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    <title>Tag: film | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
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        <![CDATA["My Solutions Are Not Polite:" Liam Young on Architecture in the Age of Polycrisis in Louisiana Channel Interview]]>
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      <link>https://www.archdaily.com/1042237/my-solutions-are-not-polite-liam-young-on-architecture-in-the-age-of-polycrisis-in-louisiana-channel-interview</link>
      <pubDate>Mon, 08 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>Australian artist, director, and BAFTA-nominated producer <a href="https://www.archdaily.com/tag/liam-young/" target="_blank" rel="noopener">Liam Young</a> creates imaginary worlds as a way of thinking through the futures we fear, desire, and are already making. As a creator and designer of atmospheres, he proposes speculative landscapes reflecting the possibilities of a world to come, whether ideal or truthfully unsettling. In his worldbuilding practice across the film, television, and video game industries, fiction becomes a tool for navigating<a href="https://www.archdaily.com/tag/climate-crisis" target="_blank" rel="noopener"> the environmental urgencies of the present</a>. He is considered a "futurist" working across design strategies, technological scenarios, and collective imaginations, grounded in his academic research yet reaching a wider audience in exhibitions such as <a href="https://www.archdaily.com/1041349/in-other-worlds-by-liam-young-reimagines-cities-landscapes-and-climate-futures-at-the-barbican-centre" target="_blank" rel="noopener">"In Other Worlds" at the Barbican Centre</a> in London and <a href="https://www.archdaily.com/1034831/age-of-nature-new-dac-exhibition-explores-the-future-relationship-between-architecture-and-nature" target="_blank" rel="noopener">"Age of Nature" at the Danish Architecture Center</a> in Copenhagen. In February 2026, he was interviewed by Marc-Christoph Wagner for <a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank" rel="noopener">Louisiana Channel</a>, where he shares his visions of our future: from architecture consolidating as a boutique industry to the need for a new kind of planetary punk at the scale of the climate crisis. </p>]]>
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        <![CDATA[Studio NEiDA Designs The Falcon Cinema in Ghana, a Community Art Centre Dedicated to African Film]]>
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      <link>https://www.archdaily.com/1042031/studio-neida-designs-the-falcon-cinema-in-ghana-a-community-art-centre-dedicated-to-african-film</link>
      <pubDate>Mon, 01 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042031/studio-neida-designs-the-falcon-cinema-in-ghana-a-community-art-centre-dedicated-to-african-film</guid>
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        <![CDATA[<p>Designed by <a href="https://www.archdaily.cl/cl/office/studio-neida" target="_blank" rel="noopener">Studio NEiDA</a>, The Falcon <a href="/tag/cinema">Cinema</a> is a community and art centre located in Berekuso, <a href="https://www.archdaily.com/country/ghana" target="_blank" rel="noopener">Ghana</a>, commissioned by film curator and Founding Director Jacqueline Nsiah. The cinema's mission is to create a home for cineastes to preserve Africa's cinematic legacy while hosting critical and creative thinking about contemporary filmmaking on the continent, designed and curated with <a href="https://www.archdaily.com/1041933/pan-african-biennale-unveils-participants-for-its-inaugural-edition-in-nairobi" target="_blank" rel="noopener">a pan-African approach</a>. The programme includes a 250-seat and a 150-seat screening room, a restaurant, an archive, communal spaces, an education hub, and an outdoor cinema. A second compound is planned for a future phase, to house living quarters for filmmakers in residence. Still in the design phase, the project started in 2024 and is expected to be completed in 2027.</p>]]>
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        <![CDATA[Material Culture and Heritage in Contemporary Cinema Architecture]]>
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      <link>https://www.archdaily.com/1041712/material-culture-and-heritage-in-contemporary-cinema-architecture</link>
