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    <title>Tag: fondation-cartier-pour-lart-contemporain | ArchDaily</title>
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        <![CDATA[ArchDaily’s Selection: 15 Installations and Exhibitions from Milan Design Week 2026]]>
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      <link>https://www.archdaily.com/1040989/15-architectural-installations-and-exhibitions-at-the-2026-milan-design-week</link>
      <pubDate>Mon, 27 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Bringing together a week of <a href="https://www.archdaily.com/1040640/milan-design-week-2026-must-see-installations-exhibitions-and-events">exhibitions, installations</a>, and <a href="https://www.archdaily.com/1040422/what-to-look-forward-to-at-the-salone-del-mobililano-2026-talks-installations-and-city-interventions">industry exchange</a>, <a href="https://www.archdaily.com/tag/milan-design-week-2026">Milan Design Week 2026</a> and <a href="https://www.archdaily.com/tag/salone-del-mobile-2026">the 64th edition of Salone del Mobile.Milano</a> concluded on April 26, <a href="https://www.archdaily.com/1040861/salone-del-mobililano-and-milan-design-week-2026-open-across-the-city-and-fairgrounds?ad_campaign=normal-tag">following six days of programming</a> across the fairgrounds and the city. Held from April 20 to 26, this year's events reaffirmed Milan's central role within the global design calendar. The <a href="https://www.archdaily.com/tag/salone-del-mobile-2026">Salone</a> itself drew over 316,000 visitors from 167 countries. With 1,900 brands represented and a strong international presence, the week once again operated as both a cultural platform and an economic engine, navigating a context marked by market uncertainty while maintaining its capacity to convene designers, institutions, and industry leaders at a global scale.</p>]]>
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        <![CDATA[Rethinking Museums: A Conversation with Béatrice Grenier on Architecture as Cultural Policy]]>
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      <link>https://www.archdaily.com/1037473/rethinking-museums-a-conversation-with-beatrice-grenier-on-architecture-as-cultural-policy</link>
      <pubDate>Sat, 10 Jan 2026 08:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/1035188/fondation-cartier-reopens-in-jean-nouvel-designed-paris-building-with-exhibition-by-formafantasma" target="_blank" rel="noopener">opening of the new Fondation Cartier pour l'Art Contemporain in Paris</a> last October sparked renewed questions around the role, form, and future of museums. As cultural institutions continue to proliferate worldwide in this digital era, the museum itself appears increasingly in need of redefinition. Rather than offering a single model or solution, <a href="https://www.rizzoliusa.com/book/9780847845712/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>Architecture for <a href="/tag/culture">Culture</a>: Rethinking Museums</em></a>, written by architectural historian and curator <a href="/tag/beatrice-grenier">Béatrice Grenier</a>, argues for a more contextual and plural understanding of what a museum can be: an institution shaped by its environment, its public, and the specific cultural questions it seeks to address.</p>]]>
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      <title>
        <![CDATA[RIBA Stirling Prize Winner and Faith Park in Albania: This Week’s Review]]>
      </title>
      <link>https://www.archdaily.com/1035345/riba-stirling-prize-winner-and-faith-park-in-albania-this-weeks-review</link>
      <pubDate>Thu, 23 Oct 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>This week's architectural <a href="https://www.archdaily.com/tag/development">developments</a> highlighted how <a href="https://www.archdaily.com/tag/design">design</a> operates as a form of <a href="https://www.archdaily.com/tag/social">social</a> and <a href="https://www.archdaily.com/tag/cultural">cultural</a> <a href="https://www.archdaily.com/tag/infrastructure">infrastructure</a>, linking care, community, and context across scales. From <a href="https://www.archdaily.com/tag/london">London</a>'s reinterpretation of the almshouse model to the <a href="https://www.archdaily.com/tag/transformation">transformation</a> of urban gateways in <a href="https://www.archdaily.com/tag/phnom-penh/page/1">Phnom Penh</a> and <a href="https://www.archdaily.com/tag/tirana">Tirana</a>, <a href="https://www.archdaily.com/tag/architecture">architecture</a> reflected a shared interest in spaces that foster connection and <a href="https://www.archdaily.com/tag/adaptability">adaptability</a>. Parallel to these urban and infrastructural works, new cultural projects in <a href="https://www.archdaily.com/tag/paris">Paris</a> and <a href="https://www.archdaily.com/tag/hanoi/page/1">Hanoi</a> explored how <a href="https://www.archdaily.com/tag/museums">museums</a> and performance spaces can renew <a href="https://www.archdaily.com/tag/public">public</a> institutions through material experimentation and spatial flexibility.</p>]]>
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        <![CDATA[Fondation Cartier Reopens in Jean-Nouvel-Designed Paris Building With Exhibition by Formafantasma ]]>
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      <link>https://www.archdaily.com/1035188/fondation-cartier-reopens-in-jean-nouvel-designed-paris-building-with-exhibition-by-formafantasma</link>
