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    <title>Tag: historic-buildings | ArchDaily</title>
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        <![CDATA[Casanova+Hernandez Architects Advances Renovation of Albania’s National Historical Museum]]>
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      <link>https://www.archdaily.com/1041413/casanova-plus-hernandez-architects-advances-renovation-of-albanias-national-historical-museum</link>
      <pubDate>Mon, 11 May 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The initial phase of the complete renovation project for the National Historical Museum in <a href="https://www.archdaily.com/tag/tirana" target="_blank" rel="noopener">Tirana </a>is approaching completion. The project was commissioned by the Ministry of Economy, Culture, and Innovation of Albania and UNOPS, and financed by the <a href="https://www.archdaily.com/tag/european-commission" target="_blank" rel="noopener">European Commission</a> through the EU for Culture (EU4C) program in <a href="https://www.archdaily.com/country/albania/page/1" target="_blank" rel="noopener">Albania</a>. The full restoration of the museum's 21,400 square meters is planned in two phases, led by Rotterdam-based <a href="https://www.archdaily.com/office/casanova-plus-hernandez-architects" target="_blank" rel="noopener">Casanova + Hernandez Architects</a> in collaboration with <a href="https://www.archdaily.com/professional/iri" target="_blank" rel="noopener">local partner iRI</a>. The first phase consists of restoring the existing building in <a href="https://www.archdaily.com/911980/skanderbeg-square-51n4e" target="_blank" rel="noopener">Skanderbeg Square</a> and is expected to be completed this year, enabling the immediate start of the second phase, focused on implementing the new design for all interior spaces, the courtyard, and the roof.</p>]]>
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        <![CDATA[London’s Southbank Centre Receives National Heritage Protection After 35-Year Campaign]]>
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      <link>https://www.archdaily.com/1038800/londons-southbank-centre-receives-national-heritage-protection-after-35-year-campaign</link>
      <pubDate>Mon, 16 Feb 2026 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/southbank-centre" target="_blank" rel="noopener">Southbank Centre</a> is a cultural complex in <a href="https://www.archdaily.com/tag/london" target="_blank" rel="noopener">London </a>built between 1963 and 1968 and widely regarded as a representative example of British <a href="https://www.archdaily.com/957201/brutalism-the-architecture-style-we-love-to-love" target="_blank" rel="noopener">Brutalism</a>. Today, the site hosts a wide range of events, including visual arts, theatre, dance, classical and contemporary music, literature, poetry, and debate. The building was designed by a team from the Architects' Department of the London County Council, led by architect Norman Engleback. It became a controversial example of <a href="https://www.archdaily.com/tag/modern-architecture" target="_blank" rel="noopener">modern architecture</a> following its opening in October 1967, <a href="https://www.theguardian.com/culture/2025/feb/05/architecture-film-sparks-new-call-to-list-southbank-centre?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">when engineers voted Queen Elizabeth Hall "the supreme ugly" in a poll of new buildings</a>, and the Daily Mail referred to it as "Britain's ugliest building." Fifty-nine years later, on February 10, 2026, the complex was granted Grade II listed status by the UK government's Department for Culture, Media and Sport (DCMS), <a href="https://c20society.org.uk/news/southbank-centre-listed-at-last?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">following a 35-year campaign</a> advocating for its protection as modern architectural heritage.</p>]]>
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        <![CDATA[Heritage in Motion: Bangkok’s Buildings That Continue to Become]]>
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      <link>https://www.archdaily.com/1038668/heritage-in-motion-bangkoks-buildings-that-continue-to-become</link>
      <pubDate>Sun, 15 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038668/heritage-in-motion-bangkoks-buildings-that-continue-to-become</guid>
