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    <title>Tag: giardini | ArchDaily</title>
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        <![CDATA[Austria's 2027 Venice Architecture Biennale Pavilion Proposes a Shared Platform with Bosnia and Herzegovina]]>
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      <link>https://www.archdaily.com/1054050/austrias-2027-venice-architecture-biennale-pavilion-proposes-a-shared-platform-with-bosnia-and-herzegovina</link>
      <pubDate>Tue, 07 Jul 2026 11:45:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/country/austria/page/1">Austria</a> has announced Koncesija / Konzession / Concession(e) as its contribution to <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2027">the 20th International Architecture Exhibition – La Biennale di Venezia</a>. Curated by architects Adna Babahmetović and Ajna Babahmetović together with curator Sebastian Höglinger, the project proposes temporarily granting the Austrian Pavilion to <a href="https://www.archdaily.com/country/bosnia-and-herzegovina/page/1">Bosnia and Herzegovina</a> through a cooperative concession. Selected through Austria's open competition process, the <a href="https://www.archdaily.com/tag/pavilion">pavilion</a> examines questions of national representation, diplomacy, and architectural exchange by responding to the absence of a Bosnian national pavilion in the <a href="https://www.archdaily.com/tag/giardini/page/1">Giardini</a>, where the <a href="https://www.archdaily.com/tag/biennale/page/1">Biennale</a>'s historic national pavilions are located.</p>]]>
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        <![CDATA[Swiss Pavilion Examines Water as Resource, Subject, and Legal Entity at the 2027 Venice Architecture Biennale]]>
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      <link>https://www.archdaily.com/1042642/swiss-pavilion-examines-water-as-resource-subject-and-legal-entity-at-the-2027-venice-architecture-biennale</link>
      <pubDate>Mon, 22 Jun 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Architect and urbanist <a href="https://www.archdaily.com/tag/paola-vigano/page/1">Paola Viganò</a> has been selected by Pro Helvetia to curate the <a href="https://www.archdaily.com/country/switzerland/page/1">Swiss</a> Pavilion at <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2027">the 20th International Architecture Exhibition – La Biennale di Venezia</a>. Chosen following a unanimous recommendation from the selection jury, <a href="https://www.archdaily.com/tag/paola-vigano/page/1">Viganò</a>'s proposal explores water as a territorial, ecological, and political condition, taking <a href="https://www.archdaily.com/country/switzerland/page/1">Switzerland</a>'s role as "Europe's water tower" as its conceptual point of departure. Developed with StudioPaolaViganò and an interdisciplinary team, the project examines <a href="https://www.archdaily.com/tag/water">water</a> not only as a resource but also as a subject, a legal entity, and a force that shapes landscapes, infrastructures, and the <a href="https://www.archdaily.com/tag/built-environment">built environment</a>.</p>]]>
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        <![CDATA[La Biennale di Venezia Inaugurates New Home for Its Historical Archive at the Arsenale]]>
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      <link>https://www.archdaily.com/1042082/la-biennale-di-venezia-inaugurates-new-home-for-its-historical-archive-at-the-arsenale</link>
      <pubDate>Tue, 02 Jun 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/la-biennale-di-venezia/page/1">La Biennale di Venezia</a> <a href="https://www.labiennale.org/en/news/historical-archive-presentation-new-home?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">has inaugurated</a> the new home of its Historical Archive – International Centre for Research on Contemporary Arts at the <a href="https://www.archdaily.com/tag/arsenale/page/1">Arsenale</a>, relocating the institution's archival collections and research activities to a restored complex within one of its principal <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> sites. The opening introduces a new permanent headquarters for the archive, bringing together facilities for <a href="https://www.archdaily.com/tag/conservation">conservation</a>, <a href="https://www.archdaily.com/tag/research">research</a>, public consultation, and cultural programming within the historic <a href="https://www.archdaily.com/tag/arsenale/page/1">Arsenale</a>. To mark the occasion, <a href="https://www.archdaily.com/tag/la-biennale-di-venezia/page/1">La Biennale</a> organized a three-day program of performances, lectures, conversations, and public visits, highlighting the archive's role within the institution's broader ecosystem of exhibitions, festivals, and educational initiatives.</p>]]>
