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    <title>Tag: heritage-restoration | ArchDaily</title>
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        <![CDATA[World Monuments Fund Names 10 "Irreplaceable America" Sites for the 250th Anniversary of the United States Independence]]>
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      <link>https://www.archdaily.com/1042910/world-monuments-fund-names-10-irreplaceable-america-sites-for-the-250th-anniversary-of-the-united-states-independence</link>
      <pubDate>Wed, 01 Jul 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>On the occasion of the 250th anniversary of the United States' Declaration of Independence, the <a href="https://www.archdaily.com/tag/world-monuments-fund" target="_blank" rel="noopener">World Monuments Fund</a> has announced a new list of ten heritage places representing the country's history. The special initiative, titled "Irreplaceable America," recognizes historic places across the country whose preservation is considered "essential to the richness and complexity of American history," spotlighting urgent preservation needs. From the oldest botanical garden in the country to <a href="https://www.archdaily.com/1036025/dallas-evaluates-repair-and-demolition-options-for-im-peis-modernist-city-hall" target="_blank" rel="noopener">I.M. Pei's modernist Dallas City Hall</a>, the selected sites bear witness to Indigenous heritage, artistic experimentation, and public health, colonial, and Black history.</p>]]>
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        <![CDATA[The London Museum Moves to Smithfield's Restored General Market Ahead of Long-Awaited Opening]]>
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      <link>https://www.archdaily.com/1042614/the-london-museum-moves-to-smithfields-restored-general-market-ahead-of-long-awaited-opening</link>
      <pubDate>Mon, 22 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The original <a href="/tag/museum-of-london">Museum of London</a> building at London Wall permanently closed to the public in December 2022 to prepare for its relocation. Despite community claims to preserve the modernist building, <a href="https://www.archdaily.com/1024498/the-museum-of-london-exploring-the-brutalist-landmark-facing-demolition" target="_blank" rel="noopener">demolition plans for the brutalist landmark were approved in 2024</a> to make way for the London Wall West redevelopment project. The Museum of London was then officially rebranded as the London Museum and <a href="https://www.archdaily.com/944062/museum-of-londons-new-home-receives-planning-approval" target="_blank" rel="noopener">relocated to the historic General Market in Smithfield</a>. The decade-long restoration project of the new location was <a href="https://www.archdaily.com/792230/stanton-williams-and-asif-khan-selected-to-design-future-home-for-the-museum-of-london" target="_blank" rel="noopener">carried out by Stanton Williams and Asif Khan, alongside conservation architect Julian Harrap</a>. The official opening of the Museum's new permanent galleries is scheduled for November 28, 2026.</p>]]>
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        <![CDATA[From Production to Spatial Experience: 10 Contemporary Distillery Projects]]>
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      <link>https://www.archdaily.com/1041623/the-spirit-of-space-10-distillery-projects-where-production-shapes-architecture</link>
      <pubDate>Thu, 28 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>Unlike many <a href="https://www.archdaily.com.br/br/category/industrial-architecture">industrial programs</a> traditionally concealed behind <a href="https://www.archdaily.com.br/search/br/projects/categories/fabrica">neutral facades</a> and hermetic spaces, contemporary <a href="https://www.archdaily.com.br/br/tag/distillery">distilleries</a> often showcase their <a href="https://www.archdaily.com.br/br/926578/arquitetura-des-industrial-8-projetos-que-ressignificam-o-espaco-da-maquina">production processes</a> as an essential part of the <a href="https://www.archdaily.com.br/br/962293/elementos-modulares-na-arquitetura-industrial">architectural experience</a>. The heat of the stills, the vapors of distillation, or the path of the raw materials cease to be mere technical operations, instead taking center stage within the space. </p>]]>
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        <![CDATA[Selldorf Architects, STUDIOS Architecture, and BASE Paysagiste Selected to Renovate the Louvre Museum]]>
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      <link>https://www.archdaily.com/1041630/selldorf-architects-studios-architecture-and-base-paysagiste-selected-to-renovate-the-louvre-museum</link>
      <pubDate>Tue, 19 May 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041630/selldorf-architects-studios-architecture-and-base-paysagiste-selected-to-renovate-the-louvre-museum</guid>
