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    <title>Tag: films | ArchDaily</title>
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        <![CDATA[The Architecture of Dune: Leveraging the Past to Create a Myth of the Future]]>
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      <link>https://www.archdaily.com/1015062/the-architecture-of-dune-leveraging-the-past-to-create-a-myth-of-the-future</link>
      <pubDate>Thu, 28 Mar 2024 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Imagine a world thousands of years into the future, one where humanity has conquered planets from galaxies away, only to default to a neofeudalistic social order in a constant power struggle, all built upon an intricate tapestry of cultures and religions and set in a harsh yet vivid landscape that becomes a character in and of itself. This was the challenge faced by <a href="https://www.imdb.com/name/nm0898288/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">director Denis Villeneuve </a>and <a href="https://www.imdb.com/name/nm0894411/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">production designer Patrice Vermette</a> in creating the cinematic adaptation of <a href="https://www.amazon.com/Dune-Frank-Herbert/dp/044117261X?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Frank Herbert's 1965 novel</a>. The two Dune movies, released <a href="https://www.imdb.com/title/tt1160419/?ref_=ttls_li_tt&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">in 2021 </a>and<a href="https://www.imdb.com/title/tt15239678/?ref_=ttls_li_tt&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"> 2024</a>, were conceived as a whole and therefore share a coherent style and cinematic expression. Beyond aesthetics, the environment and architecture of Dune present a lived-in, believable world, one that anchors the action and characters, silently offering invaluable insights into the values and mythology of each civilization.</p>]]>
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        <![CDATA[Architecture Film Festival Rotterdam Announces 15th Edition Featuring Rem Koolhaas]]>
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      <link>https://www.archdaily.com/1007052/architecture-film-festival-rotterdam-announces-15th-edition-featuring-rem-koolhaas</link>
      <pubDate>Wed, 20 Sep 2023 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p>On Wednesday, October 4, the fifteenth edition of the <a href="archdaily.com/tag/architecture-film-festival-rotterdam" target="_blank" rel="noopener">Architecture Film Festival Rotterdam (AFFR</a>) will start. The program involves an extensive list with almost 100 films about architecture and the city, with prominent figures like<a href="https://www.archdaily.com/tag/rem-koolhaas" target="_blank" rel="noopener"> Rem Koolhaas</a>, Inez Weski, and Martin Koolhoven joining as guests. The festival includes <a href="https://www.archdaily.com/tag/film" target="_blank" rel="noopener">film premiers</a>, classic screenings, masterclasses, excursions, and short programs. Combining the film and built environment worlds, the event will be taking place from 4 to 8 October 2023.</p>]]>
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        <![CDATA["The Environments Needed to be Abstracted": Stefan Dechant on The Tragedy of Macbeth]]>
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      <link>https://www.archdaily.com/975286/the-environments-needed-to-be-abstracted-stefan-dechant-on-the-tragedy-of-macbeth</link>
      <pubDate>Tue, 18 Jan 2022 03:30:00 +0000</pubDate>
      <dc:creator>Fabian Dejtiar</dc:creator>
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        <![CDATA[<p dir="ltr"><a href="https://www.imdb.com/name/nm0213754/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Stefan Dechant</a> is a production designer with over 25 years of experience in the industry working alongside reputable filmmakers like James Cameron (Avatar), Tim Burton (Alice in Wonderland), and Sam Mendes (Jarhead). Recently, Stefan served as the production designer for the upcoming Apple TV+ film 'The Tragedy of Macbeth' directed by Joel Coen. Why did this interest us immediately? Because he had the task of creating 35 Black &amp; White, Abstract Sets.</p>]]>
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        <![CDATA[The Spatial Stories of Ousmane Sembène]]>
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      <link>https://www.archdaily.com/966626/the-spatial-stories-of-ousmane-sembene</link>
