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    <title>Tag: indigenous-peoples | ArchDaily</title>
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        <![CDATA[Regenerative Salt Landscapes: An ArchDaily Student Project Awards Winner Rethinking Extraction in Argentina]]>
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      <link>https://www.archdaily.com/1040959/regenerative-salt-landscapes-an-archdaily-student-project-awards-winner-rethinking-extraction-in-argentina</link>
      <pubDate>Wed, 29 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>When people think of <a href="https://www.archdaily.com/country/argentina/page/1">Argentina</a>, they often picture landmarks like the <a href="https://turismo.buenosaires.gob.ar/en/otros-establecimientos/obelisk?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Obelisk of Buenos Aires</a>. Yet the country spans over 2,780,400 km², making it one of the largest in <a href="/tag/south-america">South America</a> and home to a wide range of landscapes and realities that frequently go unnoticed. In fact, the province of Jujuy in northern <a href="https://www.archdaily.com/country/argentina/page/1">Argentina</a> lies within the<a href="https://en.wikipedia.org/wiki/Lithium_Triangle?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> Lithium Triangle</a>: a high-altitude region shared with <a href="https://www.archdaily.com/country/bolivia/page/1">Bolivia</a> and <a href="https://www.archdaily.com/country/chile">Chile</a> that contains roughly 54% of the world's lithium reserves. Within this territory sits the <a href="https://www.argentina.gob.ar/ciencia/conae/educacion-y-formacion-masiva/materiales-educativos/salar-de-olaroz-jujuy-landsat-5-tm-8-de-febrero-de-2010?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Olaroz Salt Flat</a>, a site where today two competing dynamics converge: the expansion of industrial lithium extraction and the preservation of ancestral culture and lands inhabited by <a href="https://en.wikipedia.org/wiki/Qulla?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Kolla</a> and<a href="https://es.wikipedia.org/wiki/Atacame%C3%B1os?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> Atacama</a> communities, creating a clash of high-capacity <a href="https://www.archdaily.com/1039641/energy-landscapes-how-infrastructure-reshapes-territory-in-south-america?ad_source=search&amp;ad_medium=search_result_articles">industrial extraction</a> and traditional, low-impact agrarian practices.</p>]]>
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        <![CDATA[Sweden Transports Century-Old Church Across Town to Escape Mine Expansion]]>
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      <link>https://www.archdaily.com/1033435/sweden-transports-century-old-church-across-town-to-escape-mine-expansion</link>
      <pubDate>Tue, 26 Aug 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="179" data-end="659">Between August 19 and 20, 2025, thousands of spectators watched as one of <a href="https://www.archdaily.com/country/sweden" target="_blank" rel="noopener">Sweden</a>'s largest wooden buildings was lifted onto beams and wheeled across town. The <a href="https://www.archdaily.com/tag/kiruna" target="_blank" rel="noopener">Kiruna </a>Church, constructed between 1909 and 1912, was designed to echo the form of a Sámi hut in Sweden's far northern region, within the Arctic Circle. The building was designed by architect <a href="/tag/gustaf-wickman">Gustaf Wickman</a>, who served as the church's architect at the time, and combines elements of <a href="https://www.archdaily.com/983605/the-origins-and-evolution-of-gothic-architecture" target="_blank" rel="noopener">Gothic Revival</a> with an <a href="https://www.archdaily.com/974955/what-is-art-nouveau" target="_blank" rel="noopener">Art Nouveau</a> altar. The building, one of the city's main tourist attractions, was moved to a new location between the cemetery and the new city center to prevent damage caused by the expansion of the local mine.</p>]]>
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        <![CDATA[Peru’s 2025 Venice Biennale Exhibition Honors Uros and Aymara Ancestral Construction Techniques]]>
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      <link>https://www.archdaily.com/1027888/perus-2025-venice-biennale-exhibition-honors-uros-and-aymara-ancestral-construction-techniques</link>
      <pubDate>Wed, 12 Mar 2025 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="129" data-end="995">"Living Scaffolding" is the name of the proposal selected to represent Peru at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">19th International Architecture Exhibition – La Biennale di Venezia</a>. Curated by architects Alex Hudtwalcker, Sebastián Cillóniz, and Gianfranco Morales, along with historian José Ignacio Beteta, the exhibition tells the story of a <em data-start="447" data-end="455">totora</em> reed raft that, in 1988, embarked on a sea journey to other ports in <a href="https://www.archdaily.com/tag/south-america" target="_blank" rel="noopener">South America</a> and Polynesia. Its unprecedented expedition began on the Peruvian coast south of <a href="https://www.archdaily.com/city/lima" target="_blank" rel="noopener">Lima</a> and lasted 54 days at sea. The raft was the result of a collective, <a href="https://www.archdaily.com/tag/handcraft" target="_blank" rel="noopener">handcrafted</a> effort and a significant structural challenge. The exhibition aims to highlight the importance of ancestral knowledge in addressing such challenges, celebrate materials essential to <a href="https://www.archdaily.com/tag/peruvian-architecture" target="_blank" rel="noopener">Peruvian cultural heritage</a>, and expose the value of collective intelligence. </p>]]>