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        <![CDATA[<p>The French Minister of Culture announced on Monday, May 18, 2026, the winner of the "Louvre–Nouvelle Renaissance" competition. The team selected to transform <a href="https://www.archdaily.com/88705/ad-classics-le-grande-louvre-i-m-pei" target="_blank" rel="noopener">the world-renowned Musée du Louvre</a> is led by <a href="https://www.archdaily.com/office/studios-architecture" target="_blank" rel="noopener">STUDIOS Architecture</a>, New York-based <a href="https://www.archdaily.com/office/selldorf-architects" target="_blank" rel="noopener">Selldorf Architects</a>, and landscape architecture firm <a href="https://www.archdaily.com/professional/base-paysagistes" target="_blank" rel="noopener">BASE Paysagiste</a>. The renovation initiative was <a href="https://www.archdaily.com/1026320/louvre-to-undergo-major-renovation-including-new-entrance-and-mona-lisa-relocation" target="_blank" rel="noopener">announced in January 2025 as a major intervention for the historic complex</a> following concerns expressed by the museum's director regarding its deteriorating condition. The first round of the competition took place in June, with a shortlist of five teams revealed in October. <a href="https://www.culture.gouv.fr/presse/communiques-de-presse/catherine-pegard-ministre-de-la-culture-annonce-l-equipe-laureate-du-concours-international-d-architecture-de-louvre-nouvelle-renaissance-studio?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">According to French authorities</a>, the project has a dual objective: to repair and transform the building to preserve its collections while updating it to meet contemporary public expectations, including sustainability requirements that will pose significant challenges for the museum in the coming decades.</p>]]>
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        <![CDATA[Antoni Gaudí’s Last Original Residence at Casa Batlló Opens Following Three-Year Restoration]]>
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      <link>https://www.archdaily.com/1041497/antoni-gaudis-last-original-residence-at-casa-batllo-opens-following-three-year-restoration</link>
      <pubDate>Wed, 13 May 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/90689/ad-classics-casa-batllo-antoni-gaudi?ad_source=search&amp;ad_medium=projects_tab">Casa Batlló</a> in <a href="https://www.archdaily.com/tag/barcelona/page/1">Barcelona</a> has unveiled the restored Third Floor of the building, opening the last original residence preserved from <a href="https://www.archdaily.com/office/antoni-gaudi">Antoni Gaudí</a>'s 1904-1906 transformation of the property to the public for the first time. Led by <a href="https://www.archdaily.com/tag/restoration">restoration</a> architect Xavier Villanueva and developed over three years through an archaeological-style <a href="https://www.archdaily.com/tag/conservation">conservation</a> process, the intervention recovers a largely intact domestic environment that had remained inhabited by descendants of the Batlló family for more than a century. Adapted into a series of private rooms for gatherings, cultural events, and experiences, the restored apartment combines <a href="https://www.archdaily.com/tag/heritage">heritage preservation</a> with a contemporary interior design intervention by Paola Navone – OTTO Studio, establishing a new program for one of <a href="https://www.archdaily.com/tag/barcelona/page/1">Barcelona</a>'s most recognized <a href="https://www.archdaily.com/877599/10-must-see-gaudi-buildings-in-barcelona">architectural landmarks</a>.</p>]]>
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        <![CDATA[Milan Design Week 2026 Selection and Wasl Tower in Dubai: This Week’s Review]]>
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      <link>https://www.archdaily.com/1041100/milan-design-week-2026-selection-and-wasl-tower-in-dubai-this-weeks-review</link>
      <pubDate>Thu, 30 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Across cultural platforms, <a href="https://www.archdaily.com/tag/heritage">heritage sites</a>, and institutional developments, <a href="https://www.archdaily.com/tag/ad-this-week-in-architecture">this week</a>'s news reflects how the <a href="https://www.archdaily.com/tag/built-environment">built environment</a> is reshaped through processes of transformation, reinterpretation, and public engagement. From archaeological reactivations and <a href="https://www.archdaily.com/tag/adaptive-reuse">adaptive reuse</a> strategies to museum expansions and large-scale international gatherings, architecture operates across multiple temporalities, balancing <a href="https://www.archdaily.com/tag/preservation">preservation</a> with contemporary use and spatial continuity with evolving cultural programs. Within this context, <a href="https://www.archdaily.com/1040989/15-architectural-installations-and-exhibitions-at-the-2026-milan-design-week?ad_campaign=normal-tag">ArchDaily's selection of installations and exhibitions</a> from <a href="https://www.archdaily.com/tag/milan-design-week-2026">Milan Design Week 2026</a> highlights how design weeks increasingly function as curatorial frameworks for experimentation, while global events and institutional projects continue to expand the formats through which architecture is produced, shared, and debated.</p>]]>