      <pubDate>Tue, 02 Nov 2021 07:30:00 +0000</pubDate>
      <dc:creator>Matthew Maganga</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/966626/the-spatial-stories-of-ousmane-sembene</guid>
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        <![CDATA[<p>When examining the world of <a href="https://www.archdaily.com/tag/africa" target="_blank">African</a> cinema, there are few names more prominent than that of Senegalese director <a href="https://www.bfi.org.uk/features/where-begin-with-ousmane-sembene?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Ousmane Sembène</a>. His films ‘La Noire de…’ and ‘Mandabi’, released in 1966 and 1968 respectively, are films that tell evocative stories on the legacies of colonialism, identity, and immigration. And whilst these two films are relatively slow-spaced, ‘slice-of-life stories, they also offer a valuable spatial critique of the setting where the films are based, providing a helpful framework to understand the intricacies of the post-colonial African city, and the contrast between the African and <a href="https://www.archdaily.com/tag/europe" target="_blank">European</a> metropolises. </p>]]>
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        <![CDATA[Nomadland: Journey of a Modern-Day Nomad across the Landscape of the American West]]>
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      <link>https://www.archdaily.com/960814/nomadland-journey-of-a-modern-day-nomad-across-the-landscape-of-the-american-west</link>
      <pubDate>Wed, 28 Apr 2021 07:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p><em>“No, I’m not homeless. I’m just houseless. Not the same thing, right?" </em>Questioning the notion of home and house, <a href="https://www.imdb.com/title/tt9770150/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Nomadland</a> tells the story of a sixty-year-old woman who loses everything during the great recession, leaving her hometown after the collapse of the sole industry that supported the rural settlement and the death of her husband. She decides consequently to embark on a journey and experience life as a modern-day nomad, setting off in her van through the vast landscape of the American West.</p>]]>
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        <![CDATA[Copenhagen Architecture Festival x 2020]]>
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      <link>https://www.archdaily.com/940378/copenhagen-architecture-festival-x-2020</link>
      <pubDate>Tue, 26 May 2020 11:27:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/940378/copenhagen-architecture-festival-x-2020</guid>
      <description>
        <![CDATA[<p>The festival attracts between 50-100.000 audiences every year to a public program of guided tours, film screenings, debates, seminars, workshops and exhibitions focusing on architecture and urbanism.</p><p>It was initially going to run in the cities of Copenhagen, Aarhus and Odense from 23rd of April – 3rd of May under the title ‘The Welfare City in Transition’. The dates and formats changed for obvious reasons, but the theme of the festival is more relevant than ever. </p><p>1st – 11th of October will be the new dates to run parts of its intended program together with its collaborators as the country is</p>]]>
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        <![CDATA[Watch Robert A M Stern Make the Case for Preserving Philip Johnson's AT&T Building]]>
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      <link>https://www.archdaily.com/889407/watch-robert-a-m-stern-make-the-case-for-preserving-philip-johnsons-at-and-t-building</link>
      <pubDate>Sat, 24 Feb 2018 09:30:00 +0000</pubDate>
      <dc:creator>Lindsey Leardi</dc:creator>
      <category>
        <![CDATA[Films & Architecture]]>
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        <![CDATA[<p dir="ltr">In a <a href="http://www.metropolismag.com/architecture/att-building-preservation-video/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">recent film</a> published by <em><a href="https://www.archdaily.com/tag/metropolis-magazine">Metropolis Magazine</a></em>, <a href="https://www.archdaily.com/tag/new-york">New York</a>-based architect <a href="https://www.archdaily.com/509126/happy-birthday-robert-a-m-stern">Robert A M Stern</a> explains why we should care about <a href="https://www.archdaily.com/tag/philip-johnson">Philip Johnson</a>’s controversial <a href="https://www.archdaily.com/611169/ad-classics-at-and-t-building-philip-johnson-and-john-burgee">AT&amp;T building</a>. As <a href="https://www.archdaily.com/884543/facing-major-renovations-philip-johnsons-at-and-t-building-gets-hearing-for-landmark-designation">landmark designation hearings</a> to protect the buildings external facade continue, <a href="https://www.archdaily.com/887083/demolition-begins-on-lobby-of-philip-johnsons-at-and-t-building">demolition of the lobby</a> of this iconic Postmodern <a href="/tag/new-york-city">New York City</a> skyscraper has already completed.</p>]]>
