<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: exhibition | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Thu, 9 Jul 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[Austria's 2027 Venice Architecture Biennale Pavilion Proposes a Shared Platform with Bosnia and Herzegovina]]>
      </title>
      <link>https://www.archdaily.com/en/1054050/austrias-2027-venice-architecture-biennale-pavilion-proposes-a-shared-platform-with-bosnia-and-herzegovina</link>
      <pubDate>Tue, 07 Jul 2026 11:45:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1054050/austrias-2027-venice-architecture-biennale-pavilion-proposes-a-shared-platform-with-bosnia-and-herzegovina</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/country/austria/page/1">Austria</a> has announced Koncesija / Konzession / Concession(e) as its contribution to <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2027">the 20th International Architecture Exhibition – La Biennale di Venezia</a>. Curated by architects Adna Babahmetović and Ajna Babahmetović together with curator Sebastian Höglinger, the project proposes temporarily granting the Austrian Pavilion to <a href="https://www.archdaily.com/country/bosnia-and-herzegovina/page/1">Bosnia and Herzegovina</a> through a cooperative concession. Selected through Austria's open competition process, the <a href="https://www.archdaily.com/tag/pavilion">pavilion</a> examines questions of national representation, diplomacy, and architectural exchange by responding to the absence of a Bosnian national pavilion in the <a href="https://www.archdaily.com/tag/giardini/page/1">Giardini</a>, where the <a href="https://www.archdaily.com/tag/biennale/page/1">Biennale</a>'s historic national pavilions are located.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a4c/c8e8/54de/fb01/894b/b92c/newsletter/austrias-2027-venice-architecture-biennale-pavilion-proposes-a-shared-platform-with-bosnia-and-herzegovina_1.jpg?1783417083"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Dreaming in the Ruins: How a Sleeping Ritual in Logroño Proposes a New Civic Architecture]]>
      </title>
      <link>https://www.archdaily.com/en/1042854/dreaming-in-the-ruins-how-a-sleeping-ritual-in-logrono-proposes-a-new-civic-architecture</link>
      <pubDate>Thu, 02 Jul 2026 07:30:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1042854/dreaming-in-the-ruins-how-a-sleeping-ritual-in-logrono-proposes-a-new-civic-architecture</guid>
      <description>
        <![CDATA[<p>Cities are increasingly designed to mitigate risk, and by doing so, need to collect data on <a href="https://www.archdaily.com/1041719/the-metrics-we-use-decide-the-cities-we-build-urban-indicators-and-lived-experience?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">climate, infrastructure, biodiversity, and social fragmentation so that the language of resilience becomes a fixture of planning</a>. Yet the underlying conditions that produce polarization, civic disengagement, and ecological breakdown often remain unquestioned. The tools that dominate <a href="https://www.archdaily.com/1038832/heritage-without-permanence-when-architecture-endures-by-disappearing?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">urban practice tend to address only one register of human experience, </a>while the emotional and imaginative dimensions of transformation are not treated as reliable solutions.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a42/c009/8481/2b01/8af5/11a4/newsletter/rituals-and-ecologies-in-civic-infrastructure-lessons-from-one-third-of-life-at-concentrico-2026_1.jpg?1782759456"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[15th São Paulo Architecture Biennial Names Gabriela de Matos and Pedro Rossi as Chief Curators for 2027]]>
      </title>
      <link>https://www.archdaily.com/en/1042948/15th-sao-paulo-architecture-biennial-names-gabriela-de-matos-and-pedro-rossi-as-chief-curators-for-2027</link>
      <pubDate>Thu, 02 Jul 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1042948/15th-sao-paulo-architecture-biennial-names-gabriela-de-matos-and-pedro-rossi-as-chief-curators-for-2027</guid>
      <description>
