is presented through contextual materials, original drawings, archival recordings, and a fully restored capsule. The exhibition invites reflection on how cities address aging buildings and the rapid transformation of urban areas. The diverse materials documenting the tower's continuous evolution over five decades encourage viewers to consider how architecture might endure by taking on new roles and functions beyond its original purpose.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6872/59bf/df5c/7801/87bd/518d/newsletter/nagakin_2.jpg?1752324556"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The New Ghibli Park in Japan: Redefining Theme Parks Through Adaptive Reuse and Sustainability]]>
      </title>
      <link>https://www.archdaily.com/1020464/the-new-ghibli-park-in-japan-redefining-theme-parks-through-adaptive-reuse-and-sustainability</link>
      <pubDate>Tue, 24 Jun 2025 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1020464/the-new-ghibli-park-in-japan-redefining-theme-parks-through-adaptive-reuse-and-sustainability</guid>
      <description>
        <![CDATA[<p><a href="https://www.ghibli-museum.jp/en/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Studio Ghibli </a>and its co-founder Hayao Miyazaki have become household names in the West, thanks to their impressive body of work, which includes over 10 feature films, 2 Oscars, and more than 100 awards worldwide. Films such as "Spirited Away" and "Howl's Moving Castle" showcase their mastery of <a href="https://www.archdaily.com/979536/architecture-in-animation-exploring-hayao-miyazakis-fictional-worlds?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">world-building</a>, story telling and compelling visuals which have earned them global acclaim. This has created a devoted fan base that previously only had the Studio Ghibli Museum in <a href="https://www.archdaily.com/tag/tokyo">Tokyo</a> to experience the films in real life. As the studio's popularity and movie portfolio grew, it became inevitable for them to expand into a larger space. That is why November 2022 marked the beginning of a <a href="https://www.archdaily.com/893743/a-studio-ghibli-theme-park-is-coming-to-japan-in-2022?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">new phase as the Ghibli Park opened its gates in Nagoya, Japan</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/66c9/0e01/de2a/1b01/7c80/01e5/newsletter/the-new-ghibli-park-in-japan-redefining-theme-parks-through-adaptive-reuse-and-sustainability_6.jpg?1724452363"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Inside the Japanese Style Room: History, Design, and Modern Practice]]>
      </title>
      <link>https://www.archdaily.com/1030033/inside-the-japanese-style-room-history-design-and-modern-practice</link>
      <pubDate>Sun, 01 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1030033/inside-the-japanese-style-room-history-design-and-modern-practice</guid>
      <description>
        <![CDATA[<p>When examining photos of <a href="https://www.archdaily.com/1028786/old-homes-new-stories-11-traditional-japanese-homes-renovated-for-modern-living?ad_source=search&amp;ad_medium=search_result_articles">Japanese houses</a>, one frequently notices a recurring space with tatami mats, often slightly elevated and integrated into the public areas of the home. This is the <a href="https://www.u-tokyo.ac.jp/biblioplaza/en/H_00024.html?utm_medium=website&amp;utm_source=chatgpt.com" target="_blank">washitsu</a>, or Japanese-style room: a traditional, multipurpose space still commonly found in modern <a href="https://www.archdaily.com/1027788/case-studies-in-community-centered-living-innovative-residential-design?ad_source=search&amp;ad_medium=search_result_articles">residential architecture</a>. Used for activities ranging from reading and sleeping to hosting a family altar, its <a href="https://www.archdaily.com/1016508/maximized-density-how-co-living-spaces-do-more-with-less?ad_source=search&amp;ad_medium=search_result_articles">versatility</a> is central to its continued relevance. This article explores the Washitsu's layout and meaning, beginning with its historical origins to better understand its role and interpretation in contemporary Japanese homes.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6820/3a30/77df/3e5e/6324/8c6b/newsletter/inside-the-japanese-style-room-history-design-and-modern-practice_7.jpg?1746942522"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Osaka Architecture City Guide: 23 Projects Showcasing Japan’s Design Legacy and Innovation]]>
      </title>
      <link>https://www.archdaily.com/1026676/osaka-architecture-city-guide-21-projects-showcasing-japans-design-legacy-and-innovation</link>
      <pubDate>Thu, 20 Feb 2025 08:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1026676/osaka-architecture-city-guide-21-projects-showcasing-japans-design-legacy-and-innovation</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/city/osaka">Osaka</a>, <a href="https://www.archdaily.com/search/projects/country/japan">Japan's</a> third-largest city, is a vibrant blend of tradition and modernity, making it a compelling destination for architecture enthusiasts. Known historically as the <a href="https://peterlamphotography.com/2018/01/25/osaka-the-nations-kitchen/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">"nation's kitchen"</a> for its role as a mercantile hub, Osaka is also a city of cultural and architectural diversity. Its landmarks range from the historic <a href="https://en.wikipedia.org/wiki/Osaka_Castle?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Osaka Castle</a> to striking contemporary developments, each reflecting Japan's evolving urban identity.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/67a7/3c6f/088f/c406/8247/ff66/newsletter/osaka-architecture-city-guide-21-projects-showcasing-japans-design-legacy-and-innovation_16.jpg?1739013287"></enclosure>
    </item>
  </channel>
</rss>
