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    <title>Tag: facade-elements | ArchDaily</title>
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        <![CDATA[Designing for Coexistence: The Invisible City of Bees]]>
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      <link>https://www.archdaily.com/1038974/designing-for-coexistence-the-invisible-city-of-bees</link>
      <pubDate>Tue, 24 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p>In the first days after birth, the bee remains <a href="https://www.archdaily.com/946778/the-incredible-architecture-of-bees" target="_blank" rel="noopener">inside the nest</a>, cleaning cells and being fed by other workers. Over time, it begins organizing pollen stores, regulating the hive's temperature, and guarding the entrance. Only in the final weeks of its life does it leave the shelter to fly. It is in the moment of flight that its trajectory begins to <a href="https://www.archdaily.com/976821/giving-nature-a-home-in-cities-bricks-for-bees-nests" target="_blank" rel="noopener">intersect with architecture and the city.</a> In search of nectar, it moves across a territory shaped not only by its spatial memory and the availability of flowers, but by the way we construct the built environment. Each movement <a href="https://www.archdaily.com/1035869/bugs-bees-and-trees-how-to-integrate-biodiversity-in-the-built-environment" target="_blank" rel="noopener">becomes a negotiation with urban space</a>: impermeable surfaces that disrupt natural cycles, air currents intensified between buildings, vegetation-free voids, scattered green fragments between lots, and technical rooftops.</p>]]>
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        <![CDATA[Line Up for Concrete Curves: Curvilinear Facades Doing the Trick]]>
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      <link>https://www.archdaily.com/1022233/line-up-for-concrete-curves-curvilinear-facades-doing-the-trick</link>
      <pubDate>Mon, 21 Oct 2024 00:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>Contemporary architecture evolves in tandem with the materials and construction techniques available in each region. In addition to the architectural trends of the moment or historical ideas that may inspire creativity, understanding how materials are used, cared for, and maintained, as well as their technical and aesthetic properties, is crucial to the concepts envisioned by many architects. Each material carries its own inherent logic. In fact, architect <a href="https://www.archdaily.com/office/louis-kahn" target="_blank" rel="noopener">Louis Kahn</a> suggested that the way materials interact can lead to unavoidable combinations of structure, walls, and assembly in buildings. <a href="https://www.archdaily.com/catalog/us/companies/1423/rieder-facades" target="_blank" rel="noopener">Rieder</a> products exemplify this by offering modular, flexible solutions that help buildings seamlessly adapt to urban environments, enhancing both interior and exterior spaces while maintaining cost-effectiveness.</p>]]>
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        <![CDATA[Prefabrication and Formal Boldness in Belgian Modernism: The Story of the CBR and LH 187 Buildings in Brussels]]>
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      <link>https://www.archdaily.com/1021745/cbr-and-lh-187-buildings-prefabrication-and-formal-boldness-in-belgian-modernism</link>
      <pubDate>Wed, 09 Oct 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>Between 1960 and 1976, <a href="https://www.archdaily.com/country/belgium" target="_blank" rel="noopener">Belgium</a>'s <a href="https://www.archdaily.com/tag/brussels" target="_blank" rel="noopener">capital</a> became a center for architectural experimentation, blending <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">modernist</a> ideals with <a href="https://www.archdaily.com/tag/prefabrication" target="_blank" rel="noopener">prefabrication</a>. This period led to the creation of two iconic buildings: the CBR Office Building (1967-1970) and LH 187 (1976), designed by <a href="/tag/constantin-brodzki">Constantin Brodzki</a> and <a href="/tag/marcel-lambrichs">Marcel Lambrichs</a>. Located side by side, these buildings share a striking architectural style. Both feature <a href="https://www.archdaily.com/tag/facades" target="_blank" rel="noopener">facades</a> made from large <a href="https://www.archdaily.com/996804/what-is-the-difference-between-precast-and-prefabricated-concrete-structures" target="_blank" rel="noopener">prefabricated concrete</a> <a href="https://www.archdaily.com/tag/modular" target="_blank" rel="noopener">modules</a>, showcasing the brutalist aesthetic and a dedication to using <a href="https://www.archdaily.com/category/industrial-architecture" target="_blank" rel="noopener">industrial materials</a> and innovative <a href="https://www.archdaily.com.br/br/tag/tecnicas-construtivas" target="_blank" rel="noopener">construction techniques</a> for their time.</p>]]>
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        <![CDATA[Balancing Function and Aesthetics: Incorporating Natural Light and Ventilation in Facades]]>
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      <link>https://www.archdaily.com/1008994/balancing-function-and-aesthetics-incorporating-natural-light-and-ventilation-in-facades</link>
      <pubDate>Thu, 14 Mar 2024 07:30:00 +0000</pubDate>
      <dc:creator>Helena Tourinho</dc:creator>
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        <![CDATA[<p>Environmental comfort is one of the aspects that contribute to the good performance of architecture. In project descriptions, the incidence of natural lighting and ventilation is often highlighted as advantageous characteristics that add to the aesthetics and functioning of the program. In a way, environmental comfort is part of the building's function, not necessarily linked to the activities that take place inside the construction but plays a role in its development.</p>]]>
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