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        <![CDATA[8 National Pavilion Highlights from the 2026 Venice Art Biennale]]>
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      <link>https://www.archdaily.com/1041443/8-national-pavilion-highlights-from-the-2026-venice-art-biennale</link>
      <pubDate>Wed, 13 May 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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      <description>
        <![CDATA[<p>In December 2024, <a href="https://www.archdaily.com/1024394/venice-art-biennale-appoints-koyo-kouoh-as-director-of-the-61st-international-art-exhibition?ad_campaign=normal-tag" target="_blank" rel="noopener">art curator Koyo Kouoh became the first African woman selected to curate the 61st International Art Exhibition of La Biennale di Venezia</a>. She proposed an introspective and sensitive approach to the exhibition, shaped by themes of grief, memory, spirituality, and global exhaustion. Following her premature passing in May 2025, the Biennale decided to continue with the same curatorial project, titled In Minor Keys. <a href="https://www.archdaily.com/office/wolff-architects" target="_blank" rel="noopener">Wolff Architects </a>was appointed by <a href="https://www.archdaily.com/tag/koyo-kouoh" target="_blank" rel="noopener">Kouoh </a>in early 2025 to realize the exhibition design and scenography, focused on "the transformative spatial power of the threshold as a portal to alternative comprehension and experiences." The event was inaugurated on Saturday, May 9, and will run until Sunday, November 22, 2026, across the <a href="/tag/giardini">Giardini</a> della Biennale, the <a href="/tag/arsenale">Arsenale</a> di Venezia, and other locations throughout Venice.</p>]]>
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        <![CDATA[La Biennale di Venezia Unveils Renovated Central Pavilion at the Giardini]]>
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      <link>https://www.archdaily.com/1039873/la-biennale-di-venezia-unveils-renovated-central-pavilion-at-the-giardini</link>
      <pubDate>Mon, 23 Mar 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/la-biennale-di-venezia/page/1">La Biennale di Venezia</a> has unveiled the renovated <a href="https://www.archdaily.com/1036315/the-2025-venice-architecture-biennale-ends-marking-the-events-most-visited-edition?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all#:~:text=the%20temporary%20closure%20of%20the%20Central%20Pavilion%20for%20restoration.">Central Pavilion at the Giardini</a>, completing a comprehensive intervention delivered between December 2024 and March 2026 as part of a broader national program to enhance cultural infrastructure. Funded by the Italian Ministry of Culture under the <a href="https://www.italiadomani.gov.it/en/strumenti/documenti/archivio-documenti/national-recovery-and-reslieince-plan.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">National Recovery and Resilience Plan (PNRR)</a> and its complementary investment program (PNC), the project contributes to the development of a permanent hub for cultural production and exchange in <a href="https://www.archdaily.com/tag/venice/page/1">Venice</a>. The works form part of a wider initiative involving multiple sites associated with the <a href="https://www.archdaily.com/tag/venice-biennale">Biennale</a>, including the <a href="https://www.archdaily.com/tag/giardini/page/1">Giardini</a>, the <a href="https://www.archdaily.com/tag/arsenale/page/1">Arsenale</a>, and other locations across the city, developed in coordination with local authorities and heritage institutions.</p>]]>
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        <![CDATA[The Japanese Pavilion at the 2025 Venice Biennale Explores Artificial Intelligence in Architectural Processes]]>
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      <link>https://www.archdaily.com/1027934/japan-pavilion-at-2025-venice-biennale-explores-architectural-intelligence-in-architectural-processes</link>
      <pubDate>Thu, 20 Nov 2025 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p data-start="89" data-end="407">The <a href="/tag/japan">Japan</a> Pavilion at the 2025 <a href="/tag/venice">Venice</a> Biennale investigates the evolving role of <a href="https://www.archdaily.com/tag/artificial-intelligence">artificial intelligence (AI) </a>in architecture, focusing on the concept of the "in-between." Curated by <a href="https://www.archdaily.com/tag/jun-aoki">Jun Aoki, </a>the exhibition runs from May 10 to November 23, 2025, at the <a href="https://www.archdaily.com/tag/giardini">Giardini</a> della Biennale in Venice. The exhibition explores the growing autonomy of AI in architectural design, raising questions about the shifting relationship between human agency and <a href="https://www.archdaily.com/tag/artificial-intelligence">machine intelligence.</a> The showcase aligns with the <a href="https://www.archdaily.com/1016290/natural-artifical-and-collective-intelligence-carlo-ratti-announces-theme-and-title-for-2025-venice-architecture-biennale">overarching theme "Intelligens. Natural. Artificial. Collective," curated by Carlo Ratti.</a></p>]]>
