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    <title>Tag: googie | ArchDaily</title>
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        <![CDATA[The Space Age Aesthetic: Influencing Architecture and Interiors]]>
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      <link>https://www.archdaily.com/en/981405/the-space-age-aesthetic</link>
      <pubDate>Sun, 08 May 2022 07:30:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
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        <![CDATA[<p>The <a href="https://world-nuclear.org/information-library/current-and-future-generation/outline-history-of-nuclear-energy.aspx?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">dawn of nuclear power</a>, dramatic advances in rocketry, and the desire to be the first to put men into space and on the moon, kick-started an era known as the <a href="https://www.universetoday.com/45969/space-age/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">‘Space Age’</a>. Upon the closure of WW2, both the Soviets and the Allies found themselves in a state of antagonism, as they both began to struggle to make advancements in space exploration before the other, a race for space. The era would give way to rapid advancements in technology and huge accomplishments including the <a href="https://www.nasa.gov/mission_pages/apollo/apollo11.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">moon landing in 1969</a>. The Space Age aesthetic completely changed the way designers visualized the new world and left a dramatic impression on architecture and interiors. A new vision of futurism and prosperity.</p>]]>
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        <![CDATA[Spotlight: William Pereira]]>
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      <link>https://www.archdaily.com/en/623739/spotlight-william-pereira</link>
      <pubDate>Sat, 25 Apr 2020 03:30:00 +0000</pubDate>
      <dc:creator>Dario Goodwin</dc:creator>
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        <![CDATA[<p>Winner of the 1942 Acadamy Award for Best Special Effects,&nbsp;<a href="http://www.archdaily.com/tag/william-pereira/" target="_blank">William Pereira</a>&nbsp;(April 25, 1909 &ndash; November 13, 1985) also designed some of America's most iconic examples of futurist architecture, with his heavy stripped down functionalism becoming the symbol of many US institutions and cities. Working with his more prolific film-maker brother Hal Pereira, William Pereira's talent as an art director translated into a long and prestigious career creating striking and idiosyncratic buildings across the West Coast of America.</p>]]>
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        <![CDATA[AD Classics: TWA Flight Center / Eero Saarinen]]>
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      <link>https://www.archdaily.com/en/788012/ad-classics-twa-flight-center-eero-saarinen</link>
      <pubDate>Sun, 21 Oct 2018 22:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
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        <![CDATA[<p id="docs-internal-guid-d6adfc21-d712-e451-efd8-8bf6706c003c" dir="ltr"><em>This article was originally published on June 16, 2016. To read the stories behind other celebrated architecture projects, visit our <a href="https://www.archdaily.com/architecture-classics">AD Classics</a> section. </em><br><br>Built in the early days of airline travel, the <a href="/en/tag/twa">TWA</a> Terminal is a concrete symbol of the rapid technological transformations which were fueled by the outset of the Second World War. <a href="/en/tag/eero-saarinen">Eero Saarinen</a> sought to capture the sensation of flight in all aspects of the building, from a fluid and open interior, to the wing-like concrete shell of the roof. At TWA’s behest, Saarinen designed more than a functional terminal; he designed a monument to the airline and to aviation itself.</p>]]>
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        <![CDATA[14 Short Stories About Architects, Attitudes and Odd Architectural Anecdotes]]>
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      <link>https://www.archdaily.com/en/802384/round-up-14-short-stories-architects-attitudes-odd-anecdotes</link>
      <pubDate>Tue, 27 Dec 2016 07:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
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        <![CDATA[<p>A new collection of five minute-long <em>On Design</em> stories—developed by the team behind <strong>Section D</strong>, <a href="http://www.archdaily.com/tag/monocle">Monocle</a> 24's 24's weekly review of design, architecture and craft—profile a person, survey a place, or unpack an idea that’s changing or shaping design and architecture today. We've selected fourteen of our favorites from the ongoing series, examining issues as wide as <a href="/en/tag/postmodernism">Postmodernism</a> and the architectural competition, to five-minute profiles of Alvaro Siza, <a href="/en/tag/josef-hoffman">Josef Hoffman</a>, <a href="/en/tag/kengo-kuma">Kengo Kuma</a> and Superstudio.</p>]]>
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        <![CDATA[AD Classics: Space Needle / John Graham & Company]]>
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      <link>https://www.archdaily.com/en/800744/ad-classics-space-needle-john-graham-and-company</link>
