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    <title>Tag: feature-series | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
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        <![CDATA[ArchDaily Student Ambassadors 2026/2027. Apply Now!]]>
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      <link>https://www.archdaily.com/1042447/archdaily-student-ambassadors-2026-2027-apply-now</link>
      <pubDate>Wed, 17 Jun 2026 05:00:00 +0000</pubDate>
      <dc:creator>ArchDaily</dc:creator>
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        <![CDATA[<p>ArchDaily started inside a university, with two architecture students who believed that architectural knowledge should travel further than it did. Eighteen years later, that conviction hasn't changed — but the insights, the tools, and the opportunities have grown. We are<a href="https://daaily.clickup.com/forms/3064445/f/2xgkx-101735/E7XC6BBXQO9QB6P4P8?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"> launching the Student Ambassador Program</a> to give the next generation of architects a direct role in bridging their university and the global architectural conversation.</p>]]>
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        <![CDATA[Distraction in Architecture: In Conversation with 2026 Pritzker Laureate Smiljan Radić]]>
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      <link>https://www.archdaily.com/1041506/distraction-in-architecture-in-conversation-with-2026-pritzker-laureate-smiljan-radic</link>
      <pubDate>Wed, 13 May 2026 08:00:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041506/distraction-in-architecture-in-conversation-with-2026-pritzker-laureate-smiljan-radic</guid>
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        <![CDATA[<p>"I want to start by thanking architecture itself." With these words, Chilean architect Smiljan Radić, <a href="https://www.archdaily.com/1039553/smiljan-radic-clarke-receives-the-2026-pritzker-prize-the-artist-of-unspoken-architecture?ad_campaign=special-tag" target="_blank" rel="noopener">the 55th laureate of the Pritzker Architecture Prize</a>, opened his acceptance speech in Mexico City. Reflecting on what he calls "distractions," he thanked the many encounters that have accompanied him throughout his life and practice: from art, cities, materials, structures, and compositions to landscapes, poetry, nature, forms, stories, and memories. He spoke about what, within them, provoked him and the marks they left on his architectural imagination.</p>]]>
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        <![CDATA[20th Century Design in Flux: ArchDaily’s May Editorial Focus]]>
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      <link>https://www.archdaily.com/1041123/20th-century-design-in-flux-archdailys-may-editorial-focus</link>
      <pubDate>Fri, 01 May 2026 08:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041123/20th-century-design-in-flux-archdailys-may-editorial-focus</guid>
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        <![CDATA[<p>"The story of architecture is not wrong," argued <a href="https://www.labiennale.org/en/architecture/2023/introduction-lesley-lokko?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Lesley Lokko in her introduction</a> to the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2023" target="_blank" rel="noopener">Venice Architecture Biennale 2023</a>, "but it is incomplete." For most of the 20th century, architectural history spoke in one tongue: a singular, dominant narrative centered on a handful of movements, names, and cities, whose reach and influence appeared universal precisely because alternative voices were rendered inaudible. <a href="/tag/design">Design</a> movements, however, rarely traveled intact across borders. They were frequently absorbed, resisted, reinterpreted, and transformed depending on geography, politics, economy, climate, and available materials. What arrived in one place as doctrine became, somewhere else, something entirely different.</p>]]>
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        <![CDATA[Escuelita Lochiel: An ArchDaily Student Project Awards Winner Reframing Education Through Adobe]]>
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      <link>https://www.archdaily.com/1041005/escuelita-lochiel-an-archdaily-student-project-awards-winner-reframing-education-through-adobe</link>
      <pubDate>Thu, 30 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