        <![CDATA[<p>The 15th <a href="https://www.archdaily.com/tag/sao-paulo-architecture-biennial" target="_blank" rel="noopener">São Paulo International Architecture Biennial </a>(BIAsp), scheduled to take place in September and October 2027, announced architects<a href="https://www.archdaily.com/tag/gabriela-de-matos" target="_blank" rel="noopener"> Gabriela de Matos </a>and <a href="/en/tag/pedro-rossi">Pedro Rossi</a> as the event's chief curators. Following <a href="https://www.archdaily.com/1034713/sao-paulo-architecture-biennial-points-to-possible-futures-for-a-planet-in-crisis" target="_blank" rel="noopener">the previous edition on the theme <em>Extremes: Architectures for a Hot World</em></a>, the duo is expected to bring critical perspectives on architecture, culture, and the city to bear on the theme <em>Architecture, Culture, and Sovereignty</em>. Their role is to direct the conceptual development of the Biennial, assemble a curatorial team, and run a public call for co-curators.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a46/077f/ebd1/e401/893a/aa1e/newsletter/15th-sao-paulo-architecture-biennial-names-gabriela-de-matos-and-pedro-rossi-as-chief-curators-for-2027_1.jpg?1782974439"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[“What is This? A Spa, a Gym, a Zoo for Tiny Animals?” Explores the Fundació Mies van der Rohe Archive in Barcelona]]>
      </title>
      <link>https://www.archdaily.com/en/1042875/what-is-this-a-spa-a-gym-a-zoo-for-tiny-animals-explores-the-fundacio-mies-van-der-rohe-archive-in-barcelona</link>
      <pubDate>Tue, 30 Jun 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1042875/what-is-this-a-spa-a-gym-a-zoo-for-tiny-animals-explores-the-fundacio-mies-van-der-rohe-archive-in-barcelona</guid>
      <description>
        <![CDATA[<p>The exhibition What is This? A Spa, a Gym, a Zoo for Tiny Animals? is on view at the Palau Victòria Eugènia in <a href="https://www.archdaily.com/tag/barcelona/page/1">Barcelona</a> from May 11 to July 5, 2026. Organized by the <a href="https://www.archdaily.com/tag/fundacio-mies-van-der-rohe/page/1">Fundació Mies van der Rohe</a> and curated by Anna Sala and Ivan Blasi, the <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> presents the institution's archive through a new curatorial framework, bringing together architectural models, drawings, documents, films, and records of artistic interventions that have taken place at the <a href="https://www.archdaily.com/tag/barcelona-pavilion/page/1">Barcelona Pavilion</a> since 1986. Open daily with free admission, the exhibition invites visitors to engage with the archive as both a historical collection and an evolving record of architectural discourse.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a43/8121/8481/2b01/8af5/15b1/newsletter/what-is-this-a-spa-a-gym-a-zoo-for-tiny-animals-explores-the-fundacio-mies-van-der-rohe-archive-in-barcelona_1.jpg?1782808869"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[UIA World Congress of Architecture 2026 Opens in Barcelona Under the Theme "Architectures for a Planet in Transition"]]>
      </title>
      <link>https://www.archdaily.com/en/1042829/uia-world-congress-of-architecture-2026-opens-in-barcelona-under-the-theme-architectures-for-a-planet-in-transition</link>
      <pubDate>Mon, 29 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1042829/uia-world-congress-of-architecture-2026-opens-in-barcelona-under-the-theme-architectures-for-a-planet-in-transition</guid>
      <description>
        <![CDATA[<p>The<a href="https://www.archdaily.com/tag/uia-2026-barcelona" target="_blank" rel="noopener"> UIA 2026</a>, the 29th edition of the triennial international event for architectural dialogue organised by the <a href="https://www.archdaily.com/tag/international-union-of-architects" target="_blank" rel="noopener">International Union of Architects</a>, has opened its doors on Sunday, June 28th, with an inaugural event held at <a href="https://www.archdaily.com/1028764/garces-de-seta-bonet-and-marvel-architects-win-competition-to-transform-three-chimneys-into-catalunya-media-city" target="_blank" rel="noopener">Three Chimneys</a>, a former power plant in Sant Adrià de Besòs. Each <a href="/en/tag/congress">Congress</a> focuses on a pressing topic relevant to the profession, articulated through a central theme. <a href="https://www.archdaily.com/1037302/the-uia-world-congress-of-architects-2026-barcelona-unveils-program-and-speakers" target="_blank" rel="noopener">The topic for 2026 is "Becoming. Architectures for a Planet in Transition,"</a> calling for a broad and critical overview of the possible futures of architecture. The event runs through July 2, 2026, as a distributed event across multiple venues and urban contexts. With a multidisciplinary approach,<a href="https://www.archdaily.com/966002/barcelona-named-unesco-world-capital-of-architecture-for-2026?ad_campaign=normal-tag" target="_blank" rel="noopener"> Barcelona, the UNESCO World Capital of Architecture 2026</a>, is set to become a global laboratory and hub for debating forthcoming ecological, social, material, and cultural transitions.