      <pubDate>Mon, 20 Oct 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>On October 25, 2025, the <a href="https://www.archdaily.com/tag/fondation-cartier" target="_blank" rel="noopener">Fondation Cartier </a>Pour l'Art Contemporain will open its new premises to the public with an inaugural exhibition drawn from its own Collection, entitled <em>Exposition Générale</em>. Located in the heart of <a href="https://www.archdaily.com/city/paris" target="_blank" rel="noopener">Paris</a>, the new space occupies a Haussmannian building that once housed the Grands Magasins du Louvre, <a href="https://www.archdaily.com/1021421/fondation-cartier-reveals-plans-to-move-into-a-historic-landmark-in-paris-reimagined-by-jean-nouvel" target="_blank" rel="noopener">recently reimagined by Jean Nouvel</a>. Conceived as a dynamic architecture with five mobile platforms, the building was designed to expand the possibilities of a traditional exhibition venue. These mechanisms aim to accommodate all forms of visual expression, including <a href="https://www.archdaily.com/tag/photography" target="_blank" rel="noopener">photography</a>, <a href="https://www.archdaily.com/tag/cinema" target="_blank" rel="noopener">cinema</a>, the <a href="https://www.archdaily.com/tag/performing-arts" target="_blank" rel="noopener">performing arts</a>, <a href="https://www.archdaily.com/tag/science" target="_blank" rel="noopener">science</a>, and <a href="https://www.archdaily.com/tag/craft" target="_blank" rel="noopener">craft</a>, within a space that resonates with <a href="https://www.archdaily.com/1018153/from-haussmann-to-the-olympics-the-ever-evolving-city-of-paris" target="_blank" rel="noopener">the urban life of Paris</a> and engages with questions of urban planning and ecology. Within these parameters, the inaugural exhibition brings together more than 600 works by over 100 artists in a contemporary scenography designed by <a href="https://www.archdaily.com/tag/formafantasma" target="_blank" rel="noopener">Formafantasma</a>.</p>]]>
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      <title>
        <![CDATA[Fondation Cartier Announces Paris Relocation Plans Led by Jean Nouvel during Collateral Event at Venice Biennale 2025]]>
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      <link>https://www.archdaily.com/1021421/fondation-cartier-reveals-plans-to-move-into-a-historic-landmark-in-paris-reimagined-by-jean-nouvel</link>
      <pubDate>Wed, 14 May 2025 04:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Fondation Cartier pour l'art contemporain announced plans to move into a historic building in Place du Palais-Royal in Paris. Originally built in 1855, the Haussmannian building is reimagined by <a href="https://www.archdaily.com/office/ateliers-jean-nouvel" target="_blank" rel="noopener">architect Jean Nouvel </a>and scheduled to open on October 25, 2025. The collaboration between <a href="/tag/fondation-cartier">Fondation Cartier</a> and Jean Nouvel dates back to 1994 when the architect <a href="https://www.archdaily.com/84666/ad-classics-fondation-cartier-jean-nouvel">designed the "Parisian Monument,"</a> a glass and steel building on Boulevard Raspail that serves as the institution's current headquarters.</p>]]>
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      <title>
        <![CDATA[“Siamo Foresta” Exhibition at the Milan Triennale Addresses the Future of the Planet Through Indigenous Artistic Perspectives]]>
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      <link>https://www.archdaily.com/1003303/siamo-foresta-exhibition-at-the-milan-triennale-addresses-the-future-of-the-planet-through-indigenous-artistic-perspectives</link>
      <pubDate>Tue, 11 Jul 2023 05:00:00 +0000</pubDate>
      <dc:creator>ArchDaily Team</dc:creator>
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        <![CDATA[<p>The <a href="https://triennale.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Triennale Milano</a> and <a href="https://www.fondationcartier.com/en/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Fondation Cartier pour l'art contemporain</a> present the exhibition <a href="https://triennale.org/eventi/siamo-foresta?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>Siamo Foresta</em></a>, inaugurated in June and open until October 29, 2023. Curated by Bruce Albert and Hervé Chandès, the exhibition features works by 27 artists from different countries and cultures, mainly from Latin America and indigenous communities.</p>]]>
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      <title>
        <![CDATA[Laurian Ghinitoiu Captures Dreamlike Nature of Junya Ishigami's Work at Fondation Cartier in Paris]]>
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      <link>https://www.archdaily.com/891648/laurian-ghinitoiu-captures-dreamlike-nature-of-junya-ishigamis-work-at-fondation-cartier-in-paris</link>
      <pubDate>Thu, 29 Mar 2018 13:34:00 +0000</pubDate>
      <dc:creator>Keshia Badalge</dc:creator>
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        <![CDATA[<p>From March 30 to June 10, 2018, the Fondation Cartier pour l'art contemporain will host <a href="https://www.archdaily.com/tag/junya-ishigami-associates">J</a><a href="https://www.archdaily.com/tag/junya-ishigami-associates">unya Ishigami</a>'s exhibition, <em>Freeing Architecture. </em>This is the first major solo exhibition that the <a href="https://www.archdaily.com/84666/ad-classics-fondation-cartier-jean-nouvel">Fondation Cartier</a> in <a href="/tag/paris">Paris</a> has devoted to an architect, and fitting that it would lend itself to an important and singular figure of Japan's young architecture scene.</p>]]>
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        <![CDATA[Diller Scofidio + Renfro's "Musings on a Glass Box" Opens in Paris]]>
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      <link>https://www.archdaily.com/563587/diller-scofidio-renfro-s-musings-on-a-glass-box-opens-in-paris</link>
      <pubDate>Sat, 01 Nov 2014 00:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
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        <![CDATA[<p class="p1">In celebration of the <a href="http://fondation.cartier.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Fondation Cartier pour l’art contemporain</a>’s 30th anniversary, <a href="http://www.archdaily.com/tag/diller-scofidio-renfro/">Diller Scofidio + Renfro</a> has installed an immersive exhibition that encourages visitors to experience the Jean Nouvel-designed, glass and steel museum building in an entirely new way. </p>]]>
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