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    <title>Tag: interviews | ArchDaily</title>
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        <![CDATA[“Art Is Not Fiction, but a Surplus Reality:” Pedro Reyes on Sculpture as Social Practice in Louisiana Channel Interview]]>
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      <link>https://www.archdaily.com/en/1042723/art-is-not-fiction-but-a-surplus-reality-pedro-reyes-on-sculpture-as-social-practice-in-louisiana-channel-interview</link>
      <pubDate>Wed, 24 Jun 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Mexican sculptor Pedro Reyes has developed a multidisciplinary practice that spans <a href="https://www.archdaily.com/tag/sculpture">sculpture</a>, <a href="https://www.archdaily.com/tag/architecture">architecture</a>, social engagement, and activism. Trained as an <a href="https://www.archdaily.com/tag/architect">architect</a>, Reyes approaches sculpture as both a material and a collective process, combining traditional stone carving with participatory projects that address contemporary social issues. His work frequently explores transformation, whether through physical materials or community action, positioning sculpture as a tool for reimagining social realities. In a 2025 <a href="https://www.archdaily.com/tag/interview">interview</a> with <a href="https://www.archdaily.com/tag/louisiana-channel/page/1">Louisiana Channel</a>, Reyes discusses the influence of architecture on his artistic practice, the concept of "social sculpture," and the importance of preserving craft traditions in an increasingly automated world.</p>]]>
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        <![CDATA[On Housing, Public Space, and Climate Resilience: In Conversation with the Winners of the 2026 UIA 2030 Award]]>
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      <link>https://www.archdaily.com/en/1042505/on-housing-public-space-and-climate-resilience-in-conversation-with-the-winners-of-the-2026-uia-2030-award</link>
      <pubDate>Wed, 17 Jun 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Established through a collaboration between the International <a href="https://www.archdaily.com/tag/uia">Union of Architects (UIA)</a> and <a href="https://www.archdaily.com/tag/UN-Habitat">UN-Habitat</a>, the <a href="https://www.archdaily.com/tag/uia-2030-award/page/1">UIA 2030 Award</a> recognizes projects that demonstrate how design can contribute to the achievement of the <a href="https://www.archdaily.com/tag/united-nations/page/1">United Nations</a> <a href="https://www.archdaily.com/tag/sustainable-development-goals/page/1">Sustainable Development Goals (SDGs)</a>. Announced during the <a href="https://www.archdaily.com/1041760/world-urban-forum-13-concludes-in-baku-with-focus-on-housing-resilience-and-urban-inclusion">2026 World Urban Forum</a> in <a href="https://www.archdaily.com/tag/baku/page/1">Baku</a>, <a href="https://www.archdaily.com/country/azerbaijan/page/1">Azerbaijan</a>,<a href="https://www.archdaily.com/1041666/the-2026-edition-of-the-uia-2030-award-honors-built-projects-advancing-the-un-sustainable-development-goals"> the third cycle of the biennial award honored projects</a> that address issues ranging from <a href="https://www.archdaily.com/tag/water-management">water management</a> and <a href="https://www.archdaily.com/tag/affordable-housing">affordable housing</a> to participatory planning, access to public space, and climate resilience.</p>]]>
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        <![CDATA["My Solutions Are Not Polite:" Liam Young on Architecture in the Age of Polycrisis in Louisiana Channel Interview]]>
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      <link>https://www.archdaily.com/en/1042237/my-solutions-are-not-polite-liam-young-on-architecture-in-the-age-of-polycrisis-in-louisiana-channel-interview</link>