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        <![CDATA[The Silent Pavilion: Carlo Scarpa and the Giardino delle Sculture at the Venice Biennale]]>
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      <link>https://www.archdaily.com/1035891/the-silent-pavilion-carlo-scarpa-and-the-giardino-delle-sculture-at-the-venice-biennale</link>
      <pubDate>Mon, 17 Nov 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>When we think of <a href="https://www.archdaily.com/tag/venice" target="_blank" rel="noopener">Venice</a>, familiar images come to mind: <a href="https://www.archdaily.com/tag/piazza-san-marco" target="_blank" rel="noopener">Piazza San Marco</a>, winding canals, and the reflection of Byzantine domes on still waters. Few, however, imagine that among those reflections lies a discreet chapter of Italian <a href="https://www.archdaily.com/tag/modern-architecture" target="_blank" rel="noopener">modernity</a> — the architecture of <a href="https://www.archdaily.com/office/carlo-scarpa" target="_blank" rel="noopener">Carlo Scarpa</a>.</p>]]>
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        <![CDATA[The Korean Pavilion at the 2025 Venice Biennale Marks 30 Years with “Little Toad, Little Toad: Unbuilding Pavilion”]]>
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      <link>https://www.archdaily.com/1034156/the-korean-pavilion-at-the-2025-venice-biennale-marks-30-years-with-little-toad-little-toad-unbuilding-pavilion</link>
      <pubDate>Tue, 16 Sep 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/country/south-korea/page/1">Korean</a> <a href="https://www.archdaily.com/tag/pavilion">Pavilion</a> at the<a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025"> 19th International Architecture Exhibition - La Biennale di Venezia</a> marks its 30th anniversary with "Little Toad, Little Toad: Unbuilding Pavilion," an <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> commissioned by Arts Council Korea (ARKO) and curated by Curating Architecture Collective (CAC), composed of Chung Dahyoung, Kim Heejung, and Jung Sungkyu. Bringing together <a href="https://www.archdaily.com/tag/architects">architects</a> and <a href="https://www.archdaily.com/tag/artist">artists</a> Kim Hyunjong, Heechan Park, Young Yena, and Lee Dammy, the <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> critically revisits the <a href="https://www.archdaily.com/tag/pavilion">pavilion</a> as both a physical structure and a symbolic space, tracing its trajectory since its completion in 1995 while speculating on its possible futures.</p>]]>
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        <![CDATA[From Little Venice to Venice: The Narrative of Carlo Scarpa’s Venezuela Pavilion]]>
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      <link>https://www.archdaily.com/1032763/from-little-venice-to-venice-the-narrative-of-carlo-scarpas-venezuela-pavilion</link>
      <pubDate>Sat, 09 Aug 2025 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p>Nestled amongst the plethora of grandiose and carefully crafted national pavilions in the <a href="https://www.archdaily.com/tag/giardini" target="_blank" rel="noopener">Giardini della Biennale</a> in the <a href="https://www.archdaily.com/country/italy/page/1" target="_blank" rel="noopener">Italian</a> city of <a href="https://www.archdaily.com/tag/venice" target="_blank" rel="noopener">Venice</a> is one pavilion by the city's perhaps most well-known modern architect. Sited between the <a href="https://www.archdaily.com/tag/pavilion" target="_blank" rel="noopener">pavilions</a> of Russia and Switzerland is the <a href="/tag/venezuela">Venezuela</a> <a href="/tag/pavilion">Pavilion</a>, by architect <a href="https://www.archdaily.com/tag/carlo-scarpa" target="_blank" rel="noopener">Carlo Scarpa</a>. In many ways, the structure typifies the design approach of its architect but has its idiosyncrasies. Built for Europe's most important biennial art exhibition, it is a member of a cohort of <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">Modernist</a> pavilions that came after the earlier, more classicist pavilions. This is its story.</p>]]>
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        <![CDATA[Polish Pavilion at the 2025 Venice Architecture Biennale Investigates Architecture’s Role in Providing Security]]>
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      <link>https://www.archdaily.com/1031893/polish-pavilion-at-the-2025-venice-architecture-biennale-investigates-architectures-role-in-providing-security</link>
