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    <title>Tag: italian | ArchDaily</title>
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        <![CDATA[The Italian Pavilion at the Venice Architecture Biennale Urges a Rethink of the Relationship Between Land and Sea]]>
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      <link>https://www.archdaily.com/1033611/the-italian-pavilion-at-the-venice-architecture-biennale-urges-a-rethink-of-the-relationship-between-land-and-sea</link>
      <pubDate>Mon, 01 Sep 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="231" data-end="1231">The <a href="https://www.archdaily.com/tag/italian-pavilion" target="_blank" rel="noopener">Italian Pavilion</a> at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">19th International Architecture Exhibition – La Biennale di Venezia</a> is situated in the Tese delle Vergini of the Arsenale and is promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture. This year, the Pavilion hosts architectural, scientific, and cultural reflections on the <a href="https://www.archdaily.com/tag/mediterranean-sea" target="_blank" rel="noopener">Mediterranean Sea</a> and its neighboring <a href="https://www.archdaily.com/tag/ocean" target="_blank" rel="noopener">oceans</a>, in an exhibition titled <em data-start="647" data-end="702">"Terrae Aquae. <a href="/tag/italy">Italy</a> and the Intelligence of the Sea"</em>, curated by Architect and Professor <a href="https://www.archdaily.com/tag/guendalina-salimei" target="_blank" rel="noopener">Guendalina Salimei</a>. The exhibition brings together projects from diverse actors in Italian society through an open call, whose objective was to rethink the boundary between land and <a href="https://www.archdaily.com/tag/water" target="_blank" rel="noopener">water </a>as an integrated system of architecture, infrastructure, and landscape. In response to <a href="https://www.archdaily.com/1016290/natural-artifical-and-collective-intelligence-carlo-ratti-announces-theme-and-title-for-2025-venice-architecture-biennale" target="_blank" rel="noopener">the Biennale's central theme</a>, the exhibition aims to stimulate the awakening of a collective intelligence capable of triggering a renewal in that relationship, starting from the Italian coast and expanding globally.</p>]]>
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        <![CDATA[AD Classics: Nordic Pavilion, Venice / Sverre Fehn]]>
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      <link>https://www.archdaily.com/784536/ad-classics-nordic-pavilion-in-venice-sverre-fehn</link>
      <pubDate>Tue, 01 Apr 2025 04:00:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
      <category>
        <![CDATA[Pavilion]]>
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      <guid isPermaLink="false">https://www.archdaily.com/784536/ad-classics-nordic-pavilion-in-venice-sverre-fehn</guid>
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        <![CDATA[<p>As a result of the ideas competition organized by the governments of <a href="/tag/sweden">Sweden</a>, <a href="/tag/finland">Finland</a>, and <a href="/tag/norway">Norway</a> in 1958, Sverre Fehn's <a href="/tag/nordic-pavilion">Nordic Pavilion</a> won first prize, becoming one of the most significant works of his career and one of the most outstanding Scandinavian architectural achievements during the mid-20th century. Designed to create a space at the <a href="/tag/venice">Venice</a> Biennale for the biennial exhibitions of these countries, Fehn's proposal addressed several key architectural challenges—ranging from its integration with the site and incorporation of pre-existing elements to the handling of physical boundaries and uniform <a href="https://www.archdaily.com/975929/light-as-a-design-statement-inspiring-ways-to-manage-natural-lighting" target="_blank" rel="noopener">natural lighting</a>. His design explored the interaction between architecture and trees, the <a href="https://www.archdaily.com/tag/architectural-flexibility" target="_blank" rel="noopener">flexibility</a> in the exhibition space, the filtering of light, the connection between interior and exterior, the concept of movement through space, and the display of artworks.</p>]]>
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        <![CDATA[Marble Quarrying Looks Even More Awesome Than You Imagined]]>
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      <link>https://www.archdaily.com/602739/marble-quarrying-looks-even-more-awesome-than-you-imagined</link>
      <pubDate>Wed, 31 Jul 2019 08:30:00 +0000</pubDate>
      <dc:creator>Rory Stott</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/602739/marble-quarrying-looks-even-more-awesome-than-you-imagined</guid>
