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    <title>Tag: identity | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
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      <title>
        <![CDATA[Architectures of Movement: ArchDaily's July Editorial Focus]]>
      </title>
      <link>https://www.archdaily.com/1042807/architectures-of-movement-archdailys-july-editorial-focus</link>
      <pubDate>Wed, 01 Jul 2026 08:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Every twelve years, the banks of the Ganges at Prayagraj become one of the largest cities on Earth — and then disappear. The Maha Kumbh Mela draws over 400 million pilgrims across six weeks, requiring the construction of a full urban infrastructure: pontoon bridges, field hospitals, kilometers of temporary roads, a grid of tent cities visible from space. When the festival ends, it is dismantled entirely. No gathering in human history produces a more complete architecture of movement; built for arrival, engineered for transience, and designed to leave no permanent trace. The Kumbh Mela is exceptional in scale, but not in condition: movement has become a defining spatial problem of the century.</p>]]>
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        <![CDATA[How Spanish Ceramics Bridge Culture, Memory and Identity at Milan Design Week 2026]]>
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      <link>https://www.archdaily.com/1040400/how-spanish-ceramics-bridge-culture-memory-and-identity-at-milan-design-week-2026</link>
      <pubDate>Mon, 13 Apr 2026 06:45:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>How does an architectural installation express the <a href="/tag/identity">identity</a> of a region? How can a building material connect with the essence of a nation? Throughout its history, <a href="/tag/spain">Spain</a> has been shaped by a wide range of cultures and civilizations, including Muslim, Phoenician, Roman, Greek, Carthaginian, and Visigothic influences. From flamenco to ceramic tiles adorning façades and historic monuments, each region of Spain embraces its own customs and traditions, reflected in its architecture, history, art, and design. During <a href="https://www.archdaily.com/tag/milan-design-week-2026">Milan Design Week 2026</a>, Tile of Spain presents <em>Spanish Design as a Souvenir</em> at the Fuorisalone—an installation that transforms <a href="https://www.archdaily.com/tag/ceramic-tile">ceramic tile</a> into a narrative medium through a series of sculptural objects reinterpreting everyday icons of Spanish life.</p>]]>
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      <title>
        <![CDATA[When Sculpture Becomes Discourse: Reflections on Mujassam Watan]]>
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      <link>https://www.archdaily.com/1040397/when-sculpture-becomes-discourse-reflections-on-mujassam-watan</link>
      <pubDate>Wed, 08 Apr 2026 01:30:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>In the city, aesthetics are not measured by the height of towers or the width of roads, but by their ability to evoke meaning within space. From this perspective, the Mujassam Watan initiative emerges as more than a mere artistic endeavor. It involves a deliberate attempt to redefine the relationship between people and place, between material memory and imagined <a href="/tag/identity">identity</a>. In the city of Khobar, in the Kingdom of Saudi Arabia—where urban modernity intersects with rapid social transformation—this initiative raises the question: How can a sculpture become an open text, one that is both visually read and experientially felt?</p>]]>
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        <![CDATA[Reversible Cultural Pavilion Activates Public Space in Frankfurt 2026]]>
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      <link>https://www.archdaily.com/1040037/reversible-cultural-pavilion-activates-public-space-in-frankfurt-2026</link>
      <pubDate>Wed, 01 Apr 2026 06:45:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>At a moment when architecture is being pushed to respond more directly to environmental and social pressures, Spain's pavilion for <a href="/tag/world-design-capital">World Design Capital</a> <a href="/tag/frankfurt">Frankfurt</a> Rhein-Main 2026 positions itself as more than a temporary installation. While materiality is at the center of its design, the project explores how a reversible cultural infrastructure can activate public space without permanent construction. Discussions about material use, <a href="https://www.archdaily.com/tag/circular-economy" target="_blank" rel="noopener">circularity</a> and <a href="https://www.archdaily.com/tag/reutilization" target="_blank" rel="noopener">reutilization</a> in architecture are closely tied to cultural contexts, environmental conditions, and historical influences that reveal how time shapes the built environment. Beyond its construction, Spain's pavilion expresses <a href="/tag/identity">identity</a> by reinterpreting the architectural method of <a href="https://www.archdaily.com/office/antoni-gaudi">Antoni Gaudí</a>, the creator of the <a href="https://www.archdaily.com/438992/ad-classics-la-sagrada-familia-antoni-gaudi">Sagrada Familia</a> and <a href="https://www.archdaily.com/329433/ad-classics-parc-guell-antoni-gaudi">Park Güell</a>. It also demonstrates how <a href="https://www.archdaily.com/tag/architecture-in-spain">Spain</a>'s creative and industrial sectors address current challenges with innovative construction solutions.</p>]]>
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        <![CDATA[On Designing National Pavilions: Power and Identity at Universal Exhibitions]]>
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      <link>https://www.archdaily.com/1030539/on-designing-national-pavilions-power-and-identity-at-universal-exhibitions</link>
