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    <title>Tag: innovative-materials | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
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      <title>
        <![CDATA[Agricultural Afterlives: When Waste Becomes Architecture]]>
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      <link>https://www.archdaily.com/1042670/agricultural-afterlives-when-waste-becomes-architecture</link>
      <pubDate>Wed, 01 Jul 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>A building material rarely begins where architecture encounters it. By the time concrete reaches a construction site, its limestone has already been quarried, processed, and transformed. Timber arrives long after the forest. Glass appears detached from the sand from which it was made. By the time materials enter construction, much of the landscape and industry that produced them has already disappeared from view.</p>]]>
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      <title>
        <![CDATA[From Material Intelligence to Circularity: Lessons from Architecture in 2025]]>
      </title>
      <link>https://www.archdaily.com/1037330/from-material-intelligence-to-circularity-lessons-from-architecture-in-2025</link>
      <pubDate>Tue, 06 Jan 2026 04:00:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037330/from-material-intelligence-to-circularity-lessons-from-architecture-in-2025</guid>
      <description>
        <![CDATA[<p data-start="139" data-end="916">Which materials have taken center stage in the architectural discourse of 2025? Which projects have rediscovered new construction practices and methods through material innovation? While the future of building materials still appears uncertain, year after year, experimentation and research continue to reveal diverse practices, initiatives, and efforts dedicated to understanding their value and responsibility within the built environment. From <a href="https://www.archdaily.com/1025000/residues-that-build-a-school-in-india-made-from-sugarcane-bagasse" target="_blank" rel="noopener">agricultural waste that reduces carbon footprints</a> to <a href="https://www.archdaily.com/1025575/from-disposable-to-sustainable-the-transformation-of-recycled-polyurethane-into-high-performance-products" target="_blank" rel="noopener">recycled plastics given new life</a>, and <a href="https://www.archdaily.com/1031069/exploring-living-building-materials-through-robotic-earth-printing" target="_blank" rel="noopener">living materials</a> that engage with emerging technologies while reconnecting with nature, 2025 has highlighted and strengthened the role of <a href="https://www.archdaily.com/1033945/the-architect-as-mediator-of-materials-lessons-from-hybrid-habitats" target="_blank" rel="noopener">architects as mediators between materials</a>, disciplines, knowledge, and interests from diverse origins.</p>]]>
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        <![CDATA[Local Knowledge and Ecological Context: City Making Lessons from Chicago’s Wild Mile]]>
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      <link>https://www.archdaily.com/1036351/local-knowledge-and-ecological-context-city-making-lessons-from-chicagos-wild-mile</link>
      <pubDate>Wed, 03 Dec 2025 04:00:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
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        <![CDATA[<p data-start="531" data-end="907">For more than a century, residents of <a href="https://www.archdaily.com/954873/urban-waterways-the-dynamics-of-canal-architecture" target="_blank" rel="noopener">growing American cities reshaped their rivers to serve industrial and manufacturing needs</a>. Waterways were straightened, deepened, paved, or buried to support shipping routes and to move materials efficiently across regions. These transformations created an urban landscape in which <a href="https://www.archdaily.com/1020725/revitalizing-urban-ecosystems-4-projects-harnessing-water-for-sustainable-urban-development" target="_blank" rel="noopener">rivers were treated as productive infrastructure rather than as living ecological systems</a>.</p>]]>
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        <![CDATA[September Editorial Topic: Architecture Without Limits]]>
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      <link>https://www.archdaily.com/1033664/september-editorial-topic-architecture-without-limits</link>
      <pubDate>Wed, 03 Sep 2025 05:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Architects today work across many worlds: from designing furniture, landscapes, and urban blocks to creating film sets, photographs, and videos. They restore and retrofit old buildings rather than build anew, while also writing, researching, and publishing. Some design virtual spaces for video games or speculate on habitats in outer space and underwater. Others engage directly with society through politics, activism, or community projects. Many experiment with biology, test new materials, and step into the role of scientist. Architects are decolonizing old narratives and decarbonizing the construction industry, and by weaving together personal passions with pressing social and environmental challenges, they are pushing the limits of the profession and expanding its scope.</p>]]>
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        <![CDATA[Reimagining Lisbon’s Azulejos: Regenerative Biomaterial Tiles from the Tagus River]]>
