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    <title>Tag: frank-lloyd-wright | ArchDaily</title>
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        <![CDATA[Why do we want to float? The psychology of lightness in architecture]]>
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      <link>https://www.archdaily.com/1040611/why-do-we-want-to-float-the-psychology-of-lightness-in-architecture</link>
      <pubDate>Sat, 25 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>In 1962, architect <a href="https://www.archdaily.com.br/br/office/buckminster-fuller">Buckminster Fuller</a> imagined a floating city that would free humanity from its dependence on Earth. The hypothetical project consisted of massive airborne <a href="https://www.archdaily.com.br/br/904613/como-funcionam-as-estruturas-geodesicas">geodesic spheres</a> that would naturally <a href="https://www.archdaily.com.br/br/887543/estruturas-tensegrity-o-que-sao-e-o-que-esperar-delas?ad_medium=office_landing&amp;ad_name=article">levitate</a> on warm, sun-heated air and be anchored to mountaintops. Designed to house thousands of people, <a href="https://www.archdaily.com.br/br/793410/allegra-fuller-compartilha-as-melhores-licoes-que-aprendeu-com-seu-pai-buckminster-fuller?ad_medium=office_landing&amp;ad_name=article">Fuller</a>'s <em><a href="https://www.researchgate.net/figure/Buckminster-Fuller-Floating-Cloud-Structures-Cloud-Nine-1960_fig1_316624911?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Cloud Nine</a> </em>aimed to ease land ownership politics and housing shortages while helping preserve nature.</p>]]>
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        <![CDATA[Frank Lloyd Wright’s Fallingwater Restoration and Salone del Mobile.Milano 2026: This Week’s Review]]>
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      <link>https://www.archdaily.com/1040457/frank-lloyd-wrights-fallingwater-restoration-and-a-new-cancer-support-center-in-kent-this-weeks-review</link>
      <pubDate>Thu, 09 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>This week marked<a href="https://www.archdaily.com/1040388/on-world-health-day-how-architecture-shapes-well-being-in-everyday-spaces" target="_blank" rel="noopener"> World Health Day</a>, <a href="https://www.archdaily.com/tag/archdaily-international-days" target="_blank" rel="noopener">observed annually</a> on April 7 by the World Health Organization. <a href="https://www.archdaily.com/1040388/on-world-health-day-how-architecture-shapes-well-being-in-everyday-spaces" target="_blank" rel="noopener">This year's edition issued the call to "Stand with science,"</a> inviting renewed engagement with scientific knowledge as a foundation for collective action across disciplines. In architecture and urban design, this imperative resonates through projects that translate research into spatial strategies: from the deployment of digital twins to inform urban planning and decision-making, to rewilding initiatives that integrate biodiversity as a tool to mitigate climate change, and materially informed practices that engage resource-conscious construction. Within this broader framework, recent works also foreground architecture's social agency at multiple scales, including a landscape-driven cancer support center in <a href="/tag/kent">Kent</a> that aligns wellbeing with environmental sensitivity, an urban installation in <a href="/tag/brescia">Brescia</a> operating as a civic awareness device around life in prison and pathways to reintegration, and the transformation of a street in <a href="/tag/mantua">Mantua</a> into a pedestrian-oriented, biodiversity-rich public space. </p>]]>
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        <![CDATA[Frank Lloyd Wright’s Fallingwater Reopens After Restoration, Celebrating Its 90th Anniversary]]>
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      <link>https://www.archdaily.com/1040362/frank-lloyd-wrights-fallingwater-reopens-after-restoration-celebrating-its-90th-anniversary</link>
      <pubDate>Mon, 06 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/fallingwater">Fallingwater</a>, <a href="https://www.archdaily.com/60022/ad-classics-fallingwater-frank-lloyd-wright?ad_source=search&amp;ad_medium=projects_tab">the iconic residence</a> designed by <a href="https://www.archdaily.com/tag/frank-lloyd-wright/page/1">Frank Lloyd Wright</a>, has reopened to the public following the completion of a three-year <a href="https://www.archdaily.com/tag/preservation">preservation</a> project. The reopening coincides with the building's 90th anniversary and the start of its 63rd tour season, marking a key moment in the ongoing <a href="https://www.archdaily.com/tag/conservation">conservation</a> of one of the most widely recognized works of <a href="https://www.archdaily.com/tag/modern-architecture">modern architecture</a>. The intervention, led by the <a href="https://www.archdaily.com/photographer/western-pennsylvania-conservancy/page/1">Western Pennsylvania Conservancy</a>, focused on addressing structural and environmental challenges while maintaining the integrity of <a href="https://www.archdaily.com/tag/frank-lloyd-wright/page/1">Wright</a>'s original design.</p>]]>
