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        <![CDATA[The Architecture of Restraint: When Choosing Not to Build Becomes Design]]>
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      <link>https://www.archdaily.com/1035638/the-architecture-of-restraint-when-choosing-not-to-build-becomes-design</link>
      <pubDate>Wed, 19 Nov 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>In a world facing <a href="https://www.archdaily.com/tag/emergency-architecture">ecological exhaustion and spatial saturation</a>, the act of building has come to represent both creation and consumption. For decades, architectural progress was measured by the new: new materials, new technologies, new monuments of ambition. Yet today, the discipline is increasingly shaped by another form of intelligence, one that values what already exists. Architects are learning that <a href="https://www.archdaily.com/1033320/how-not-to-build-architecture-by-the-absence-of-intervention">doing less can mean designing more</a>, and this shift marks the emergence of what might be called an <em>architecture of restraint</em>: a practice defined by care, maintenance, and the <a href="https://www.archdaily.com/1031192/the-european-citizens-initiative-houseeurope-receives-the-2025-obel-award?ad_campaign=special-tag">deliberate choice not to build</a>.</p>]]>
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        <![CDATA["Infinite Freedom, A World for a Feminist Democracy" Opens at the 2022 Biennale of FRAC in France]]>
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      <pubDate>Tue, 25 Oct 2022 05:30:00 +0000</pubDate>
      <dc:creator>Paula Cano</dc:creator>
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        <![CDATA[<p>The <a href="https://www.frac-centre.fr/_en/biennales/infinite-freedom-a-world-for-feminist-democraty/infinite-freedom-a-world-for-feminist-democraty-1447.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">2022 Biennale of FRAC</a> in the Centre-Val De Loire Region, <a href="/tag/france">France</a>, is exhibiting the work of 55 women for its third edition entitled <em>Infinite Freedom, A World for a Feminist Democracy.</em> The fair showcases pieces from the <a href="https://www.archdaily.com/64028/ad-classics-centre-georges-pompidou-renzo-piano-richard-rogers?ad_medium=widget&amp;ad_name=related-article&amp;ad_content=955786">Center Pompidou</a> and the <a href="https://www.archdaily.com/tag/cite-de-larchitecture-et-du-patrimoine">Cité de l'architecture et du Patrimoine</a> collection and brings special guests such as architect <a href="https://www.archdaily.com/office/studio-anna-heringer?ad_name=project-specs&amp;ad_medium=single">Anna Heringer</a> and Journalist and Director <a href="https://www.rokhayadiallo.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Rokhaya Diallo</a>. From September 2022 to January 1st, 2023, female artists, architects, and politicians will gather to discuss and create a new definition of inclusive and plural <a href="/tag/democracy">democracy</a> in the city, architecture, design, and art.</p>]]>
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        <![CDATA["Misunderstandings" at CAMPO and FRAC]]>
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      <link>https://www.archdaily.com/801575/misunderstandings-campo-rome-frac-orleans</link>
      <pubDate>Thu, 15 Dec 2016 09:30:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>The encounter between CAMPO and Le FRAC Centre-Val de Loire of Orleans produced MISUNDERSTANDINGS, a project which, addressing one of the most important archives of architectural experiments worldwide, opens a reflection on the operative value of museums and collections for the contemporary discourse and practice of architecture.</p>]]>
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