      <pubDate>Tue, 26 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p data-start="0" data-end="625">Over the years, cinema architecture has continually reinvented itself. From cinematic experiences that engage multiple senses to material technologies that reinterpret the aesthetics of past eras, the concept of the movie theater has enabled the recovery, revitalization, and renewal of numerous obsolete, ruined, or even historically protected spaces. Just as the <a href="https://www.archdaily.com/1033717/from-ruin-to-cultural-hub-the-transformation-of-zanzibars-majestic-cinema" target="_blank" rel="noopener">Majestic Cinema reflects an important community function in Zanzibar, Tanzania</a>, many twentieth-century buildings have found in <a href="https://www.archdaily.com/search/projects/categories/adaptive-reuse" target="_blank" rel="noopener">adaptive reuse</a> an opportunity to restore and preserve cultures, memories, and traditions that remain meaningful to their communities.</p>]]>
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        <![CDATA["Artisans of the Reiwa Era" Documentary Showcases Traditional Japanese Wood Construction and Craftsmanship]]>
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      <link>https://www.archdaily.com/1032340/artisans-of-the-reiwa-era-documentary-showcases-traditional-japanese-wood-construction-and-craftsmanship</link>
      <pubDate>Mon, 13 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>Rinshunkaku is a notable example of early Edo-period residential architecture. Originally built in the Wakayama Prefecture by the Kishu Tokugawa family, the villa was relocated to Sankeien, a traditional Japanese garden in the city of <a href="https://www.archdaily.com/city/yokohama" target="_blank" rel="noopener">Yokohama</a>, during the Taisho era (1912-1926). The garden was created in the early 20th century by businessman and art patron Sankei Hara and features a number of historic buildings relocated from <a href="https://www.archdaily.com/city/kyoto" target="_blank" rel="noopener">Kyoto</a>, <a href="https://www.archdaily.com/city/kamakura" target="_blank" rel="noopener">Kamakura</a>, and other areas of <a href="https://www.archdaily.com/country/japan" target="_blank" rel="noopener">Japan</a>. Rinshunkaku, one of the garden's gems, is a prime example of traditional <a href="https://www.archdaily.com/tag/japanese-architecture" target="_blank" rel="noopener">Japanese architecture</a> and <a href="https://www.archdaily.com/tag/wood-construction" target="_blank" rel="noopener">wood construction</a>. Its historical value motivated a large-scale <a href="https://www.archdaily.com/search/projects/categories/restoration/country/japan" target="_blank" rel="noopener">restoration project</a> in 2019, documented in the film <a href="https://vimeo.com/1090404501?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em data-start="968" data-end="995">Artisans of the Reiwa Era</em></a> (<em data-start="997" data-end="1022">Reiwa no Shokunin-tachi</em>), filmed and edited by Katsumasa Tanaka and Hiroshi Fujiki. The documentary offers a close, detailed view of Japanese craftsmanship and wood expertise, highlighting rare traditional techniques and paying tribute to the artisans who preserve them.</p>]]>
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        <![CDATA[Choreographing Lagos: Dele Adeyemo on Dance, Cosmology, and Spatial Practices]]>
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      <link>https://www.archdaily.com/1039851/choreographing-lagos-dele-adeyemo-on-dance-cosmology-and-spatial-practices</link>
      <pubDate>Sat, 04 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Having thrown a stone today, Eshu kills a bird of yesterday. The Yoruba proverb tells both a story of reparation and of ancestrality by joyfully bending spacetime conventions and accessing subjects from the past with present actions. The saying offers a poetic entry point to broader <a href="https://www.archdaily.com/1034631/reclaiming-the-narrative-a-new-generation-of-museums-in-west-africa">West African</a> traditions and to the practice of Scottish-Nigerian artist and architect <a href="https://www.archdaily.com/tag/dele-adeyemo">Dele Adeyemo</a>. Named one of the <a href="https://www.archdaily.com/1033983/20-practices-shaping-the-future-of-architecture-winners-of-the-archdaily-2025-next-practices-awards">winners of the ArchDaily 2025 Next Practices Awards,</a> Adeyemo's work brings together ecology, spirituality, dance, and territory, examining how embodied cultural practices can generate alternative spatial possibilities within and against the architecture of racial capitalism.</p>]]>
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        <![CDATA[Fundació Mies van der Rohe Presents “Transnational Narratives,” a Documentary on Six South Asian Women Architects]]>
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      <link>https://www.archdaily.com/1040163/fundacio-mies-van-der-rohe-presents-transnational-narratives-a-documentary-on-six-south-asian-women-architects</link>