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        <![CDATA[New National Museum in Abu Dhabi and The Nomadic Library: This Week’s Review]]>
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      <link>https://www.archdaily.com/1036656/new-national-museum-in-abu-dhabi-and-the-nomadic-library-this-weeks-review</link>
      <pubDate>Thu, 04 Dec 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>As <a href="https://www.archdaily.com/tag/cultural-venue">cultural institutions</a> advanced major <a href="https://www.archdaily.com/tag/preservation">preservation</a> projects and new demographic data reframed understandings of <a href="https://www.archdaily.com/tag/urban-growth">urban growth</a>, this week's architectural discussions centred on how <a href="https://www.archdaily.com/tag/cities">cities</a> and <a href="https://www.archdaily.com/tag/museums">museums</a> adapt to evolving <a href="https://www.archdaily.com/tag/social">social</a>, <a href="https://www.archdaily.com/tag/environment">environmental</a>, and <a href="https://www.archdaily.com/tag/infrastructure">infrastructural</a> conditions. Efforts to safeguard <a href="https://www.archdaily.com/tag/modern-heritage">modern heritage</a>, developments in long-term <a href="https://www.archdaily.com/tag/urban-planning">urban planning</a>, and reflections on architectural legacy intersect with global observances such as the <a href="https://www.archdaily.com/tag/archdaily-international-days">International Day</a> of Persons with <a href="https://www.archdaily.com/tag/disabilities">Disabilities</a>, highlighting the ongoing need for more <a href="https://www.archdaily.com/tag/inclusivity">inclusive</a> and <a href="https://www.archdaily.com/tag/accessibility">accessible</a> environments within the <a href="https://www.archdaily.com/tag/built-environment">built landscape</a>.</p>]]>
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        <![CDATA[Frank Lloyd Wright’s Fountainhead Residence Purchased by the Mississippi Museum of Art and Prepared for Public Tours]]>
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      <link>https://www.archdaily.com/1036480/frank-lloyd-wrights-fountainhead-residence-purchased-by-the-mississippi-museum-of-art-and-prepared-for-public-tours</link>
      <pubDate>Fri, 28 Nov 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>On November 20, 2025, the Mississippi Museum of Art (MMA) confirmed the purchase of Fountainhead, a house designed by <a href="https://www.archdaily.com/office/frank-lloyd-wright" target="_blank" rel="noopener">Frank Lloyd Wright</a> in 1948 and completed in 1954. The renowned <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">modernist architect</a> designed the residence and its furnishings for oil businessman J. Willis Hughes, who lived there with his family until 1980. Established in 1911, the MMA is the largest art museum in the state of <a href="https://www.archdaily.com/tag/mississippi" target="_blank" rel="noopener">Mississippi</a>, offering exhibitions, public programs, artistic and community partnerships, educational initiatives, and opportunities for exchange year-round through a permanent collection of paintings, photography, multimedia works, and sculpture. The purchase is part of the Museum's goal to embed itself in neighborhoods across the city in ways that support its community-building priorities, making <a href="https://www.archdaily.com/908517/8-buildings-by-frank-lloyd-wright-nominated-for-unesco-world-heritage-status" target="_blank" rel="noopener">the architectural landmark</a> available to the public for tours with reservations. The initiative is inspired by institutions such as the Crystal Bridges Museum of American Art, <a href="https://www.archdaily.com/776487/at-crystal-bridges-museum-frank-lloyd-wrights-bachman-wilson-house-reframes-architecture-as-art" target="_blank" rel="noopener">which acquired the Wright-designed Bachman-Wilson House in 2015</a>.</p>]]>
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        <![CDATA[Rethinking the Flat Datum: Designing Space with Incline and Intent]]>
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      <link>https://www.archdaily.com/1035411/rethinking-the-flat-datum-designing-space-with-incline-and-intent</link>
