<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: interview | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Sat, 11 Jul 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[Architectural Decisions, Planetary Implications: Interview with UIA 2026 Barcelona Curatorial Team]]>
      </title>
      <link>https://www.archdaily.com/1042737/architectural-decisions-planetary-implications-interview-with-uia-2026-barcelona-curatorial-team</link>
      <pubDate>Mon, 29 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042737/architectural-decisions-planetary-implications-interview-with-uia-2026-barcelona-curatorial-team</guid>
      <description>
        <![CDATA[<p>Barcelona is the first city in the <a href="https://www.archdaily.com/1042418/the-history-of-the-uia-world-congress-of-architecture-and-the-cities-that-shaped-it?ad_campaign=special-tag" target="_blank" rel="noopener">history of the UIA World Congress of Architects </a>to host the event twice. The 1996 edition, <em>Present and Futures: Architecture in Cities</em>, arrived at a charged moment, when the post-Olympic city was consolidating an urban model that would become one of the most studied and contested in contemporary urbanism, and when architecture was learning to think through the large metropolis as its primary site of inquiry. Thirty years later, the same city reopens the question under a different condition: one in which the built environment can no longer be understood as a self-contained object, but only through the wider ecological, material, and political systems that sustain it. The theme of the 2026 Congress — <a href="https://www.archdaily.com/1039827/uia-2026-barcelona-reveals-program-structured-around-six-thematic-becomings?ad_campaign=special-tag" target="_blank" rel="noopener"><em>Becoming. Architectures for a Planet in Transition</em></a> — does not abandon the urban concerns of 1996; it reopens them from a planetary scale.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a3d/44cc/ddd9/3801/8a4a/440f/newsletter/architectural-decisions-planetary-implications-interview-with-uia-2026-barcelona-curatorial-team_1.jpg?1782400215"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["I Don't Separate Architecture and Infrastructure": Interview With Shohei Shigematsu on OMA's New Museum Addition]]>
      </title>
      <link>https://www.archdaily.com/1042708/i-dont-separate-architecture-and-infrastructure-interview-with-shohei-shigematsu-on-omas-new-museum-addition</link>
      <pubDate>Thu, 25 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042708/i-dont-separate-architecture-and-infrastructure-interview-with-shohei-shigematsu-on-omas-new-museum-addition</guid>
      <description>
        <![CDATA[<p>When the New Museum's original SANAA-designed building, a stack of shifted opaque boxes wrapped in a metal mesh skin, opened in 2007, it already seemed destined for some form of expansion to relieve the vertical pressure created by its constrained circulation and limited footprint. In March, <a href="https://www.archdaily.com/1039814/new-museum-of-contemporary-art-oma" target="_blank" rel="noopener">the museum unveiled its long-anticipated addition, designed by OMA's Shohei Shigematsu and Rem Koolhaas</a>. The angular and slightly set-back companion building doubles the museum's exhibition capacity while reshaping the institution's relationship to the city and to the original <a href="/tag/sanaa">SANAA</a> structure by <a href="/tag/kazuyo-sejima">Kazuyo Sejima</a> and Ryue Nishizawa.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a3a/e438/8576/0e01/8921/c1a6/newsletter/i-dont-separate-architecture-and-infrastructure-interview-with-shohei-shigematsu-on-omas-new-museum-addition_6.jpg?1782244424"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[“Art Is Not Fiction, but a Surplus Reality:” Pedro Reyes on Sculpture as Social Practice in Louisiana Channel Interview]]>
      </title>
      <link>https://www.archdaily.com/1042723/art-is-not-fiction-but-a-surplus-reality-pedro-reyes-on-sculpture-as-social-practice-in-louisiana-channel-interview</link>
      <pubDate>Wed, 24 Jun 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042723/art-is-not-fiction-but-a-surplus-reality-pedro-reyes-on-sculpture-as-social-practice-in-louisiana-channel-interview</guid>
      <description>