      <pubDate>Tue, 31 Mar 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040163/fundacio-mies-van-der-rohe-presents-transnational-narratives-a-documentary-on-six-south-asian-women-architects</guid>
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        <![CDATA[<p>"Gender equity remains an ongoing problem in architecture. Women architects are roughly one-third of the profession or less worldwide." This is the opening statement of the documentary <em>Transnational Narratives: A Documentary Celebrating South Asian Women in Architecture</em>, a result of the 4th <a href="/tag/lilly-reich">Lilly Reich</a> <a href="/tag/grant">Grant</a> for <a href="/tag/equality">Equality</a> in <a href="/tag/architecture">Architecture</a>. The grant, an initiative by the <a href="https://www.archdaily.com/tag/fundacio-mies-van-der-rohe" target="_blank" rel="noopener">Fundació Mies van der Rohe</a>, promotes equal access to opportunities in architectural practice and supports the study and dissemination of contributions to architecture that have been unfairly rendered invisible. Within this context, the documentary, created by Dr. Igea Troiani, Dr. Mamuna Iqbal, artist and researcher Paula Roush, and filmmaker Rime Tsujino, brings visibility to the experiences of six architects of South Asian origin: Sumita Singha, <a href="https://www.archdaily.com/tag/chitra-vishwanath" target="_blank" rel="noopener">Chitra Vishwanath</a>, Sara Khan, Fauzia Qureshi, Sajida Vandal, and Neelum Naz, whose professional careers span <a href="/tag/india">India</a>, <a href="/tag/pakistan">Pakistan</a>, and the United Kingdom.</p>]]>
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        <![CDATA[Make Materials Matter: Louisiana Channel Releases New Documentary on Danish Architect Søren Pihlmann]]>
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      <link>https://www.archdaily.com/1036214/make-materials-matter-louisiana-channel-releases-new-documentary-on-danish-architect-soren-pihlmann</link>
      <pubDate>Fri, 21 Nov 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1036214/make-materials-matter-louisiana-channel-releases-new-documentary-on-danish-architect-soren-pihlmann</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/louisiana-channel" target="_blank" rel="noopener">Louisiana Channel</a>, a web TV platform based at the <a href="https://www.archdaily.com/tag/louisiana-museum-of-modern-art" target="_blank" rel="noopener">Louisiana Museum of Modern Art</a> in <a href="https://www.archdaily.com/search/projects/country/denmark" target="_blank" rel="noopener">Denmark</a>, is launching a new film titled <em>Søren Pihlmann: Make Materials Matter</em>. Over the course of 54 minutes, Marc-Christoph Wagner and Simon Weyhe offer a glimpse into the work and mind of the founding architect of <a href="https://www.archdaily.com/office/pihlmann-architects" target="_blank" rel="noopener">Pihlmann Architects</a>, presenting his vision of Danish architecture, the practice of architecture itself, and, in particular, his sensitivity to <a href="https://www.archdaily.com/tag/materials" target="_blank" rel="noopener">materials</a>. The film provides a behind-the-scenes look at the <a href="https://www.archdaily.com/1030683/helping-the-existing-to-reconfigure-itself-in-conversation-with-soren-pihlmann-curator-of-the-danish-pavilion" target="_blank" rel="noopener">process and thinking behind the Danish exhibition at this year's Venice Architecture Biennale</a>. Led by <a href="https://www.archdaily.com/tag/soren-pihlmann" target="_blank" rel="noopener">Søren Pihlmann</a>, the team used the opportunity to renovate and conduct material research on Denmark's permanent building in the <a href="https://www.archdaily.com/tag/giardini" target="_blank" rel="noopener">Giardini</a>, transforming it into a material laboratory and experimental construction site. <a href="https://www.archdaily.com/1026012/denmark-presents-build-of-site-by-soren-pihlmann-at-la-biennale-di-venezia-2025" target="_blank" rel="noopener">The result is a process exhibition</a> that highlights how rethinking and reusing existing structures and materials can address critical architectural challenges. As of today, November 20, the documentary is available to watch online for free.</p>]]>
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        <![CDATA[To Build Law: The CCA Documents HouseEurope!’s Campaign for Legal Change in European Architecture]]>
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      <link>https://www.archdaily.com/1031847/to-build-law-the-cca-documents-houseeurope-s-campaign-for-legal-change-in-european-architecture</link>