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a42/2c8c/8481/2b01/8af5/0da6/newsletter/uia-world-congress-of-architecture-2026-opens-in-barcelona-under-the-theme-architectures-for-a-planet-in-transition_13.jpg?1782721720"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["The Century of Gehry": Frank Gehry Retrospective Opens at the Serralves Museum in Porto]]>
      </title>
      <link>https://www.archdaily.com/en/1042273/the-century-of-gehry-frank-gehry-retrospective-opens-at-the-serralves-museum-in-porto</link>
      <pubDate>Tue, 09 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1042273/the-century-of-gehry-frank-gehry-retrospective-opens-at-the-serralves-museum-in-porto</guid>
      <description>
        <![CDATA[<p>From June 12 to December 20, 2026, the <a href="/en/tag/serralves-museum-of-contemporary-art">Serralves Museum of Contemporary Art</a> in <a href="/en/tag/porto">Porto</a>, <a href="/en/tag/portugal">Portugal</a>, will be hosting a retrospective exhibition dedicated to the career of <a href="https://www.archdaily.com/1036716/frank-gehry-visionary-architect-of-the-bilbao-guggenheim-dies-at-96" target="_blank" rel="noopener">Frank Gehry (1929-2025)</a>. Titled <em>The Century of Gehry</em>, the exhibition presents to the public original large-scale models, sculptures, drawings, furniture, and other works documenting the architect's notable, and at times controversial, <a href="https://www.archdaily.com/964625/what-is-postmodernism" target="_blank" rel="noopener">postmodern architecture</a>. The exhibit covers from early experiments to iconic buildings such as t<a href="https://www.archdaily.com/67321/gehry-residence-frank-gehry" target="_blank" rel="noopener">he architect's house in Santa Mónica</a>, the <a href="https://www.archdaily.com/422470/ad-classics-the-guggenheim-museum-bilbao-frank-gehry" target="_blank" rel="noopener">Guggenheim Museum in Bilbao</a>, the <a href="https://www.archdaily.com/555694/fondation-louis-vuitton-gehry-partners" target="_blank" rel="noopener">Fondation Louis Vuitton in Paris</a>, and the <a href="https://www.archdaily.com/441358/ad-classics-walt-disney-concert-hall-frank-gehry" target="_blank" rel="noopener">Walt Disney Concert Hall in Los Angeles</a>. The<a href="https://www.archdaily.com/tag/serralves-museum-of-contemporary-art" target="_blank" rel="noopener"> Serralves Museum</a> occupies a building designed by the Portuguese architect Álvaro Siza Vieira in 1991. The exhibition is housed in <a href="https://www.archdaily.com/1015907/serralves-museum-alvaro-siza-wing-alvaro-siza-vieira" target="_blank" rel="noopener">the new wing that bears his name</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a26/e572/325f/9301/8751/0576/newsletter/the-century-of-gehry-retrospective-exhibition-opens-at-the-serralves-museum-of-contemporary-art-in-porto_8.jpg?1780934031"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Ceramics Forged in Light: A Spatial Translation of Circular Material Processes ]]>
      </title>
      <link>https://www.archdaily.com/en/1041534/ceramics-forged-in-light-a-spatial-translation-of-circular-material-processes</link>
      <pubDate>Thu, 28 May 2026 06:45:00 +0000</pubDate>
      <dc:creator>Kiana Buchberger</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1041534/ceramics-forged-in-light-a-spatial-translation-of-circular-material-processes</guid>
      <description>
        <![CDATA[<p>Can one of architecture's oldest materials still inform how <a href="https://www.archdaily.com/tag/sustainability">sustainability</a> and <a href="https://www.archdaily.com/tag/manufacturing">manufacturing</a> are approached today? What shifts when <a href="https://www.archdaily.com/tag/ceramics">ceramic</a> is viewed beyond its surface, as a process shaped by <a href="https://www.archdaily.com/tag/light">light</a>, <a href="https://www.archdaily.com/tag/water">water</a>, and <a href="https://www.archdaily.com/tag/clay">clay</a>? At <a href="https://www.archdaily.com/tag/milan-design-week" target="_blank" rel="noopener">Milan Design Week 2026</a>, VitrA, a brand producing <a href="https://www.vitraglobal.