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        <![CDATA[<p>In the high desert of the San Rafael Valley, a few miles from the United States-Mexico border in Lochiel, Arizona, an adobe schoolhouse has stood for more than a century. Built before 1905, before Arizona was an incorporated state, the schoolhouse served <a href="https://www.archdaily.com/1038594/beyond-the-classroom-six-unbuilt-projects-rethinking-educational-architecture?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">generations of Mexican American students from Arizona and Sonora, cultivating shared cultural experiences,</a> stories, and relationships that transcend physical and political boundaries. Over decades of <a href="https://www.archdaily.com/1038975/when-the-school-becomes-the-city-community-centered-projects-in-the-global-south?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">education and shared histories, it became a place where language and narrative moved freely,</a> even as geopolitical tensions continued to rise along the border. Today, it is one of the last remaining one-room adobe schoolhouses in the United States.</p>]]>
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        <![CDATA[Regenerative Salt Landscapes: An ArchDaily Student Project Awards Winner Rethinking Extraction in Argentina]]>
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      <link>https://www.archdaily.com/1040959/regenerative-salt-landscapes-an-archdaily-student-project-awards-winner-rethinking-extraction-in-argentina</link>
      <pubDate>Wed, 29 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>When people think of <a href="https://www.archdaily.com/country/argentina/page/1">Argentina</a>, they often picture landmarks like the <a href="https://turismo.buenosaires.gob.ar/en/otros-establecimientos/obelisk?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Obelisk of Buenos Aires</a>. Yet the country spans over 2,780,400 km², making it one of the largest in <a href="/tag/south-america">South America</a> and home to a wide range of landscapes and realities that frequently go unnoticed. In fact, the province of Jujuy in northern <a href="https://www.archdaily.com/country/argentina/page/1">Argentina</a> lies within the<a href="https://en.wikipedia.org/wiki/Lithium_Triangle?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> Lithium Triangle</a>: a high-altitude region shared with <a href="https://www.archdaily.com/country/bolivia/page/1">Bolivia</a> and <a href="https://www.archdaily.com/country/chile">Chile</a> that contains roughly 54% of the world's lithium reserves. Within this territory sits the <a href="https://www.argentina.gob.ar/ciencia/conae/educacion-y-formacion-masiva/materiales-educativos/salar-de-olaroz-jujuy-landsat-5-tm-8-de-febrero-de-2010?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Olaroz Salt Flat</a>, a site where today two competing dynamics converge: the expansion of industrial lithium extraction and the preservation of ancestral culture and lands inhabited by <a href="https://en.wikipedia.org/wiki/Qulla?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Kolla</a> and<a href="https://es.wikipedia.org/wiki/Atacame%C3%B1os?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> Atacama</a> communities, creating a clash of high-capacity <a href="https://www.archdaily.com/1039641/energy-landscapes-how-infrastructure-reshapes-territory-in-south-america?ad_source=search&amp;ad_medium=search_result_articles">industrial extraction</a> and traditional, low-impact agrarian practices.</p>]]>
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        <![CDATA[Light, Lighter, Lightest: ArchDaily’s April Editorial Focus]]>
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      <link>https://www.archdaily.com/1040208/light-lighter-lightest-archdailys-april-editorial-focus</link>
      <pubDate>Wed, 01 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Architecture has long been drawn upward. In <em>Air and Dreams</em>, Gaston Bachelard writes about an imagination shaped by movement; by the urge to rise, to drift, to escape the pull of the ground. Air, for him, invites imagination to distort, to invent, to go beyond what is given rather than simply reproduce it. In that sense, lightness is not only a physical condition, but a feeling: a desire to transcend the weight of the earth and move toward<a href="https://www.archdaily.com/960205/cloth-and-linen-walls-translucent-and-weightless" target="_blank" rel="noopener"> something less tangible.</a> This impulse can be traced across architecture's enduring attempts to lift itself, <a href="https://www.archdaily.com/1027777/touching-the-earth-lightly-how-freeing-the-ground-plane-shapes-architectural-atmosphere?ad_campaign=normal-tag" target="_blank" rel="noopener">from pilotis</a> and long spans to <a href="https://www.archdaily.com/1025601/how-textiles-shaped-architecture-prehistoric-structures-for-modern-buildings?ad_campaign=normal-tag" target="_blank" rel="noopener">suspended systems and tensile membranes</a>. To build lightly, then, is not only a technical ambition, but also a cultural one – a way of reaching toward the sky.</p>]]>
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        <![CDATA[Smiljan Radić Clarke: Get to Know the 2026 Pritzker Winner's Work]]>
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      <link>https://www.archdaily.com/1039546/smiljan-radic-clarke-get-to-know-the-2026-pritzker-winners-work</link>