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        <![CDATA[Fumihiko Maki On The Importance of Conscious Decision-Making in Design]]>
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      <link>https://www.archdaily.com/889045/fumihiko-maki-on-the-importance-of-conscious-design-making-in-design</link>
      <pubDate>Sun, 18 Feb 2018 09:31:00 +0000</pubDate>
      <dc:creator>Lindsey Leardi</dc:creator>
      <category>
        <![CDATA[Films & Architecture]]>
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        <![CDATA[<p>Begin to understand the inner workings of <a href="https://www.archdaily.com/tag/fumihiko-maki">Fumihiko Maki</a>'s architectural mind in <a href="https://www.archdaily.com/tag/plane-site">PLANE—SITE</a>’s latest short film from their <em><a href="https://plane-site.com/projects/time-space-existence/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Time-Space-Existence</a></em> series. Each film focuses on the different principles which drive the practice of famous architects. Maki is known for being experimental with <a href="https://www.archdaily.com/tag/materials">materials</a> and fusing east and west culture. </p>]]>
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        <![CDATA[Architecture Documentaries to Watch in 2018]]>
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      <link>https://www.archdaily.com/885395/architecture-documentaries-to-watch-in-2018</link>
      <pubDate>Mon, 08 Jan 2018 09:00:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p>The new year is here! And with it, a new slate of documentaries we're dying to see.<br><br>Of all the media forms, film seems to be the most adept at making a personal connection with viewers, offering a behind-the-scenes look into the lives of a great architect, the construction, and performance of a project or an issue that is confronting the entire architecture community. This year's films are no exception, as we get the chance to learn about the daily routines of Bjarke Ingels and Paulo Mendes da Rocha, projects by Tadao Ando and Glenn Murcutt, and the troubles of urbanization and gentrification.<br><br>Check out this year's list below, and find more great architecture documentaries with our <a href="https://www.archdaily.com/801891/architecture-documentaries-to-watch-in-2017" target="_blank">Architecture Documentaries to Watch in 2017</a>, <a href="http://www.archdaily.com/606881/architecture-documentaries-to-watch-in-2015" target="_blank">Architecture Documentaries to Watch in 2015</a>, our top <a href="http://www.archdaily.com/467225/40-architecture-documentaries-to-watch-in-2014/">40 Architecture Docs to Watch in 2014</a>, and our <a href="http://www.archdaily.com/324255/the-30-architecture-docs-to-watch-in-2013" target="_blank">30 Architecture Docs to Watch in 2013</a>.</p>]]>
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        <![CDATA[Watch Eyal Weizman Explain Forensic Architecture's Pioneering Investigatory Methods]]>
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      <link>https://www.archdaily.com/877388/watch-eyal-weizman-explain-forensic-architectures-pioneering-investigatory-methods</link>
      <pubDate>Wed, 09 Aug 2017 04:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
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        <![CDATA[<p>In this film produced by <em><a href="https://news.vice.com/en_us?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Vice</a></em>, Eyal Weizman—director of London-based research agency <a href="http://www.forensic-architecture.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Forensic Architecture</a>—explains how his team have developed methods of investigating bombings in areas of conflict across the globe. Using cellphone footage, examining floor plans, and utilising road maps, Weizman brings together scientists, journalists, and graphic designers in order "to analyze destroyed buildings for evidence of human rights abuses."</p>]]>
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        <![CDATA[Riku Ikegaya Constructs a Series of Nested Spaces in a Berlin Church Designed by Karl Friedrich Schinkel]]>