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        <![CDATA[Memory of the Earth: 4 Examples that Reinvent Former Ceramic Factories]]>
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      <link>https://www.archdaily.com/1040780/memory-of-the-earth-4-adaptive-reuse-projects-transforming-ceramic-factories</link>
      <pubDate>Wed, 29 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040780/memory-of-the-earth-4-adaptive-reuse-projects-transforming-ceramic-factories</guid>
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        <![CDATA[<p>There is an ancestral gesture in shaping <a href="https://www.archdaily.com.br/br/tag/terra">earth</a>. Long before architecture emerged as a discipline, <a href="https://www.archdaily.com.br/br/tag/construcao-em-barro">clay</a> was already being molded by hand and transformed by fire, turning raw material into domestic utensils and cultural objects. In the history of this craft, <a href="https://www.archdaily.com.br/br/tag/ceramica">ceramic factories</a> <a href="https://www.archdaily.com.br/br/category/industrial-architecture">marked the transition from manual knowledge to mass production</a>, expanding in scale without completely breaking from their material origins. Scattered across different territories, <a href="https://www.archdaily.com.br/br/category/fabrica">these structures</a> record the relationship between technique, landscape, and time. Over the decades, however, many of them eventually <a href="https://www.archdaily.com.br/br/926724/o-que-e-reuso-adaptativo">lost their original function</a>, replaced by more technological processes or consumed by the surrounding urban development, coming to occupy an intermediate state between permanence and obsolescence.</p>]]>
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        <![CDATA[STARTT Designs New Access to the Archaeological Areas Behind the Pantheon in Rome]]>
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      <link>https://www.archdaily.com/1040964/startt-designs-new-access-to-the-archaeological-areas-behind-the-pantheon-in-rome</link>
      <pubDate>Mon, 27 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040964/startt-designs-new-access-to-the-archaeological-areas-behind-the-pantheon-in-rome</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/802201/ad-classics-roman-pantheon-emperor-hadrian" target="_blank" rel="noopener">The Pantheon in Rome</a> is globally known as a major tourist and architectural icon, <a href="https://www.archdaily.com/981140/rome-architecture-city-guide-30-sites-that-celebrate-the-citys-rich-culture-and-history" target="_blank" rel="noopener">a built testimony to both Greek culture and Roman technique, and a symbol of the Roman Empire</a>. The monument was recently intervened upon by the Italian architecture studio STARTT (Studio of <a href="/tag/architecture">Architecture</a> and Territorial Transformations). The project, titled <em>Pantheon – Micro Architectures for Archaeology</em>, was promoted by the Italian Ministry of Culture as part of a program of interventions initiated in 2019 to open public access to the archaeological areas of the Pantheon. STARTT's project represents the first phase of the program, focusing on opening a new entrance from the <em>Pozzo del Diavolo</em>, an area located behind the monument's Rotunda, allowing visitors to access parts of the building's archaeological fabric that were previously reserved for technical functions.</p>]]>
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        <![CDATA["Artisans of the Reiwa Era" Documentary Showcases Traditional Japanese Wood Construction and Craftsmanship]]>
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      <link>https://www.archdaily.com/1032340/artisans-of-the-reiwa-era-documentary-showcases-traditional-japanese-wood-construction-and-craftsmanship</link>
      <pubDate>Mon, 13 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1032340/artisans-of-the-reiwa-era-documentary-showcases-traditional-japanese-wood-construction-and-craftsmanship</guid>