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        <![CDATA[<p>Architectural <a href="https://www.archdaily.com/1038536/material-mediation-and-architectural-heritage?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">heritage</a> is not only what a building was, but what it<em> </em>continues to become: a long process of building, rebuilding, and re-occupying over time. Where opportunities allow, this continuity produces a<a href="https://www.archdaily.com/1031816/which-layer-remains-restoration-identity-and-contemporary-design-in-spain?ad_source=search&amp;ad_medium=search_result_articles"> layered condition</a>—one in which visitors can witness, experience, and feel the gradual shifting of a building's fabric, materiality, spatial order, and patterns of use, and occasionally even participate in that transformation.</p>]]>
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        <![CDATA[Palestinian Architect Suad Amiry Wins 2025 Great Arab Minds Award in Architecture and Design]]>
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      <link>https://www.archdaily.com/1037063/palestinian-architect-suad-amiry-wins-2025-great-arab-minds-award-in-architecture-and-design</link>
      <pubDate>Tue, 16 Dec 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/country/palestine/page/1">Palestinian</a> architect <a href="https://www.archdaily.com/tag/suad-amiry/page/1">Suad Amiry</a> has been <a href="https://www.archdaily.com/tag/awards">awarded</a> the 2025 <a href="https://greatarabminds.ae/the-great-arab-minds-award/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Great Arab Minds Award</a> in the <a href="/tag/architecture">Architecture</a> and Design category. Founder and director of the <a href="https://www.archdaily.com/tag/riwaq-centre-for-architectural-conservation">Riwaq - Centre for Architectural Conservation</a>, <a href="https://www.archdaily.com/tag/suad-amiry/page/1">Amiry</a> was recognised for her long-standing work in documenting, <a href="https://www.archdaily.com/tag/preservation">preserving</a>, and <a href="https://www.archdaily.com/tag/reuse">reusing</a> <a href="https://www.archdaily.com/country/palestine/page/1">Palestinian</a> <a href="https://www.archdaily.com/tag/heritage">architectural heritage</a> through <a href="https://www.archdaily.com/tag/conservation">conservation</a> practices that link <a href="https://www.archdaily.com/tag/historic-buildings">historic structures</a> with <a href="http://contemporary?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">contemporary</a> community needs. Her approach positions <a href="https://www.archdaily.com/tag/architecture">architecture</a> as both a repository of <a href="https://www.archdaily.com/tag/memory">collective memory</a> and an active social framework, emphasising the role of <a href="https://www.archdaily.com/tag/heritage">heritage</a> in everyday <a href="https://www.archdaily.com/tag/urban">urban</a> and <a href="https://www.archdaily.com/tag/rural">rural</a> life.</p>]]>
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        <![CDATA[The Aesthetics of Power: Soviet Modernism Meets Uzbek Tradition in Tashkent’s Palace of Peoples’ Friendship]]>
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      <link>https://www.archdaily.com/1036573/the-aesthetics-of-power-soviet-modernism-meets-uzbek-tradition-in-tashkents-palace-of-peoples-friendship</link>
      <pubDate>Sat, 13 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/city/tashkent" target="_blank" rel="noopener">Tashkent</a>, the capital of <a href="https://www.archdaily.com/country/uzbekistan" target="_blank" rel="noopener">Uzbekistan</a> and one of the oldest cities in <a href="/tag/central-asia">Central Asia</a>, has long been <a href="https://www.archdaily.com/1006530/preserving-tashkents-unique-modernist-architecture-the-importance-of-heritage-conservation" target="_blank" rel="noopener">shaped by a hybrid culture</a>. Located at a strategic point along the Silk Road, the city developed an architectural tradition defined by inner <a href="https://www.archdaily.com/tag/courtyard" target="_blank" rel="noopener">courtyards</a>, <a href="https://www.archdaily.com/tag/dome" target="_blank" rel="noopener">domes</a>, decorative ceramics, and <a href="https://www.archdaily.com/tag/islamic-architecture" target="_blank" rel="noopener">Islamic</a> geometric patterns. The annexation by the Russian Empire in the 19th century introduced administrative buildings, <a href="https://www.archdaily.com/949094/orthogonal-grids-and-their-variations-in-17-cities-viewed-from-above" target="_blank" rel="noopener">orthogonal squares</a>, and straight avenues, creating a <a href="https://www.archdaily.com/1034850/bridging-past-and-future-uzbekistans-expanding-cultural-landscape" target="_blank" rel="noopener">dual urban fabric</a> — between the “old” Eastern city and the “new” European one — in which contrasts and overlaps became the norm.</p>]]>