      <pubDate>Mon, 07 Jul 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031847/to-build-law-the-cca-documents-houseeurope-s-campaign-for-legal-change-in-european-architecture</guid>
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        <![CDATA[<p data-start="154" data-end="1055">During 2024, the <a href="https://www.archdaily.com/tag/canadian-centre-for-architecture" target="_blank" rel="noopener">Canadian Centre for Architecture</a> (CCA) launched a three-part documentary and exhibition series titled <em data-start="273" data-end="285">Groundwork</em>, exploring alternative modes of practice in light of the current <a href="https://www.archdaily.com/tag/climate-crisis" target="_blank" rel="noopener">climate crisis</a>. The process began with a series of studio visits in search of offices addressing substantial questions for contemporary architecture through practice, culminating in the selection of three projects: Xu Tiantian's <a href="https://www.archdaily.com/1022689/dnas-xu-tiantian-unveils-her-comprehensive-design-process-in-ccas-groundwork-debut-into-the-island" target="_blank" rel="noopener">"minimal intervention" museum on Meizhou Island</a>, Carla Juaçaba's <a href="https://www.archdaily.com/1031331/cca-releases-documentary-on-carla-juacabas-work-to-support-forest-conservation-in-brazils-coffee-region" target="_blank" rel="noopener">community pavilions in a coffee field in Minas Gerais</a>, and bplus.xyz (b+)'s <a href="https://www.archdaily.com/1025037/a-european-citizens-initiative-calls-for-a-right-to-reuse-existing-buildings" target="_blank" rel="noopener">European Citizens' Initiative for a new legal framework</a> to facilitate the renovation and transformation of existing buildings. The latter, <a href="https://www.houseeurope.eu/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">HouseEurope!</a>, was recently recognized as <a href="https://www.archdaily.com/1031192/the-european-citizens-initiative-houseeurope-receives-the-2025-obel-award" target="_blank" rel="noopener">the winner of the seventh edition of the OBEL Award</a> and was <a href="https://www.archdaily.com/1031098/an-unfolding-crisis-with-a-hopeful-outlook-highlights-from-the-projects-exhibited-at-venice-architecture-biennale-2025" target="_blank" rel="noopener">showcased at the international exhibition</a> of the Venice Architecture Biennale 2025.</p>]]>
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        <![CDATA[CCA Releases Documentary on Carla Juaçaba’s Work to Support Forest Conservation in Brazil's Coffee Region]]>
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      <link>https://www.archdaily.com/1031331/cca-releases-documentary-on-carla-juacabas-work-to-support-forest-conservation-in-brazils-coffee-region</link>
      <pubDate>Fri, 20 Jun 2025 04:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="104" data-end="877">The <a href="https://www.archdaily.com/tag/canadian-centre-for-architecture" target="_blank" rel="noopener">Canadian Centre for Architecture</a> (CCA) launched a documentary and exhibition, "With an Acre", the third and final chapter of the series Groundwork, which explores how contemporary architects cultivate alternative modes of practice to address the <a href="https://www.archdaily.com/tag/climate-crisis" target="_blank" rel="noopener">ecological crisis</a>. The documentary follows the work of architect <a href="https://www.archdaily.com/tag/carla-juacaba" target="_blank" rel="noopener">Carla Juaçaba</a> in <a href="https://www.archdaily.com/tag/minas-gerais" target="_blank" rel="noopener">Minas Gerais</a>, <a href="https://www.archdaily.com/country/brazil" target="_blank" rel="noopener">Brazil</a>, where she is developing pavilions in a coffee field where collectives resist extractive industrial <a href="https://www.archdaily.com/tag/agriculture" target="_blank" rel="noopener">agriculture</a>. The narrative examines the role of architects in extractivist contexts facing land regeneration challenges and unstable climatic conditions, as well as the tools smallholder farmers can use to cope with the environmental and social consequences of colonial settlement, urbanization, and industrialization.</p>]]>
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        <![CDATA[Eileen Gray Through the Lens: Film Sheds Light on the Architect and Her Vision of Modernism]]>
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      <link>https://www.archdaily.com/1023451/eileen-gray-through-the-lens-film-sheds-light-on-the-architect-and-her-vision-of-modernism</link>