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        <![CDATA[Kéré Architecture Unveils Design for a Spiritual and Community Center in Notsé, Togo]]>
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      <link>https://www.archdaily.com/1024399/kere-architecture-unveils-design-for-a-spiritual-and-community-center-in-notse-togo</link>
      <pubDate>Thu, 05 Dec 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/kere-architecture">Kéré Architecture</a> has revealed the design of a masterplan and series of buildings dedicated to the cultural and spiritual heritage of the Ewé people in the town of Notsé, in Togo. Commissioned by the Kothor Foundation, the center incorporates a sanctuary, several temples, a large-scale open-air amphitheater, as well as cultural functions such as exhibition halls, an auditorium, restaurants, and a reconstruction of the ancient royal palace of the Ewé Kingdom. The project, Francis Kéré's first in Togo, started construction in October 2024 and is scheduled for completion in February 2026.</p>]]>
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        <![CDATA[Exploring Indigenous Wisdom: A Journey through Architecture Rooted in Tradition and Community]]>
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      <link>https://www.archdaily.com/1005213/exploring-indigenous-wisdom-a-journey-through-architecture-rooted-in-tradition-and-community</link>
      <pubDate>Fri, 09 Aug 2024 05:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>According to the <a href="https://www.archdaily.com/tag/united-nations">United Nations</a>, indigenous people are "place-based" ethnic cultures that have not migrated from their initial homeland. In today's world, <a href="https://www.theguardian.com/environment/article/2024/aug/08/global-extreme-heat-record?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">with human-caused climate change driving extreme weather events</a> and a growing demand for authenticity and cultural diversity, architects are increasingly turning to indigenous knowledge systems not only as sources of inspiration but as viable solutions to adapt and respond to local and global challenges. As traditional custodians of the land, <a href="/tag/indigenous">Indigenous</a> communities possess a profound understanding of their ecosystems,<a href="https://www.archdaily.com/tag/local-materials"> locally available materials,</a> cultural norms, and social constraints. This knowledge holds insights valuable for shaping contemporary architecture, helping it adapt to both the people and their environments.</p>]]>
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        <![CDATA[DIALOG and HOK Redesign Calgary's Scotia Place: A Celebration of Community and Indigenous Heritage in Canada]]>
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      <link>https://www.archdaily.com/1019828/dialog-and-hok-redesign-calgarys-scotia-place-a-celebration-of-community-and-indigenous-heritage</link>
      <pubDate>Wed, 07 Aug 2024 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p class="p1"><a href="https://www.archdaily.com/office/dialog">DIALOG</a> and <a href="https://www.archdaily.com/office/hok">HOK</a> have just revealed the redesign of Scotia Place, <a href="https://www.archdaily.com/tag/calgary">Calgary’s</a> new event center in <a href="https://www.archdaily.com/country/canada/page/1">Canada</a>. Set to become a hub of community and culture, Scotia Place is inspired by <a href="https://www.archdaily.com/tag/indigenous">Indigenous</a> ancestral lands and cultural significance, integrated these perspectives with the natural beauty of Calgary. Commissioned by the City of Calgary and the Calgary Sports and Entertainment Corporations, Scotia Place seeks to bring people together and activate the <a href="https://www.archdaily.com/tag/public-realm">public realm.</a></p>]]>
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        <![CDATA[First Nations-Led AKIN Team Wins Competition to Transform Sydney’s Waterfront]]>
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      <link>https://www.archdaily.com/1005081/first-nations-led-akin-team-wins-competition-to-transform-sydneys-waterfront</link>
      <pubDate>Mon, 07 Aug 2023 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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      <description>
        <![CDATA[<p>AKIN has been announced as the winning team in the Barangaroo Harbour <a href="/tag/park">Park</a> Design Competition, a project that will transform a central location along the waterfront of Sydney, Australia. The winning team is a First Nations-led and Sydney-based ground composed of Yerrabingin, <a href="https://www.archdaily.com/office/architectus">Architectus</a>, Flying Fish Blue, Jacob Nash Design, and <a href="https://www.archdaily.com/office/studio-chris-fox">Studio Chris Fox</a>, with <a href="https://www.archdaily.com/office/arup-associates">Arup</a> as engineering consultants. Through its designers, the group integrates <a href="/tag/indigenous">Indigenous</a> knowledge systems along with landscape architecture, regenerative design, public art, and place-making.</p>]]>