      <pubDate>Thu, 12 Mar 2026 09:15:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p>The 2026 Pritzker Price Award has been awarded this year to the Chilean architect of Croatian descent, <a href="https://www.archdaily.com/office/smiljan-radic" target="_blank" rel="noopener">Smiljan Radić Clarke</a>. Born in <a href="/tag/santiago">Santiago</a>, <a href="/tag/chile">Chile</a>, in 1965, his practice evokes a geography of extremes, shaped by the tectonic tension between the staggering weight of the Andes and the seismic instability of the territory. After graduating from the Pontifical Catholic University of Chile and pursuing further studies in <a href="https://www.archdaily.com/895127/10-chapels-in-a-venice-forest-comprise-the-vaticans-first-ever-biennale-contribution" target="_blank" rel="noopener">aesthetics in Venice</a>, Smiljan Radić Clarke established his base in Santiago. From there, he has developed one of the most singular visions in contemporary architecture. His work privileges the intensity of the moment through a fragile architecture. Within it, the building operates as a temporary and tactile refuge that places the spectator in a state of aesthetic uncertainty, oscillating between ancestral ruin and avant-garde artefact.</p>]]>
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        <![CDATA[Smiljan Radić Clarke Receives the 2026 Pritzker Prize, The Artist of Unspoken Architecture]]>
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      <link>https://www.archdaily.com/1039553/smiljan-radic-clarke-receives-the-2026-pritzker-prize-the-artist-of-unspoken-architecture</link>
      <pubDate>Thu, 12 Mar 2026 09:15:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039553/smiljan-radic-clarke-receives-the-2026-pritzker-prize-the-artist-of-unspoken-architecture</guid>
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        <![CDATA[<p>Chilean architect <a href="https://www.archdaily.com/office/smiljan-radic">Smiljan Radić Clarke</a> has been announced as the laureate of the <a href="https://www.pritzkerprize.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">2026 Pritzker Architecture Prize</a>, regarded as one of the highest honors in the field of architecture. The award recognizes Radić for a body of work that explores architecture through material experimentation, spatial perception, and a careful engagement with landscape and context. Born in <a href="https://www.archdaily.com/tag/santiago">Santiago</a>, <a href="https://www.archdaily.com/country/chile">Chile</a>, where he continues to live and work, Radić leads the practice Smiljan Radić Clarke, established in 1995. As the second Chilean to receive the prize, after <a href="https://www.archdaily.com/780203/alejandro-aravena-wins-2016-pritzker-prize" target="_blank" rel="noopener">Alejandro Aravena in 2016</a>, he joins a distinguished list of previous laureates, including <a href="https://www.archdaily.com/1027571/chinese-architect-liu-jiakun-receives-the-2025-pritzker-architecture-prize?ad_campaign=special-tag">Liu Jiakun in 2025</a>, <a href="https://www.archdaily.com/1014028/japanese-architect-riken-yamamoto-receives-the-2024-pritzker-architecture-prize">Riken Yamamoto in 2024</a>, <a href="https://www.archdaily.com/997513/sir-david-chipperfield-selected-as-the-2023-laureate-of-the-pritzker-architecture-prize">David Chipperfield in 2023</a>, and <a href="https://www.archdaily.com/978446/francis-kere-receives-the-2022-pritzker-architecture-prize">Diébédo Francis Kéré in 2022</a>.</p>]]>
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        <![CDATA[Who Is Smiljan Radić Clarke? 10 Things to Know About the 2026 Pritzker Architecture Laureate]]>
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      <link>https://www.archdaily.com/1039554/who-is-smiljan-radic-clarke-10-things-to-know-about-the-2026-pritzker-architecture-laureate</link>
      <pubDate>Thu, 12 Mar 2026 09:15:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039554/who-is-smiljan-radic-clarke-10-things-to-know-about-the-2026-pritzker-architecture-laureate</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/smiljan-radic">Smiljan Radić Clarke</a>,<a href="https://www.archdaily.com/tag/pritzker-prize" target="_blank" rel="noopener"> the 2026 Pritzker Prize</a> winner, is a<a href="https://www.archdaily.com/788812/spotlight-smiljan-radic?ad_medium=office_landing&amp;ad_name=article" target="_blank" rel="noopener"> contemporary Chilean architect</a> known for his experimental approach to design, with a practice that balances the elemental with the intimate, the monumental with the fragile. Over the course of more than three decades, <a href="https://www.archdaily.com/tag/smiljan-radic">Radić</a> has developed an architecture that resists repetition and conventional stylistic categorization, favoring instead deeply <a href="https://www.archdaily.com/tag/site-specific">site-specific</a>, materially attuned, and culturally reflective interventions.</p>]]>