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      <link>https://www.archdaily.com/876738/riku-ikegaya-constructs-a-series-of-nested-spaces-in-a-berlin-church-designed-by-karl-friedrich-schinkel</link>
      <pubDate>Sat, 05 Aug 2017 14:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
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        <![CDATA[<p class="first">Berlin is city in which the past and the present often collide – a phenomenon particularly acute when it comes to the built environment. In this project by Japanese architect and artist <a href="http://riku-ikegaya.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Riku Ikegaya</a>, the interior of St. Elisabeth-Kirche (Church of St. Elizabeth)—designed by Karl Friedrich Schinkel—is transformed by means of a structural installation. Consisting of a scale model of Schinkel’s plans for the Rosentaler Vorstadt Church, the artist has composed a "three-dimensional architectural sketch."</p>]]>
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        <![CDATA[This Video of Spaceworkers' Casa Cabo de Vila Was Inspired by "The Shining"]]>
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      <link>https://www.archdaily.com/805271/this-video-of-spaceworkers-casa-cabo-de-vila-was-inspired-by-the-shining</link>
      <pubDate>Tue, 14 Feb 2017 06:00:00 +0000</pubDate>
      <dc:creator>Victor Delaqua</dc:creator>
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        <![CDATA[<blockquote> <p><em>This is a story about a girl..... her red tricycle, and of a beautiful house. </em>Inspired by “<a href="http://www.archdaily.com/291430/films-architecture-the-shining">The Shining</a>” from Stanley Kubrick.</p> </blockquote>]]>
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        <![CDATA[Architecture Documentaries To Watch In 2017]]>
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      <link>https://www.archdaily.com/801891/architecture-documentaries-to-watch-in-2017</link>
      <pubDate>Thu, 29 Dec 2016 08:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
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        <![CDATA[<p>Following our favorite <strong><a href="http://www.archdaily.com/606881/architecture-documentaries-to-watch-in-2015" target="_blank">Architecture Documentaries to Watch in 2015</a></strong>, our top <strong><a href="http://www.archdaily.com/467225/40-architecture-documentaries-to-watch-in-2014/">40 Architecture Docs to Watch in 2014</a></strong>, and our choice <strong><a href="http://www.archdaily.com/324255/the-30-architecture-docs-to-watch-in-2013" target="_blank">30 Architecture Docs to Watch in 2013</a></strong>, we're looking ahead to 2017! Our latest round up presents a collection of the most critically acclaimed, popular and often under-represented films and documentaries that provoke, intrigue, inform and beguile. From biopics of Eero Saarinen, Frei Otto and Laurie Baker, to presentations of Chinese "palaces" and the architecture of Africa, Cambodia and India, these are our top picks.</p>]]>
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        <![CDATA[Watch Bêka and Lemoine's "The Infinite Happiness" – a Documentary Film on BIG's "8 House" ]]>
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      <link>https://www.archdaily.com/800425/watch-beka-and-lemoines-the-infinite-happiness-nil-a-documentary-film-on-bigs-8-house</link>
      <pubDate>Fri, 02 Dec 2016 13:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
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        <![CDATA[<p>For two days only—between <strong>Friday, December 2</strong> and <strong>Sunday, December 4</strong>—you can watch <em><strong>The Infinite</strong> <strong>Happiness</strong></em>, part of <a href="http://www.archdaily.com/tag/ila-beka-louise-lemoine" target="_blank">Ila Bêka and Louise Lemoine's</a> <em><a href="http://www.archdaily.com/tag/living-architectures/" target="_blank">Living Architectures</a></em> series, exclusively on <em>ArchDaily</em>. The film, shot entirely in <a href="http://www.archdaily.com/83307/8-house-big">Copenhagen's "8 House" designed by BIG</a>, follows a group of residents (and passers-by) as they experience life in a contemporary housing block widely considered to embody new models of living.</p>]]>
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        <![CDATA[Bêka and Lemoine's Documentary Film on BIG's "8 House" To Be Screened Exclusively on ArchDaily]]>