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        <![CDATA[How Can Hidden Niches Transform Walls into Functional Architecture?]]>
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      <link>https://www.archdaily.com/1036640/how-can-hidden-niches-transform-walls-into-functional-architecture</link>
      <pubDate>Wed, 10 Dec 2025 01:30:00 +0000</pubDate>
      <dc:creator>Kiana Buchberger</dc:creator>
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        <![CDATA[<p>The niche has been a space of visible intention throughout the history of architecture. <a href="https://www.archdaily.com/tag/ancient-rome">In ancient Roman architecture</a>, it served as a formal device carved into masonry to display statues, vases, or other objects. These recesses animated the walls of temples, bath complexes, and civic buildings, adding rhythm, depth, and focal points to otherwise massive structures. <a href="https://www.archdaily.com/802201/ad-classics-roman-pantheon-emperor-hadrian">The interior spaces of the Pantheon</a> framed statues of gods, and the Baths of Caracalla used similar voids to structure expansive halls. <a href="https://www.archdaily.com/tag/renaissance">By the Renaissance</a>, the niche evolved into a refined architectural frame. In Florence, the external cavities of Orsanmichele held guild-commissioned statues, while the Uffizi Palace's recesses displayed sculptural works. Whether filled or intentionally left empty, these openings articulated internal and external walls and facades, introduced hierarchy, and provided visual interest, serving as deliberate gestures meant to be seen. </p>]]>
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        <![CDATA[Ubani Publishes First Volume of the Guide to Tbilisi Districts, Focusing on Kala]]>
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      <link>https://www.archdaily.com/1036781/ubani-publishes-first-volume-of-the-guide-to-tbilisi-districts-focusing-on-kala</link>
      <pubDate>Tue, 09 Dec 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036781/ubani-publishes-first-volume-of-the-guide-to-tbilisi-districts-focusing-on-kala</guid>
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        <![CDATA[<p>Ubani — <a href="https://www.archdaily.com/tag/tbilisi/page/1">Tbilisi</a> Cityscape <a href="https://www.archdaily.com/tag/research-center">Research Center</a> has released "Kala," the first publication in its new <a href="https://www.archdaily.com/tag/guide/page/1">Guide</a> to <a href="https://www.archdaily.com/tag/tbilisi/page/1">Tbilisi</a> Districts series, offering an in-depth look at one of the <a href="https://www.archdaily.com/country/georgia/page/1">Georgian</a> capital's oldest urban areas. As a <a href="https://www.archdaily.com/tag/non-profit">non-profit</a> organization dedicated to researching and promoting <a href="https://www.archdaily.com/tag/tbilisi/page/1">Tbilisi</a>'s architectural heritage and landscape, <a href="/tag/ubani">Ubani</a> develops public programs, <a href="https://www.archdaily.com/tag/exhibitions">exhibitions</a>, <a href="https://www.archdaily.com/tag/workshops">workshops</a>, and <a href="https://www.archdaily.com/tag/events">events</a> aimed at making the city's <a href="https://www.archdaily.com/tag/built-environment">built environment</a> more widely understood. This inaugural guidebook continues that broader mission, situating Kala within the long-term evolution of <a href="https://www.archdaily.com/tag/tbilisi/page/1">Tbilisi</a>'s urban fabric.</p>]]>
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        <![CDATA[Foster + Partners Unveils Redevelopment Master Plan for Historic Site in Thessaloniki, Greece]]>
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      <link>https://www.archdaily.com/1036390/foster-plus-partners-unveils-redevelopment-master-plan-for-historic-site-in-thessaloniki</link>
      <pubDate>Wed, 26 Nov 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036390/foster-plus-partners-unveils-redevelopment-master-plan-for-historic-site-in-thessaloniki</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/foster-plus-partners">Foster + Partners</a> has developed a <a href="https://www.archdaily.com/tag/master-plan">master plan</a> for the <a href="https://www.archdaily.com/tag/redevelopment/page/1">redevelopment</a> of the former FIX brewery in <a href="https://www.archdaily.com/tag/thessaloniki/page/1">Thessaloniki</a>, <a href="https://www.archdaily.com/country/greece/page/1">Greece</a>. The proposal, commissioned by Dimand, outlines a mixed-use district that integrates <a