      <pubDate>Tue, 08 Jul 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/polish-pavilion/page/1">The Polish Pavilion</a> at <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025">the 2025 Venice Architecture Biennale</a> presents <em>Lares and Penates: On Building a Sense of Security in Architecture</em>, an <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> that explores how <a href="https://www.archdaily.com/tag/architecture">architecture</a> continues to function as a form of protection in an age marked by uncertainty. Framed as an <a href="https://www.archdaily.com/tag/anthropology">anthropological</a> investigation, the project examines the emotional and rational dimensions of building practices. The exhibition is developed by a <a href="https://www.archdaily.com/tag/multidisciplinary">multidisciplinary</a> team including curator and art historian Aleksandra Kędziorek, architect Maciej Siuda, and artists Krzysztof Maniak and Katarzyna Przezwańska. Rather than focusing on <a href="https://www.archdaily.com/tag/architecture">architecture</a> from the designer's perspective, the team investigates how individuals inhabit space and construct a sense of <a href="https://www.archdaily.com/tag/safety">safety</a>, responding to deep-seated fears, desires, and needs.</p>]]>
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        <![CDATA[Romanian Pavilion at the 2025 Venice Biennale Explores Architecture Through the Human Figure]]>
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      <link>https://www.archdaily.com/1031189/romanian-pavilion-at-the-2025-venice-biennale-explores-architecture-through-the-human-figure</link>
      <pubDate>Mon, 16 Jun 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/romanian-pavilion">Romanian Pavilion</a> at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025">19th International Architecture Exhibition – La Biennale di Venezia</a> presents <em>HUMAN SCALE</em>, an <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> and <a href="https://www.archdaily.com/tag/research">research</a> initiative that explores the intersection of <a href="https://www.archdaily.com/tag/architecture">architecture</a> and <a href="https://www.archdaily.com/tag/visual-arts">visual arts</a>. Curated by Cosmina Goagea, the project brings together the work of <a href="https://www.archdaily.com/tag/contemporary">contemporary</a> artist Vlad Nancă and architecture duo Muromuro Studio. On view at both the <a href="https://www.archdaily.com/tag/romanian-pavilion">Romanian Pavilion</a> in the <a href="https://www.archdaily.com/tag/giardini/page/1">Giardini della Biennale</a> and the New Gallery of the Romanian Institute of Culture and Humanistic <a href="/tag/research">Research</a> in <a href="https://www.archdaily.com/tag/venice">Venice</a>, the exhibition explores how architectural representations not only shape but also convey collective ideas and social aspirations.</p>]]>
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        <![CDATA["Helping the Existing to Reconfigure Itself":  In Conversation with Søren Pihlmann, Curator of the Danish Pavilion]]>
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      <link>https://www.archdaily.com/1030683/helping-the-existing-to-reconfigure-itself-in-conversation-with-soren-pihlmann-curator-of-the-danish-pavilion</link>
      <pubDate>Fri, 30 May 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="0" data-end="621"><a href="https://www.archdaily.com/tag/soren-pihlmann" target="_blank" rel="noopener">Søren Pihlmann</a> is the curator of the <a href="https://www.archdaily.com/tag/danish-pavilion" target="_blank" rel="noopener">Danish Pavilion</a> at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">2025 Venice Architecture Biennale</a>. The exhibition, commissioned by the <a href="https://www.archdaily.com/tag/danish-architecture-centre" target="_blank" rel="noopener">Danish Architecture Center</a>, is titled <a href="https://www.archdaily.com/1026012/denmark-presents-build-of-site-by-soren-pihlmann-at-la-biennale-di-venezia-2025" target="_blank" rel="noopener"><em>Build of Site</em></a>, and focuses on exploring sustainable architectural practices through the lens of <a href="https://www.archdaily.com/tag/reuse">reuse</a> and resourcefulness. Pihlmann's proposal transforms the existing Danish Pavilion, located within a historic building complex in the <a href="https://www.archdaily.com/tag/giardini" target="_blank" rel="noopener">Biennale's Giardini</a>, into an active exhibition space for <a href="https://www.archdaily.com/tag/materials" target="_blank" rel="noopener">material experimentation</a>. The installation highlights techniques that incorporate <a href="https://www.archdaily.com/tag/recycled-materials" target="_blank" rel="noopener">recycled</a> and bio-based elements. The Pavilion offers visitors the opportunity to observe ongoing experimental processes, witnessing how building resources are creatively reimagined for new uses. In this on-site interview, ArchDaily editors spoke with the curator about the ideas behind the project and the challenges its execution represents.</p>]]>