        <![CDATA[<p>Mexican sculptor Pedro Reyes has developed a multidisciplinary practice that spans <a href="https://www.archdaily.com/tag/sculpture">sculpture</a>, <a href="https://www.archdaily.com/tag/architecture">architecture</a>, social engagement, and activism. Trained as an <a href="https://www.archdaily.com/tag/architect">architect</a>, Reyes approaches sculpture as both a material and a collective process, combining traditional stone carving with participatory projects that address contemporary social issues. His work frequently explores transformation, whether through physical materials or community action, positioning sculpture as a tool for reimagining social realities. In a 2025 <a href="https://www.archdaily.com/tag/interview">interview</a> with <a href="https://www.archdaily.com/tag/louisiana-channel/page/1">Louisiana Channel</a>, Reyes discusses the influence of architecture on his artistic practice, the concept of "social sculpture," and the importance of preserving craft traditions in an increasingly automated world.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a3b/aad8/8576/0e01/8921/c4ec/newsletter/art-is-not-fiction-but-a-surplus-reality-pedro-reyes-on-sculpture-as-social-transformation-in-louisiana-channel-interview_4.jpg?1782295271"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["My Solutions Are Not Polite:" Liam Young on Architecture in the Age of Polycrisis in Louisiana Channel Interview]]>
      </title>
      <link>https://www.archdaily.com/1042237/my-solutions-are-not-polite-liam-young-on-architecture-in-the-age-of-polycrisis-in-louisiana-channel-interview</link>
      <pubDate>Mon, 08 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042237/my-solutions-are-not-polite-liam-young-on-architecture-in-the-age-of-polycrisis-in-louisiana-channel-interview</guid>
      <description>
        <![CDATA[<p>Australian artist, director, and BAFTA-nominated producer <a href="https://www.archdaily.com/tag/liam-young/" target="_blank" rel="noopener">Liam Young</a> creates imaginary worlds as a way of thinking through the futures we fear, desire, and are already making. As a creator and designer of atmospheres, he proposes speculative landscapes reflecting the possibilities of a world to come, whether ideal or truthfully unsettling. In his worldbuilding practice across the film, television, and video game industries, fiction becomes a tool for navigating<a href="https://www.archdaily.com/tag/climate-crisis" target="_blank" rel="noopener"> the environmental urgencies of the present</a>. He is considered a "futurist" working across design strategies, technological scenarios, and collective imaginations, grounded in his academic research yet reaching a wider audience in exhibitions such as <a href="https://www.archdaily.com/1041349/in-other-worlds-by-liam-young-reimagines-cities-landscapes-and-climate-futures-at-the-barbican-centre" target="_blank" rel="noopener">"In Other Worlds" at the Barbican Centre</a> in London and <a href="https://www.archdaily.com/1034831/age-of-nature-new-dac-exhibition-explores-the-future-relationship-between-architecture-and-nature" target="_blank" rel="noopener">"Age of Nature" at the Danish Architecture Center</a> in Copenhagen. In February 2026, he was interviewed by Marc-Christoph Wagner for <a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank" rel="noopener">Louisiana Channel</a>, where he shares his visions of our future: from architecture consolidating as a boutique industry to the need for a new kind of planetary punk at the scale of the climate crisis. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a26/1a8f/54de/fb01/89c8/f6bd/newsletter/my-solutions-are-not-polite-liam-young-on-architecture-in-the-age-of-polycrisis-in-louisiana-channel-interview_1.jpg?1780882070"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["A Place Remembers What Has Happened:" Tsuyoshi Tane on Memory as a Design Driver in Louisiana Channel Interview]]>
      </title>
      <link>https://www.archdaily.com/1038454/a-place-remembers-what-has-happened-tsuyoshi-tane-on-memory-as-a-design-driver-in-louisiana-channel-interview</link>
      <pubDate>Wed, 27 May 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038454/a-place-remembers-what-has-happened-tsuyoshi-tane-on-memory-as-a-design-driver-in-louisiana-channel-interview</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/office/atelier-tsuyoshi-tane-architects?ad_source=search&amp;ad_medium=search_result_professionals">Tsuyoshi Tane</a> is a <a href="https://www.archdaily.com/tag/japanese-architecture/page/1">Japanese architect</a> born in 1979 in <a href="https://www.archdaily.com/tag/tokyo/page/1">Tokyo</a> and based in <a href="https://www.archdaily.com/tag/paris">Paris</a>, where he founded<a href="https://www.archdaily.com/office/atelier-tsuyoshi-tane-architects?ad_source=search&amp;ad_medium=search_result_professionals"> ATTA – Atelier Tsuyoshi Tane Architects</a> in 2006. Working across cultural, institutional, and landscape-related projects, Tane has developed an architectural approach that positions memory as a fundamental design driver. In his <a href="https://www.archdaily.com/tag/interview">interview</a> with <a href="https://www.archdaily.com/tag/louisiana-channel/page/1">Louisiana Channel</a>, filmed in his Paris studio, Tane reflects on <a href="https://www.archdaily.com/tag/architecture">architecture</a> as a discipline of observation and thought, arguing that meaningful design emerges from carefully reading the traces embedded within a site. For him, <a href="https://www.archdaily.com/tag/architecture">architecture</a> is not produced on a blank slate but begins with an inquiry into what already exists, physically, culturally, and emotionally, beneath the surface of a place.