Tag: italian-architecture | ArchDaily

Naples Architecture City Guide: 15 Projects of History, Density, and Continuity

Diogo Borges Ferreira — Tue, 17 Feb 2026 05:00:00 +0000

Set on the edge of the Mediterranean and shaped by centuries of continuous occupation, Naples is a city where architecture is inseparable from time. Layers of Greek foundations, Roman infrastructures, medieval churches, Baroque palaces, and Modern interventions coexist within a dense and compact urban fabric. Naples reveals itself as an accumulation of structures, adaptations, and reuse, where buildings are rarely isolated objects and more often part of a larger spatial, social, and historical system.

CRA–Carlo Ratti Associati and Italo Rota Transform MAE Carbon Fiber Archive Into an Interactive Museum in Italy

Antonia Piñeiro — Wed, 14 Jan 2026 06:30:00 +0000

A new museum dedicated to the science of carbon fiber opened in Fiorenzuola d'Arda, Italy, on December 17, 2025. The project dates back to 2021 and was designed by CRA–Carlo Ratti Associati in collaboration with the late Italian architect Italo Rota. Commissioned by MAE, a manufacturer of equipment for carbon fiber production, the project transforms one of the world's largest archives on carbon fiber into a dynamic museum, uniting research with archival preservation and turning the archive into a space for interactive exploration. The project is described by its designers as a "living museum," a place to read, inquire, and connect ideas.

A Dialogue with the Past: Preservation Techniques of Historic Villas in Italy

Moises Carrasco — Wed, 03 Sep 2025 04:00:00 +0000

Italy's rich history, evident in its monuments and cities, has created a unique context for architectural renovation. Italian architects often embrace this heritage by engaging in a dialogue between old and new, rather than aiming for a complete transformation. This approach intentionally avoids an imitative style, instead using contemporary materials like steel, glass, and new wood to frame and highlight the existing historic stone and brickwork. This juxtaposition turns the original materials from simple structural elements into featured decorative and narrative ones. The result is a layered experience where the history of the space remains visible, ensuring it is preserved rather than erased by the renovation.

The Italian Pavilion at the Venice Architecture Biennale Urges a Rethink of the Relationship Between Land and Sea

Antonia Piñeiro — Mon, 01 Sep 2025 05:30:00 +0000

The Italian Pavilion at the 19th International Architecture Exhibition – La Biennale di Venezia is situated in the Tese delle Vergini of the Arsenale and is promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture. This year, the Pavilion hosts architectural, scientific, and cultural reflections on the Mediterranean Sea and its neighboring oceans, in an exhibition titled "Terrae Aquae. Italy and the Intelligence of the Sea", curated by Architect and Professor Guendalina Salimei. The exhibition brings together projects from diverse actors in Italian society through an open call, whose objective was to rethink the boundary between land and water as an integrated system of architecture, infrastructure, and landscape. In response to the Biennale's central theme, the exhibition aims to stimulate the awakening of a collective intelligence capable of triggering a renewal in that relationship, starting from the Italian coast and expanding globally.

Between Geometric Shapes and Raw Materials: The Case of Brutalism in Italy

Maria-Cristina Florian — Thu, 26 Jun 2025 04:00:00 +0000

Born in the post-war period in the United Kingdom, the Brutalism movement was first met with skepticism but has found a new appreciation in the last decade, capturing the imagination of new designers fascinated with the interplay between striking geometric shapes and the exposed raw materials in which they are rendered. From Britain, the movement spread throughout Europe, Southeast Asia, and Africa, gathering different variations influenced by the cultural and socio-economic status of each area. In this article, we delve into the particularities that define Italy's contribution to the Brutalist movement, exploring the style through the lens of Roberto Conte and Stefano Perego. The two photographers have also published a photographic essay on the subject, taking the form of a book titled "Brutalist Italy: Concrete Architecture from the Alps to the Mediterranean Sea".