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        <![CDATA[The Technosphere: ArchDaily’s March Editorial Focus]]>
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      <link>https://www.archdaily.com/1039242/the-technosphere-archdailys-march-editorial-focus</link>
      <pubDate>Wed, 04 Mar 2026 09:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039242/the-technosphere-archdailys-march-editorial-focus</guid>
      <description>
        <![CDATA[<p>How heavy is a house? In his 1965 essay <a href="https://pablomadridra.wordpress.com/2012/11/25/a-home-is-not-a-house-traduccion-al-castellano/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><em>A Home Is Not a House</em></a>, Reyner Banham observed that modern American dwellings were becoming structurally lighter while growing heavier in mechanical services, such as plumbing, wiring, heating, and cooling. The true weight of architecture, he argued, was no longer in walls and roofs, but in the energy-intensive systems that sustained comfort. </p>]]>
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        <![CDATA[Open Call for Expert Contributors at ArchDaily]]>
      </title>
      <link>https://www.archdaily.com/1038256/open-call-for-expert-contributors-at-archdaily</link>
      <pubDate>Thu, 26 Feb 2026 05:30:00 +0000</pubDate>
      <dc:creator>ArchDaily Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038256/open-call-for-expert-contributors-at-archdaily</guid>
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        <![CDATA[<p>ArchDaily is looking for <em>Expert Contributor</em> to join our Sponsored Content team. In this role, you will produce high-quality, editorially strong content that highlights architectural products, materials, and projects while maintaining the editorial integrity and design-focused voice that <a href="/tag/archdaily">ArchDaily</a> is known for. </p>]]>
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        <![CDATA[Rethinking Heritage: ArchDaily’s February Editorial Focus]]>
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      <link>https://www.archdaily.com/1038348/rethinking-heritage-archdailys-february-editorial-focus</link>
      <pubDate>Tue, 03 Feb 2026 06:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038348/rethinking-heritage-archdailys-february-editorial-focus</guid>
      <description>
        <![CDATA[<p>"We know we are not born to die," often said Brazilian architect Paulo Mendes da Rocha. "We are born to continue." In architecture, this idea of continuity lies at the heart of heritage, not as a static inheritance, but as something that endures, transforms, and is constantly reinterpreted. Yet what continues, and what is allowed to disappear, is never neutral. Decisions about preservation are shaped by power, memory, and value, raising a fundamental question for contemporary practice: who defines what is worth carrying forward, and for whom?</p>]]>
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        <![CDATA[An Architecture of Care: ArchDaily’s Direction for 2026]]>
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      <link>https://www.archdaily.com/1037565/an-architecture-of-care-archdailys-direction-for-2026</link>
      <pubDate>Thu, 08 Jan 2026 08:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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      <description>
        <![CDATA[<p>Dear Readers,</p>]]>
      </description>
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        <![CDATA[Coming Together and the Making of Place: ArchDaily’s January Editorial Focus]]>
      </title>
      <link>https://www.archdaily.com/1037581/coming-together-and-the-making-of-place-archdailys-january-editorial-focus</link>
      <pubDate>Thu, 08 Jan 2026 06:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Long before architecture took the form of walls, roofs, or cities,<a href="https://www.archdaily.com/962817/fire-and-architecture-how-fire-shapes-the-design-of-buildings?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener"> it gathered people around fire</a>. The simple fire pit was one of humanity's earliest spatial devices: a place for warmth, food, storytelling, and ritual. Around it, space took shape through proximity rather than enclosure, through shared presence rather than prescribed use. The fire organized bodies in a circle, fostered alliances, and turned survival into collective life. Today, this ancestral logic persists: architecture has the potential of bringing people together not by commanding how they gather, but by creating the <a href="https://www.archdaily.com/1037387/architecture-that-shapes-health-lessons-of-design-and-well-being-in-2025?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">conditions that make togetherness possible</a>.</p>]]>
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        <![CDATA[The Year in Review: ArchDaily’s December Editorial Focus]]>