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        <![CDATA[Latin America at the 2025 Venice Biennale: Exploring Territory, Memory, and Ancestral Knowledge to Build the Present]]>
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      <link>https://www.archdaily.com/1030213/latin-america-at-the-2025-venice-biennale-exploring-territory-memory-and-ancestral-knowledge-to-build-the-present</link>
      <pubDate>Fri, 23 May 2025 07:30:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
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        <![CDATA[<p data-start="103" data-end="420"><a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025">The 19th edition of the Venice Architecture Biennale </a>officially opened to the public on May 10, becoming a significant international platform for exploring the current state of global architecture and sparking conversations about the challenges the discipline faces today—both shared and specific to each territory. This year’s theme, <a href="https://www.archdaily.com/1016290/natural-artifical-and-collective-intelligence-carlo-ratti-announces-theme-and-title-for-2025-venice-architecture-biennale"><em data-start="441" data-end="490">"Intelligens. Natural. Artificial. Collective,"</em></a> proposed by general curator and Italian architect Carlo Ratti, invites reflection on architecture’s interconnection with other fields—such as <a href="https://www.archdaily.com/tag/art-and-architecture" target="_blank" rel="noopener">art</a>, <a href="https://www.archdaily.com/tag/artificial-intelligence" target="_blank" rel="noopener">artificial intelligence</a>, and technology—while also emphasizing the importance of <a href="https://www.archdaily.com/tag/territory" target="_blank" rel="noopener">territories</a>, <a href="https://www.archdaily.com/tag/landscape-architecture" target="_blank" rel="noopener">landscapes</a>, and, above all, the people who collectively shape our built environment.</p>]]>
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        <![CDATA[First Look at Lina Ghotmeh's Design for Qatar’s First Permanent National Pavilion at Venice Biennale’s Giardini]]>
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      <link>https://www.archdaily.com/1026989/qatar-to-establish-permanent-national-pavilion-in-the-giardini-at-la-biennale-di-venezia-debuting-with-exhibition-for-biennale-architettura-2025</link>
      <pubDate>Tue, 13 May 2025 04:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p data-start="0" data-end="637"><a href="https://www.archdaily.com/country/qatar">Qatar</a> has announced that architect <a href="https://www.archdaily.com/tag/lina-ghotmeh" target="_blank" rel="noopener">Lina Ghotmeh</a>, founder and principal of the Paris-based studio <a href="https://www.archdaily.com/office/lina-ghotmeh-architecture" target="_blank" rel="noopener">Lina Ghotmeh — Architecture</a>, has been selected to design its permanent national pavilion in the Giardini della Biennale, the historic venue of La Biennale di Venezia since 1895. The new building will be on a site adjacent to the Book Pavilion and commissioned by H.E. Sheikha Al Mayassa on behalf of the State of Qatar. With this addition, Qatar becomes one of only 31 countries with a permanent pavilion in the <a href="https://www.archdaily.com/tag/giardini">Giardini</a>, joining a select group of nations with dedicated exhibition spaces. Only two new national pavilions have been inaugurated there in the past 50 years: <a href="https://www.archdaily.com/search/projects/country/australia">Australia</a> in 1988 and the Republic of Korea in 1996. <a href="https://www.archdaily.com/tag/lina-ghotmeh" target="_blank" rel="noopener">Lina Ghotmeh</a>'s new Qatar Pavilion will serve as a lasting platform for showcasing the country's artistic and architectural contributions, with rotating exhibitions presented during each edition of the Biennale.</p>]]>
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        <![CDATA[The 2025 Venice Architecture Biennale Opens on Saturday, May 10th]]>
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      <link>https://www.archdaily.com/1029971/the-2025-venice-architecture-biennale-opens-on-saturday-may-10th</link>