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        <![CDATA[<p>Rinshunkaku is a notable example of early Edo-period residential architecture. Originally built in the Wakayama Prefecture by the Kishu Tokugawa family, the villa was relocated to Sankeien, a traditional Japanese garden in the city of <a href="https://www.archdaily.com/city/yokohama" target="_blank" rel="noopener">Yokohama</a>, during the Taisho era (1912-1926). The garden was created in the early 20th century by businessman and art patron Sankei Hara and features a number of historic buildings relocated from <a href="https://www.archdaily.com/city/kyoto" target="_blank" rel="noopener">Kyoto</a>, <a href="https://www.archdaily.com/city/kamakura" target="_blank" rel="noopener">Kamakura</a>, and other areas of <a href="https://www.archdaily.com/country/japan" target="_blank" rel="noopener">Japan</a>. Rinshunkaku, one of the garden's gems, is a prime example of traditional <a href="https://www.archdaily.com/tag/japanese-architecture" target="_blank" rel="noopener">Japanese architecture</a> and <a href="https://www.archdaily.com/tag/wood-construction" target="_blank" rel="noopener">wood construction</a>. Its historical value motivated a large-scale <a href="https://www.archdaily.com/search/projects/categories/restoration/country/japan" target="_blank" rel="noopener">restoration project</a> in 2019, documented in the film <a href="https://vimeo.com/1090404501?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em data-start="968" data-end="995">Artisans of the Reiwa Era</em></a> (<em data-start="997" data-end="1022">Reiwa no Shokunin-tachi</em>), filmed and edited by Katsumasa Tanaka and Hiroshi Fujiki. The documentary offers a close, detailed view of Japanese craftsmanship and wood expertise, highlighting rare traditional techniques and paying tribute to the artisans who preserve them.</p>]]>
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        <![CDATA[First Aid for Endangered Heritage: An Interview with Ambulance for Monuments]]>
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      <link>https://www.archdaily.com/1039254/first-aid-for-endangered-heritage-an-interview-with-ambulance-for-monuments</link>
      <pubDate>Mon, 23 Mar 2026 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p data-start="0" data-end="662"><a href="https://www.archdaily.com.br/br/tag/ambulance-for-monuments">Ambulance for Monuments</a> is a first-aid initiative dedicated to safeguarding <a href="https://www.archdaily.com/country/romania">Romania</a>'s endangered <a href="https://www.archdaily.com.br/br/tag/historical-preservation">built heritage</a>, operating in a race against time to prevent collapse and irreversible loss. The project responds to the growing vulnerability of <a href="https://www.archdaily.com/tag/historic-buildings">historic structures,</a> from Saxon fortified <a href="https://www.archdaily.com/search/projects/categories/churches">churches </a>and manor houses to wooden churches and rural landmarks, many of which no longer benefit from the community networks that once sustained them. In a country deeply affected by emigration since 1990, where nearly half the population still lives in <a href="https://www.archdaily.com/tag/rural-architecture">rural areas</a>, entire villages have lost the people, skills, and everyday care that once kept these monuments standing.</p>]]>
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        <![CDATA[Deir ez-Zor: Raising Hope Through Heritage Documentation]]>
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      <link>https://www.archdaily.com/1039786/deir-ez-zor-raising-hope-through-heritage-documentation</link>
      <pubDate>Sun, 22 Mar 2026 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039786/deir-ez-zor-raising-hope-through-heritage-documentation</guid>
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        <![CDATA[<p>The historic city of <a href="https://www.archdaily.com/tag/deir-ez-zor-heritage-library" target="_blank" rel="noopener">Deir ez-Zor</a> in eastern <a href="https://www.archdaily.com/country/syria/page/1" target="_blank" rel="noopener">Syria</a> has had more than its fair share of calamity after the outbreak of the war in 2011. After seeing destruction caused by fierce battles between armed groups and the central government, as well as occupation by ISIL, the earthquake in February 2023 brought further damage. Behind the headlines, however, is an ancient city tracing its founding to the dawn of civilization on the banks of the Euphrates River, with living architecture from the Ottoman and French Mandate periods. A winner of the <a href="https://www.archdaily.com/1033983/20-practices-shaping-the-future-of-architecture-winners-of-the-archdaily-2025-next-practices-awards" target="_blank" rel="noopener">ArchDaily 2025 Next Practices Awards</a>, the<a href="https://www.archdaily.com/tag/deir-ez-zor-heritage-library" target="_blank" rel="noopener"> Deir ez-Zor Heritage Library</a> aims to revitalize the city and support sensitive <a href="https://www.archdaily.com/tag/reconstruction" target="_blank" rel="noopener">reconstruction</a> by documenting and promoting its built heritage.</p>]]>
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        <![CDATA[Stefano Boeri Interiors Restores Southern Ambulatory Areas of the Colosseum in Rome]]>
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      <link>https://www.archdaily.com/1039745/stefano-boeri-interiors-restores-southern-ambulatory-areas-of-the-colosseum-in-rome</link>