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">bathroom and ceramic surfaces and working across sanitaryware and tiles</a>, and international design practice <a href="https://www.archdaily.com/office/snohetta" target="_blank" rel="noopener">Snøhetta</a> explore these questions through <a href="https://www.vitraglobal.com/fairs/milan-design-week-2026-interni-materiae/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>Ceramics Forged in Light</em></a>, an immersive installation created for the INTERNI MATERIAE exhibition. Positioned within a broader discourse on <a href="https://www.archdaily.com/tag/material">material experimentation</a> and <a href="https://www.archdaily.com/tag/circular-design">circular production</a>, the project treats ceramic as an architectural material defined by continuous transformation, shaped through light, water, heat, reflection, and reuse.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a04/81c2/fda2/da01/89bd/da21/newsletter/ceramics-forged-in-light-a-spatial-translation-of-circular-material-processes_1.jpg?1778680337"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Curatorial Work as City-Making: Design Trust’s Marisa Yiu on Exhibitions and Spatial Agency]]>
      </title>
      <link>https://www.archdaily.com/en/1041822/curatorial-work-as-city-making-design-trusts-marisa-yiu-on-exhibitions-and-spatial-agency</link>
      <pubDate>Thu, 28 May 2026 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1041822/curatorial-work-as-city-making-design-trusts-marisa-yiu-on-exhibitions-and-spatial-agency</guid>
      <description>
        <![CDATA[<p>In <a href="/en/tag/hong-kong">Hong Kong</a>, where architecture is often driven by real estate logic, <a href="https://www.archdaily.com/1039154/making-infrastructure-visible-when-systems-become-architecture?ad_source=search&amp;ad_medium=search_result_articles">infrastructure</a>, and accelerated <a href="https://www.archdaily.com/1039650/form-function-and-funding-the-high-tech-urbanism-of-san-francisco?ad_source=search&amp;ad_medium=search_result_articles">development</a>, the space for <a href="https://www.archdaily.com/949316/the-evolution-in-understanding-of-human-scales-in-architecture">bodily-scaled</a> civic experimentation can be surprisingly narrow. This is where <a href="https://designtrust.hk?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Design Trust </a>has become distinctive. As a grant-making and project-enabling platform, it supports <a href="https://www.archdaily.com/1038245/when-art-came-first-spatial-experiments-that-shaped-architecture-in-latin-america?ad_source=search&amp;ad_medium=search_result_articles">spatial interventions</a> that sit between architecture, research, and public programming—work that is often too modest, collective, or uncertain to fit conventional client–architect pipelines.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a14/387d/093e/9201/8986/614c/newsletter/curatorial-care-as-city-making-design-trusts-marisa-yiu-on-exhibitions-and-spatial-agency_15.jpg?1779710085"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[8 National Pavilion Highlights from the 2026 Venice Art Biennale]]>
      </title>
      <link>https://www.archdaily.com/en/1041443/8-national-pavilion-highlights-from-the-2026-venice-art-biennale</link>
      <pubDate>Wed, 13 May 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1041443/8-national-pavilion-highlights-from-the-2026-venice-art-biennale</guid>
      <description>
        <![CDATA[<p>In December 2024, <a href="https://www.archdaily.com/1024394/venice-art-biennale-appoints-koyo-kouoh-as-director-of-the-61st-international-art-exhibition?ad_campaign=normal-tag" target="_blank" rel="noopener">art curator Koyo Kouoh became the first African woman selected to curate the 61st International Art Exhibition of La Biennale di Venezia</a>. She proposed an introspective and sensitive approach to the exhibition, shaped by themes of grief, memory, spirituality, and global exhaustion. Following her premature passing in May 2025, the Biennale decided to continue with the same curatorial project, titled In Minor Keys. <a href="https://www.archdaily.com/office/wolff-architects" target="_blank" rel="noopener">Wolff Architects </a>was appointed by <a href="https://www.archdaily.com/tag/koyo-kouoh" target="_blank" rel="noopener">Kouoh </a>in early 2025 to realize the exhibition design and scenography, focused on "the transformative spatial power of the threshold as a portal to alternative comprehension and experiences." The event was inaugurated on Saturday, May 9, and will run until Sunday, November 22, 2026, across the <a href="/en/tag/giardini">Giardini</a> della Biennale, the <a href="/en/tag/arsenale">Arsenale</a> di Venezia, and other locations throughout Venice.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a02/a8d8/ae3a/0b01/7ddb/bf3e/newsletter/8-national-pavilion-highlights-from-the-2026-venice-art-biennale_63.jpg?1778559205"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[In Other Worlds by Liam Young Reimagines Cities, Landscapes, and Climate Futures at the Barbican Centre]]>