      <pubDate>Fri, 09 May 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The 19th edition of one of the world's most renowned architectural events opens to the public this week. The <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">2025 Venice Architecture Biennale</a>, titled <a href="https://www.archdaily.com/1016290/natural-artifical-and-collective-intelligence-carlo-ratti-announces-theme-and-title-for-2025-venice-architecture-biennale" target="_blank" rel="noopener"><em>Intelligens. Natural. Artificial. Collective.</em></a> and curated by <a href="https://www.archdaily.com/tag/carlo-ratti" target="_blank" rel="noopener">Carlo Ratti</a>, will run from Saturday, May 10, to Sunday, November 23, 2025. <a href="https://www.archdaily.com/997848/everything-you-need-to-know-about-the-venice-architecture-biennale-2023" target="_blank" rel="noopener">This year's edition stands out for both its scale and its expanded range of venues</a>, partly due to the ongoing renovation of traditional sites such as the Central Pavilion in the <a href="https://www.archdaily.com/tag/giardini" target="_blank" rel="noopener">Giardini</a>. The event is set to transform Venice into what the curator describes as "a living laboratory."</p>]]>
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        <![CDATA[Meet the Full List of the 65 National Pavilions at the 2025 Venice Architecture Biennale]]>
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      <link>https://www.archdaily.com/1029630/meet-the-full-list-of-the-65-national-pavilions-at-the-2025-venice-architecture-biennale</link>
      <pubDate>Wed, 07 May 2025 04:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Titled <a href="https://www.archdaily.com/1016290/natural-artifical-and-collective-intelligence-carlo-ratti-announces-theme-and-title-for-2025-venice-architecture-biennale"><em>Intelligens. Natural. Artificial. Collective.</em> and curated by Carlo Ratti</a>, the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025?page=3">2025 Venice Architecture Biennale</a> will be holding the 19th International Architecture <a href="/tag/exhibition">Exhibition</a> from May 10 to November 23, 2025.</p>]]>
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        <![CDATA[Venice Architecture City Guide: 15 Historical and Contemporary Attractions to Discover in Italy’s City of Canals]]>
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      <link>https://www.archdaily.com/1000784/venice-architecture-city-guide-15-historical-and-contemporary-attractions-to-discover-in-italys-city-of-canals</link>
      <pubDate>Mon, 28 Apr 2025 05:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Built on a cluster of 118 small islands in the shallow Venetian Lagoon, the city of <a href="/tag/venice">Venice</a>, Italy, has captivated the imagination of architects and tourists alike. The area has been inhabited since ancient times, becoming a major financial and maritime power during the Middle Ages and Renaissance, as proven through the rich architecture that characterizes the city to this day. With influences from the Byzantine, Gothic, and Renaissance styles, the city represents a palimpsest of architectural narratives, overlapping and influencing each other. In recent years, Venice has become a major attraction for architects drawn to the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2023">La Biennale di Venezia</a>, the most important Architectural Exhibition featuring <a href="https://www.archdaily.com/997532/meet-the-participants-of-the-international-architecture-exhibition-at-the-2023-venice-architecture-biennale?ad_campaign=special-tag">national pavilions</a>, exhibitions, and events to explore new concepts and architectural innovations.</p>]]>
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        <![CDATA[AD Classics: Nordic Pavilion, Venice / Sverre Fehn]]>
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      <link>https://www.archdaily.com/784536/ad-classics-nordic-pavilion-in-venice-sverre-fehn</link>
      <pubDate>Tue, 01 Apr 2025 04:00:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[Pavilion]]>
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        <![CDATA[<p>As a result of the ideas competition organized by the governments of <a href="/tag/sweden">Sweden</a>, <a href="/tag/finland">Finland</a>, and <a href="/tag/norway">Norway</a> in 1958, Sverre Fehn's <a href="/tag/nordic-pavilion">Nordic Pavilion</a> won first prize, becoming one of the most significant works of his career and one of the most outstanding Scandinavian architectural achievements during the mid-20th century. Designed to create a space at the <a href="/tag/venice">Venice</a> Biennale for the biennial exhibitions of these countries, Fehn's proposal addressed several key architectural challenges—ranging from its integration with the site and incorporation of pre-existing elements to the handling of physical boundaries and uniform <a href="https://www.archdaily.com/975929/light-as-a-design-statement-inspiring-ways-to-manage-natural-lighting" target="_blank" rel="noopener">natural lighting</a>. His design explored the interaction between architecture and trees, the <a href="https://www.archdaily.com/tag/architectural-flexibility" target="_blank" rel="noopener">flexibility</a> in the exhibition space, the filtering of light, the connection between interior and exterior, the concept of movement through space, and the display of artworks.</p>]]>
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