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        <![CDATA[Dorte Mandrup Wins Design Competition for the Highly Anticipated Inuit Heritage Centre in Northern Canada]]>
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      <link>https://www.archdaily.com/1003711/dorte-mandrup-wins-design-competition-for-the-highly-anticipated-inuit-heritage-centre-in-northern-canada</link>
      <pubDate>Mon, 10 Jul 2023 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1003711/dorte-mandrup-wins-design-competition-for-the-highly-anticipated-inuit-heritage-centre-in-northern-canada</guid>
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        <![CDATA[<p>Following an international competition, <a href="https://www.archdaily.com/office/dorte-mandrup">Dorte Mandrup</a> has been selected to design the new Inuit <a href="/tag/heritage">Heritage</a> Centre in the territory of Nunavut in northern <a href="/tag/canada">Canada</a>. Designed together with Architect of Record <a href="https://www.archdaily.com/office/guy-hollaway-architects">Guy Architects</a>, LEES+Associates, Adjeleian Allen Rubeli, <a href="https://www.archdaily.com/professional/exp">EXP</a>, <a href="https://www.archdaily.com/professional/pageau-morel">Pageau Morel</a>, <a href="https://www.archdaily.com/office/altus-architecture-design">Altus Group</a>, and indigenous consultants Kirt Ejesiak and Alexander Flaherty, the new centre aims to become a sign of cultural conciliation and a symbol of the continuation of Inuit practices, traditions and values. By offering a place where Inuit can reconnect with their collective past through objects, stories, and activities, the centre will promote greater awareness of Inuit culture. The project is expected to be completed by 2027.</p>]]>
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        <![CDATA[The Structure of a People: The South African Pavilion Explores Architectural Representations at the 2023 Venice Architecture Biennale]]>
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      <link>https://www.archdaily.com/1001115/the-structure-of-a-people-the-south-african-pavilion-explores-social-structures-at-the-2023-venice-architecture-biennale</link>
      <pubDate>Wed, 17 May 2023 04:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>For the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2023" target="_blank" rel="noopener">18th International Architecture Exhibition – La Biennale di Venezia,</a> the South African <a href="/tag/pavilion">Pavilion</a> explores the architectural representation of social structures through an exhibition titled “The Structure of a People.” Prior to the exhibition, the pavilion curators, Mr. Stephen Steyn, Dr. Emmanuel Nkambule, and Dr. Sechaba Maape, conducted a national architecture competition titled “Political Animals,” aimed at gathering artifacts crafted by lecturers and architecture students to represent the structures of their schools or universities. The resulting models and miniature architectures, produced by ModelArt, will be exhibited within Zone III, <em>Political Animals</em>, as part of the South African Pavilion.</p>]]>
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        <![CDATA[The Cyprus Pavilion Examines Social Sustainability and Space Exploration at La Biennale di Venezia 2023]]>
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      <link>https://www.archdaily.com/999061/the-cyprus-pavilion-examines-social-sustainability-and-space-exploration-at-la-biennale-di-venezia-2023</link>
      <pubDate>Thu, 06 Apr 2023 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/country/cyprus">Cyprus</a> <a href="/tag/pavilion">Pavilion</a> at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2023">International Architecture Exhibition – La Biennale di Venezia </a>has announced its exhibition. The pavilion will explore the first early settlements of the Cyprus Aceramic Neolitih Khirokitia, using these communities as a springboard to discuss social sustainability challenges in a humanistic and cultural framework. The display, curated by <a href="/tag/petros-lapithis">Petros Lapithis</a>, <a href="/tag/lia-lapithi">Lia Lapithi</a>, <a href="/tag/nikos-kouroussis">Nikos Kouroussis</a>, and <a href="/tag/ioanna-ioannou-xiari">Ioanna Ioannou Xiari</a>, is based on a foundation for a newly constructed environment that will be established on Mars.</p>]]>
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        <![CDATA[70°N arkitektur, Together with Snøhetta and Artist Joar Nango, Designs a National Theater for the Indigenous Sámi People in Norway]]>
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      <link>https://www.archdaily.com/996304/snohetta-together-with-artist-joar-nango-designs-a-national-theater-for-the-indigenous-sami-people-in-norway</link>
