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    <title>Tag: great-depression | ArchDaily</title>
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        <![CDATA[AD Classics: Empire State Building / Shreve, Lamb and Harmon]]>
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      <link>https://www.archdaily.com/797767/ad-classics-empire-state-building-shreve-lamb-harmon</link>
      <pubDate>Fri, 19 Oct 2018 22:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
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        <![CDATA[Commercial Architecture]]>
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        <![CDATA[<p id="docs-internal-guid-e006d47a-e089-6a6f-ed01-ac043f48f4bc" dir="ltr"><em>This article was originally published on December 5, 2016. To read the stories behind other celebrated architecture projects, visit our <a href="https://www.archdaily.com/architecture-classics">AD Classics</a> section. </em><br><br>Even in Manhattan—a sea of skyscrapers—the Empire State Building towers over its neighbours. Since its completion in 1931 it has been one of the most iconic architectural landmarks in the United States, standing as the tallest structure in the world until the Twin Towers of the World Trade Center were constructed in Downtown <a href="/tag/manhattan">Manhattan</a> four decades later. Its construction in the early years of the <a href="/tag/great-depression">Great Depression</a>, employing thousands of workers and requiring vast material resources, was driven by more than commercial interest: the Empire State Building was to be a monument to the audacity of the United States of America, “a land which reached for the sky with its feet on the ground.”[1]</p>]]>
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        <![CDATA[AD Classics: Trylon and Perisphere / Harrison and Fouilhoux]]>
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      <pubDate>Sun, 11 Dec 2016 04:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
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        <![CDATA[Landmarks & Monuments]]>
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        <![CDATA[<p>With the onset of the <a href="/tag/great-depression">Great Depression</a> in the <a href="/tag/1930s">1930s</a>, the great World’s Fairs that had been held around the globe since the Crystal Palace Exhibition of 1851 lost much of their momentum. With the specter of another global conflict looming like a stormcloud on the horizon in the latter half of the decade, prospects for the future only grew darker. It was in this air of uncertainty and fear that the gleaming white Trylon and Perisphere of the 1939 <a href="/tag/new-york">New York</a> World’s Fair made their debuts, the centerpiece of an exhibition that presented a vision of hope for things to come.</p>]]>
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