      <pubDate>Mon, 08 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>Australian artist, director, and BAFTA-nominated producer <a href="https://www.archdaily.com/tag/liam-young/" target="_blank" rel="noopener">Liam Young</a> creates imaginary worlds as a way of thinking through the futures we fear, desire, and are already making. As a creator and designer of atmospheres, he proposes speculative landscapes reflecting the possibilities of a world to come, whether ideal or truthfully unsettling. In his worldbuilding practice across the film, television, and video game industries, fiction becomes a tool for navigating<a href="https://www.archdaily.com/tag/climate-crisis" target="_blank" rel="noopener"> the environmental urgencies of the present</a>. He is considered a "futurist" working across design strategies, technological scenarios, and collective imaginations, grounded in his academic research yet reaching a wider audience in exhibitions such as <a href="https://www.archdaily.com/1041349/in-other-worlds-by-liam-young-reimagines-cities-landscapes-and-climate-futures-at-the-barbican-centre" target="_blank" rel="noopener">"In Other Worlds" at the Barbican Centre</a> in London and <a href="https://www.archdaily.com/1034831/age-of-nature-new-dac-exhibition-explores-the-future-relationship-between-architecture-and-nature" target="_blank" rel="noopener">"Age of Nature" at the Danish Architecture Center</a> in Copenhagen. In February 2026, he was interviewed by Marc-Christoph Wagner for <a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank" rel="noopener">Louisiana Channel</a>, where he shares his visions of our future: from architecture consolidating as a boutique industry to the need for a new kind of planetary punk at the scale of the climate crisis. </p>]]>
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        <![CDATA["A Place Remembers What Has Happened:" Tsuyoshi Tane on Memory as a Design Driver in Louisiana Channel Interview]]>
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      <link>https://www.archdaily.com/en/1038454/a-place-remembers-what-has-happened-tsuyoshi-tane-on-memory-as-a-design-driver-in-louisiana-channel-interview</link>
      <pubDate>Wed, 27 May 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/atelier-tsuyoshi-tane-architects?ad_source=search&amp;ad_medium=search_result_professionals">Tsuyoshi Tane</a> is a <a href="https://www.archdaily.com/tag/japanese-architecture/page/1">Japanese architect</a> born in 1979 in <a href="https://www.archdaily.com/tag/tokyo/page/1">Tokyo</a> and based in <a href="https://www.archdaily.com/tag/paris">Paris</a>, where he founded<a href="https://www.archdaily.com/office/atelier-tsuyoshi-tane-architects?ad_source=search&amp;ad_medium=search_result_professionals"> ATTA – Atelier Tsuyoshi Tane Architects</a> in 2006. Working across cultural, institutional, and landscape-related projects, Tane has developed an architectural approach that positions memory as a fundamental design driver. In his <a href="https://www.archdaily.com/tag/interview">interview</a> with <a href="https://www.archdaily.com/tag/louisiana-channel/page/1">Louisiana Channel</a>, filmed in his Paris studio, Tane reflects on <a href="https://www.archdaily.com/tag/architecture">architecture</a> as a discipline of observation and thought, arguing that meaningful design emerges from carefully reading the traces embedded within a site. For him, <a href="https://www.archdaily.com/tag/architecture">architecture</a> is not produced on a blank slate but begins with an inquiry into what already exists, physically, culturally, and emotionally, beneath the surface of a place.</p>]]>
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        <![CDATA["An Environment Where People Show Knowledge": In Conversation With David Gianotten of OMA on Salone Contract]]>
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      <link>https://www.archdaily.com/en/1041179/an-environment-where-people-show-knowledge-in-conversation-with-david-gianotten-of-oma-on-salone-contract</link>
      <pubDate>Tue, 05 May 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>At <a href="https://www.archdaily.com/tag/salone-del-mobile-2026">Salone del Mobile 2026</a>, the 64th edition of the fair unfolded at a moment of transition for the global design industry, where questions of production, collaboration, and long-term performance are reshaping established formats. Held at Rho Fiera Milano and extending across the city during <a href="https://www.archdaily.com/tag/milan-design-week-2026">Milan Design Week</a>, <a href="https://www.archdaily.com/1040422/what-to-look-forward-to-at-the-salone-del-mobililano-2026-talks-installations-and-city-interventions">this year's edition</a> brought together over 1,900 exhibitors while introducing new curatorial and strategic layers. Among the most significant developments was the first public iteration of "Salone Contract," a long-term initiative developed through a master plan by <a href="https://www.archdaily.com/tag/rem-koolhaas/page/1">Rem Koolhaas</a> and <a href="https://www.archdaily.com/tag/david-gianotten/page/1">David Gianotten</a> of <a href="https://www.archdaily.com/office/oma?ad_source=search&amp;ad_medium=search_result_professionals">OMA</a>. During the event, <a href="https://www.archdaily.com/tag/archdaily/page/1">ArchDaily</a>'s Managing Editor <a href="https://www.archdaily.com/author/romullo-baratto">Romullo Baratto</a> and Editor-in-Chief <a href="https://www.archdaily.com/author/christele-harrouk/page/1">Christele Harrouk</a> met with <a href="https://www.archdaily.com/tag/david-gianotten/page/1">David Gianotten</a>. In the conversation, <a href="https://www.archdaily.com/tag/david-gianotten/page/1">Gianotten</a> reflected on how the project responds to broader shifts in design practice, moving from object-based production toward integrated systems and collaborative frameworks.</p>]]>
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        <![CDATA["Beauty in Itself Is Dangerous:" Xu Tiantian on Moving Beyond Starchitecture in Louisiana Channel Interview]]>
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      <link>https://www.archdaily.com/en/1041129/beauty-in-itself-is-dangerous-xu-tiantian-on-moving-beyond-starchitecture-in-louisiana-channel-interview</link>
      <pubDate>Fri, 01 May 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/xu-tiantian" target="_blank" rel="noopener">Xu Tiantian</a> is the founding principal of <a href="https://www.archdaily.com/office/dna" target="_blank" rel="noopener">DnA_Design and Architecture</a>, an interdisciplinary practice that addresses both the physical and social dimensions of the contemporary living environment, across scales. Born in 1975 in <a href="https://www.archdaily.com/city/fujian" target="_blank" rel="noopener">Fujian</a>, <a href="https://www.archdaily.com/search/projects/country/china" target="_blank" rel="noopener">China</a>, she received a Master of Architecture in Urban Design from the Harvard Graduate School of Design and a bachelor's degree in architecture from Tsinghua University in Beijing. Her recent work focuses on rural revitalization through <a href="https://www.archdaily.com/914028/architecture-should-be-able-to-connect-the-past-and-the-future-in-conversation-with-xu-tiantian" target="_blank" rel="noopener">a strategy she describes as "architectural acupuncture,"</a> understood as small-scale, site-specific interventions designed to activate local culture, agriculture, and tourism. These interventions, <a href="https://www.archdaily.com/892947/can-architecture-save-chinas-rural-villages-dnas-xu-tiantian-thinks-so" target="_blank" rel="noopener">primarily concentrated in China's rural regions</a>, have been recognized by UN-Habitat as a global model for urban–rural integration. In this interview with <a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank" rel="noopener">Louisiana Channel</a>, she reflects on the role of the architect, questions architecture itself and the concept of beauty, explains her working methodology, and emphasizes the spatial dimension of nature.</p>]]>
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        <![CDATA[Fundació Mies van der Rohe Presents “Transnational Narratives,” a Documentary on Six South Asian Women Architects]]>
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      <link>https://www.archdaily.com/en/1040163/fundacio-mies-van-der-rohe-presents-transnational-narratives-a-documentary-on-six-south-asian-women-architects</link>
      <pubDate>Tue, 31 Mar 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1040163/fundacio-mies-van-der-rohe-presents-transnational-narratives-a-documentary-on-six-south-asian-women-architects</guid>
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        <![CDATA[<p>"Gender equity remains an ongoing problem in architecture. Women architects are roughly one-third of the profession or less worldwide." This is the opening statement of the documentary <em>Transnational Narratives: A Documentary Celebrating South Asian Women in Architecture</em>, a result of the 4th <a href="/en/tag/lilly-reich">Lilly Reich</a> <a href="/en/tag/grant">Grant</a> for <a href="/en/tag/equality">Equality</a> in <a href="/en/tag/architecture">Architecture</a>. The grant, an initiative by the <a href="https://www.archdaily.com/tag/fundacio-mies-van-der-rohe" target="_blank" rel="noopener">Fundació Mies