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6983/1c62/dddf/b60c/1d00/2402/newsletter/a-place-remembers-what-has-happened-tsuyoshi-tane-on-memory-as-a-design-driver-in-louisiana-channel-interview_4.jpg?1770200172"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["Beauty in Itself Is Dangerous:" Xu Tiantian on Moving Beyond Starchitecture in Louisiana Channel Interview]]>
      </title>
      <link>https://www.archdaily.com/1041129/beauty-in-itself-is-dangerous-xu-tiantian-on-moving-beyond-starchitecture-in-louisiana-channel-interview</link>
      <pubDate>Fri, 01 May 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041129/beauty-in-itself-is-dangerous-xu-tiantian-on-moving-beyond-starchitecture-in-louisiana-channel-interview</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/xu-tiantian" target="_blank" rel="noopener">Xu Tiantian</a> is the founding principal of <a href="https://www.archdaily.com/office/dna" target="_blank" rel="noopener">DnA_Design and Architecture</a>, an interdisciplinary practice that addresses both the physical and social dimensions of the contemporary living environment, across scales. Born in 1975 in <a href="https://www.archdaily.com/city/fujian" target="_blank" rel="noopener">Fujian</a>, <a href="https://www.archdaily.com/search/projects/country/china" target="_blank" rel="noopener">China</a>, she received a Master of Architecture in Urban Design from the Harvard Graduate School of Design and a bachelor's degree in architecture from Tsinghua University in Beijing. Her recent work focuses on rural revitalization through <a href="https://www.archdaily.com/914028/architecture-should-be-able-to-connect-the-past-and-the-future-in-conversation-with-xu-tiantian" target="_blank" rel="noopener">a strategy she describes as "architectural acupuncture,"</a> understood as small-scale, site-specific interventions designed to activate local culture, agriculture, and tourism. These interventions, <a href="https://www.archdaily.com/892947/can-architecture-save-chinas-rural-villages-dnas-xu-tiantian-thinks-so" target="_blank" rel="noopener">primarily concentrated in China's rural regions</a>, have been recognized by UN-Habitat as a global model for urban–rural integration. In this interview with <a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank" rel="noopener">Louisiana Channel</a>, she reflects on the role of the architect, questions architecture itself and the concept of beauty, explains her working methodology, and emphasizes the spatial dimension of nature.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69f3/e069/e0a7/c201/892c/b37e/newsletter/beauty-in-itself-is-dangerous-xu-tiantian-in-louisiana-channel-interview_8.jpg?1777590389"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[“Great Architecture Must Be Poetry:” Zhu Pei on Architecture as a Form of Art in Louisiana Channel Interview]]>
      </title>
      <link>https://www.archdaily.com/1036650/great-architecture-must-be-poetry-zhu-pei-on-architecture-as-a-form-of-art-in-louisiana-channel-interview</link>
      <pubDate>Wed, 21 Jan 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036650/great-architecture-must-be-poetry-zhu-pei-on-architecture-as-a-form-of-art-in-louisiana-channel-interview</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/zhu-pei" target="_blank" rel="noopener">Zhu Pei</a> is a <a href="https://www.archdaily.com/tag/chinese-architecture" target="_blank" rel="noopener">Chinese architect</a> born in 1962 in Beijing. He studied at Tsinghua University and UC Berkeley, and founded <a href="https://www.archdaily.com/office/studio-zhu-pei" target="_blank" rel="noopener">Studio Zhu Pei </a>in 2005. The studio's experimental work and research focus on contemporary architecture, art, and cultural projects. With an artistic and exploratory approach, it investigates the relationship between the roots that anchor architecture in specific natural and cultural contexts and the innovation that drives architecture as a form of artistic revolution. In his interview with <a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank" rel="noopener">Louisiana Channel</a>, Zhu Pei describes architecture as an artistic discipline that, like poetry, relies on openness, imagination, and the creation of new experiences. He argues that great architecture goes beyond functional problem-solving by generating a sense of wonder through its ability to "invent" and "create some new thing, new experience," positioning architectural practice as cultural and sensory exploration rather than purely technical production.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6930/ce1d/3237/9f01/898c/a58b/newsletter/great-architecture-is-like-poetry-zhu-pei-on-architecture-as-a-form-of-art-in-louisiana-channel-interview_2.jpg?1764806184"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[“For Decades We Have Valued the New More than the Old”: In Dialogue with OBEL Award 2025 Winners HouseEurope!]]>