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      <link>https://www.archdaily.com/800143/beka-lemoines-documentary-film-big-8-house-copenhagen-the-infinite-happiness-exclusive-screening</link>
      <pubDate>Mon, 28 Nov 2016 18:00:00 +0000</pubDate>
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        <![CDATA[<p>Filmmakers <a href="http://www.archdaily.com/tag/ila-beka-louise-lemoine" target="_blank">Ila Bêka and Louise Lemoine</a>, creators of the<em> <a href="http://www.archdaily.com/tag/living-architectures/" target="_blank">Living Architectures</a></em> seminal collection of films on architecture, will screen <em><strong>The Infinite Happiness</strong>—</em>shot entirely in <a href="http://www.archdaily.com/83307/8-house-big">Copenhagen's "8 House" designed by BIG</a><em>—</em>exclusively on<em> ArchDaily</em> from <strong>Friday, December 2</strong> until <strong>Sunday, December 4</strong>.</p>]]>
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      <title>
        <![CDATA[Monocle 24 Pays Homage to the Role of Architecture in Film]]>
      </title>
      <link>https://www.archdaily.com/798683/monocle-24-pays-homage-to-the-role-of-architecture-in-film</link>
      <pubDate>Fri, 04 Nov 2016 04:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
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      <description>
        <![CDATA[<p>For this edition of <strong>Section D</strong>, <a href="http://www.archdaily.com/tag/monocle">Monocle</a> 24's weekly review of design, architecture and craft, the team turn their attention to the crossroads where design and architecture meet film. From a documentary about Pruitt-Igoe, the St. Louis housing project, to a new reading of the title sequence of <em>Superman</em>, this episode investigates the role of architecture in film – and <em>visa versa</em>.</p>]]>
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      <title>
        <![CDATA[4th Lisbon Architecture Triennale: The Films of Charles and Ray Eames]]>
      </title>
      <link>https://www.archdaily.com/796090/4th-lisbon-architecture-triennale-the-films-of-charles-and-ray-eames</link>
      <pubDate>Mon, 10 Oct 2016 04:30:00 +0000</pubDate>
      <dc:creator>Equipe ArchDaily Brasil</dc:creator>
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        <![CDATA[<p>Charles and Ray Eames are among the most influential designers of the 20th Century. Enthusiastic and tireless experimenters, this husband and wife duo moved fluidly between the fields of photography, film, architecture, exhibition-making, and furniture and product design. The Eames Office was a hub of activity where they and their collaborators produced a wide array of pioneering designs, communicating their ideas with a boundless creativity that defined their careers. They embraced the joy of trial and error and approached design as a way of life.</p>]]>
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        <![CDATA[Review: "REM" – A Retroactive, Redacted Study of the World’s Greatest Living Architect]]>
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      <link>https://www.archdaily.com/793219/rem-tomas-koolhaas-film-retroactive-redacted-study-of-the-worlds-greatest-living-architect</link>
      <pubDate>Wed, 14 Sep 2016 11:15:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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      <description>
        <![CDATA[<p dir="ltr">In the canon of great Dutch architects sit a number of renowned practitioners, from Berlage to Van Berkel. Based on influence alone, Rem Koolhaas—the grandson of architect <a href="https://nl.wikipedia.org/wiki/Dirk_Roosenburg?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Dirk Roosenburg</a> and son of author and thinker <a href="https://nl.wikipedia.org/wiki/Anton_Koolhaas?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Anton Koolhaas</a>—stands above all others and has, over the course of a career spanning four decades, sought to redefine the role of the architect from a regional autarch to a globally-active shaper of worlds – be they real or imagined. A new film conceived and produced by <a href="http://remdocumentary.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Tomas Koolhaas</a>, the LA-based son of its eponymous protagonist, attempts to biographically represent the work of <a href="/tag/oma">OMA</a> by “expos[ing] the human experience of [its] architecture through dynamic film.” No tall order.</p>]]>
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