      </title>
      <link>https://www.archdaily.com/en/1041349/in-other-worlds-by-liam-young-reimagines-cities-landscapes-and-climate-futures-at-the-barbican-centre</link>
      <pubDate>Fri, 08 May 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1041349/in-other-worlds-by-liam-young-reimagines-cities-landscapes-and-climate-futures-at-the-barbican-centre</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/barbican">The Barbican Centre</a> has announced In Other Worlds, a major immersive <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> by speculative architect, filmmaker, and artist <a href="https://www.archdaily.com/tag/liam-young/page/1">Liam Young</a>, opening from May 21 through September 6, 2026. Occupying three distinct locations within the <a href="https://www.archdaily.com/tag/barbican">Barbican</a> complex, the Silk Street Entrance, The Curve gallery, and Car Park 5, the exhibition will transform <a href="https://www.archdaily.com/1024907/the-barbican-center-to-undergo-major-renewal-and-upgrade-planned-to-begin-first-phase-in-2027?ad_campaign=normal-tag">the Brutalist cultural landmark</a> into a sequence of cinematic environments examining <a href="https://www.archdaily.com/tag/architecture">architecture</a>, infrastructure, climate futures, and planetary urbanism. Developed in collaboration with writers, scientists, filmmakers, musicians, and performers, the project brings together large-scale projections, LED installations, sound environments, graphic narratives, costumes, and speculative artifacts to explore how fiction and spatial storytelling can shape conversations around environmental and technological change.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69fd/ac51/fda2/da01/89bd/c49f/newsletter/in-other-worlds-by-liam-young-reimagines-cities-landscapes-and-climate-futures-at-the-barbican-centre_3.jpg?1778232436"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[ArchDaily’s Selection: 15 Installations and Exhibitions from Milan Design Week 2026]]>
      </title>
      <link>https://www.archdaily.com/en/1040989/15-architectural-installations-and-exhibitions-at-the-2026-milan-design-week</link>
      <pubDate>Mon, 27 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1040989/15-architectural-installations-and-exhibitions-at-the-2026-milan-design-week</guid>
      <description>
        <![CDATA[<p>Bringing together a week of <a href="https://www.archdaily.com/1040640/milan-design-week-2026-must-see-installations-exhibitions-and-events">exhibitions, installations</a>, and <a href="https://www.archdaily.com/1040422/what-to-look-forward-to-at-the-salone-del-mobililano-2026-talks-installations-and-city-interventions">industry exchange</a>, <a href="https://www.archdaily.com/tag/milan-design-week-2026">Milan Design Week 2026</a> and <a href="https://www.archdaily.com/tag/salone-del-mobile-2026">the 64th edition of Salone del Mobile.Milano</a> concluded on April 26, <a href="https://www.archdaily.com/1040861/salone-del-mobililano-and-milan-design-week-2026-open-across-the-city-and-fairgrounds?ad_campaign=normal-tag">following six days of programming</a> across the fairgrounds and the city. Held from April 20 to 26, this year's events reaffirmed Milan's central role within the global design calendar. The <a href="https://www.archdaily.com/tag/salone-del-mobile-2026">Salone</a> itself drew over 316,000 visitors from 167 countries. With 1,900 brands represented and a strong international presence, the week once again operated as both a cultural platform and an economic engine, navigating a context marked by market uncertainty while maintaining its capacity to convene designers, institutions, and industry leaders at a global scale.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69ef/3667/6001/4201/883a/ecc4/newsletter/15-architectural-installations-and-exhibitions-at-the-2026-milan-design-week_22.jpg?1777284739"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Public Space in Use: Región Austral and the Architecture of Everyday Life]]>