      <pubDate>Mon, 27 Oct 2025 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Historically, architecture and the built environment have insisted on creating flat, hard surfaces. In earlier eras, walking without paved ground meant mud-caked shoes, uneven footing, tripping hazards, <a href="https://www.archdaily.com/1032756/why-sit-by-the-dock-of-the-bay-designing-thresholds-to-the-water?ad_source=search&amp;ad_medium=search_result_articles">standing water</a> after rain, and high maintenance. Hence, as we shaped cities, we prioritized a smooth, continuous, solid <a href="https://www.archdaily.com/268480/venice-biennale-2012-shifting-grounds-beyond-national-architecture-ireland-pavilion?ad_source=search&amp;ad_medium=search_result_articles">horizontal datum</a>. The benefits are real: easier <a href="https://www.archdaily.com/1024726/walking-on-air-thrilling-sao-paulo-views-from-a-42-nd-floor-glass-skywalk?ad_source=search&amp;ad_medium=search_result_articles">walking</a>, simpler cleaning, and straightforward programming—furniture, equipment, and partitions all prefer a level base. This universal preference for <a href="https://www.archdaily.com/1032929/reflecting-on-territory-topography-and-landscape-discover-whale-s-projects-in-chile?ad_source=search&amp;ad_medium=search_result_articles">building on flat ground</a> remains the norm and, for many practical reasons, will likely continue to be.</p>]]>
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        <![CDATA[Hilversum Town Hall: Willem Dudok’s Monument to Civic Architecture]]>
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      <link>https://www.archdaily.com/1034521/hilversum-town-hall-willem-dudoks-monument-to-civic-architecture</link>
      <pubDate>Thu, 02 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>In the Dutch city of <a href="https://www.archdaily.com/city/hilversum">Hilversum</a>, a municipal building completed in 1931 redefined the very idea of what a <a href="https://www.archdaily.com/category/town-and-city-hall">town hall</a> could be. More than a house for local administration, the Hilversum <a href="/tag/town-hall">Town Hall</a> became the architectural expression of a community in transformation. With its tower rising above reflective ponds, its brick masses composed around courtyards, and its carefully detailed interiors, the building asserted that civic architecture could unite function with symbolism, efficiency with ceremony.</p>]]>
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        <![CDATA[Eliminating the Barrier Between Indoor Spaces and Nature]]>
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      <link>https://www.archdaily.com/1033821/eliminating-the-barrier-between-indoor-spaces-and-nature</link>
      <pubDate>Wed, 01 Oct 2025 06:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>For centuries, architecture has been shaped by the aspiration to create a smooth transition between the indoors and the outdoors. Today, technologically sophisticated window and facade systems allow architects to design open, light-flooded room concepts without losing heat. The <a href="https://www.archdaily.com/catalog/us/companies/2058/solarlux">Solarlux</a> cero maximum sliding window can eliminate the boundaries between spaces, demonstrated most impressively when large-format elements replace building corners. This is a technical achievement accomplished entirely without supports that disrupt the view. <a href="https://solarlux.com/en/?utm_campaign=DE+BE+Architekt&amp;utm_medium=Portaleintrag&amp;utm_source=Archdaily" target="_blank">cero</a> creates a direct, immediate connection to nature that goes far beyond what standard solutions can offer.</p>]]>
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        <![CDATA[Framing Interiors and Landscapes in Aluminum and Glass to Master the View]]>
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      <link>https://www.archdaily.com/1034016/framing-interiors-and-landscapes-in-aluminum-and-glass-to-master-the-view</link>
      <pubDate>Wed, 24 Sep 2025 01:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/1031017/the-windows-of-venice-how-history-inspired-modernity?ad_campaign=normal-tag">Windows have long held an ambivalent role in architecture</a>, as they both define and enclose interiors while simultaneously creating a link to the outdoors. This dual function goes beyond simply meeting construction needs <a href="https://www.archdaily.com/910699/why-norman-foster-scoops-daylight-into-his-buildings?ad_source=search&amp;ad_medium=search_result_articles">or providing daylight</a>, directly influencing how occupants experience and engage with the views. The 20th century saw the introduction of materials such as steel, aluminum, and glass, which enabled <a href="https://www.archdaily.com/992145/different-types-of-windows-and-how-to-use-them?ad_source=search&amp;ad_medium=search_result_articles">different types of windows</a> with thinner frames and expansive panes, enhancing transparency and reinforcing the visual connection with the surrounding setting.</p>]]>