van der Rohe</a>, promotes equal access to opportunities in architectural practice and supports the study and dissemination of contributions to architecture that have been unfairly rendered invisible. Within this context, the documentary, created by Dr. Igea Troiani, Dr. Mamuna Iqbal, artist and researcher Paula Roush, and filmmaker Rime Tsujino, brings visibility to the experiences of six architects of South Asian origin: Sumita Singha, <a href="https://www.archdaily.com/tag/chitra-vishwanath" target="_blank" rel="noopener">Chitra Vishwanath</a>, Sara Khan, Fauzia Qureshi, Sajida Vandal, and Neelum Naz, whose professional careers span <a href="/en/tag/india">India</a>, <a href="/en/tag/pakistan">Pakistan</a>, and the United Kingdom.</p>]]>
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        <![CDATA[Serpentine Pavilion 2026 and Lina Ghotmeh’s House of Performing Arts: This Week’s Review]]>
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      <link>https://www.archdaily.com/en/1038078/serpentine-pavilion-2026-and-lina-ghotmehs-house-of-performing-arts-this-weeks-review</link>
      <pubDate>Thu, 22 Jan 2026 07:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Architecture's public role emerges as a central theme across recent announcements, institutional projects, and professional programs. The selection of <a href="https://www.archdaily.com/1038001/lanza-atelier-selected-to-design-the-2026-serpentine-pavilion">the 2026 Serpentine Pavilion</a> designer foregrounds architecture as a space for public encounter and material inquiry, while major civic and cultural projects point to renewed investment in institutions that support education, exchange, and urban continuity. Alongside these developments, <a href="https://www.archdaily.com/tag/awards">international award programs</a> and policy-aligned initiatives continue to situate architecture within broader conversations on <a href="https://www.archdaily.com/tag/sustainability">sustainability</a>, <a href="https://www.archdaily.com/tag/social-responsibility">social responsibility</a>, and long-term impact, highlighting how design decisions at both intimate and monumental scales respond to shared environmental and civic challenges.</p>]]>
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        <![CDATA["Each Constraint Becomes More of an Opportunity": In Conversation With Holcim Award Winner THINK TANK architecture]]>
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      <link>https://www.archdaily.com/en/1038040/each-constraint-becomes-more-of-an-opportunity-in-conversation-with-holcim-award-winner-think-tank-architecture</link>
      <pubDate>Wed, 21 Jan 2026 07:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1038040/each-constraint-becomes-more-of-an-opportunity-in-conversation-with-holcim-award-winner-think-tank-architecture</guid>
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        <![CDATA[<p><a href="https://www.thinktank-architecture.fr/portfolio/kinshasa-reconstruction-du-marche-central/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The Zando Central Market</a> redevelopment in <a href="https://www.archdaily.com/tag/kinshasa/page/1">Kinshasa</a>, <a href="https://www.archdaily.com/tag/congo">Democratic Republic of the Congo</a>, designed by <a href="https://www.archdaily.com/tag/think-tank-architecture/page/1">THINK TANK architecture</a>, <a href="https://www.archdaily.com/1035453/holcim-foundation-for-sustainable-construction-reveals-20-winning-projects-of-the-2025-holcim-awards?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">has been selected among the 20 winning projects of the 2025 Holcim Foundation Awards</a> in the <a href="https://www.archdaily.com/tag/middle-east/page/1">Middle East</a> and <a href="https://www.archdaily.com/tag/africa/page/1">Africa</a> region. Originally designed for 3,500 traders and now accommodating more than 20,000 vendors, the market has long operated under conditions of severe overcrowding and infrastructural strain. The project stands out for its large-scale public ambition, its reliance on <a href="https://www.archdaily.com/tag/local-materials">locally available materials</a> and skills, and its capacity to accommodate both formal and informal economies within a rapidly transforming urban context.</p>]]>
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        <![CDATA[“Great Architecture Must Be Poetry:” Zhu Pei on Architecture as a Form of Art in Louisiana Channel Interview]]>