      </title>
      <link>https://www.archdaily.com/1037495/for-decades-we-have-valued-the-new-more-than-the-old-in-dialogue-with-obel-award-2025-winners-houseeurope</link>
      <pubDate>Mon, 12 Jan 2026 06:00:00 +0000</pubDate>
      <dc:creator>Kiana Buchberger</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037495/for-decades-we-have-valued-the-new-more-than-the-old-in-dialogue-with-obel-award-2025-winners-houseeurope</guid>
      <description>
        <![CDATA[<p>The potential of existing buildings to shape cities and communities in flux through reuse and adaptation is <a href="https://www.houseeurope.eu/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">the key focus of HouseEurope! and their activism</a>: addressing the pressing challenge across much of Europe, where it is often easier, cheaper, and faster to demolish buildings than to renovate. For decades, construction policies, industrial practices, and market systems have favored new development, often undervaluing the <a href="https://www.archdaily.com/1035402/material-memory-what-we-lose-when-we-demolish-buildings?ad_campaign=special-tag">cultural, social, and environmental significance of existing structures</a>. For their work advocating systemic change in architecture, HouseEurope! received the <a href="https://obel.foundation/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">2025 OBEL Award under the theme "Ready Made."</a> In a conversation with ArchDaily, collective members of HouseEurope! Alina Kolar and Olaf Grawert discussed the organization's approach to architecture, policy, and collective action.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/695b/d6db/b579/db0d/600a/7755/newsletter/for-decades-we-have-valued-the-new-over-the-old-in-dialogue-with-houseeurope-winners-of-obel-award-2025_1.jpg?1767626507"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Rethinking Museums: A Conversation with Béatrice Grenier on Architecture as Cultural Policy]]>
      </title>
      <link>https://www.archdaily.com/1037473/rethinking-museums-a-conversation-with-beatrice-grenier-on-architecture-as-cultural-policy</link>
      <pubDate>Sat, 10 Jan 2026 08:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037473/rethinking-museums-a-conversation-with-beatrice-grenier-on-architecture-as-cultural-policy</guid>
      <description>
        <![CDATA[<p>The <a href="https://www.archdaily.com/1035188/fondation-cartier-reopens-in-jean-nouvel-designed-paris-building-with-exhibition-by-formafantasma" target="_blank" rel="noopener">opening of the new Fondation Cartier pour l'Art Contemporain in Paris</a> last October sparked renewed questions around the role, form, and future of museums. As cultural institutions continue to proliferate worldwide in this digital era, the museum itself appears increasingly in need of redefinition. Rather than offering a single model or solution, <a href="https://www.rizzoliusa.com/book/9780847845712/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>Architecture for <a href="/tag/culture">Culture</a>: Rethinking Museums</em></a>, written by architectural historian and curator <a href="/tag/beatrice-grenier">Béatrice Grenier</a>, argues for a more contextual and plural understanding of what a museum can be: an institution shaped by its environment, its public, and the specific cultural questions it seeks to address.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6959/1aaf/239d/3201/8ac9/36fd/newsletter/rethinking-museums-a-conversation-with-beatrice-grenier-on-architecture-as-cultural-policy_1.jpg?1767447307"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["Build Something That Disappears": Gabriela Carrillo on Public Space Design in Louisiana Channel Interview]]>
      </title>
      <link>https://www.archdaily.com/1026781/build-something-that-disappears-gabriela-carrillo-on-public-space-design-in-louisiana-channel-interview</link>
      <pubDate>Fri, 02 Jan 2026 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1026781/build-something-that-disappears-gabriela-carrillo-on-public-space-design-in-louisiana-channel-interview</guid>
      <description>