href="https://www.archdaily.com/tag/public-spaces">public space</a>, <a href="https://www.archdaily.com/tag/housing">housing</a>, <a href="https://www.archdaily.com/tag/hospitality">hospitality</a>, and cultural programs. Positioned along the western seafront and within walking distance of the city center, the site serves as a key point of connection between emerging neighborhoods and the <a href="https://www.archdaily.com/tag/waterfront">waterfront</a>. The project builds on the <a href="https://www.archdaily.com/tag/industrial">industrial</a> history of the <a href="https://www.archdaily.com/tag/brewery" target="_blank" rel="noopener">brewery</a> complex while introducing new spatial configurations intended to support broader urban regeneration efforts across <a href="https://www.archdaily.com/tag/thessaloniki/page/1" target="_blank" rel="noopener">Thessaloniki</a>.</p>]]>
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        <![CDATA[First Chapter of the 18th Istanbul Biennial Opens, Exploring Self-Preservation and Futurity]]>
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      <link>https://www.archdaily.com/1034498/first-chapter-of-the-18th-istanbul-biennial-opens-exploring-self-preservation-and-futurity</link>
      <pubDate>Fri, 26 Sep 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>The 18th <a href="https://www.archdaily.com/tag/istanbul-design-biennial">Istanbul Biennial</a>, organized by the <a href="https://www.archdaily.com/tag/istanbul-foundation-for-culture-and-arts">Istanbul Foundation for Culture and Arts (İKSV)</a>, has opened its first phase to visitors and will remain on view until November 23, 2025. Curated by <a href="https://www.archdaily.com/tag/christine-tohme">Christine Tohmé</a> under the title <a href="https://www.archdaily.com/1023115/18th-istanbul-biennial-appoints-christine-tohme-as-curator-for-upcoming-edition-in-turkiye?ad_campaign=normal-tag">"The Three-Legged Cat,"</a> the biennial is envisioned as a three-year process unfolding between 2025 and 2027. The second phase, scheduled for 2026, will focus on establishing an academy and collaborating with local initiatives through a series of public programs. The third and final chapter in 2027 will bring together the accumulated encounters through <a href="https://www.archdaily.com/tag/exhibitions">exhibitions</a> and workshops.</p>]]>
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        <![CDATA[Uzbekistan’s Inaugural Bukhara Biennial 2025 Opens Across Restored Historic Landmarks]]>
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      <link>https://www.archdaily.com/1034009/uzbekistans-inaugural-bukhara-biennial-2025-opens-across-restored-historic-landmarks</link>
      <pubDate>Wed, 10 Sep 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>The inaugural edition of the <a href="/tag/bukhara-biennial">Bukhara Biennial</a> opened on September 5, 2025, bringing over 70 site-specific commissions by more than 200 participants from 39 countries to the historic core of the <a href="https://www.archdaily.com/country/uzbekistan/page/1">Uzbek</a> city. Commissioned by the <a href="https://www.archdaily.com/country/uzbekistan/page/1">Uzbekistan</a> <a href="https://www.archdaily.com/tag/art">Art</a> and <a href="https://www.archdaily.com/tag/culture">Culture</a> Development Foundation (ACDF) and Commissioner Gayane Umerova, the <a href="https://www.archdaily.com/tag/biennial/page/1">Biennial</a> is described as the largest and most diverse cultural event in <a href="https://www.archdaily.com/tag/central-asia/page/1">Central Asia</a> to date. Curated by <a href="/tag/diana-campbell">Diana Campbell</a> under the theme <em>Recipes for Broken Hearts</em>, the ten-week event is staged across a constellation of newly <a href="https://www.archdaily.com/tag/restoration">restored</a> sites, including madrassas, caravanserais, and <a href="https://www.archdaily.com/tag/mosques">mosques</a>, all part of Bukhara's <a href="https://www.archdaily.com/tag/unesco/page/1">UNESCO</a> <a href="https://www.archdaily.com/tag/world-heritage">World Heritage</a> listing. Beyond an <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> platform, the <a href="https://www.archdaily.com/tag/biennial/page/1">biennial</a> is framed as part of a broader master plan, positioning culture as a catalyst for urban <a href="https://www.archdaily.com/tag/transformation">transformation</a> and <a href="https://www.archdaily.com/tag/heritage">heritage</a> renewal.</p>]]>
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        <![CDATA[The 18th Istanbul Biennial Unveils Venues and Artists for Its First Leg]]>