Triennale Milano Showcases Exhibition on Italian Architect and Product Designer Franco Raggi

Antonia Piñeiro — Mon, 17 Feb 2025 06:30:00 +0000

"Franco Raggi. Unstable Thoughts" (Franco Raggi. Pensieri Instabili) offers an in-depth exploration of the work of Italian architect, designer, and intellectual Franco Raggi. Curated by Marco Sammicheli and Francesca Pellicciari, the exhibition provides visitors with an experimental and immersive experience that traces Raggi's creative journey. Designed by the architecture studio Piovenefabi, the installation is hosted in the Design Platform space at the Museo del Design Italiano in Milan, a museum dedicated to key themes and figures in contemporary design. Held from February to April, the event is part of the prelude to the 24th edition of the Milan Triennale International Exhibition, titled Inequalities, which will run from May to November 2025.

Carving Pietra Tiburtina: A Contemporary Approach to Classic Travertine

Enrique Tovar — Thu, 24 Oct 2024 06:45:00 +0000

Travertine —known as lapis tiburtinus by the ancient Romans— has endured for centuries as one of the most iconic materials in Italian design heritage. This limestone has left a lasting mark on architectural history, from the monuments of the Roman Empire to contemporary works like the Church of 2000 and the Ara Pacis Museum. Over time, its aesthetic has evolved alongside art and design, adapting to technical advancements while preserving its essence and relevance in modern architecture.

Where Italian Style Meets Wellness and Serenity: The Case of Villa Apua

Enrique Tovar — Thu, 26 Sep 2024 06:45:00 +0000

Italy's influence on contemporary design has been profound and captivating, with Italian architecture consistently bridging cultural heritage and innovation, from advancements in construction techniques to the evolution of the neoclassical style. A prime example of this integration is the Italian villa typology, which reached its zenith during the Renaissance with groundbreaking innovations. Villa Almerico —designed by Andrea Palladio and inspired by Alberti's treatise De re aedificatoria— exemplifies this evolution. Renowned for its centralized and symmetrical plan, its construction marked a turning point with classical proportions and the incorporation of courtyards and gardens as extensions of the living space, highlighting a remarkable contextual relationship.

Italian Architect and Designer Andrea Branzi Passes Away at 84

Nour Fakharany — Tue, 10 Oct 2023 05:30:00 +0000

Italian Designer and architect Andrea Branzi passed away on October 9, 2023. Born in Florence in 1938, Branzi co-founded the world-renowned architecture studio Archizoon Associati. The studio also consisted of Gilberto Corretti, Paolo Deganello, and Massimo Morozzi, and then were joined by Dario and Lucia Bartolini. Andrea Branzi also played a significant role in establishing the iconic Domus Academy and served as a professor and chairman at the Politecnico di Milano’s School of Interior Design.

ELASTICOFarm, Led by Stefano Pujatti, Wins the Italian Architecture Prize

Maria-Cristina Florian — Fri, 11 Aug 2023 06:30:00 +0000

Architecture studio ELASTICOFarm, led by Stefano Pujatti, has been awarded the Premio Italiano di Architettura (Italian Architecture Prize), promoted by the Triennale di Milano and MAXXI. The award, now in its fourth edition, is received in recognition of their S-LAB project, a new building in Turin, Italy, for the Istituto Nazionale di Fisica Nucleare (INFN). The prize highlights works of architecture with high design quality and an attentive approach to innovation and the social role of architecture.

Italian Cistercian Architecture Through The Lens of Federico Scarchilli

Lindsey Leardi — Thu, 12 Apr 2018 08:00:00 +0000

In his latest photographic collection, Federico Scarchilli captures Cistercian order in the form of Abbazia di Fossanova, Casamari, and Valvisciolo. Simple and utilitarian, Cistercian architecture reflects the transition between the Romanesque and Gothic periods. During this time, many religious authorities felt excessive ornamentation was a distraction to spiritual studies.