      <pubDate>Wed, 18 Mar 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>The southern ambulatory of the <a href="https://www.archdaily.com/tag/colosseum">Colosseum in Rome</a> has been restored through an intervention led by <a href="https://www.archdaily.com/office/stefano-boeri-interiors/page/1">Stefano Boeri Interiors</a>, a multidisciplinary studio founded by architects <a href="https://www.archdaily.com/tag/stefano-boeri">Stefano Boeri</a> and Giorgio Donà, for the <a href="https://colosseo.it/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Parco Archeologico del Colosseo</a>, focusing on the <a href="https://www.archdaily.com/tag/reconstruction">reconstruction</a> of the crepidine and the repaving of missing sections to reinstate the monument's original ground levels and improve the legibility of its southern perimeter. The project builds on an <a href="https://www.archdaily.com/tag/archaeology">archaeological investigation</a> campaign that informed both the geometric definition of the intervention and its material articulation.</p>]]>
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        <![CDATA[Who decides what deserves to be preserved? Power and heritage in Latin America]]>
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      <link>https://www.archdaily.com/1038829/who-decides-what-is-worth-preserving-power-and-heritage-in-latin-america</link>
      <pubDate>Sat, 28 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038829/who-decides-what-is-worth-preserving-power-and-heritage-in-latin-america</guid>
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        <![CDATA[<p>When we enter a <a href="https://www.archdaily.com.br/search/br/projects/categories/museu">museum</a>, walk through a <a href="https://www.archdaily.com.br/br/tag/centro-historicos">historic center</a>, or check a <a href="https://www.archdaily.com.br/br/tag/world-heritage-list">country's list of heritage sites</a>, we rarely think about the process behind these <a href="https://www.archdaily.com.br/br/972251/arquitetura-e-patrimonio-estrategias-de-preservacao-em-sitios-protegidos-pela-unesco">choices</a>. <a href="https://seer.ufrgs.br/index.php/PortoArte/article/view/27940/16550?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Who decided, on behalf of us all</a>, that these objects, <a href="https://www.archdaily.com.br/br/944635/6-sitios-tombados-pela-unesco-restaurados-virtualmente">places</a>, architecture, and <a href="https://www.archdaily.com.br/br/937861/restauro-e-reabilitacao-10-projetos-de-intervencao-no-patrimonio">heritage deserved to be conserved and shared</a>, while others are discarded?</p>]]>
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        <![CDATA[Between Materials and Memory: Three Madrid Architecture Practices on Heritage Rehabilitation]]>
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      <link>https://www.archdaily.com/1038542/do-materials-or-memories-weigh-more-three-contemporary-architecture-practices-reflect-on-heritage-rehabilitation-in-madrid</link>
      <pubDate>Tue, 17 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p data-start="0" data-end="422">The role of heritage rehabilitation in the contemporary architectural landscape is shaped by a wide range of research, beliefs, memories, and efforts aimed at redefining and strengthening our <a href="https://www.archdaily.com/tag/built-environment" target="_blank" rel="noopener">built environment</a>. When undertaking a transformation, renovation, or preservation project, architects can employ diverse strategies and tools to encourage a meaningful coexistence between what already exists and what is newly introduced. Together with three <a href="https://www.archdaily.com/tag/madrid" target="_blank" rel="noopener">Madrid</a>-based architecture practices—<a href="https://www.archdaily.com/office/solar" target="_blank" rel="noopener">SOLAR</a>, <a href="https://www.archdaily.com/office/pachon-paredes" target="_blank" rel="noopener">Pachón-Paredes</a>, and <a href="https://www.archdaily.com/office/oficina-ba-rro" target="_blank" rel="noopener">BA-RRO</a>—we set out to engage in conversation and explore their creative processes and ideals, recognizing the complexity and value of historic buildings as repositories of materials, structures, and construction techniques from other eras.</p>]]>
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        <![CDATA[Shaping Architectural Continuity: 25 Revitalization Projects Across Historic, Industrial, and Natural Sites]]>
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      <link>https://www.archdaily.com/1038703/shaping-architectural-continuity-25-revitalization-projects-across-historic-industrial-and-natural-sites</link>