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      <link>https://www.archdaily.com/en/1036650/great-architecture-must-be-poetry-zhu-pei-on-architecture-as-a-form-of-art-in-louisiana-channel-interview</link>
      <pubDate>Wed, 21 Jan 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/zhu-pei" target="_blank" rel="noopener">Zhu Pei</a> is a <a href="https://www.archdaily.com/tag/chinese-architecture" target="_blank" rel="noopener">Chinese architect</a> born in 1962 in Beijing. He studied at Tsinghua University and UC Berkeley, and founded <a href="https://www.archdaily.com/office/studio-zhu-pei" target="_blank" rel="noopener">Studio Zhu Pei </a>in 2005. The studio's experimental work and research focus on contemporary architecture, art, and cultural projects. With an artistic and exploratory approach, it investigates the relationship between the roots that anchor architecture in specific natural and cultural contexts and the innovation that drives architecture as a form of artistic revolution. In his interview with <a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank" rel="noopener">Louisiana Channel</a>, Zhu Pei describes architecture as an artistic discipline that, like poetry, relies on openness, imagination, and the creation of new experiences. He argues that great architecture goes beyond functional problem-solving by generating a sense of wonder through its ability to "invent" and "create some new thing, new experience," positioning architectural practice as cultural and sensory exploration rather than purely technical production.</p>]]>
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        <![CDATA[EU Mies Awards Shortlist and MVRDV’s Fluid Facade in Beijing: This Week’s Review]]>
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      <link>https://www.archdaily.com/en/1037858/eu-mies-awards-shortlist-and-mvrdvs-fluid-facade-in-beijing-this-week-in-architecture</link>
      <pubDate>Thu, 15 Jan 2026 07:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1037858/eu-mies-awards-shortlist-and-mvrdvs-fluid-facade-in-beijing-this-week-in-architecture</guid>
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        <![CDATA[<p>Spanning multiple geographies and scales, this week's <a href="https://www.archdaily.com/architecture-news?ad_source=jv-header&amp;ad_name=main-menu">architecture news</a> reflects ongoing discussions around long-term planning, institutional frameworks, and <a href="https://www.archdaily.com/1035900/the-role-of-architects-is-shifting-from-solitary-visionaries-to-collective-activists?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">the public role of architecture</a>. National-scale urban initiatives and large civic developments point to how planning and infrastructure are being used to reorganize cities and territorial systems, while parallel attention to <a href="https://www.archdaily.com/tag/stadiums">stadiums</a>, cultural facilities, and mixed-use projects highlights the expanding civic ambitions of large-scale architecture. Alongside these, interviews and heritage-focused projects foreground <a href="https://www.archdaily.com/tag/participatory-design">participatory practices</a> and the careful <a href="https://www.archdaily.com/1035962/laying-the-groundwork-six-creative-strategies-for-reusing-architectural-foundations?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">reuse of existing structures</a>, highlighting architecture's capacity to operate within complex social and political conditions. Recognition platforms and professional programs further situate these practices within a broader architectural discourse, offering insight into how contemporary work is evaluated and shared across regions.</p>]]>
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        <![CDATA[Rethinking Museums: A Conversation with Béatrice Grenier on Architecture as Cultural Policy]]>
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      <link>https://www.archdaily.com/en/1037473/rethinking-museums-a-conversation-with-beatrice-grenier-on-architecture-as-cultural-policy</link>