        <![CDATA[<p data-start="0" data-end="696">In this interview with <a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank" rel="noopener">Louisiana Channel</a>, Mexican architect <a href="https://www.archdaily.com/tag/gabriela-carrillo" target="_blank" rel="noopener">Gabriela Carrillo</a> introduces us to the challenges that drive her work, particularly the projects carried out as a member of <a href="https://www.archdaily.com/office/colectivo-c733" target="_blank" rel="noopener">Colectivo C733</a>, in which she currently participates alongside Carlos Facio, José Amozurrutia, Eric Valdez, and Israel Espin. Through an exploration of her definition of architecture, she offers reflections on the design of <a href="https://www.archdaily.com/tag/public-space" target="_blank" rel="noopener">public spaces</a>, the relationship between architecture and <a href="https://www.archdaily.com/tag/land-art" target="_blank" rel="noopener">land art</a>, and the role of the preexisting in the transformation of space. She defends architecture as a "powerful tool" for fostering connections between people and their environment, defining her practice as optimistic.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/67aa/d67e/ea72/f101/8803/43c2/newsletter/architecture-is-not-only-the-geometrical-piece-but-everything-organic-that-has-happened-below-gabriela-carrillo-on-public-space-design-in-louisiana-channel-interview_2.jpg?1739249286"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Best Interviews of 2025: Architecture’s Year of Reflection, Repair, and Optimism]]>
      </title>
      <link>https://www.archdaily.com/1037009/the-best-interviews-of-2025-architectures-year-of-reflection-repair-and-optimism</link>
      <pubDate>Thu, 18 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037009/the-best-interviews-of-2025-architectures-year-of-reflection-repair-and-optimism</guid>
      <description>
        <![CDATA[<p>In 2025, the architectural field has been marked by a dense calendar of <a href="https://www.archdaily.com/1035780/beyond-the-exhibition-architecture-interior-and-landscape-as-a-single-narrative?ad_source=search&amp;ad_medium=search_result_articles">exhibitions</a>, a measured slowdown in construction across multiple regions, and a period of reflection that scrutinizes the impact of <a href="https://www.archdaily.com/1030041/the-intelligence-of-what-remains-on-archiving-and-architectural-knowledge?ad_medium=gallery">intelligence</a> (artificial and natural)—both on professional practice and<a href="https://www.archdaily.com/975264/workplace-culture-design-trends-and-the-impact-of-gen-z?ad_source=search&amp;ad_medium=search_result_articles"> workplace culture</a>, as well as its use as a<a href="https://www.archdaily.com/1033238/environments-of-curiosity-designing-for-children-teaching-and-imagination?ad_source=search&amp;ad_medium=search_result_articles"> pedagogical tool</a>. Over this calendar year, ArchDaily has published more than 30 interviews in a range of formats—Q&amp;As, in-person conversations, video features, and more. These exchanges have engaged themes of sustainability and nature, housing and urban development, <a href="https://www.archdaily.com/1035189/from-concrete-to-cultivation-how-ai-and-robotics-are-rewriting-architectures-material-logic?ad_source=search&amp;ad_medium=search_result_articles">AI and intelligence</a>, <a href="https://www.archdaily.com/1035639/dialogue-with-the-code-calibrating-standards-for-adaptive-reuse-to-thrive?ad_source=search&amp;ad_medium=search_result_articles">adaptive reuse</a> and public life, and have closely followed major exhibition platforms including the Venice Biennale, Expo 2025 Osaka, Milan Design Week, Concéntrico, and others.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/693f/f084/0943/f046/1d85/dceb/newsletter/the-best-interviews-of-2025-architectures-year-of-reflection-repair-and-optimism_19.jpg?1765798026"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[How Architects Are Responding to Technology That Turns Buildings into Carbon Sinks]]>
      </title>
      <link>https://www.archdaily.com/1036678/how-architects-are-responding-to-technology-that-turns-buildings-into-carbon-sinks</link>
      <pubDate>Tue, 09 Dec 2025 06:45:00 +0000</pubDate>
      <dc:creator>Kiana Buchberger</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036678/how-architects-are-responding-to-technology-that-turns-buildings-into-carbon-sinks</guid>
      <description>
        <![CDATA[<p>During the <em>Time Space Existence </em>exhibition, organized by the European Cultural Centre in Venice, the building-solutions company <a href="https://www.holcim.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Holcim</a> and Pritzker Prize-winning architect Alejandro Aravena, with his firm <a href="/tag/elemental">ELEMENTAL</a>, unveiled a full-scale prototype that introduces a new approach in incremental housing solutions.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6932/337f/243c/4d5a/4987/6976/newsletter/holcim-interview-kunle_1.jpg?1764897673"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["To Emerge Naturally from the Site": Zhang Pengju on His Aga Khan Award-Winning West Wusutu Village]]>