      <description>
        <![CDATA[<p>In this video from <a href="https://www.nowness.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">NOWNESS</a>, an excerpt from Yuri Ancarani's documentary "Il Capo" (<em>The Chief</em>), the filmmaker captures the mesmerizing business of <a href="/tag/marble">Marble</a> extraction in the hills of Northwest <a href="http://www.archdaily.com/tag/italy/" target="_blank">Italy</a>. The prized delicacy of the Carrara stone's surface is juxtaposed against the dramatic size and weight of the blocks they are removing, which eventually fall with an earth-shattering thud. Similarly the rugged power of the excavators is in marked contrast to the precise, understated gestures of the chief himself, who directs his workers with a complex series of predetermined hand signals.</p>]]>
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        <![CDATA[Call for Papers: Panteon #1 - Billboards]]>
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      <link>https://www.archdaily.com/918748/call-for-papers-panteon-number-1-billboards</link>
      <pubDate>Fri, 12 Jul 2019 10:24:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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      <description>
        <![CDATA[<p>Panteon is interested in the publication of articles that, consistent with the theme, talk about buildings erected within the GRA (Grande Raccordo Anulare) between 1911 and 1989.</p>]]>
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        <![CDATA[AD Classics: Venice Hospital / Le Corbusier]]>
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      <link>https://www.archdaily.com/789025/ad-classics-venice-hospital-proposal-le-corbusier</link>
      <pubDate>Tue, 16 Oct 2018 22:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
      <category>
        <![CDATA[hospital]]>
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      <guid isPermaLink="false">https://www.archdaily.com/789025/ad-classics-venice-hospital-proposal-le-corbusier</guid>
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        <![CDATA[<p id="docs-internal-guid-88d0b943-2bca-5689-367e-f3974ae4cb91" dir="ltr"><em>This article was originally published on August 15, 2016. To read the stories behind other celebrated architecture projects, visit our <a href="https://www.archdaily.com/architecture-classics">AD Classics</a> section. <br></em><br>Le Corbusier made an indelible mark on Modernist architecture when he declared “une maison est une machine-à-habiter” (“a house is a machine for living”). His belief that architecture should be as efficient as machinery resulted in such proposals such as the <em>Plan Voisin</em>, a proposal to transform the Second Empire boulevards of Paris into a series of cruciform skyscrapers rising from a grid of freeways and open parks.[1] Not all of <a href="/tag/le-corbusier">Le Corbusier</a>’s concepts, however, were geared toward such radical urban transformation. His 1965 proposal for a hospital in <a href="/tag/venice">Venice</a>, Italy, was notable in its attempt at seeking aesthetic harmony with its unique surroundings: an attempt not to eradicate history, but to translate it.</p>]]>
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        <![CDATA[Drawing on the Road: The Story of a Young Le Corbusier's Travels Through Europe]]>
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      <link>https://www.archdaily.com/784616/drawing-on-the-road-the-story-of-a-young-le-corbusiers-travels-through-europe</link>
      <pubDate>Sat, 06 Oct 2018 07:00:00 +0000</pubDate>
      <dc:creator>Jacob Brillhart</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/784616/drawing-on-the-road-the-story-of-a-young-le-corbusiers-travels-through-europe</guid>
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        <![CDATA[<p>Voyage Le Corbusier<em>, by <a href="/tag/jacob-brillhart">Jacob Brillhart</a>, </em><em>collects for the first time a compendium of sketchbook drawings and watercolors of Charles-Edouard Jeanneret—a young student who would go onto become the singularly influential modernist architect, <a href="/tag/le-corbusier">Le Corbusier</a>. Between 1907 and 1911, he traveled throughout Europe and the Mediterranean carrying an array of drawing supplies and documenting all that he saw: classical ruins, details of interiors, vibrant landscapes, and the people and objects that populated them. </em></p>]]>
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        <![CDATA["Unfolding Pavilion / Little Italy" at the 2018 Venice Biennale]]>
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      <link>https://www.archdaily.com/896700/unfolding-pavilion-little-italy-at-the-2018-venice-biennale</link>