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      <link>https://www.archdaily.com/1033393/reimagining-lisbons-azulejos-regenerative-biomaterial-tiles-from-the-tagus-river</link>
      <pubDate>Tue, 26 Aug 2025 06:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1033393/reimagining-lisbons-azulejos-regenerative-biomaterial-tiles-from-the-tagus-river</guid>
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        <![CDATA[<p>All materials come from somewhere, embedded in <a href="https://www.archdaily.com/1032047/from-extraction-to-regeneration-architectures-role-in-rural-developments-in-latin-america?ad_source=search&amp;ad_medium=search_result_articles">a chain of extraction</a>, supply, production, and disposal that, depending on its scale, leaves more or less significant marks on the environment. In architecture, we usually approach this trajectory through the lens of materials' circularity, considering how they can <a href="https://www.archdaily.com/1025567/what-if-every-brick-had-a-future-rethinking-demolition-and-material-reuse-in-the-circular-economy?ad_source=search&amp;ad_medium=search_result_articles">re-enter production cycles rather than become waste</a>. Yet, broadening our view to unexpected places reveals parallel systems where by-products from one industry become resources for another. This approach has found fertile ground in organic waste <a href="https://www.archdaily.com/987658/what-are-biomaterials-in-architecture?ad_source=search&amp;ad_medium=search_result_articles">transformed into biomaterials</a>, with one of the most recent examples being the work of <a href="https://www.instagram.com/fahrenheit.works/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Fahrenheit Works</a>. Through their installation, "From the Tagus to the Tile", they repurpose oyster shells initially discarded by food systems to create a reinterpretation of <a href="https://www.archdaily.com/997432/portuguese-tiles-brief-history-and-contemporary-applications?ad_source=search&amp;ad_medium=search_result_articles">Lisbon's iconic tiles</a>.</p>]]>
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        <![CDATA[Unwrapped Interiors: A Case for Material Authenticity and Clarity]]>
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      <link>https://www.archdaily.com/1031187/unwrapped-interiors-a-case-for-material-authenticity-and-clarity</link>
      <pubDate>Sat, 21 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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      <description>
        <![CDATA[<p>When designing a space—whether at the scale of <a href="https://www.archdaily.com/search/projects/categories/interior-design">interiors</a>, architecture, or infrastructure—<a href="https://www.archdaily.com/tag/materials">materiality</a> is a central concern. Beyond aesthetics, materials determine how a project functions, <a href="https://www.archdaily.com/891237/6-materials-that-age-beautifully">ages, and endures</a>. Some architects—such as <a href="https://www.archdaily.com/office/wang-shu">Wang Shu</a> and <a href="https://www.archdaily.com/office/kengo-kuma-and-associates">Kengo Kuma</a>—have built their practices on a deep sensitivity to the potential and limits of materials. But even in the most pragmatic sense, the question arises: What lasts? What doesn't? And how do materials change over time? Naturally, materials shape <a href="https://www.archdaily.com/tag/archdaily-topic-2025-atmosphere-in-architecture-and-perception-of-space">atmosphere and appearance</a>—qualities that often matter most to clients. Yet increasingly, the discourse around materiality has shifted from structural substance to surface treatment. When did we start focusing more on "decorating" our spaces by layering one material over another, rather than relying on the inherent beauty and performance of the building fabric itself?</p>]]>
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        <![CDATA[Understanding Soft Architecture: The Shift from Monument to Moment]]>
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      <link>https://www.archdaily.com/1030731/understanding-soft-architecture-the-shift-from-monument-to-moment</link>
      <pubDate>Wed, 04 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>In recent years, architecture has increasingly embraced <a href="https://www.archdaily.com/tag/adaptability">adaptability</a>, <a href="https://www.archdaily.com/tag/flexible">flexibility</a>, and responsiveness as core design principles. This evolution reflects a shift from traditional notions of static, permanent structures to dynamic environments that can adjust to changing needs and conditions. Central to this transformation is the concept of "soft architecture", which leverages pliable materials and innovative systems to create spaces that are functional, sustainable, and user-centric. Soft architecture takes shape through <a href="https://www.archdaily.com/315453/biological-concrete-for-a-living-breathing-facade">membranes that breathe</a>, <a href="https://www.archdaily.com/922930/what-are-kinetic-facades-in-architecture">façades that move</a>, structures that inflate or fold, and surfaces that bend rather than break. It involves designing for transformation — not only in how a building performs environmentally, but also in how it can accommodate shifting functions, user interactions, or temporary occupations. This approach to building challenges traditional notions of durability and control, proposing instead a more responsive and open-ended architecture. It reflects a growing awareness that buildings, like the societies they serve, must be able to evolve.</p>]]>