      <pubDate>Fri, 13 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/971945/architecture-and-unesco-rethinking-preservation-and-cultural-heritage" target="_blank" rel="noopener">Heritage sites constitute complex spatial archives</a> in which architecture, history, and collective memory converge. They encompass a wide spectrum of contexts—from archaeological remains, ancient and historic townscapes, UNESCO-listed landscapes, to early modern civic structures and industrial infrastructures. Yet these environments confront challenges: climate change, urban transformation, disaster, shifting social needs, and the gradual erosion of material fabric. Revitalization and restoration projects respond to these conditions by positioning architectural and spatial practice as an active mediator between preservation and the contemporary topologies.</p>]]>
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        <![CDATA[World Monuments Fund Backs 21 Locally Led Heritage Projects Addressing Climate Risks and Indigenous Knowledge Loss]]>
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      <link>https://www.archdaily.com/1038690/world-monuments-fund-backs-21-locally-led-heritage-projects-addressing-climate-risks-and-indigenous-knowledge-loss</link>
      <pubDate>Wed, 11 Feb 2026 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038690/world-monuments-fund-backs-21-locally-led-heritage-projects-addressing-climate-risks-and-indigenous-knowledge-loss</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/world-monuments-fund" target="_blank" rel="noopener">World Monuments Fund </a>(WMF) is an independent organization dedicated to safeguarding treasured places around the world that enrich lives and foster mutual understanding across cultures and communities. On February 10, WMF announced a $7 million commitment to support 21 heritage preservation projects launching in 2026. These investments advance work at sites included on <a href="https://www.archdaily.com/1025841/the-moon-gaza-and-ukraine-among-new-additions-to-the-2025-monuments-watch" target="_blank" rel="noopener">the 2025 World Monuments Watch, WMF's nomination-based advocacy program</a>, while also supporting new phases of <a href="/tag/conservation">conservation</a>, planning, and training at additional heritage sites across five continents. The selected sites reflect a wide chronological and geographic range, from ancient cultural landscapes to modern architectural landmarks. The projects highlight the diversity of global heritage, spanning Mughal gardens and Ottoman religious complexes to modernist cinemas, industrial mining landscapes, Indigenous cultural routes, and sacred shrines, and point to the long-term cultural knowledge embedded in its preservation.</p>]]>
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        <![CDATA[Heritage After Failure: What We Will Keep From Today’s Architectural Mistakes]]>
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      <link>https://www.archdaily.com/1038185/heritage-after-failure-what-we-will-keep-from-todays-architectural-mistakes</link>
      <pubDate>Wed, 04 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/cultural-heritage">Architectural heritage</a> is often described as what survives time. Yet survival does not explain why certain buildings are preserved while others disappear. Many works now protected as cultural heritage were once criticized, contested, or openly rejected; they were accused of being socially misguided, materially flawed, or symbolically excessive. Over time, however, these same shortcomings have become central to their meaning as heritage emerges as a slow and unstable process of interpretation.</p>]]>
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        <![CDATA[United Nations’ Africa Hall Restoration in Ethiopia Receives 2026 World Monuments Fund/Knoll Modernism Prize]]>
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      <link>https://www.archdaily.com/1037851/united-nations-africa-hall-restoration-in-ethiopia-receives-2026-world-monuments-fund-knoll-modernism-prize</link>
      <pubDate>Fri, 23 Jan 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037851/united-nations-africa-hall-restoration-in-ethiopia-receives-2026-world-monuments-fund-knoll-modernism-prize</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/world-monuments-fund" target="_blank" rel="noopener">World Monuments Fund</a> (WMF) is an independent organization dedicated to safeguarding significant places that enrich people's lives and foster mutual understanding across cultures and communities. Since 2008, the <a href="https://www.archdaily.com/tag/world-monuments-fund-knoll-modernism-prize" target="_blank" rel="noopener">World Monuments Fund/Knoll Modernism Prize</a> has been a biennial award recognizing outstanding achievements in the conservation of buildings emblematic of the <a href="https://www.archdaily.com/tag/modern-architecture" target="_blank" rel="noopener">modernist architectural movement</a>. The prize honors individuals and organizations that revitalize <a href="https://www.archdaily.com/tag/modern-heritage" target="_blank" rel="noopener">modern built heritage</a> through innovative and sensitive architectural interventions.</p>]]>
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