      <pubDate>Sat, 10 Jan 2026 08:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/1035188/fondation-cartier-reopens-in-jean-nouvel-designed-paris-building-with-exhibition-by-formafantasma" target="_blank" rel="noopener">opening of the new Fondation Cartier pour l'Art Contemporain in Paris</a> last October sparked renewed questions around the role, form, and future of museums. As cultural institutions continue to proliferate worldwide in this digital era, the museum itself appears increasingly in need of redefinition. Rather than offering a single model or solution, <a href="https://www.rizzoliusa.com/book/9780847845712/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>Architecture for <a href="/en/tag/culture">Culture</a>: Rethinking Museums</em></a>, written by architectural historian and curator <a href="/en/tag/beatrice-grenier">Béatrice Grenier</a>, argues for a more contextual and plural understanding of what a museum can be: an institution shaped by its environment, its public, and the specific cultural questions it seeks to address.</p>]]>
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        <![CDATA["Learning in Contact With Nature": In Conversation With 2025 Holcim Award Winner Urko Sánchez Architects]]>
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      <link>https://www.archdaily.com/en/1037551/learning-in-contact-with-nature-in-conversation-with-2025-holcim-award-winner-urko-sanchez-architects</link>
      <pubDate>Wed, 07 Jan 2026 07:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1037551/learning-in-contact-with-nature-in-conversation-with-2025-holcim-award-winner-urko-sanchez-architects</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/1025737/nairobi-waldorf-school-urko-sanchez-architects">The Waldorf School Nairobi</a>, designed by <a href="https://www.archdaily.com/office/urko-sanchez-architects?ad_source=search&amp;ad_medium=search_result_professionals">Urko Sánchez Architects</a>, <a href="https://www.archdaily.com/1035453/holcim-foundation-for-sustainable-construction-reveals-20-winning-projects-of-the-2025-holcim-awards?ad_medium=gallery">has been selected among the 20 winning projects</a> of the 2025 <a href="https://www.archdaily.com/tag/holcim-foundation-awards">Holcim Foundation Awards</a>, which recognize contributions to <a href="https://www.archdaily.com/tag/sustainable-design">sustainable design</a> and <a href="https://www.archdaily.com/tag/sustainable-construction">construction</a> worldwide. Located within a forested site in <a href="https://www.archdaily.com/tag/nairobi/page/1">Nairobi</a>, the project was awarded in the <a href="https://www.archdaily.com/tag/middle-east/page/1">Middle East</a> and <a href="https://www.archdaily.com/tag/africa/page/1">Africa</a> region, acknowledging its sensitive response to site conditions, educational needs, and local culture. Developed in close dialogue with its surroundings and <a href="https://www.archdaily.com/tag/community">community</a>, the school explores low-impact <a href="https://www.archdaily.com/tag/construction">construction</a> methods, the use of locally sourced materials, and <a href="https://www.archdaily.com/tag/participatory-design">participatory design</a> processes. </p>]]>
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        <![CDATA["Build Something That Disappears": Gabriela Carrillo on Public Space Design in Louisiana Channel Interview]]>
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      <link>https://www.archdaily.com/en/1026781/build-something-that-disappears-gabriela-carrillo-on-public-space-design-in-louisiana-channel-interview</link>
      <pubDate>Fri, 02 Jan 2026 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1026781/build-something-that-disappears-gabriela-carrillo-on-public-space-design-in-louisiana-channel-interview</guid>
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        <![CDATA[<p data-start="0" data-end="696">In this interview with <a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank" rel="noopener">Louisiana Channel</a>, Mexican architect <a href="https://www.archdaily.com/tag/gabriela-carrillo" target="_blank" rel="noopener">Gabriela Carrillo</a> introduces us to the challenges that drive her work, particularly the projects carried out as a member of <a href="https://www.archdaily.com/office/colectivo-c733" target="_blank" rel="noopener">Colectivo C733</a>, in which she currently participates alongside Carlos Facio, José Amozurrutia, Eric Valdez, and Israel Espin. Through an exploration of her definition of architecture, she offers reflections on the design of <a href="https://www.archdaily.com/tag/public-space" target="_blank" rel="noopener">public spaces</a>, the relationship between architecture and <a href="https://www.archdaily.com/tag/land-art" target="_blank" rel="noopener">land art</a>, and the role of the preexisting in the transformation of space. She defends architecture as a "powerful tool" for fostering connections between people and their environment, defining her practice as optimistic.</p>]]>