      <pubDate>Fri, 30 May 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>What can a pavilion’s architecture reveal about its country? At major <a href="https://www.archdaily.com/tag/world-expo" target="_blank" rel="noopener">World Expos</a>, <a href="https://www.archdaily.com/tag/pavilions" target="_blank" rel="noopener">national pavilions</a> are designed to answer this question, transforming into spaces laden with symbolism. Though <a href="https://www.archdaily.com/tag/temporary-architecture" target="_blank" rel="noopener">temporary</a>, these structures are rich in meaning, functioning as architectural expressions of <a href="https://www.archdaily.com/tag/politics" target="_blank" rel="noopener">political identity</a>. Their forms and materials encapsulate national ambitions. <a href="https://www.archdaily.com/tag/expo-2025-osaka" target="_blank" rel="noopener">Expo Osaka 2025</a>, the latest chapter in this ongoing narrative, showcases how <a href="https://www.archdaily.com/1028820/one-week-to-expo-2025-osaka-8-must-see-national-pavilions" target="_blank" rel="noopener">nations increasingly use built space</a> to construct global images of themselves—sustainable, technological, culturally distinct, and geopolitically relevant.</p>]]>
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        <![CDATA[Archi/Tree/tecture: Lithuania’s Pavilion at the 2025 Venice Biennale Explores the Relationship Between Identity and Urban Nature]]>
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      <link>https://www.archdaily.com/1028566/archi-tree-tecture-lithuanias-pavilion-at-the-2025-venice-biennale-explores-the-relationship-between-identity-and-urban-nature</link>
      <pubDate>Mon, 31 Mar 2025 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="0" data-end="868">The <a href="https://www.archdaily.com/country/lithuania" target="_blank" rel="noopener">Lithuanian</a> Pavilion at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">2025 Venice Architecture Biennale</a> presents <em data-start="74" data-end="98">Archi / Tree / tecture</em>, a project by the National Architects Association. Commissioned by Juratė Tutlyte and curated by architect Gintaras Balčytis, the exhibition invites architects, students, communities, and visitors to reflect on the deep connections between architecture and urban nature. It positions the discipline as an interpretive medium that reveals the layered relationships shaping our cities, which in turn reflect these dynamic interactions. The proposal evokes an urban memory rooted in landscapes where fields and trees once stood, introducing the dimension of time into discussions on <a href="https://www.archdaily.com/tag/urban-ecosystem" target="_blank" rel="noopener">city ecosystems</a>, <a href="https://www.archdaily.com/tag/sustainability" target="_blank" rel="noopener">sustainability</a>, and <a href="https://www.archdaily.com/tag/resilience" target="_blank" rel="noopener">resilience</a>. The exhibition, an indoor <a href="https://www.archdaily.com/tag/installations" target="_blank" rel="noopener">installation</a> designed by architects Paulius Vaitiekūnas, Andrius Pukis, and Vika Pranaitytė, will be set within the Church of Santa Maria dei Derelitti. The audiovisual and light installation in the pavilion was designed by the interdisciplinary art duo Lina Pranaitytė and Urtė Pakers, while the sculptural component of the installation was created by Kęstutis Lanauskas.</p>]]>
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      <title>
        <![CDATA["Life Changes Every Second, But Architecture Never Changes": In Conversation with Tatiana Bilbao]]>
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      <link>https://www.archdaily.com/1018888/life-changes-in-seconds-but-architecture-never-changes-in-conversation-with-tatiana-bilbao</link>
      <pubDate>Tue, 16 Jul 2024 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>These days, it is common to hear multiple voices addressing the diverse issues of contemporary architecture. The topics are numerous, ranging from sustainability and inclusion to social justice and the crisis in land use. At first glance, there is no common ground where all these concepts can coexist transversally. However, if we look back, we can see that beyond the formal architectural concepts, the true purpose of architecture (probably) lies in the people and the lives that develop within it.</p>]]>
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      <title>
        <![CDATA[Architecture Always Reflects the Values of Its Current Culture]]>
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      <link>https://www.archdaily.com/1005617/architecture-always-reflects-the-values-of-its-current-culture</link>
      <pubDate>Fri, 18 Aug 2023 03:30:00 +0000</pubDate>
      <dc:creator>Duo Dickinson</dc:creator>
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        <![CDATA[<p><em>This article was <a href="https://commonedge.org/architecture-always-reflects-the-values-of-its-current-culture/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">originally published</a> on <a href="https://commonedge.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Common Edge</a>.</em></p>]]>
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        <![CDATA[Community and Identity: Central Topics in Ephemeral Architecture in 2022]]>
      </title>
      <link>https://www.archdaily.com/993876/community-and-identity-central-topics-in-ephemeral-architecture-in-2022</link>
      <pubDate>Wed, 21 Dec 2022 08:30:00 +0000</pubDate>
      <dc:creator>Paula Cano</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/993876/community-and-identity-central-topics-in-ephemeral-architecture-in-2022</guid>
      <description>