      </title>
      <link>https://www.archdaily.com/1033902/to-emerge-naturally-from-the-site-zhang-pengju-on-his-aga-khan-award-winning-west-wusutu-village</link>
      <pubDate>Fri, 12 Sep 2025 06:30:00 +0000</pubDate>
      <dc:creator>韩爽</dc:creator>
      <category>
        <![CDATA[ArchDaily Interviews]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1033902/to-emerge-naturally-from-the-site-zhang-pengju-on-his-aga-khan-award-winning-west-wusutu-village</guid>
      <description>
        <![CDATA[<p>The <a href="https://www.archdaily.com/1033690/aga-khan-award-for-architecture-announces-2025-winners" target="_blank" rel="noopener">2025 Aga Khan Award for Architecture</a>, one of the most prestigious honors in the field, celebrates projects that not only exhibit architectural excellence but also profoundly <a href="https://www.archdaily.com/1033673/our-message-this-time-was-optimism-in-conversation-with-farrokh-derakhshani-director-of-the-aga-khan-award-for-architecture" target="_blank" rel="noopener">improve the quality of life for their communities</a>. Among this year's winners is the <a href="https://www.archdaily.com/1033160/west-wusutu-village-community-centre-zhang-pengju?ad_source=search&amp;ad_medium=projects_tab" target="_blank" rel="noopener">West Wusutu Village Community Centre</a>, a project in <a href="https://www.archdaily.com/tag/hohhot/page/1">Hohhot</a>, Inner <a href="https://www.archdaily.com/country/mongolia/page/1">Mongolia</a>, by Chinese architect <a href="https://www.archdaily.com/office/zhang-pengju?ad_name=project-specs&amp;ad_medium=single" target="_blank" rel="noopener">Zhang Pengju</a>. In an era when <a href="https://www.archdaily.com/tag/rural-architecture" target="_blank" rel="noopener">rural areas</a> often face social fragmentation and a loss of identity, this community center offers a powerful counter-narrative. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68be/8cf5/fafa/a901/80e9/b638/newsletter/an-exclusive-interview-with-zhang-pengju-on-his-aga-khan-award-winning-west-wusutu-village-community-centre_2.jpg?1757318420"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[“Our Message This Time Was Optimism”: In Conversation with Farrokh Derakhshani, Director of the Aga Khan Award for Architecture]]>
      </title>
      <link>https://www.archdaily.com/1033673/our-message-this-time-was-optimism-in-conversation-with-farrokh-derakhshani-director-of-the-aga-khan-award-for-architecture</link>
      <pubDate>Tue, 02 Sep 2025 04:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1033673/our-message-this-time-was-optimism-in-conversation-with-farrokh-derakhshani-director-of-the-aga-khan-award-for-architecture</guid>
      <description>
        <![CDATA[<p>Today, September 2, <a href="https://www.archdaily.com/1033690/aga-khan-award-for-architecture-announces-2025-winners" target="_blank" rel="noopener">the seven winners of the 16th Cycle (2023–2025) </a>of the <a href="https://www.archdaily.com/tag/aga-khan-award-for-architecture" target="_blank" rel="noopener">Aga Khan Award for Architecture</a> were announced, following on-site reviews of <a href="https://www.archdaily.com/1030912/aga-khan-award-for-architecture-2025-announces-19-shortlisted-projects-from-15-countries?ad_campaign=normal-tag" target="_blank" rel="noopener">the 19 shortlisted projects revealed in June</a>. Established in 1977, the Award seeks to identify and encourage building concepts that respond to the physical, social, and economic needs of communities with a significant Muslim presence, while also addressing their cultural aspirations. To understand the vision behind this cycle's winners, ArchDaily's Editor-in-Chief, Christele Harrouk, spoke with Farrokh Derakhshani, who has been with the award for over four decades. He described the initiative as "a curated message to the world," a message that evolves with the times.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68b6/9b00/bfa2/0d01/8a1b/bc0a/newsletter/our-message-this-time-was-optimism-in-conversation-with-farrokh-derakhshani-director-of-the-aga-khan-award-for-architecture_8.jpg?1756797704"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["Can We Think of a Building as a Microclimate?": In Conversation With Bas Smets and Dennis Pohl About the Belgian Pavilion in Venice]]>
      </title>
      <link>https://www.archdaily.com/1030984/can-we-think-of-a-building-as-a-microclimate-in-conversation-with-bas-smets-and-dennis-pohl-about-the-belgian-pavilion-in-venice</link>