      </title>
      <link>https://www.archdaily.com/en/1040709/public-space-in-use-region-austral-and-the-architecture-of-everyday-life</link>
      <pubDate>Sun, 26 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1040709/public-space-in-use-region-austral-and-the-architecture-of-everyday-life</guid>
      <description>
        <![CDATA[<p>Architecture is often evaluated through what gets built. But in many cases, what matters happens after: how spaces are used, adapted, and made part of everyday life. For <a href="https://www.archdaily.com/office/region-austral" target="_blank" rel="noopener">Región Austral</a>, winner of ArchDaily's <a href="https://www.archdaily.com/1033983/20-practices-shaping-the-future-of-architecture-winners-of-the-archdaily-2025-next-practices-awards">2025 Next Practices Awards</a>, this is where design really begins. Working across many contexts, the practice approaches public space not as a single object, but as something that needs to be activated, negotiated, and sustained over time. Their projects focus less on defining form and more on creating the conditions for use, with design serving as the starting point.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69e0/4f90/1afd/7049/4bb3/a29e/newsletter/public-space-in-use-how-region-austral-activates-urban-life_2.jpg?1776308252"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Sharjah Architecture Triennial Presents "A Journey into Architecture Archives" Focused on Baghdad, Damascus, and Tunis]]>
      </title>
      <link>https://www.archdaily.com/en/1040836/sharjah-architecture-triennial-presents-a-journey-into-architecture-archives-focused-on-baghdad-damascus-and-tunis</link>
      <pubDate>Tue, 21 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1040836/sharjah-architecture-triennial-presents-a-journey-into-architecture-archives-focused-on-baghdad-damascus-and-tunis</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/sharjah-architecture-triennial">The Sharjah Architecture Triennial (SAT)</a> presents <em>A Journey into Architecture <a href="/en/tag/archives">Archives</a>: <a href="/en/tag/baghdad">Baghdad</a>, <a href="/en/tag/damascus">Damascus</a>, Tunis</em>, curated by <a href="https://www.archdaily.com/tag/george-arbid/page/1">George Arbid,</a> on view from May 2 to July 12, 2026, at Al Qasimiyah School. Developed as part of <a href="https://www.archdaily.com/tag/sharjah-architecture-triennial">SAT</a>'s long-term research program, the project continues the institution's commitment to documenting and safeguarding <a href="https://www.archdaily.com/tag/archives">architectural archives</a> across the Arab world. Bringing together archival materials, physical models, and newly commissioned films, the <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> examines how architectural histories are constructed, preserved, and revisited over time.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69e7/4453/1afd/7001/8891/46bc/newsletter/sharjah-architecture-triennial-presents-second-chapter-of-a-journey-into-architecture-archives-focused-on-baghdad-damascus-and-tunis_9.jpg?1776763991"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Peter Zumthor’s LACMA David Geffen Galleries Open in Los Angeles]]>
      </title>
      <link>https://www.archdaily.com/en/1040778/peter-zumthors-lacma-david-geffen-galleries-open-in-los-angeles</link>
      <pubDate>Mon, 20 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1040778/peter-zumthors-lacma-david-geffen-galleries-open-in-los-angeles</guid>
      <description>
        <![CDATA[<p>On Sunday, April 19, 2026, the<a href="https://www.archdaily.com/tag/los-angeles-county-museum-of-art"> Los Angeles County Museum of Art</a> (<a href="https://www.archdaily.com/tag/lacma">LACMA</a>) opened its new David Geffen <a href="/en/tag/galleries">Galleries</a> to the public. Designed by architect<a href="https://www.archdaily.com/tag/peter-zumthor"> Peter Zumthor</a>, the building offers an elevated exhibition space for the museum's permanent collection. All artworks are presented in a single-level open space, in a non-hierarchical layout of cultures, traditions, and eras, spanning 6,000 years of art history across approximately 155,000 objects. The space is flexible, accommodating diverse curatorial projects as well as visitors' individual paths.<a href="https://www.archdaily.com/1023049/lacma-sets-april-2026-opening-for-peter-zumthor-designed-galleries-in-los-angeles-united-states?ad_campaign=normal-tag"> The project marks a new step in the institution's two-decade transformation</a> into a global art museum and the most comprehensive in the western United States.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69e4/19fd/63f5/ef01/884f/dfab/newsletter/peter-zumthors-lacmas-new-david-geffen-galleries-opening_31.jpg?1776556562"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[V&A East Museum by O’Donnell + Tuomey to Open in East London’s Cultural Quarter]]>