      <pubDate>Sat, 30 Jun 2018 16:00:00 +0000</pubDate>
      <dc:creator>Pedro Vada</dc:creator>
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        <![CDATA[<p><em>As part of our <a href="https://www.archdaily.com/tag/2018-venice-biennale%22%20%5Ct%20%22_blank">2018 Venice Architecture Biennale</a> coverage, we present the Unfolding <a href="/tag/pavilion">Pavilion</a>. Below, curators <a href="/tag/daniel-tudor-munteanu">Daniel Tudor Munteanu</a>, <a href="/tag/davide-tommaso-ferrando">Davide Tommaso Ferrando</a>, Sara Favargiotti describe the exhibition in their own words.<br></em><br>The ‘Unfolding Pavilion’ is an exhibition and editorial project that pops up at major architecture events in previously inaccessible but architecturally significant buildings. </p>]]>
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        <![CDATA[New Forms of Industry: Shed #19 by Andrea Oliva Architetto]]>
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      <link>https://www.archdaily.com/890189/new-forms-of-industry-shed-number-19-by-andrea-oliva-architetto</link>
      <pubDate>Tue, 27 Mar 2018 01:30:00 +0000</pubDate>
      <dc:creator>Diego Hernández</dc:creator>
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        <![CDATA[<p>Research is the key to Andrea Oliva’s project for Shed #19—not only because this old factory was turned into a technopole for industrial investigation, but also because the architect’s proposal used research as a way of identifying the building’s possible transformations. In this case, the rich industrial history of the plant and the area is deemed essential for its refurbishment; its recovery depends on understanding its significance.</p>]]>
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        <![CDATA[2018 Venice Biennale Reveals Further Details About This Year's Theme, "Freespace"]]>
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      <link>https://www.archdaily.com/890016/2018-venice-biennale-reveals-further-details-about-this-years-theme-freespace</link>
      <pubDate>Fri, 02 Mar 2018 10:03:00 +0000</pubDate>
      <dc:creator>Rory Stott</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/890016/2018-venice-biennale-reveals-further-details-about-this-years-theme-freespace</guid>
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        <![CDATA[<p>At a press conference earlier today, curators of the 2018 <a href="/tag/venice">Venice</a> Biennale <a href="http://www.archdaily.com/tag/yvonne-farrell">Yvonne Farrell</a> and <a href="http://www.archdaily.com/tag/shelley-mcnamara">Shelley McNamara</a> of <a href="/tag/grafton-architects">Grafton Architects</a> revealed more information about this year's upcoming event, to be hosted from May 26th to November 25th. Building on the thematic concept the duo presented last June—“Freespace”—the event will feature a main exhibition in the Central Pavilion of the Giardini and the Arsenale featuring work by 71 participants, while two Special Sections will feature a total of 29 further participants. Elsewhere, 65 national pavilions will present contributions from around the world, including 7 first-time participants: Antigua &amp; Barbuda, Saudi Arabia, Guatemala, Lebanon, Mongolia, Pakistan and the <a href="https://www.archdaily.com/887095/10-architects-to-design-chapels-for-the-2018-venice-architecture-biennale">Holy See</a>.</p>]]>
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        <![CDATA[A “Christmas Tale of a Post-Quake Reconstruction”: Stefano Boeri Architetti’s Community Rebuilding in Amatrice]]>
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      <link>https://www.archdaily.com/885925/a-christmas-tale-of-a-post-quake-reconstruction-stefano-boeri-architettis-community-rebuilding-in-amatrice</link>
      <pubDate>Thu, 21 Dec 2017 13:30:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
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        <![CDATA[<p>In August 2016, a powerful 6.2-magnitude earthquake struck central Italy, resulting in the loss of nearly 300 lives and the <a href="https://www.archdaily.com/794071/experts-fear-massive-losses-of-historic-italian-architecture-following-magnitude-earthquake">destruction of centuries-worth of historic architecture</a>. At the center of the destruction was <a href="/tag/amatrice">Amatrice</a>, a beautiful hill town set in the Latium Apennines, which was reduced to mere rubble, leaving hundreds dead or injured and the survivors homeless.</p>]]>
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        <![CDATA[German Pavilion at the 2018 Venice Biennale Will Respond to Debates on Nations, Protectionism and Division]]>