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        <![CDATA[The Best Interviews of 2025: Architecture’s Year of Reflection, Repair, and Optimism]]>
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      <link>https://www.archdaily.com/en/1037009/the-best-interviews-of-2025-architectures-year-of-reflection-repair-and-optimism</link>
      <pubDate>Thu, 18 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1037009/the-best-interviews-of-2025-architectures-year-of-reflection-repair-and-optimism</guid>
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        <![CDATA[<p>In 2025, the architectural field has been marked by a dense calendar of <a href="https://www.archdaily.com/1035780/beyond-the-exhibition-architecture-interior-and-landscape-as-a-single-narrative?ad_source=search&amp;ad_medium=search_result_articles">exhibitions</a>, a measured slowdown in construction across multiple regions, and a period of reflection that scrutinizes the impact of <a href="https://www.archdaily.com/1030041/the-intelligence-of-what-remains-on-archiving-and-architectural-knowledge?ad_medium=gallery">intelligence</a> (artificial and natural)—both on professional practice and<a href="https://www.archdaily.com/975264/workplace-culture-design-trends-and-the-impact-of-gen-z?ad_source=search&amp;ad_medium=search_result_articles"> workplace culture</a>, as well as its use as a<a href="https://www.archdaily.com/1033238/environments-of-curiosity-designing-for-children-teaching-and-imagination?ad_source=search&amp;ad_medium=search_result_articles"> pedagogical tool</a>. Over this calendar year, ArchDaily has published more than 30 interviews in a range of formats—Q&amp;As, in-person conversations, video features, and more. These exchanges have engaged themes of sustainability and nature, housing and urban development, <a href="https://www.archdaily.com/1035189/from-concrete-to-cultivation-how-ai-and-robotics-are-rewriting-architectures-material-logic?ad_source=search&amp;ad_medium=search_result_articles">AI and intelligence</a>, <a href="https://www.archdaily.com/1035639/dialogue-with-the-code-calibrating-standards-for-adaptive-reuse-to-thrive?ad_source=search&amp;ad_medium=search_result_articles">adaptive reuse</a> and public life, and have closely followed major exhibition platforms including the Venice Biennale, Expo 2025 Osaka, Milan Design Week, Concéntrico, and others.</p>]]>
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        <![CDATA[The Year in Review: ArchDaily’s December Editorial Focus]]>
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      <link>https://www.archdaily.com/en/1036469/the-year-in-review-archdailys-december-editorial-focus</link>
      <pubDate>Tue, 02 Dec 2025 05:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1036469/the-year-in-review-archdailys-december-editorial-focus</guid>
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        <![CDATA[<p>From the pavilions of <a href="https://www.archdaily.com/1035864/a-look-at-the-45-award-winning-pavilions-of-expo-2025-osaka" target="_blank" rel="noopener noreferrer" data-stringify-link="https://www.archdaily.com/1035864/a-look-at-the-45-award-winning-pavilions-of-expo-2025-osaka" data-sk="tooltip_parent">Osaka</a> and <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener noreferrer" data-stringify-link="https://www.archdaily.com/tag/venice-architecture-biennale-2025" data-sk="tooltip_parent">Venice</a>, to the roundtables of <a href="https://www.archdaily.com/1036340/cop30-outcomes-for-the-built-environment-from-sustainable-cooling-to-climate-adaptation-commitments" target="_blank" rel="noopener noreferrer" data-stringify-link="https://www.archdaily.com/1036340/cop30-outcomes-for-the-built-environment-from-sustainable-cooling-to-climate-adaptation-commitments" data-sk="tooltip_parent">Belém</a>, another year comes to a close. December invites us to pause and look back at the moments that defined architecture and cities in 2025. Reflection is not only an act of memory, but of foresight — a way to understand where we've been in order to imagine where we might go next. From shifting cultural narratives to material and technological breakthroughs, this past year underscored the importance of experimentation and adaptation across the built environment.</p>]]>