      </title>
      <link>https://www.archdaily.com/en/1040679/v-and-a-east-museum-by-odonnell-plus-tuomey-to-open-in-east-londons-cultural-quarter</link>
      <pubDate>Wed, 15 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1040679/v-and-a-east-museum-by-odonnell-plus-tuomey-to-open-in-east-londons-cultural-quarter</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/v-and-a-museum" target="_blank" rel="noopener">V&amp;A East Museum</a>, designed by architects <a href="https://www.archdaily.com/office/o-donnell-tuomey-architects" target="_blank" rel="noopener">O'Donnell + Tuomey</a>, will open to the public on 18 April 2026. <a href="https://www.archdaily.com/905127/v-and-a-east-revealed-with-new-designs-by-diller-scofidio-plus-renfro-and-odonnell-plus-tuomey" target="_blank" rel="noopener">Assigned to the firm in 2015</a>, the new building is located in the Queen Elizabeth Olympic Park, near its <a href="https://www.archdaily.com/1030656/diller-scofidio-plus-renfro-completes-v-and-a-east-storehouse-in-queen-elizabeth-olympic-park" target="_blank" rel="noopener">recently opened sister facility, the V&amp;A East Storehouse</a>, designed by <a href="https://www.archdaily.com/office/diller-scofidio-plus-renfro" target="_blank" rel="noopener">Diller Scofidio + Renfro</a>. Located in East <a href="/en/tag/london">London</a>, the UK's newest cultural quarter supported by the Mayor of London, the two-building complex aims to "spotlight the many ways global artists, designers, and makers use creativity to shape the world." Dedicated to creative opportunity and its power to bring change, the museum's five public levels contain two permanent galleries, a 900 sqm temporary exhibition gallery, a top-floor project and event space, learning facilities, and a café.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69df/418f/63f5/ef01/884f/d212/newsletter/v-and-a_17.jpg?1776239131"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Getty Center to Close Temporarily for Its Largest Modernization Since 1997 Opening]]>
      </title>
      <link>https://www.archdaily.com/en/1040594/getty-center-to-close-temporarily-for-its-largest-modernization-since-1997-opening</link>
      <pubDate>Mon, 13 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1040594/getty-center-to-close-temporarily-for-its-largest-modernization-since-1997-opening</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/103964/ad-classics-getty-center-richard-meier-partners-architects?ad_source=search&amp;ad_medium=projects_tab">The Getty Center</a> <a href="https://www.getty.edu/news/getty-announces-major-modernization-efforts/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">has announced</a> a comprehensive modernization program marking its most significant <a href="https://www.archdaily.com/tag/transformation">transformation</a> since its opening in 1997. Located within the <a href="https://www.archdaily.com/tag/santa-monica">Santa Monica</a> Mountains and overlooking <a href="https://www.archdaily.com/tag/los-angeles/page/1">Los Angeles</a>, the campus will temporarily close to the public from March 15, 2027, through spring 2028 to accommodate the planned works. The initiative focuses on enhancing visitor experience, improving <a href="https://www.archdaily.com/tag/accessibility">accessibility</a>, and advancing energy resilience, while supporting the long-term stewardship of the institution. Before the closure begins, <a href="https://www.archdaily.com/tag/the-getty-center" target="_blank" rel="noopener">the Getty Center</a> will continue its program of exhibitions and events through early 2027.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69dc/b118/adbb/f701/8b64/52a2/newsletter/getty-center-to-close-temporarily-for-its-largest-modernization-since-1997-opening_1.jpg?1776070974"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Kengo Kuma and Associates Wins Competition to Design New Wing for London's National Gallery]]>