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      <link>https://www.archdaily.com/878485/german-pavilion-at-the-2018-venice-biennale-will-respond-to-debates-on-nations-protectionism-and-division</link>
      <pubDate>Tue, 05 Sep 2017 04:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/878485/german-pavilion-at-the-2018-venice-biennale-will-respond-to-debates-on-nations-protectionism-and-division</guid>
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        <![CDATA[<p>In 2018, Germany will be reunified for 28 years, the precise amount of time that the inner German border wall—which was active from between 1961 and 1989—stood between "East" and "West". With this in mind, the German State have announced "Unbuilding Walls" as the theme of the German Pavilion at the <a href="http://www.archdaily.com/tag/2018-venice-biennale" target="_blank">2018 Venice Architecture Biennale</a>. Curated by GRAFT with Marianne Birthler, the exhibition will be designed to "respond to current debates on nations, protectionism, and division." </p>]]>
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        <![CDATA[Freespace: Grafton's 2018 Venice Biennale to Celebrate Generosity, Thoughtfulness, and a Desire to Engage]]>
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      <link>https://www.archdaily.com/873126/grafton-architects-yvonne-farrell-shelley-mcnamara-2018-venice-venezia-architecture-biennale-free-space</link>
      <pubDate>Wed, 07 Jun 2017 06:30:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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        <![CDATA[<p>At a meeting convened today at the Biennale's headquarters at Ca’ Giustinian in Venice, Italy, <a href="http://www.archdaily.com/office/grafton-architects" target="_blank">Grafton Architects</a>—<a href="http://www.archdaily.com/tag/yvonne-farrell">Yvonne Farrell</a> and <a href="http://www.archdaily.com/tag/shelley-mcnamara">Shelley McNamara</a>—revealed the theme and outline for the <a href="http://www.archdaily.com/tag/2018-venice-biennale" target="_blank">2018 Venice Architecture Biennale</a>, which they have titled <em><strong>Freespace</strong></em>. According to the Directors, the forthcoming Biennale will celebrate "generosity and thoughtfulness," and "a desire to engage."</p>]]>
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        <![CDATA[Call for Submissions: Six Sites Another Landscape, Design Workshop on Contemporary Landscape]]>
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      <link>https://www.archdaily.com/872476/call-for-submissions-six-sites-another-landscape-design-workshop-on-contemporary-landscape</link>
      <pubDate>Tue, 30 May 2017 18:30:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>The Chinese Culture University, Taiwan, in collaboration with the municipality of Maccagno con Pino e Veddasca, Italy, is offering to a limited number of architecture and landscape architecture students the opportunity to take part in a twelve-day design workshop in Maccagno, organized by the Landscape Architecture Department, College of Environmental Design, the Chinese Culture University as part of the CCU summer 2017 workshops program.</p>]]>
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        <![CDATA[Six of the Best Spatial Installations at Salone del Mobile 2017]]>
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      <link>https://www.archdaily.com/869064/six-of-the-best-spatial-installations-at-salone-del-mobile-2017</link>
      <pubDate>Fri, 14 Apr 2017 06:30:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
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        <![CDATA[<p>With the 2017 Salone del Mobile now behind us, photographer <a href="http://www.laurianghinitoiu.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Laurian Ghinitoiu</a> has shared a collection of photographs from Milan Design Week. From <a href="http://www.archdaily.com/868512/so-il-and-mini-living-develop-housing-prototype-for-resource-conscious-shared-living" target="_blank">housing prototypes</a> to <a href="http://www.archdaily.com/868496/zaha-hadid-architects-creates-immersive-digital-installation-for-samsung-at-milan-design-week" target="_blank">immersive "digital installations"</a>, the annual design show—which is often touted to be the fourth largest of any kind in the world—this year brought together a wide range of practitioners and design companies. In <a href="/tag/milan">Milan</a>, unusual collaborations are the order of the day.</p>]]>
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        <![CDATA[Nomadic Bookstore in Milan / AA Museum Lab & Lars Müller Publishers]]>