      <pubDate>Fri, 10 Feb 2023 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>The Sámi National Theater Beaivváš and Sámi <a href="/tag/high-school">High School</a> and Reindeer Husbandry School are two of the most important cultural institutions of Sápmi, a region in northern <a href="/tag/norway">Norway</a>, Sweden, and Finland traditionally inhabited by the Sámi people. To strengthen the position of the two institutions, a project was initiated in June 2021 to create a shared cultural and educational facility. A design proposal by <a href="https://70n.no/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">70°N arkitektur</a>, in collaboration with <a href="https://www.archdaily.com/office/snohetta">Snøhetta</a> and artist and architect <a href="https://www.archdaily.com/tag/joar-nango">Joar Nango</a>, was chosen following a competition. The building, also known as Čoarvemátta, is currently under construction and is expected to be completed by 2024.</p>]]>
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        <![CDATA[ The Nordic Countries Pavilion Brings an Indigenous Sámi Architecture Library to the 2023 Venice Biennale]]>
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      <link>https://www.archdaily.com/996006/the-nordic-countries-pavilion-brings-an-indigenous-sami-architecture-library-to-the-2023-venice-biennale</link>
      <pubDate>Mon, 06 Feb 2023 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>For the 18th International Architecture Exhibition – La Biennale di Venezia, the Nordic Countries Pavilion, representing <a href="/tag/finland">Finland</a>, <a href="/tag/norway">Norway</a>, and <a href="/tag/sweden">Sweden</a>, will showcase <em>Girjegumpi</em>, an itinerant collective library project initiated by architect and artist <a href="/tag/joar-nango">Joar Nango</a>. For over fifteen years, Joar Nango has been assembling an archive of books and materials exploring <a href="/tag/indigenous">Indigenous</a> Sámi architecture and design, traditional building knowledge, activism, and decoloniality. The <em>Girjegumpi</em> first opened to the public in 2018, becoming a welcoming space for gathering and promoting the Indigenous culture. In 2023, the library will travel to <a href="/tag/venice">Venice</a>, where it will be presented in the <a href="https://www.archdaily.com/784536/ad-classics-nordic-pavilion-in-venice-sverre-fehn">Nordic Countries Pavilion</a>, designed by Norwegian architect <a href="https://www.archdaily.com/tag/sverre-fehn">Sverre Fehn</a>.</p>]]>
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        <![CDATA[Lo-TEK: Reclaiming Indigenous Techniques to Work with Nature]]>
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      <link>https://www.archdaily.com/982652/lo-tek-reclaiming-indigenous-techniques-to-work-with-nature</link>
      <pubDate>Tue, 07 Jun 2022 05:00:00 +0000</pubDate>
      <dc:creator>Belén Maiztegui</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/982652/lo-tek-reclaiming-indigenous-techniques-to-work-with-nature</guid>
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        <![CDATA[<p><em>"Indigenous technologies are not lost or forgotten, only hidden by the shadow of progress in the most remote places on Earth".</em> In her book <a href="https://www.taschen.com/pages/en/catalogue/architecture/all/04698/facts.julia_watson_lotek_design_by_radical_indigenism.htm?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Lo-TEK: design by radical indigenism</a>, <a href="https://www.juliawatson.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Julia Watson</a> proposes to revalue the techniques of construction, production, cultivation and extraction carried out by diverse remote populations who, generation after generation, have managed to keep alive ancestral cultural practices integrated with nature, with a low environmental cost and simple execution. While modern societies tried to conquer nature in the name of progress, these indigenous cultures worked in collaboration with nature, understanding ecosystems and species cycles to articulate their architecture into an integrated and symbiotically interconnected whole.</p>]]>
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      <title>
        <![CDATA[The Quilmes' City: The Architecture of Argentina's Pre-Hispanic Settlements]]>
      </title>
      <link>https://www.archdaily.com/967906/the-quilmes-city-the-architecture-of-argentinas-pre-hispanic-settlements</link>
      <pubDate>Fri, 17 Sep 2021 05:00:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/967906/the-quilmes-city-the-architecture-of-argentinas-pre-hispanic-settlements</guid>
      <description>
        <![CDATA[<p>One of the most advanced civilizations in <a href="https://www.archdaily.com/tag/latin-america">Latin America</a>, the Quilmes people inhabited what is today known as the Santa Maria Valley in the northwestern sector of the <a href="https://www.plataformaarquitectura.cl/cl/tag/tucuman?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Tucumán</a> province, in the center of the Calchaquíes Valleys. Their city contains remnants of village life from centuries ago, giving a clear view of life in the village from generations past, including the economy, religious sites, public and private spaces, and interactions with other civilizations. At its height, the Quilmes' city had 450,000 inhabitants prior to the Spanish invasion. </p>]]>
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