      <pubDate>Fri, 08 Aug 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1030984/can-we-think-of-a-building-as-a-microclimate-in-conversation-with-bas-smets-and-dennis-pohl-about-the-belgian-pavilion-in-venice</guid>
      <description>
        <![CDATA[<p data-start="151" data-end="1002">The <a href="https://www.archdaily.com/1023603/the-belgian-pavilion-explores-plant-based-architecture-at-the-venice-biennale-2025" target="_blank" rel="noopener">Belgian Pavilion</a> at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">Venice Architecture Biennale 2025</a> presents a prototype that integrates <a href="https://www.archdaily.com/tag/landscape-architecture" target="_blank" rel="noopener">landscape architecture</a> into architectural interiors. Designed by <a href="https://www.archdaily.com/tag/bas-smets" target="_blank" rel="noopener">Bas Smets</a> in collaboration with Stefano Mancuso, the exhibition transforms the pavilion into a microclimate modeled after the understory of a subtropical forest, creating an indoor jungle that actively regulates temperature and humidity. The curatorial concept, supported by the <a href="https://www.archdaily.com/tag/flanders-architecture-institute" target="_blank" rel="noopener">Flanders Architecture Institute</a> and its director, Dennis Pohl, promotes landscape thinking as an active design force rather than exterior decoration. In this video interview from <a href="https://www.archdaily.com/city/venice" target="_blank" rel="noopener">Venice</a>, Bas Smets and Dennis Pohl explain to ArchDaily editors how the project positions architecture as a platform for climate resilience and proposes a shift in design paradigms, from static images to evolving, living processes.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6846/acd3/3524/c654/2b75/186f/newsletter/can-we-think-of-a-building-as-a-microclimate-in-conversation-with-bas-smets-and-dennis-pohl-about-the-belgian-pavilion-in-venice_8.jpg?1749462236"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[“Even If You Want to Be a Gardener, Study Architecture”: Archigram Co-Founder Sir Peter Cook on Boldness, Creativity, and Architectural Education]]>
      </title>
      <link>https://www.archdaily.com/1032859/even-if-you-want-to-be-a-gardener-study-architecture-archigram-co-founder-sir-peter-cook-on-boldness-creativity-and-architectural-education</link>
      <pubDate>Wed, 06 Aug 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032859/even-if-you-want-to-be-a-gardener-study-architecture-archigram-co-founder-sir-peter-cook-on-boldness-creativity-and-architectural-education</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/sir-peter-cook" target="_blank" rel="noopener">Sir Peter Cook </a>is an English architect, professor, and writer, and a founding member of the neo-futuristic design group <a href="https://www.archdaily.com/tag/archigram" target="_blank" rel="noopener">Archigram</a>, alongside Warren Chalk, Ron Herron, David Greene, and Michael Webb. Beyond <a href="https://www.archdaily.com/1006203/ephemeral-cities-3-radical-city-concepts-that-propose-for-users-to-shape-their-built-form?ad_campaign=normal-tag" target="_blank" rel="noopener">the group's radical urban concepts</a> and <a href="https://www.archdaily.com/980256/architectural-drawings-imagining-the-future" target="_blank" rel="noopener">visionary imagery</a>, he co-founded CRAB Studio (Cook Robotham Architectural Bureau) with David Robotham in 2006, where they have developed built, conceptual, and speculative projects. He recently designed <a href="https://www.archdaily.com/1028969/peter-cook-designs-play-pavilion-for-serpentine-in-collaboration-with-the-lego-group?ad_medium=gallery" target="_blank" rel="noopener">the Play Pavilion, located next to Serpentine South in Kensington Gardens, which opened on World Play Day, June 11, 2025</a>. He is also known for the <a href="https://www.archdaily.com/89408/bix-light-and-media-facade-at-moma" target="_blank" rel="noopener">BIX Light and Media Façade at MoMA</a> and for his <a href="https://www.archdaily.com/972910/new-louisiana-museum-exhibition-showcases-drawings-by-peter-cook" target="_blank" rel="noopener">series of drawings and collages</a> that explore spaces, building elements, and organic landscapes.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6893/032d/cb12/3860/35f7/a7d2/newsletter/even-if-you-want-to-be-a-gardener-study-architecture-archigram-co-founder-sir-peter-cook-on-boldness-creativity-and-architectural-education_2.jpg?1754465071"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["No House Exists in Isolation": Riken Yamamoto on the Failures of Contemporary Housing in Louisiana Channel Interview]]>
      </title>
      <link>https://www.archdaily.com/1031541/no-house-exists-in-isolation-riken-yamamoto-on-the-failures-of-contemporary-housing-in-louisiana-channel-interview</link>