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      <link>https://www.archdaily.com/1033444/the-18th-istanbul-biennial-unveils-venues-and-artists-for-its-first-leg</link>
      <pubDate>Tue, 26 Aug 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Organized by <a href="https://www.archdaily.com/tag/istanbul-foundation-for-culture-and-arts">the Istanbul Foundation for Culture and Arts (İKSV)</a>, the 18th <a href="https://www.archdaily.com/tag/istanbul">Istanbul</a> Biennial will be realized in three stages between 2025 and 2027, continuing to be <a href="https://www.archdaily.com/tag/turkey/page/1">Türkiye</a>'s largest international exhibition dedicated to contemporary art. Curated by <a href="https://www.archdaily.com/tag/christine-tohme">Christine Tohmé</a> under the title <a href="https://www.archdaily.com/1023115/18th-istanbul-biennial-appoints-christine-tohme-as-curator-for-upcoming-edition-in-turkiye?ad_campaign=special-tag">The Three-Legged Cat</a>, the first leg will be held from September 20 to November 23, 2025. Continuing the <a href="https://www.archdaily.com/tag/biennial/page/1">Biennial</a>'s approach of engaging directly with <a href="https://www.archdaily.com/tag/istanbul">Istanbul</a> through a dispersed model rather than a fixed venue, this edition will use eight sites located within walking distance along the <a href="https://www.archdaily.com/tag/beyoglu/page/1">Beyoğlu</a>–<a href="https://www.archdaily.com/tag/karakoy/page/1">Karaköy</a> axis. Over this period, works by 47 <a href="https://www.archdaily.com/tag/artist">artists</a> from more than 30 countries will be presented to the <a href="https://www.archdaily.com/tag/public">public</a>, accompanied by a program of <a href="https://www.archdaily.com/tag/performance">performances</a>, screenings, and live events during the opening week.</p>]]>
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        <![CDATA[The Barcelona Method: How Climate Data is Saving Historic Architecture from Carbon Stranding]]>
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      <link>https://www.archdaily.com/1032952/the-barcelona-method-how-climate-data-is-saving-historic-architecture-from-carbon-stranding</link>
      <pubDate>Mon, 11 Aug 2025 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032952/the-barcelona-method-how-climate-data-is-saving-historic-architecture-from-carbon-stranding</guid>
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        <![CDATA[<p>In heritage districts from Prague to Paris, a countdown has begun. Years until countless architectural treasures become, quite literally, worthless. Not through the slow erosion of time or the erratic shifts of cultural taste, but through the inevitable mathematics of atmospheric chemistry. In <em><a href="https://research.tudelft.nl/files/150823005/20230420_Future_Cities_City_Futures_Emerging_Urban_Perspectives_Veddeler_et_al_978_94_6366_642_8.pdf?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">UrbanDecarbonisation: Destranding Cities for a Post-fossil Future</a></em>, Paolo Cresci, Francesca Galeazzi, and Aurel von Richthofen introduce the concept of "carbon stranding", a scenario in which buildings become financially non-viable due to tightening carbon regulations. This threatens to render entire heritage districts financially extinct before they reach their centennials.</p>]]>
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        <![CDATA[Foster + Partners Reveals Design for Retail Plaza on Istanbul’s Golden Horn]]>
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      <link>https://www.archdaily.com/1032862/foster-plus-partners-reveals-design-for-retail-plaza-on-istanbuls-golden-horn</link>
      <pubDate>Wed, 06 Aug 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/foster-plus-partners" target="_blank" rel="noopener">Foster + Partners</a> has revealed designs for a retail plaza located on the northern bank of the Golden Horn in <a href="https://www.archdaily.com/tag/istanbul">Istanbul</a>, <a href="https://www.archdaily.com/tag/turkey">Türkiye</a>. The project forms part of the larger Tersane <a href="https://www.archdaily.com/tag/master-plan">master plan</a>, which proposes to redevelop 1.6 kilometers of previously underutilized <a href="https://www.archdaily.com/tag/waterfront">waterfront</a>. The master plan integrates a mix of <a href="https://www.archdaily.com/tag/retail">retail</a>, <a href="https://www.archdaily.com/tag/residential">residential</a>, <a href="https://www.archdaily.com/tag/hospitality">hospitality</a>, <a href="https://www.archdaily.com/tag/cultural">cultural buildings,</a> and landscaped <a href="https://www.archdaily.com/tag/public-spaces">public