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        <![CDATA[Shaping Spaces: The History and Impact of Fireplaces in Architecture]]>
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      <link>https://www.archdaily.com/1031176/shaping-spaces-the-history-and-impact-of-fireplaces-in-architecture</link>
      <pubDate>Thu, 17 Jul 2025 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/fireplaces">Fireplaces</a> have profoundly shaped architectural design, influencing how spaces are organized, experienced, and perceived. More than merely functional elements, they represent symbols of power, community, comfort, and culture, tracing humanity's evolving relationship with the built environment. From the primitive hearths that characterized early human settlements to the sophisticated <a href="https://www.archdaily.com/tag/ecological-design">ecological designs</a> of <a href="https://www.archdaily.com/tag/contemporary-architecture">contemporary architecture</a>, fireplaces have reflected broader cultural, social, and technological changes, serving as enduring focal points in the spatial narrative of architecture. Scholars have frequently explored the intimate relationship between architecture and fire. <a href="https://www.archdaily.com/tag/luis-fernandez-galiano">Luis Fernández-Galiano</a>, in his seminal work "<a href="https://www.amazon.com/Fire-Memory-Architecture-Energy-Writing/dp/0262561336?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Fire and Memory: On Architecture and Energy</a>" argues that architecture fundamentally mediates the relationship between humanity and energy. By understanding how these structures have shaped spaces, symbolized cultural values, and driven <a href="https://www.archdaily.com/1000647/what-is-architectural-technology-how-technology-is-changing-the-industry">technological innovation</a>, we gain deeper insight into architecture's complex interplay between form, function, and meaning.</p>]]>
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        <![CDATA[Mid-Century & Mid-Western: Tracing the Modernist Movement in America’s Industrial Corridor]]>
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      <link>https://www.archdaily.com/1026454/mid-century-and-mid-western-tracing-scales-of-the-modernist-movement-in-americas-industrial-corridor</link>
      <pubDate>Sun, 25 May 2025 07:30:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/mid-century-modern" target="_blank" rel="noopener">Mid-Century Modernist</a> movement was more than an aesthetic or material shift in the United States, as it was a response to a rapidly changing world. Emerging after World War II, this architectural revolution rejected ornate, traditional styles of the past in favor of clean lines, functional design, and incorporation of flashy materials like steel, glass, and concrete. <a href="https://www.archdaily.com/1026333/the-timeless-appeal-of-modernism-in-technology-and-digital-architecture" target="_blank" rel="noopener">Modernism was a break from tradition</a>, focusing instead on simplicity, efficiency, and a vision for the future. It reflected the optimism of a nation rebuilding itself, where technology and innovation shaped everything from cityscapes to suburban homes.</p>]]>
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        <![CDATA[The Evolution of Gas Stations: From Roadside Stops to Architectural Landmarks]]>
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      <link>https://www.archdaily.com/1028278/the-evolution-of-gas-stations-from-roadside-stops-to-architectural-landmarks</link>
      <pubDate>Thu, 10 Apr 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/search/projects/categories/gas-station">gas station</a> is an <a href="https://www.archdaily.com/tag/typologies">architectural typology</a> that has undergone significant transformations since its inception. Initially, these structures were simple roadside refueling points designed for functionality rather than aesthetics. As automobile culture expanded, gas stations evolved to accommodate new technologies, shifting urban landscapes and changing consumer behaviors. Over time, they became more than just utilitarian stops — they developed into service hubs, integrating restaurants, motels, and leisure spaces, responding to contemporary transportation increasing demands.</p>]]>