        <![CDATA[<p>Staged stories on community and <a href="/tag/identity">identity</a>, <a href="https://www.archdaily.com/930973/cho-min-suk-of-mass-studies-on-ephemeral-architecture-and-crisis-in-korea?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">ephemeral architecture</a> showed that in <a href="https://www.archdaily.com/tag/archdaily-topic-2022-year-in-review" target="_blank" rel="noopener">2022</a> it doesn't have to be permanent to be powerful. A direct and popped-up public installation can shift from preparation to action, reclaiming and defining what makes a community unique. Highlighting installations to acknowledge linguistic diversity in NYC, a giant table to celebrate culinary in Barcelona, and a large-scale net in Dubai to represent the local culture, among others, these initiatives seek to understand ways in which local and regional expressions can help cities to be more equal and diverse.</p>]]>
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        <![CDATA[Communication is About More Than Selling]]>
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      <link>https://www.archdaily.com/932719/communication-is-about-more-than-selling</link>
      <pubDate>Fri, 31 Jan 2020 04:00:00 +0000</pubDate>
      <dc:creator>Laura Iloniemi</dc:creator>
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        <![CDATA[<p>With December and January nearly behind us, many of us will have been producing reports. There is an increasing number of tools for reporting PR value sold to companies as ways to justify their worth. There is no doubt that it’s useful to regularly take stock of past and upcoming initiatives and producing a report can even be pleasurable when adding to a sense of accomplishment and direction. The bad thing is that this heavily-report-reliant culture leads to management style PR that focuses more on how something will look on paper as stats, graphs, and pics, than what is actually accomplished.</p>]]>
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        <![CDATA[Contemporary Angola: Technology and Identity in 4 Projects]]>
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      <link>https://www.archdaily.com/930309/contemporary-angola-technology-and-identity-in-4-projects</link>
      <pubDate>Fri, 20 Dec 2019 07:35:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Angola, like many African countries, is experiencing a process of rapid urbanization. For the most part, these changes are happening under little to no regulation, filling cities with spaces that lack the infrastructure to provide a basic quality of life for residents. However, in spite of this unregulated development, it's worth noting the quality of contemporary architecture being produced in the second-largest Portuguese-speaking country, where projects draw inspiration from the strong local <a href="/tag/identity">identity</a> and blend with modern materials and technology. <br><br>In this article, we highlight 4 current projects in <a href="/tag/angola">Angola</a>. While it is a small sample, not only from the capital city of <a href="/tag/luanda">Luanda</a>, but from smaller cities as well, it showcases the richness of Angola's local architecture--an art form that deserves worldwide recognition. </p>]]>
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        <![CDATA[Borders and Territories II: Spatial Representations of Connections and Disconnections]]>
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      <link>https://www.archdaily.com/901793/borders-and-territories-ii-spatial-representations-of-connections-and-disconnections</link>
      <pubDate>Mon, 10 Sep 2018 13:13:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>The second symposium in the ANCB programme Borders and Territories: Identity in Place with Nadine Godehardt, Malkit Shoshan, and Lucas Verweij. After the kick-off event in March 2018, this second symposium in the series will deal with Spatial Representations of Connections and Disconnections and the transfer of geopolitical and socio-cultural imaginaries of the world. Each world map reveals a particular worldview with its deposited moral, political, or economical convictions. But maps can also be instruments to analyse contested political situations. Our speakers will bring together artistic, planning, and political persepectives: Lucas Verweij will look into how maps construct our worldview and</p>]]>
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        <![CDATA[Hawkins\Brown's London Pride Float Celebrates the "Dual Identities" of LGBT+ Architects]]>
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      <link>https://www.archdaily.com/897734/hawkins-browns-london-pride-float-celebrates-the-dual-identities-of-lgbt-plus-architects</link>
      <pubDate>Sat, 14 Jul 2018 16:00:00 +0000</pubDate>
      <dc:creator>Tom Dobbins</dc:creator>
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        <![CDATA[<p dir="ltr">‘A Space For All’ by <a href="https://www.archdaily.com/office/hawkins-brown">Hawkins\Brown</a> has been announced as the winner of <a href="https://www.archdaily.com/tag/london-festival-of-architecture">London Festival of Architecture</a> (LFA) and <a href="http://www.architecturelgbt.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Architects LGBT+’s</a> Pride Float Competition, the design representing architecture in Pride <a href="https://www.archdaily.com/tag/london">London</a> 2018. Forming a crucial part of the LFA’s 2018 program, the <a href="https://www.archdaily.com/search/competitions">competition</a> was open to students, graduates, emerging practices and established offices alike, with 'exploring identity' being the brief's core theme. The winning float advocates for increased LGBT+ acceptance and presence within the construction industry, combining “the dual identities of LGBT+ and being an architect.”</p>]]>
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