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        <![CDATA[14 Architect-Designed Lighting, Object, and Furniture Pieces Unveiled at Milan Design Week 2025]]>
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      <link>https://www.archdaily.com/1029446/14-architect-designed-lighting-object-and-furniture-pieces-unveiled-at-milan-design-week-2025</link>
      <pubDate>Sun, 27 Apr 2025 07:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/1028668/navigating-milan-design-week-2025-key-venues-events-and-architectural-installations-to-experience" target="_blank" rel="noopener">2025 edition of Milan Design Week</a> took place from April 8 to April 13, 2025. During these five days, the city of <a href="https://www.archdaily.com/city/milan" target="_blank" rel="noopener">Milan</a> hosted special events, exhibitions, <a href="https://www.archdaily.com/1029061/10-architectural-installations-at-the-2025-milan-design-week-and-salone-del-mobile" target="_blank" rel="noopener">installations</a>, and discussions centered on the creative disciplines, including the <a href="https://www.archdaily.com/1028561/one-week-until-salone-del-mobile-2025-a-guide-to-key-talks-roundtables-and-special-installations" target="_blank" rel="noopener">63rd edition of the Salone del Mobile</a> at <a href="https://www.archdaily.com/248138/new-milan-trade-fair-studio-fuksas" target="_blank" rel="noopener">Fiera Milano fairgrounds</a>. Among the numerous activities, the event serves as an ideal opportunity to introduce the latest trends and showcase upcoming pieces from brands and designers worldwide. Among the new releases and product launches, the ArchDaily team identified a selection of products designed by architects, ranging from <a href="https://www.archdaily.com/tag/lighting" target="_blank" rel="noopener">lighting</a> and <a href="https://www.archdaily.com/tag/furniture" target="_blank" rel="noopener">furniture</a> systems to <a href="https://www.archdaily.com/tag/materials" target="_blank" rel="noopener">materials</a> and small <a href="https://www.archdaily.com/tag/objects" target="_blank" rel="noopener">objects</a>.</p>]]>
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        <![CDATA[Facade as Identity: Exploring the Influence of Metallic Cladding on Design Expression]]>
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      <link>https://www.archdaily.com/1028701/facade-as-identity-exploring-the-influence-of-metallic-cladding-on-design-expression</link>
      <pubDate>Thu, 10 Apr 2025 01:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p>Through the creative manipulation of common construction materials and the exploration of elements such as form, light, texture, and space, architecture transcends mere functionality to become an artistic expression. Whether through the boldness of an innovative design, the harmony of balanced proportions, or the evocative use of materials, a building can transform into a work of art that inspires, intrigues, and evokes emotion. The design of the <a href="https://www.kriskadecor.com/en-US/ginza-41?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Ginza 41 sushi restaurant</a>, conceived by architect <a href="https://www.africasabe.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Àfrica Sabé</a>, exemplifies this approach. Its facade stands out in its surroundings thanks to solutions provided by <a href="https://www.kriskadecor.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Kriskadecor</a>, a company specializing in customized metallic cladding. By utilizing a tensioned chain facade system that showcases a unique design, the project redefines the integration between architecture and visual branding.</p>]]>
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        <![CDATA[From AI to Artisans: How MEAN* Merges Computational Design with Middle Eastern Craftsmanship]]>
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      <link>https://www.archdaily.com/1027870/from-ai-to-artisans-how-mean-merges-computational-design-with-middle-eastern-craftsmanship-star</link>
      <pubDate>Wed, 12 Mar 2025 04:00:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p data-start="0" data-end="890">Named one of <a href="https://www.archdaily.com/1014620/archdailys-2024-best-new-practices">ArchDaily's Best New Practices in 2024</a>, <a href="https://www.archdaily.com/tag/mean">MEAN*<em data-start="53" data-end="96"> (Middle East <a href="/tag/architecture">Architecture</a> Network)</em></a> is redefining the architectural landscape of the region by merging <a href="https://www.archdaily.com/tag/computational-design">computational design, </a><a href="https://www.archdaily.com/tag/digital-fabrication">digital fabrication</a>, and material research with <a href="https://www.archdaily.com/tag/heritage">local heritage</a>. Founded in 2016, the studio takes a forward-thinking approach, developing site-specific architectural solutions that balance technological innovation with cultural continuity. Their work spans projects of various scales, from experimental furniture like the Mawj Chair to urban-scale interventions such as The Adaptive Majlis, a digitally fabricated reinterpretation of traditional cooling and social spaces. By integrating advanced tools like parametric design, AI, and 3D printing with local materials, MEAN* is crafting a new architectural language that reflects both the aspirations of the future and the depth of the past.</p>]]>