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        <![CDATA[ArchDaily Interviews From the 2025 Venice Architecture Biennale as the Exhibition Enters Its Final Week]]>
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      <link>https://www.archdaily.com/en/1036108/archdaily-interviews-from-the-2025-venice-architecture-biennale-as-the-exhibition-enters-its-final-week</link>
      <pubDate>Mon, 17 Nov 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1036108/archdaily-interviews-from-the-2025-venice-architecture-biennale-as-the-exhibition-enters-its-final-week</guid>
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        <![CDATA[<p>As <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025">the 19th International Architecture Exhibition</a> enters its final week before closing on November 23, <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025">the 2025 Venice Architecture Biennale</a> offers a lens through which to revisit the ideas and experiments that have shaped this year's global architectural conversation. Curated by <a href="https://www.archdaily.com/tag/carlo-ratti">Carlo Ratti</a> under <a href="https://www.archdaily.com/1016290/natural-artifical-and-collective-intelligence-carlo-ratti-announces-theme-and-title-for-2025-venice-architecture-biennale">the theme "Intelligens. Natural. Artificial. Collective."</a>, the <a href="https://www.archdaily.com/tag/biennale/page/1">Biennale</a> brings together <a href="https://www.archdaily.com/1029692/discover-the-full-list-of-special-projects-and-participants-of-the-2025-venice-architecture-biennale?ad_campaign=normal-tag">more than 750 participants</a> across <a href="https://www.archdaily.com/1029630/meet-the-full-list-of-the-65-national-pavilions-at-the-2025-venice-architecture-biennale">national pavilions</a>, <a href="https://www.archdaily.com/1029831/11-collateral-events-to-explore-while-visiting-the-2025-venice-architecture-biennale">collateral events</a>, and city-wide <a href="https://www.archdaily.com/tag/installations">installations</a>. Framed around interconnected forms of intelligence, this edition examines <a href="https://www.archdaily.com/tag/architecture">architecture</a>'s role in navigating climatic instability, evolving <a href="https://www.archdaily.com/tag/technologies">technologies</a>, and emerging forms of collaboration.</p>]]>
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        <![CDATA[“Our Message This Time Was Optimism”: In Conversation with Farrokh Derakhshani, Director of the Aga Khan Award for Architecture]]>
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      <link>https://www.archdaily.com/en/1033673/our-message-this-time-was-optimism-in-conversation-with-farrokh-derakhshani-director-of-the-aga-khan-award-for-architecture</link>
      <pubDate>Tue, 02 Sep 2025 04:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1033673/our-message-this-time-was-optimism-in-conversation-with-farrokh-derakhshani-director-of-the-aga-khan-award-for-architecture</guid>
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        <![CDATA[<p>Today, September 2, <a href="https://www.archdaily.com/1033690/aga-khan-award-for-architecture-announces-2025-winners" target="_blank" rel="noopener">the seven winners of the 16th Cycle (2023–2025) </a>of the <a href="https://www.archdaily.com/tag/aga-khan-award-for-architecture" target="_blank" rel="noopener">Aga Khan Award for Architecture</a> were announced, following on-site reviews of <a href="https://www.archdaily.com/1030912/aga-khan-award-for-architecture-2025-announces-19-shortlisted-projects-from-15-countries?ad_campaign=normal-tag" target="_blank" rel="noopener">the 19 shortlisted projects revealed in June</a>. Established in 1977, the Award seeks to identify and encourage building concepts that respond to the physical, social, and economic needs of communities with a significant Muslim presence, while also addressing their cultural aspirations. To understand the vision behind this cycle's winners, ArchDaily's Editor-in-Chief, Christele Harrouk, spoke with Farrokh Derakhshani, who has been with the award for over four decades. He described the initiative as "a curated message to the world," a message that evolves with the times.</p>]]>
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