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      <link>https://www.archdaily.com/1036469/the-year-in-review-archdailys-december-editorial-focus</link>
      <pubDate>Tue, 02 Dec 2025 05:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>From the pavilions of <a href="https://www.archdaily.com/1035864/a-look-at-the-45-award-winning-pavilions-of-expo-2025-osaka" target="_blank" rel="noopener noreferrer" data-stringify-link="https://www.archdaily.com/1035864/a-look-at-the-45-award-winning-pavilions-of-expo-2025-osaka" data-sk="tooltip_parent">Osaka</a> and <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener noreferrer" data-stringify-link="https://www.archdaily.com/tag/venice-architecture-biennale-2025" data-sk="tooltip_parent">Venice</a>, to the roundtables of <a href="https://www.archdaily.com/1036340/cop30-outcomes-for-the-built-environment-from-sustainable-cooling-to-climate-adaptation-commitments" target="_blank" rel="noopener noreferrer" data-stringify-link="https://www.archdaily.com/1036340/cop30-outcomes-for-the-built-environment-from-sustainable-cooling-to-climate-adaptation-commitments" data-sk="tooltip_parent">Belém</a>, another year comes to a close. December invites us to pause and look back at the moments that defined architecture and cities in 2025. Reflection is not only an act of memory, but of foresight — a way to understand where we've been in order to imagine where we might go next. From shifting cultural narratives to material and technological breakthroughs, this past year underscored the importance of experimentation and adaptation across the built environment.</p>]]>
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        <![CDATA[Voices of ArchDaily: Eduardo Souza]]>
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      <link>https://www.archdaily.com/1035895/voices-of-archdaily-eduardo-souza</link>
      <pubDate>Mon, 10 Nov 2025 05:00:00 +0000</pubDate>
      <dc:creator>ArchDaily</dc:creator>
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        <![CDATA[<p>Based in Florianópolis, Brazil, <a href="https://www.archdaily.com/author/eduardo-souza" target="_blank" rel="noopener">Eduardo Souza brings a nuanced perspective</a> to architecture shaped by his lifelong engagement with design, research, and editorial practice. Growing up in an environment deeply connected to architecture—his father a civil engineer and professor—Eduardo developed an early fascination with creativity, craftsmanship, and spatial thinking. This foundation naturally led him to study architecture, and later, to explore the editorial realm where writing and curation became extensions of his architectural passion.</p>]]>
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        <![CDATA[Voices of ArchDaily: Agustina Iñiguez]]>
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      <link>https://www.archdaily.com/1035417/voices-of-archdaily-agustina-iniguez</link>
      <pubDate>Mon, 27 Oct 2025 09:00:00 +0000</pubDate>
      <dc:creator>ArchDaily</dc:creator>
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        <![CDATA[<p>Agustina Iñiguez's journey into architecture was rooted in a deep appreciation for art, drawing, and craftsmanship, interests that naturally evolved into a formal architectural education beginning at age 18. Based in Buenos Aires, Agustina balances her professional architectural practice with an active role in academia, serving as a teaching assistant at the University of Buenos Aires and as an assistant professor at Torcuato Di Tella University. Since joining ArchDaily's Editorial Team in 2021, she has brought a thoughtful and interdisciplinary approach to curating content that bridges theory, practice, and social engagement.</p>]]>
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        <![CDATA[Lisbon Architecture Triennale 2025 Examines the Technosphere and Human Impact on Earth]]>
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      <link>https://www.archdaily.com/1035135/lisbon-architecture-triennale-2025-examines-the-technosphere-and-human-impact-on-earth</link>
      <pubDate>Wed, 22 Oct 2025 05:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Thirty trillion tons. This is the estimated mass of all human-made matter on <a href="/tag/earth">Earth</a>, and the starting point for the <a href="https://www.archdaily.com/1034626/how-heavy-is-a-city-exploring-the-lisbon-architecture-triennale-2025?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">7th edition of the Lisbon Architecture Triennale</a>. Curated by Ann-Sofi Rönnskog and John Palmesino, founders of <a href="https://www.instagram.com/territorialagency/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Territorial Agency</a>, the event asks a deceptively simple question: <em>How heavy is a city?</em> To answer it requires more than data. It demands a shift in perception: from the scale of the city to the planetary technosphere.</p>]]>
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