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        <![CDATA[Van Nelle Factory: The Story Behind a Modernist Icon in Rotterdam]]>
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      <link>https://www.archdaily.com/1027267/van-nelle-factory-the-story-behinf-a-modernist-icon-in-rotterdam</link>
      <pubDate>Fri, 28 Feb 2025 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>The <a href="https://www.vannellefabriekrotterdam.com/en/home/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Van Nelle Factory</a>, located in <a href="https://www.archdaily.com/city/rotterdam">Rotterdam</a>, is one of the most significant examples of Modernist <a href="https://www.archdaily.com/search/projects/categories/industrial-architecture">Industrial Architecture</a>. Designed by <a href="https://architectuul.com/architect/johannes-andreas-brinkman?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Johannes Andreas Brinkman</a> and <a href="https://en.wikipedia.org/wiki/Leendert_van_der_Vlugt?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Leendert van der Vlugt</a> between 1925 and 1931, with the involvement of <a href="https://www.thonet.de/en/magazine/designers/detail/mart-stam?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Mart Stam</a> — a pioneer in modernist furniture design and architecture — the factory was conceived as a progressive and functional building for processing <a href="https://www.europeana.eu/en/stories/from-coffee-and-tobacco-to-unesco-rotterdams-van-nelle-factory?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">coffee, tea, and tobacco</a>.</p>]]>
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        <![CDATA[Mid-Century Modernism and East Coast Ruralism: A Study of Adaptive Design]]>
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      <link>https://www.archdaily.com/1025602/mid-century-modernism-and-east-coast-ruralism-a-study-of-adaptive-design</link>
      <pubDate>Tue, 28 Jan 2025 05:30:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
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        <![CDATA[<p data-pm-slice="1 1 []">Mid-century modernism, <a href="https://www.archdaily.com/1017492/atlas-of-mid-century-modern-masterpieces?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">celebrated for its simplicity, functionality, and direct connection with nature,</a> is often associated with urban and suburban environments. However, its principles found fertile ground in <a href="https://www.archdaily.com/173101/video-arkansas-mid-century-modern-architecture-short?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">the rural landscapes of the United States East Coast</a>. The post-war architectural movement, characterized by <a href="https://www.archdaily.com/969231/the-evolution-of-the-house-plan-in-the-united-states-post-war-era?ad_campaign=normal-tag" target="_blank" rel="noopener">innovative materials, clean lines, and harmony with natural surroundings,</a> reveals its adaptability in the hands of architects and craftsmen working in rural regions of the East Coast. Although associated with metropolitan areas, its adoption in rural settings reveals a compelling story of cultural and environmental adaptation.</p>]]>
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        <![CDATA[Redefining Urban Domesticity: How SO-IL Transforms the Concept of Home]]>
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      <link>https://www.archdaily.com/1025728/redefining-urban-domesticity-how-so-il-transforms-the-concept-of-home</link>
      <pubDate>Thu, 16 Jan 2025 07:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/so-il" target="_blank" rel="noopener">SO-IL (Solid Objectives – Idenburg Liu)</a> is an architectural design firm based in <a href="/tag/brooklyn">Brooklyn</a>, <a href="/tag/new-york">New York</a>, founded in 2008 by Florian Idenburg and Jing Liu. Known for an architecture deeply engaged with social, cultural, and environmental contexts, the studio focuses on exploring innovative materials, creating fluid spatial experiences, and prioritizing ecological sustainability. SO-IL's work spans various scales and program types, reflecting their versatile approach to design. In 2024, their housing project <a href="https://www.archdaily.com/997334/450-warren-so-il?ad_medium=office_landing&amp;ad_name=article" target="_blank" rel="noopener">450 Warren</a> in Brooklyn was selected as <a href="https://boty.archdaily.com/us/2024?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">ArchDaily's Building of the Year</a> by the audience in the housing category.</p>]]>
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        <![CDATA[Beyond Conventional Design: The Unique Approaches of Office ParkScheerbarth]]>
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      <link>https://www.archdaily.com/1023032/beyond-conventional-design-the-unique-approaches-of-office-parkscheerbarth</link>