      <pubDate>Wed, 13 Nov 2024 03:30:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>A journey through the legacy of <a href="https://www.archdaily.com/tag/eileen-gray" target="_blank" rel="noopener">Eileen Gray</a> and her most famous house in the French Riviera, "E.1027 – Eileen Gray and the House by the Sea," by directors <a href="/tag/beatrice-minger">Beatrice Minger</a> and Christoph Schaub, invites viewers into the layered legacy of the pioneering Irish architect and her unique vision of modernism. Designed in the late 1920s, the villa not only embodies Gray's architectural genius but also bears the shadow of an uneasy narrative involving <a href="/tag/le-corbusier">Le Corbusier</a> and Jean Badovici. Through their docufiction, Minger and Schaub illuminate Gray's groundbreaking work and critique the prevailing narratives of male dominance in modernist history.</p>]]>
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        <![CDATA[Amplifying Female Voices: Premiering the Second Chapter of 'Women in Architecture"]]>
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      <link>https://www.archdaily.com/1023441/amplifying-female-voices-premiering-the-second-chapter-of-women-in-architecture</link>
      <pubDate>Tue, 12 Nov 2024 08:00:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p><em>"It's a long journey, but it's a valuable journey, and it's a journey that does reap rewards in the end". </em></p>]]>
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      <title>
        <![CDATA[Documenting Female Voices in Architecture: “Women in Architecture” Returns in Second Chapter]]>
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      <link>https://www.archdaily.com/1023130/documenting-female-voices-in-architecture-women-in-architecture-returns-in-second-chapter</link>
      <pubDate>Tue, 05 Nov 2024 07:45:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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      <description>
        <![CDATA[<p><em>"We think we are diverse, and we think we have equality, but is that really the case?"</em></p>]]>
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        <![CDATA[Perfect Days: An Ode to Tokyo's Public Toilets]]>
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      <link>https://www.archdaily.com/1018293/perfect-days-an-ode-to-tokyos-public-toilets</link>
      <pubDate>Wed, 03 Jul 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1018293/perfect-days-an-ode-to-tokyos-public-toilets</guid>
      <description>
        <![CDATA[<p><em>"A <a href="https://www.archdaily.com/975828/from-a-necessary-evil-to-luxury-the-history-of-bathrooms-in-modern-society" target="_blank" rel="noopener">bathroom</a> is a place where everyone is equal—there is no rich or poor, no old or young; everyone is part of humanity."</em> This reflection was shared by <a href="https://www.archdaily.com/tag/wim-wenders" target="_blank" rel="noopener">Wim Wenders</a>, exponent of New German <a href="https://www.archdaily.com/category/cinema" target="_blank" rel="noopener">Cinema</a> and director of the <a href="https://www.archdaily.com/tag/film" target="_blank" rel="noopener">film</a> <em>Perfect Days</em> (2023) when asked about the striking <a href="https://www.archdaily.com/tag/set" target="_blank" rel="noopener">sets</a> of his most recent work. Wenders selected <a href="https://www.archdaily.com/tag/tokyo" target="_blank" rel="noopener">Tokyo</a>'s public <a href="https://www.archdaily.com/tag/restroom" target="_blank" rel="noopener">restrooms</a> to craft a narrative that deeply explores themes of solitude, simplicity, and the beauty of everyday life.</p>]]>
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        <![CDATA[The Second Studio Podcast: Deborah Riley, Production Designer of Game of Thrones & 3 Body Problem]]>
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      <link>https://www.archdaily.com/1017740/the-second-studio-podcast-deborah-riley-production-designer-of-game-of-thrones-and-3-body-problem</link>
      <pubDate>Sun, 16 Jun 2024 03:30:00 +0000</pubDate>
      <dc:creator>The Second Studio Podcast</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1017740/the-second-studio-podcast-deborah-riley-production-designer-of-game-of-thrones-and-3-body-problem</guid>
      <description>
        <![CDATA[<p>The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects <a href="https://www.archdaily.com/tag/david-lee">David Lee</a> and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.</p>]]>
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        <![CDATA[Almost Perfect Days: Hirayama and Moriyama, a Double Vision of Architecture]]>
      </title>
      <link>https://www.archdaily.com/1016980/almost-perfect-days-hirayama-and-moriyama-a-double-vision-of-architecture</link>
      <pubDate>Fri, 31 May 2024 03:30:00 +0000</pubDate>