      <pubDate>Thu, 31 Jul 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031541/no-house-exists-in-isolation-riken-yamamoto-on-the-failures-of-contemporary-housing-in-louisiana-channel-interview</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/office/riken-yamamoto" target="_blank" rel="noopener">Riken Yamamoto</a>, born in Beijing in 1945 and raised in Yokohama shortly after World War II, is a Japanese architect celebrated for fostering community through architecture. After founding his practice, Riken Yamamoto &amp; Field Shop, in 1973, he became renowned for works ranging from social housing, such as <a href="https://www.archdaily.com/1014067/architecture-classics-hotakubo-housing-riken-yamamoto" target="_blank" rel="noopener">Hotakubo Housing</a> and <a href="https://www.archdaily.com/1014039/pangyo-housing-riken-yamamoto" target="_blank" rel="noopener">Pangyo Housing</a>, to civic projects like the <a href="https://www.archdaily.com/1014034/hiroshima-nishi-fire-station-riken-yamamoto" target="_blank" rel="noopener">Hiroshima Nishi Fire Station</a> and <a href="https://www.archdaily.com/1014040/saitama-prefectural-university-riken-yamamoto" target="_blank" rel="noopener">Saitama Prefectural University</a>, all unified by modular simplicity. <a href="https://www.archdaily.com/1014028/japanese-architect-riken-yamamoto-receives-the-2024-pritzker-architecture-prize" target="_blank" rel="noopener">Honored in March 2024 as the Pritzker Architecture Prize Laureate</a>, he was praised by jury chair <a href="https://www.archdaily.com/tag/alejandro-aravena" target="_blank" rel="noopener">Alejandro Aravena</a> for "blurring boundaries between public and private," fostering spontaneous social interaction, and "bringing dignity to everyday life" by enabling community to flourish through thoughtful design. In this interview with <a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank" rel="noopener">Louisiana Channel</a>, the architect reflects on the social role of architecture, emphasizing the inseparable bond between housing and context, and the need to create spaces that foster visible, meaningful relationships.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/685c/cdf5/1dcf/f379/21a1/596a/newsletter/no-house-exists-in-isolation-riken-yamamoto-on-the-origins-of-housing-and-community-in-louisiana-channel-interview_3.jpg?1750912513"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["Nature is an Incredible Teacher": Jenny Sabin on the Fusion of the Digital, Biological and Physical in Louisiana Channel Interview]]>
      </title>
      <link>https://www.archdaily.com/1028420/nature-is-an-incredible-teacher-jenny-sabin-on-the-fusion-of-the-digital-biological-and-physical-in-louisiana-channel-interview</link>
      <pubDate>Fri, 25 Jul 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1028420/nature-is-an-incredible-teacher-jenny-sabin-on-the-fusion-of-the-digital-biological-and-physical-in-louisiana-channel-interview</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/jenny-e-sabin" target="_blank" rel="noopener"> Jenny E. Sabin</a> is an American architect, designer, and educator known for her work at the intersection of architecture, computation, and biomaterials. She integrates <a href="https://www.archdaily.com/tag/digital-fabrication" target="_blank" rel="noopener">digital fabrication</a>, responsive <a href="https://www.archdaily.com/tag/materials">materials</a>, and bio-inspired design into her architectural practice and runs an experimental architecture studio, <a href="https://www.archdaily.com/tag/jenny-sabin-studio" target="_blank" rel="noopener">Jenny Sabin Studio</a>, based in Ithaca, NY. In this interview with <a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank" rel="noopener">Louisiana Channel</a>, she shares her personal journey from artist to scientist, explains how biological and material systems can be applied at an architectural scale, and discusses her teaching and research roles at <a href="https://www.archdaily.com/tag/cornell-university" target="_blank" rel="noopener">Cornell University</a>. She elaborates on her interest in bringing people together through new strategies for responsive and adaptive architecture. In her view, the connections between the digital, the physical, and the biological define a paradigm shift in the evolution of architecture, converging with other realms of physical experience to create a more interconnected future.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/67e3/90db/8da1/ef01/8749/4f5d/newsletter/nature-is-an-incredible-teacher-jenny-sabin-on-the-fusion-of-the-digital-biological-and-physical-in-louisiana-channel-interview_7.jpg?1742967012"></enclosure>
    </item>
  </channel>
</rss>