      <pubDate>Mon, 04 Nov 2024 05:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/office-parkscheerbarth" target="_blank" rel="noopener">Office ParkScheerbarth</a>, selected as one of <a href="https://www.archdaily.com/1014620/archdailys-2024-best-new-practices?ad_source=search&amp;ad_medium=search_result_articles">ArchDaily's 2024 Best New Practices</a>, was founded in <a href="https://www.archdaily.com/city/berlin" target="_blank" rel="noopener">Berlin</a> in 2019 by principals Moojin Park and Benjamin Scheerbarth. Together, they create a synthesis between architecture, urban planning, and social science, drawings on cultural and educational contexts from Korea, the US, and <a href="/tag/germany">Germany</a>. Their work creates spaces that welcome versatility, challenges, and growth. The duo embodies a fusion of cultures, nationalities, and diverse disciplines, approaching each project from multiple perspectives and emphasizing adaptability, respect for ownership, and the continuous pursuit of knowledge and innovation. Challenging norms and regulations of the built environment, Moojin Park and Benjamin Scheerbarth share a commitment to pushing and exploring design boundaries. They met during their Master's studies in the US, where their shared vision took shape and marked the beginning of their journey together.</p>]]>
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        <![CDATA[From Vault to Exhibition: The Role of Display Cases in the World’s Libraries]]>
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      <link>https://www.archdaily.com/1021983/from-vault-to-exhibition-the-role-of-display-cases-in-the-worlds-libraries</link>
      <pubDate>Mon, 14 Oct 2024 01:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>Before the emergence of AI, the internet, and TV— <a href="https://www.archdaily.com/tag/architecture-books">books and manuscripts</a> were the primary vessels of knowledge. These artifacts, now echoing voices from the past, have played a fundamental role in shaping our shared legacy. A pivotal moment in this evolution came in the 15th century with Gutenberg's invention of the printing press, which revolutionized access to information and laid the groundwork for the democratization of knowledge. As a result of their historical and cultural significance, many early manuscripts and incunabula (books printed during the earliest period of typography) have been <a href="https://www.archdaily.com/search/projects/categories/library?ad_medium=filters">preserved in libraries</a> and often remained in the shadows.</p>]]>
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        <![CDATA[Mesmerizing Zigzags: Exploring the Herringbone Pattern in Architecture]]>
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      <link>https://www.archdaily.com/1001298/mesmerizing-zigzags-exploring-the-herringbone-pattern-in-architecture</link>
      <pubDate>Tue, 08 Oct 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camila Prieto</dc:creator>
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        <![CDATA[<p>Created by a series of angled parallel lines that form a mesmerizing zigzag, the herringbone pattern has withstood the test of time and remains present in diverse design styles. Named after the resemblance to a fish's bones –a herring, for instance–, this classic V-shaped pattern arranges rectangular blocks in different proportions. With varying block edge length ratios, such as 2:1 or sometimes 3:1, the versatile design adapts to a wide range of uses, dimensions and materials. </p>]]>
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        <![CDATA[Shigeru Ban Receives the 2024 Praemium Imperiale for Architecture]]>
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      <link>https://www.archdaily.com/1021051/shigeru-ban-receives-the-2024-praemium-imperiale-for-architecture</link>
      <pubDate>Wed, 11 Sep 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Japanese architect and humanitarian <a href="https://www.archdaily.com/office/shigeru-ban-architects">Shigeru Ban</a> has been named the <a href="https://www.archdaily.com/tag/praemium-imperiale">35th Laureate</a> of the <a href="https://www.archdaily.com/tag/praemium-imperiale">Praemium Imperiale Award for Architecture</a>. Established in 1988 by the <a href="/tag/japan-art-association">Japan Art Association</a>, the annual award seeks to recognize exceptional achievements in Painting, Sculpture, Architecture, Music, and Theatre/Film. Shigeru Ban's contributions to architecture have been significant, not only for the distinctive design aesthetics but also for the innovative use of materials, particularly in the context of emergency interventions and humanitarian work.</p>]]>
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        <![CDATA[Designing for Two Worlds: How Space Exploration is Shaping the Future of Architecture on Earth]]>
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      <link>https://www.archdaily.com/1019663/architecture-beyond-earth-how-space-exploration-is-shaping-the-future-of-architecture</link>
      <pubDate>Fri, 30 Aug 2024 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/space-exploration-architecture">Space exploration</a> isn’t merely a testament to human ambition or a quest for new territories and resources. Our ventures beyond <a href="/tag/earth">Earth</a>’s atmosphere are driven by a deeper purpose: to understand better our place in the cosmos and to pioneer innovations that can transform life on our home planet. </p>]]>
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