spaces</a>, aiming to enhance access along the shoreline. The plaza sits within close proximity to several of <a href="https://www.archdaily.com/tag/istanbul">Istanbul</a>'s <a href="https://www.archdaily.com/tag/historic">historic</a> <a href="https://www.archdaily.com/tag/landmarks">landmarks</a>, drawing on the area's maritime and <a href="https://www.archdaily.com/tag/industrial">industrial heritage</a>. The design's scale and material choices reflect this context, seeking to align with the site's <a href="https://www.archdaily.com/tag/historic">historic</a> layers while introducing a <a href="https://www.archdaily.com/tag/contemporary">contemporary</a> retail environment.</p>]]>
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        <![CDATA[The White House Announces Plans for New Ballroom]]>
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      <link>https://www.archdaily.com/1032826/the-white-house-announces-plans-for-new-ballroom-designed-by-mccrery-architects</link>
      <pubDate>Tue, 05 Aug 2025 05:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032826/the-white-house-announces-plans-for-new-ballroom-designed-by-mccrery-architects</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/white-house/page/1">The White House</a> has <a href="https://www.whitehouse.gov/visit/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">unveiled</a> plans for a new permanent event space on its <a href="https://www.archdaily.com/tag/historic">historic grounds</a>. Intended to address long-standing spatial limitations for large-scale ceremonial functions, the proposed White House State Ballroom will provide a venue with an expanded capacity. McCrery Architects, a <a href="https://www.archdaily.com/tag/washington">Washington</a>-based firm recognized for its work in <a href="https://www.archdaily.com/tag/classical-architecture">classical architecture</a>, was initially appointed as lead <a href="https://www.archdaily.com/tag/architect">architect</a>. Clark Construction will oversee the build, with engineering support provided by <a href="https://www.archdaily.com/tag/aecom/page/1">AECOM</a>. The construction is scheduled to begin in September 2025, with completion planned within the current administration.</p>]]>
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        <![CDATA[An Epic of Fire and Stone: The Story Behind the Intervention at the Benedictine Monastery of Catania, Sicily]]>
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      <link>https://www.archdaily.com/1032305/an-epic-of-fire-and-stone-the-story-behind-the-intervention-at-the-benedictine-monastery-of-catania-sicily</link>
      <pubDate>Wed, 23 Jul 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032305/an-epic-of-fire-and-stone-the-story-behind-the-intervention-at-the-benedictine-monastery-of-catania-sicily</guid>
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        <![CDATA[<p>The Benedictine Monastery of San Nicolò l’Arena in <a href="/tag/catania">Catania</a>, Sicily, holds within its stones the <a href="https://www.archdaily.com/1018995/restoration-as-a-method-of-revalorizing-built-heritage-in-spain?ad_campaign=normal-tag" target="_blank" rel="noopener">echoes of five centuries</a>, shaped by time, varied uses, violent earthquakes, and the blazing force of Mount Etna. Its walls, silent witnesses to history, were molded both by the fire of nature and by human hands. Yet among all the transformations it underwent, none was as profound or poetic as the one led by Italian architect <a href="https://www.archdaily.com/tag/giancarlo-de-carlo" target="_blank" rel="noopener">Giancarlo De Carlo</a>, starting in 1980. After 30 years of dedicated work, time required to truly understand such a complex and awe-inspiring site, the former <a href="https://www.archdaily.com/915700/rethinking-sacred-spaces-for-new-purposes?ad_campaign=normal-tag" target="_blank" rel="noopener">monastic residence was reborn</a> as a university, not by force, but through revelation.</p>]]>
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        <![CDATA[Foster + Partners Reveals Central Crossing Mixed-Use Development in Hong Kong]]>
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      <link>https://www.archdaily.com/1032428/foster-plus-partners-reveals-central-crossing-mixed-use-development-in-hong-kong</link>