      </title>
      <link>https://www.archdaily.com/en/1040477/kengo-kuma-and-associates-wins-competition-to-design-new-wing-for-londons-national-gallery</link>
      <pubDate>Thu, 09 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1040477/kengo-kuma-and-associates-wins-competition-to-design-new-wing-for-londons-national-gallery</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/national-gallery-of-art">London's National Gallery</a> has announced <a href="https://www.archdaily.com/office/kengo-kuma-and-associates?ad_source=search&amp;ad_medium=search_result_professionals">Kengo Kuma &amp; Associates</a>, in collaboration with <a href="https://www.archdaily.com/office/bdp?ad_source=search&amp;ad_medium=search_result_professionals">BDP</a> and <a href="https://www.archdaily.com/office/mica-architects?ad_source=search&amp;ad_medium=search_result_professionals">MICA</a>, as the winners of the <a href="https://www.archdaily.com/tag/international-competition">international competitio</a>n to design a new wing for the institution. Launched in September 2025, the competition attracted 65 submissions from international practices, <a href="https://www.archdaily.com/1036901/londons-national-gallery-unveils-shortlist-for-expansion-featuring-farshid-moussavi-foster-plus-partners-rpbw-and-kengo-kuma?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">from which six teams were shortlisted to develop proposals</a>. The selection marks a key milestone in the institution's long-term development strategy, <a href="https://www.nationalgallery.org.uk/about-us/project-domani?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Project Domani</a>, positioning the new addition as a central component in the reconfiguration of its architectural and curatorial framework. Conceived as the most significant <a href="https://www.archdaily.com/tag/transformation">transformation</a> of the <a href="https://www.archdaily.com/tag/museum/page/1">museum</a> since its establishment in 1824, the project aims to expand both spatial capacity and curatorial scope, enabling the presentation of a continuous narrative of Western painting within a single setting.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69d7/68c5/7950/303e/c139/35b4/newsletter/kengo-kuma-and-associates-wins-competition-to-design-new-wing-for-national-gallery-in-london_1.jpg?1775724789"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Kengo Kuma & Associates Present Site-Specific Installation “Earth | Tree” at Copenhagen Contemporary]]>
      </title>
      <link>https://www.archdaily.com/en/1040347/kengo-kuma-and-associates-present-site-specific-installation-earth-tree-at-copenhagen-contemporary</link>
      <pubDate>Fri, 03 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1040347/kengo-kuma-and-associates-present-site-specific-installation-earth-tree-at-copenhagen-contemporary</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/japanese-architecture/page/1">Japanese architect</a> <a href="https://www.archdaily.com/tag/kengo-kuma/page/1">Kengo Kuma</a> and his studio <a href="https://www.archdaily.com/office/kengo-kuma-and-associates">Kengo Kuma &amp; Associates (KKAA)</a> have unveiled Earth | Tree, a site-specific installation at <a href="https://www.archdaily.com/tag/copenhagen/page/1">Copenhagen</a> Contemporary, developed in collaboration with Danish <a href="https://www.archdaily.com/tag/wood">wood manufacturer</a> Dinesen. Opened on March 28, 2026, as part of the institution's CCreate programme, the project occupies a former industrial hall, introducing a spatial intervention defined by <a href="/en/tag/timber">timber</a>, brick, and light. Led by partner <a href="/en/tag/yuki-ikeguchi">Yuki Ikeguchi</a>, with team members Asger T. Taarnberg, Nicolas Guichard, and Yasemin Shiner, the installation marks <a href="https://www.archdaily.com/office/kengo-kuma-and-associates">KKAA</a>'s first <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> in <a href="https://www.archdaily.com/tag/scandinavia/page/1" target="_blank" rel="noopener">Scandinavia</a> and situates the studio's material-oriented practice within an exhibition format.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69cf/898f/ae7d/2901/8861/690f/newsletter/kengo-kuma-and-associates-present-site-specific-installation-earth-tree-at-copenhagen-contemporary_15.jpg?1775208948"></enclosure>
    </item>
  </channel>
</rss>