      <pubDate>Wed, 07 Dec 2016 04:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
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        <![CDATA[Landmarks & Monuments]]>
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        <![CDATA[<p>The opening of the <em>Century 21 Exposition</em> on April 21, 1962 transformed the image of <a href="/en/tag/seattle">Seattle</a> and the American Northwest in the eyes of the world. The region, which had been known until that point more for its natural resources than as a cultural capital, established a new reputation as a center of emergent technologies and aerospace design. This new identity was embodied by the centerpiece of the exposition: the Space Needle, a slender assemblage of steel and reinforced concrete which became—and remains—Seattle’s most iconic landmark.[1]</p>]]>
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        <![CDATA[How to Preserve Post-War Modernism]]>
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      <link>https://www.archdaily.com/en/469786/how-to-preserve-post-war-modernism</link>
      <pubDate>Sun, 26 Jan 2014 01:00:00 +0000</pubDate>
      <dc:creator>Carlos Harrison</dc:creator>
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        <![CDATA[<p><i>This article by Carlos Harrison appeared in <a href="/en/tag/preservation">Preservation</a> Magazine as </i><a href="http://www.preservationnation.org/magazine/2014/winter/hope-for-modernism.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Reinvention Reinvented: Hope for Modernism</a><i>, and discusses the issues surrounding the (increasingly popular) drive to preserve post-war modernism, including what we can learn from past successes and failures, and what it takes to preserve different types and styles of building. </i></p>]]>
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        <![CDATA[Video: Sheats Goldstein Residence / John Lautner]]>
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      <link>https://www.archdaily.com/en/349037/video-sheats-goldstein-residence-john-lautner</link>
      <pubDate>Sat, 23 Mar 2013 00:00:00 +0000</pubDate>
      <dc:creator>Nicky Rackard</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/349037/video-sheats-goldstein-residence-john-lautner</guid>
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        <![CDATA[<p>Question: What does Snoop Dogg, John Cleese, Lucy Liu and Jeff 'The Dude' Lebowski have in common? Simple, they have all, at some point in time, hung out in the living room of the space-age Sheats Goldstein Residence designed by <a href="http://www.archdaily.com/tag/frank-lloyd-wright/" target="">Frank Lloyd Wright</a>-disciple, <a href="http://www.archdaily.com/tag/john-lautner/" target=""><b>John Lautner</b></a>.</p>]]>
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      <title>
        <![CDATA[Video: Googie Architecture, Part 2 ]]>
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      <link>https://www.archdaily.com/en/294939/video-googie-architecture-part-2</link>
      <pubDate>Thu, 22 Nov 2012 19:00:47 +0000</pubDate>
      <dc:creator>Irina Vinnitskaya</dc:creator>
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        <![CDATA[<p><a href="http://vimeo.com/user3865315?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Sunny &amp; Mild Media</a> presents Part 2 of its <a href="http://www.archdaily.com/289586/video-googie-architecture-part-1/">Googie Architecture Series</a>, presenting design work at the cusp of technological innovations of the 1950s. Emerging out of an obsession with the fast new world of cars, planes and rockets, <a href="http://wp.archdaily.com/tag/googie/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Googie</a> Architecture became an ultramodern style that sought to encapsulate the spirit of the 21st century. The new forms – sweeping, cantilevered roofs, starbursts, and flowing forms – became a form of advertisement that caught the attention of motorists, for its vibrance along the stretches of highways and for its distinctive style.</p>]]>
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        <![CDATA[Video: Googie Architecture, Part 1]]>
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      <link>https://www.archdaily.com/en/289586/video-googie-architecture-part-1</link>
      <pubDate>Sat, 03 Nov 2012 13:00:38 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/289586/video-googie-architecture-part-1</guid>
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        <![CDATA[<p>Googie Architecture, shared with us by <a href="http://vimeo.com/user3865315?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Sunny &amp; Mild Media</a>, is part one of a series that encapsulates the futuristic design found prevalent in the post-war sprawl of <a href="http://wp.archdaily.com/tag/los-angeles/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Los Angeles</a> during the 1950s. Popular among coffee shops, motels and gas stations, the ultramodern style originated from the Sunset Boulevard coffee shop, designed by <a href="http://wp.archdaily.com/tag/john-lautner/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">John Lautner</a>, named Googies. A Googie building was a symbol that a business was with the times, which in turn brought traffic and attention to its doors. Form followed function, and it’s function was advertisement.</p>]]>
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