      <pubDate>Wed, 23 Jul 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/foster-plus-partners">Foster + Partners</a> has unveiled designs for Central Crossing, a new <a href="/tag/mixed-use-development">mixed-use development</a> in the heart of <a href="https://www.archdaily.com/country/hong-kong/page/1">Hong Kong</a>'s Central district. Located at 118 Wellington Street and bordered by Graham, Gage, and Cochrane Streets, the project is a joint venture between Wing Tai Properties Limited and CSI Properties Limited. Positioned within a triangle formed by the <a href="https://www.archdaily.com/tag/historic">historic</a> <a href="https://www.archdaily.com/tag/landmark">landmarks</a> Tai Kwun, PMQ, and Central Market, the site offers a rare opportunity to build within one of the city's most vibrant and historically layered <a href="https://www.archdaily.com/tag/neighborhood">neighborhoods</a>. Central Crossing continues <a href="https://www.archdaily.com/tag/foster-partners/page/1">Foster + Partners</a>' <a href="https://www.archdaily.com/1002908/as-an-architect-you-design-for-the-present-with-an-awareness-of-the-past-for-a-future-which-is-essentially-unknown-on-fosters-body-of-work-and-evolution?ad_medium=gallery">ongoing engagement with historical contexts</a>, following earlier interventions such as the Carré d'Art in Nîmes and the extension to the Royal Academy in <a href="https://www.archdaily.com/tag/london">London</a>. The project seeks to balance sensitivity to its urban fabric with an architectural presence, contributing to the evolving identity of Central.</p>]]>
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        <![CDATA[Earthquake in Istanbul Raises Questions About the City's Seismic Preparedness]]>
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      <link>https://www.archdaily.com/1029519/earthquake-in-istanbul-raises-questions-about-the-citys-seismic-preparedness</link>
      <pubDate>Fri, 25 Apr 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1029519/earthquake-in-istanbul-raises-questions-about-the-citys-seismic-preparedness</guid>
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        <![CDATA[<p>On April 23, 2025, a 6.2 magnitude <a href="https://www.archdaily.com/tag/earthquakes">earthquake</a> in the Sea of Marmara struck <a href="https://www.archdaily.com/country/turkiye/page/1">Türkiye</a>'s largest city, <a href="https://www.archdaily.com/tag/istanbul">Istanbul</a>, causing widespread panic and<a href="https://www.trthaber.com/haber/gundem/bakan-memisoglundan-deprem-aciklamasi-221-yarali-taburcu-edildi-905013.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> injuring over 230 people</a>, primarily due to falls and panic-induced accidents. Over the course of the day, at least <a href="https://deprem.afad.gov.tr/content/155?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">272 aftershocks were recorded</a>, with the strongest reaching a magnitude of 5.9. According to an <a href="https://www.icisleri.gov.tr/icisleri-bakanimiz-sayin-ali-yerlikaya-istanbul-depremi-ile-ilgili-basin-aciklamasi-yapti?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">initial statement by Minister of the Interior Ali Yerlikaya</a>, there was no major destruction apart from the collapse of a single abandoned building. However, the event has reignited public and professional discourse around the city's preparedness for a much larger seismic event, long <a href="https://www.ntv.com.tr/turkiye/doc-dr-dogan-kalafattan-olasi-istanbul-depremine-iliskin-aciklama-marmarada-tsunamiye-neden-olabilir,OJKmXCySLkCikG4gxEaMQg?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">anticipated by experts</a> monitoring the North Anatolian Fault.</p>]]>
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        <![CDATA[A Culture of Reuse: 5 European Museums Embedded into Their Historical Contexts]]>
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      <link>https://www.archdaily.com/1023547/a-culture-of-reuse-5-european-museums-embedded-into-their-historical-contexts</link>
      <pubDate>Wed, 16 Apr 2025 04:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Throughout their relatively recent history, <a href="https://www.archdaily.com/975099/the-architecture-of-museums-the-evolution-of-curatorial-spaces" target="_blank" rel="noopener">museums have evolved</a> to condense particular aspects of a culture and present them in a coherent and unified manner. This makes the connection between the architecture and the exhibit a crucial matter, as the architect is tasked with designing not only the framework and background of the exhibited arts or artifacts but also taking charge of the journey undertaken by the visitor, harmonizing the cultural gain with the lived spatial experience of walking the exhibition halls. However, not all museums have been purposely built for this task.</p>]]>
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