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        <![CDATA[Frank Lloyd Wright’s Mayan Revival Houses in Los Angeles: Creating Atmosphere and Perception of Space]]>
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      <link>https://www.archdaily.com/1027771/frank-lloyd-wrights-mayan-revival-houses-in-los-angeles-creating-atmosphere-and-perception-of-space</link>
      <pubDate>Fri, 14 Mar 2025 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1027771/frank-lloyd-wrights-mayan-revival-houses-in-los-angeles-creating-atmosphere-and-perception-of-space</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/513642/happy-birthday-frank-lloyd-wright?ad_source=search&amp;ad_medium=search_result_articles">Frank Lloyd Wright's</a> architectural legacy is vast, but among his most enigmatic and atmospheric works are his Mayan Revival houses in <a href="https://www.archdaily.com/tag/los-angeles">Los Angeles</a>, California. Residences such as the Hollyhock House redefine <a href="https://www.archdaily.com/1022444/shaping-atmospheres-with-lighting-a-human-centered-approach-to-emotional-design?ad_source=search&amp;ad_medium=search_result_articles">the interplay of light</a>, materiality, constructive innovation, and <a href="https://www.archdaily.com/1027348/designing-the-senses-how-synesthesia-shapes-our-built-world?ad_source=search&amp;ad_medium=search_result_articles">spatial perception</a>. By using <a href="https://www.archdaily.com/77922/frank-lloyd-wrights-textile-houses?ad_source=search&amp;ad_medium=search_result_articles">modular concrete blocks</a> in an ornamental and structural way, <a href="https://www.proquest.com/openview/5170856f87b1f494b041fa95d8681a40/1?cbl=18750&amp;pq-origsite=gscholar&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Wright developed a unique aesthetic</a> deeply rooted in both the past and the future.</p>]]>
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        <![CDATA[The Continued Relevance of Models in Architecture's Digital Era]]>
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      <link>https://www.archdaily.com/1021794/the-continued-relevance-of-models-in-architectures-digital-era</link>
      <pubDate>Fri, 18 Oct 2024 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1021794/the-continued-relevance-of-models-in-architectures-digital-era</guid>
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        <![CDATA[<p>For centuries, <a href="https://www.archdaily.com/tag/models">models</a> have been central to <a href="https://www.archdaily.com/tag/architectural-design">architectural design</a>, providing architects with a tangible way to explore ideas, test concepts, and communicate their vision. From the <a href="https://www.archdaily.com/tag/renaissance">Renaissance</a> to <a href="https://www.archdaily.com/tag/modernism">Modernism</a>, models have been instrumental in the construction and reflection processes, offering insights into form, <a href="https://www.archdaily.com/949316/the-evolution-in-understanding-of-human-scales-in-architecture">proportion</a>, and spatial relationships. However, in today's digital age, where <a href="https://www.archdaily.com/tag/3d-modeling">3D models</a><strong> </strong>and <a href="https://www.archdaily.com/tag/virtual-reality">Virtual Reality</a><strong> </strong>(VR) have become powerful and efficient tools, the question arises: Are physical models still relevant in <a href="https://www.archdaily.com/tag/contemporary-architecture">contemporary architecture</a>?</p>]]>
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        <![CDATA[Frank Lloyd Wright’s Price Tower Set to Close and Go Up for Auction ]]>
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      <link>https://www.archdaily.com/1020422/frank-lloyd-wrights-price-tower-set-to-close-and-go-up-for-auction</link>
      <pubDate>Fri, 23 Aug 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1020422/frank-lloyd-wrights-price-tower-set-to-close-and-go-up-for-auction</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/124191/ad-classics-price-tower-frank-lloyd-wright">The Price Tower, Frank Lloyd Wright’s only realized high-rise building</a>, and a beloved landmark in Bartlesville, <a href="/tag/oklahoma">Oklahoma</a>, has been going through a financial controversy, with recent developments announcing an October auction, as revealed by <a href="https://eu.examiner-enterprise.com/story/news/2024/08/20/bartlesvilles-iconic-price-tower-up-for-october-auction/74880835007/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">the Bartlesville Examiner-Enterprise</a>. Designed in 1952, the tower was <a href="https://www.archdaily.com/958989/the-tree-that-escaped-the-crowded-forest-lessons-from-frank-lloyd-wrights-price-tower">commissioned by Harold C. Price</a>, Sr., as a multipurpose tower for commercial and residential use.</p>]]>