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      <link>https://www.archdaily.com/868593/nomadic-bookstore-milan-architectural-association-aa-museum-lab-dip-15-lars-muller-publishers</link>
      <pubDate>Thu, 13 Apr 2017 11:30:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
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        <![CDATA[Temporary stores]]>
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        <![CDATA[<p><em>From the architect. </em>Conceived as an itinerant urban structure, the hovering LED-lit roof of the pavilion projects into the city ever changing provocative titles of <a href="https://www.lars-mueller-publishers.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Lars Müller’s</a> books and shelters the publications within a soft interior-scape. Inside the pavilion, the predominant use of fine cork with diamond-pointed ashlar ceiling details, allows for a uniform exhibition book display and provides an acoustically subdued environment within hustle of the urban Milanese context. Intended as a prototype, in future incarnations the pavilion will transform itself at night by seamlessly morphing into a closed volume through the use of a pneumatic system.</p>]]>
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        <![CDATA[Zaha Hadid Architects Creates Immersive Digital Installation for Samsung at Milan Design Week 2017]]>
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      <link>https://www.archdaily.com/868496/zaha-hadid-architects-creates-immersive-digital-installation-for-samsung-at-milan-design-week</link>
      <pubDate>Tue, 04 Apr 2017 10:30:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
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        <![CDATA[<p dir="ltr"><a href="http://www.archdaily.com/office/zaha-hadid-architects" target="_blank">Zaha Hadid Architects</a> has collaborated with <a href="/tag/samsung">Samsung</a> and digital art and design collective Universal Everything to create an immersive technology installation at the 2017 <a href="/tag/milan-design-week">Milan Design Week</a>, taking place this week in the <a href="/tag/italian">Italian</a> city. Named ‘Unconfined,’ the pavilion will showcase Samsung’s new Galaxy S8 smartphone by leading visitors through an immersive environment inspired by the device.</p>]]>
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        <![CDATA[Introducing GSAPP Conversations' Inaugural Episode: "Exhibition Models"]]>
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      <link>https://www.archdaily.com/806013/introducing-columbia-gsapp-conversations-inaugural-architecture-podcast-exhibition-models-james-taylor-foster</link>
      <pubDate>Fri, 24 Feb 2017 09:30:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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      <description>
        <![CDATA[<p>We are pleased to announce a new content partnership between <em>ArchDaily </em>and Columbia University's <a href="http://www.archdaily.com/tag/gsapp" target="_blank" rel="noopener">Graduate School of Architecture, Planning and Preservation</a> (GSAPP) in New York City.</p>]]>
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        <![CDATA[Tirana 2030: Watch How Nature and Urbanism Will Co-Exist in the Albanian Capital]]>
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      <link>https://www.archdaily.com/805105/tirana-2030-watch-how-nature-and-urbanism-will-co-exist-in-the-albanian-capital</link>
      <pubDate>Thu, 16 Feb 2017 06:00:00 +0000</pubDate>
      <dc:creator>Niall Patrick Walsh</dc:creator>
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      <description>
        <![CDATA[<p>In 1925, <a href="/tag/italian">Italian</a> designer Armando Brasini created a sweeping <a href="http://www.archdaily.com/tag/masterplan" target="_blank">masterplan</a> to transform the <a href="http://www.archdaily.com/country/albania" target="_blank">Albanian</a> capital city of <a href="http://www.archdaily.com/tag/tirana" target="_blank">Tirana</a>. Almost one hundred years later, the Tirana 2030 (TR030) Local Plan by Italian firm <a href="http://www.archdaily.com/tag/stefano-boeri-architetti/" target="_blank">Stefano Boeri Architetti</a> has been approved by Tirana City Council. Collaborating with <a href="/tag/unlab">UNLAB</a> and <a href="http://www.archdaily.com/office/ind-inter-national-design" target="_blank">IND</a>, Boeri seeks to define a new era in the country’s capital, incorporating controlled development, advanced infrastructure, <a href="http://www.archdaily.com/tag/green-design" target="_blank">green corridors</a>, and an enhancement of the city’s architectural <a href="http://www.archdaily.com/tag/heritage" target="_blank">heritage</a>.</p>]]>
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