      <dc:creator>Luca Galofaro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1016980/almost-perfect-days-hirayama-and-moriyama-a-double-vision-of-architecture</guid>
      <description>
        <![CDATA[<p class="BodyA">As an architect I find it truly interesting to read cities and architecture through <a href="https://www.archdaily.com/872754/how-architecture-speaks-through-cinema?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">films</a>, and this is why I went to see the latest film by one of my favourite directors Wim Wenders: <em>Perfect Days. </em>In Wenders’ cinema, his gaze over the city is always the protagonist. He possesses the remarkable ability to make the space of the photographic image the central focus of his filmmaking. It is not only the story that is important to him, but the time and space in which the story takes shape almost by chance.</p>]]>
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        <![CDATA["Concrete Landscape": Álvaro Siza's Documentary Is Available for Streaming Now]]>
      </title>
      <link>https://www.archdaily.com/1007293/concrete-landscape-alvaro-sizas-documentary-is-available-for-streaming-now</link>
      <pubDate>Mon, 02 Oct 2023 04:30:00 +0000</pubDate>
      <dc:creator>ArchDaily Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1007293/concrete-landscape-alvaro-sizas-documentary-is-available-for-streaming-now</guid>
      <description>
        <![CDATA[<p>In Porto Alegre, the building of the <a href="https://www.archdaily.com/560676/ibere-camargo-foundation-standards-and-variations" target="_blank" rel="noopener">Iberê Camargo Foundation</a>; in the city of Porto, the office of Álvaro Siza, the architect and author of the celebrated project for the institution's headquarters, inaugurated in 2008. Throughout 70 minutes, the documentary "Paisagem Concreta" or <em>Concrete Landscape</em> navigates between these two ports.</p>]]>
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        <![CDATA[How Colors Influence Film Narratives and Spaces]]>
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      <link>https://www.archdaily.com/1005483/how-colors-influence-film-narratives-and-spaces</link>
      <pubDate>Thu, 31 Aug 2023 05:00:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1005483/how-colors-influence-film-narratives-and-spaces</guid>
      <description>
        <![CDATA[<p>Colors evoke specific feelings; therefore, they are used to elicit particular effects on the surface they appear on or in the minds of observers contemplating them. In architecture, color plays a <a href="https://www.archdaily.com/895498/the-role-of-color-in-architecture-visual-effects-and-psychological-stimuli" target="_blank" rel="noopener">fundamental role </a>in defining shape. Materials in their natural state already possess inherent coloration, which is perceived in a specific manner. However, when dyed, the observer's perception is altered, giving rise to associations between different sensations related to the same object. This transformation brought about by color occurs in various visual mediums, spanning from three-dimensional contexts like architecture to static and mobile two-dimensional forms such as engravings, photographs, paintings, and films.</p>]]>
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        <![CDATA[OMA's Prada Foundation Through the Lens of Bahaa Ghoussainy]]>
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      <link>https://www.archdaily.com/1005362/omas-prada-foundation-through-the-lens-of-bahaa-ghoussainy</link>
      <pubDate>Mon, 14 Aug 2023 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1005362/omas-prada-foundation-through-the-lens-of-bahaa-ghoussainy</guid>
      <description>
        <![CDATA[<p class="p2">In 2018, <a href="https://www.archdaily.com/office/oma" target="_blank" rel="noopener">OMA</a> opened the <a href="https://www.archdaily.com/628472/fondazione-prada-oma" target="_blank" rel="noopener">Fondazione Prada in Milan, Italy, </a>housed within a former gin distillery established in 1910. The project which includes a statement facade cladded in 24-carat gold leaf and camouflaged mirrors, comprises the renovation of seven buildings in the Largo Isarco industrial complex on <a href="https://www.archdaily.com/tag/milan" target="_blank" rel="noopener">Milan’s </a>southern outskirts, making the foundation neither a preservation project nor a new architecture. Recently, photographer <a href="https://www.archdaily.com/photographer/bahaa-ghoussainy" target="_blank" rel="noopener">Bahaa Ghoussainy</a> captured the infamous structure in his new <a href="https://www.archdaily.com/tag/architecture-photography" target="_blank" rel="noopener">architectural photo series. </a></p>]]>
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