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        <![CDATA[Buildings Are Not Sacred, but We Can Find Beauty Through Them]]>
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      <link>https://www.archdaily.com/1019075/buildings-are-not-sacred-but-we-can-find-beauty-through-them</link>
      <pubDate>Fri, 19 Jul 2024 03:30:00 +0000</pubDate>
      <dc:creator>Duo Dickinson</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1019075/buildings-are-not-sacred-but-we-can-find-beauty-through-them</guid>
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        <![CDATA[<p><em>This article was <a href="https://commonedge.org/buildings-are-not-sacred-but-we-can-find-beauty-through-them/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">originally published</a> on <a href="https://commonedge.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Common Edge</a>.</em></p>]]>
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        <![CDATA[Lloyd Wright’s Historic Wayfarers Chapel Will Be Disassembled Due to Landslide Risk]]>
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      <link>https://www.archdaily.com/1016605/lloyd-wrights-historic-wayfarers-chapel-will-be-disassembled-due-to-landslide-risk</link>
      <pubDate>Wed, 15 May 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1016605/lloyd-wrights-historic-wayfarers-chapel-will-be-disassembled-due-to-landslide-risk</guid>
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        <![CDATA[<p>The Wayfarers <a href="/tag/chapel">Chapel</a>, known locally as "The Glass Church," was designed by Lloyd Wright, the eldest son of architect <a href="/tag/frank-lloyd-wright">Frank Lloyd Wright</a>, and completed in 1951. Located in the Palos Verdes peninsula in <a href="/tag/los-angeles">Los Angeles</a>, its design aimed to blend the lines between architecture and nature, with large-span glass panels opening up to space toward the redwood canopies. Last year, the structure was designated a national historic landmark. Now, <a href="https://www.theguardian.com/us-news/2024/feb/16/los-angeles-wayfarers-chapel-closes?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">due to “accelerated land movement”</a> in the area, the structure, which has been closed off to the public since February, <a href="https://www.wayfarerschapel.org/wayfarers-chapel-restoration/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">was announced to be disassembled</a> to protect it from further damage.</p>]]>
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        <![CDATA[The Architecture of Dune: Leveraging the Past to Create a Myth of the Future]]>
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      <link>https://www.archdaily.com/1015062/the-architecture-of-dune-leveraging-the-past-to-create-a-myth-of-the-future</link>
      <pubDate>Thu, 28 Mar 2024 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1015062/the-architecture-of-dune-leveraging-the-past-to-create-a-myth-of-the-future</guid>
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        <![CDATA[<p>Imagine a world thousands of years into the future, one where humanity has conquered planets from galaxies away, only to default to a neofeudalistic social order in a constant power struggle, all built upon an intricate tapestry of cultures and religions and set in a harsh yet vivid landscape that becomes a character in and of itself. This was the challenge faced by <a href="https://www.imdb.com/name/nm0898288/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">director Denis Villeneuve </a>and <a href="https://www.imdb.com/name/nm0894411/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">production designer Patrice Vermette</a> in creating the cinematic adaptation of <a href="https://www.amazon.com/Dune-Frank-Herbert/dp/044117261X?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Frank Herbert's 1965 novel</a>. The two Dune movies, released <a href="https://www.imdb.com/title/tt1160419/?ref_=ttls_li_tt&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">in 2021 </a>and<a href="https://www.imdb.com/title/tt15239678/?ref_=ttls_li_tt&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"> 2024</a>, were conceived as a whole and therefore share a coherent style and cinematic expression. Beyond aesthetics, the environment and architecture of Dune present a lived-in, believable world, one that anchors the action and characters, silently offering invaluable insights into the values and mythology of each civilization.</p>]]>
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